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soundcloud.com/whoskid/armnhmr-fallen-ft-desiree-dawson-k...
Model : Bachir Boris Ouedraogo
Photographer : Thomas -de Sade-
Light assistance : HIRU Creation
© IDE-J Productions
Alistair will give an overview of the techniques and technologies for visualising graph data, and explain where these work well for different types of problem. Graph databases help you to express the connections in your data. Simply by visualising those connections, you have a simple analysis tool, and a compelling user interface.
See the skillscast (film/code/slides) at skillsmatter.com/skillscasts/5095-seeing-patterns-in-your...
Analyses A Quiet Place to identify the key narrative elements of how the film uses silence, sound effects and music.
A Quiet Place (2018), Director: John Krasinski
The "Ars Electronica Futurelab's" (AT) visualisation of Joseph Haydn's Symphony No. 94 in G major "Surprise" takes the audience on a journey through an abstract 3-D world.
credit: Ars Electronica Futurelab
Photoshop visualisation of a series of Dulux colour schemes proposed for a Kelburn, Wellington New Zealand residential townhouse complex exterior repaint project by Programmed Property Services. The imagery was post processed with Adobe Photoshop CS6.
Photoshop visualisation of a series of Dulux colour schemes proposed for a Kelburn, Wellington New Zealand residential townhouse complex exterior repaint project by Programmed Property Services. The imagery was post processed with Adobe Photoshop CS6.
Visualising time harmonic (e.g. p * exp(-i * omega * t)) results in Paraview can be a pain. As far as I know, Paraview does not actually support it, but using a trick with calculator and an animation feature it is possible. To introduce a time variable to the visualization pipeline, do the following:
1) Create a calculator unit. Put “time” as result array name, and 1/0 as the function and let the checkbox “replace invalid results” stay active.
2) Go to the animation view and create a new widget for the above mentioned calculator unit. Select variable “replacement value” and modify it to your liking. Ramp is a good bet usually.
Now if you have e.g. a simulated pressure field over a 3d domain, you can select the calculator unit returning the time variable and the pressure data unit and use the “append attributes” filter to put these two together.
Finally, write the harmonic function in the calculator applied to the attribute-appended data. Just put Re p * cos(-omega * time) + Im p * sin(-omega * time) and there you go.
3D Product Visualisation
Rainstorm Film is a Creative & Architectural Visualization Studios located at Ho Chi Minh City, Vietnam and Melbourne, Australia. We produce architectural animation, architectural visualization in 2D rendering and animation for real estate marketing and television, commercials and online integrated media.
Contact us at : wakemeup@rainstormfilm.com
Website : www.rainstormfilm.com | www.vubao.com.vn
3D Visualization, 3D animation, Architectural visualization, Perspective Rendering, Digital Design, Web Design, Web Development, Ecommerce Development, Hoạt hình 3D, Diễn họa kiến trúc, Phối cảnh 3D, 3D kiến trúc, Thiết kế web, Phát triển web, phim 3D kiến trúc, phim 3D bất động sản, quảng cáo truyền hình, logo
Phát triển web, phim 3D bất động sản, phim 3D kiến trúc, TVC, phim 3D qui hoạch
The "Ars Electronica Futurelab's" (AT) visualisation of Joseph Haydn's Symphony No. 94 in G major "Surprise" takes the audience on a journey through an abstract 3-D world.
credit: Ars Electronica Futurelab
Notations 21 by Theresa Sauer, from Mark Batty Publisher. I was really excited to get this in the mail, I'd seen a few blog posts and it looked great. I'm lucky enough to have a couple of issues of Source Magazine (pics here bit.ly/pREha6 and here bit.ly/p9O1l1 ) which first sparked an ...... Read more From: PaperPosts
Photoshop visualisation of a series of Dulux colour schemes proposed for a Kelburn, Wellington New Zealand residential townhouse complex exterior repaint project by Programmed Property Services. The imagery was post processed with Adobe Photoshop CS6.
This illustration theorises how a barbed and tanged flint arrowhead may have been attached to an arrow, using sinew.
Illustration by Sara Nylund, 2008