View allAll Photos Tagged Visualisation-----
A visualiser sur fond noir en pressant L / A view on black background by pressing L
Quand l'art urbain s'approprie des portes de garages.
Début d'une série sur les portes et fenêtres pour un thème du club Artois Flandre Photo.
Découvrez le travail des membres ici :
www.flickr.com/photos/clubphotosvendin/sets/7215763295844...
In english :
When art urban appropriates garage doors.
Beginning of a series of doors and windows for a theme club Flanders Artois Photo.
Discover the work of the members here:
www.flickr.com/photos/clubphotosvendin/sets/7215763295844...
Google's auto-complete - an incidental feature but always hilariously revealing about the deep concerns of the group mind.
I had a go at visualizing the query “How do I get my girlfriend / boyfriend to…” using the sweet tool Web Seer. See what you think.
More visuals here
The above scenes are based on observations of the numerous corniform signs from around Mont Bego and arise from images and texts featured in the Flickr album 'Mont Bégo'.
To simulate frame huts covered with cow leather, I used the 'FB Lisse' from La Bisbal bisbalceram.com which has a natural tint of burnt umbra. The clay was thumb polished and carved over a number of days - so not fired.
The moonlit clouds above the mountain were made by light-painting and were added during the long exposure of the scene.
The fence posts are from overwintered vines of old man's beard slotted into corrugated cardboard strip (thinking of Gondry for this solution).
The stars were layered during post and come from a general shot I'd taken of Orion (see the Flickr album 'Night shots').
For these images, I am not aiming for any 'realism', rather a credible starting point from which the viewer can add potential details. Maybe a simpler fence with draped drying grass? Maybe guide ropes? ... Wind art decoration, or graphic changes of tone. Bags might have been attached to the fence posts or a domestic dog tethered to keep guard. The smouldering remains of an open fire and so on.
Many artistic visualisations of prehistoric accommodation depict daytime scenes. My aim here was to show huts as night protection - the moment of the day when their need and logic is resounding. I also tried to create an atmosphere that felt cold - ground frost and so on, again to show how important a good hut is for a family and clan. It is possible that the peoples who climbed above the tree line to make the Mont Bégo bronze age rock art came from fertile valleys lower down between the mountain range. Even without frost, the descending cold air of the mountain lifestyle can be a shock to the system and many readers will have experienced altitude camping when the warm air switches off and the creeping cold mountain air descends into the tent to impart an array of chatters and shiverings. Again a successful culture need to have adapted to an environment and have apt solutions to local conditions.
Left. From time in the Mont Bégo rock art you see 'bodies of cows' without horns. It's easy to think that these may be fields or waiting for horns that never came, but if they were cow-form huts (a term I chance with) then they may simply be huts without their entrance fencing - an ideosyncratic and normal detail of a diverse culture.
Centre. There are several corniform images of circular 'horns'. (Bicknell VII No 51, XVIII NO22, XXXV No14...). All are assured images and all seem to be difficult to understand if the only meaning of a corniform sign is a 'cow'. The central image projects a circle of fencing in front of the entrance to a small leather covered hut. This seem very understandable as an early crofting solution.
Right: The same image, but with the fence in a typical corniform presentation. See how this provides wind break, shade and an arena for a fireplace. With a domestic dog in the 'courtyard' the vulnerable entrance to the tough leather tent is protected during the night. With good post hole alternatives, opening and closing fencing would also produce the images centre and right which would make some of the corniform variety due to the recording of different states of usage of the dynamic structures. Many corniforms have a square between the horns, and the square certainly also alludes to the head of a cow, but a hut with the same square may have also have had a 'kennel space' for a guard dog : heating the entrance for a sleepy family.
AJM 17.2.19
2x 580EXII into a softbox with CTO gel cam left, 430EXII far back with 1/2 CTB gel at 105mm, 580EXII on Grp A, 430EXII on Grp B, triggered via 580EX on cam with 4:1 A:B ratio.
Setup here..
How atoms interact and behave is common high-school knowledge, but what we know is based on assumptions or snapshots. Electron microscopes have taken images of atoms so we know how they settle, but we have never recorded atoms moving.
The ESA–Roscosmos Plasma Kristall-4 (PK-4) experiment is recreating atomic interactions in a fluid on a larger scale on the International Space Station. The proxy atoms in PK-4 are microparticles, which are suspended and charged in plasma (an ionised gas with electrons and ions). The microparticles interact with each other via the high electrical charges, forming a strongly coupled liquid or solid – a classical model system for condensed matter.
This image shows the typical purple glow of an argon plasma in the PK-4 hardware on Earth. Microparticles are introduced into the plasma to observe how they behave.
On Earth the particles are influenced by gravity but in space the particles will behave similarly to charged atoms in a fluid or crystal structure allowing researchers to understand better the hidden interactions of our world.
PK-4 is installed in the European Physiology Module on the European space laboratory Columbus and runs for up to four days, four times a year.
Credit: MPE–M. Kretschmer
Visualisation VBZ. Tous droits réservés.
Les VBZ de Zürich ont communiqué le 6 juillet 2021 avoir commandé 15 autobus électriques standard MAN Lion's City E 12.
Ces nouveaux véhicules seront engagés à partir de l'automne 2022 sur les lignes 66, 77, 78 et 99.
Des options auprès de MAN portent sur 29 autobus électriques standard supplémentaires et 80 articulés.
Les 15 nouvelles unités ne devraient être rechargées qu'au dépôt Hardau avec de l'énergie renouvelable.
Leur engagement permettra d'économiser annuellement 350000 litres de diesel et éviter le rejet de 930 tonnes de CO2.
Leurs numéros de régie et de plaques minéralogiques ne sont pas encore connus.
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La Techno Box, comme dans « j’ai cours de techno » (et pas comme la musique de club !) Vous allez voir qu’il y a quand même un lien (ténu) avec la musique, ou plus exactement avec le son. Cette expérience a été réalisée par des étudiants qui l’ont nommée TetrISS (je ne me prononce pas sur le nom [emoji]). Elle doit servir à visualiser les figures de Chladni en 3 dimensions. Vous avez peut-être déjà vu ces formes provoquées par des ultrasons, mais sur Terre à cause de la pesanteur c’est toujours en 2 dimensions. L’objectif ici c’est de profiter de l’impesanteur pour les observer en 3D. Pas grand chose de musical là dedans, c’est surtout des maths, mais sait-on jamais, ça pourrait inspirer des artistes !
This is Techno Box. As much as I would like (hate?) to have it make thumping techno music to welcome Matthias on board next week, it is techno as in technology. At school in France technology is often shortened to techno. We call techno music, tek, but the variations of how Europeans call electronic music and their subgenres is another story. What does Techno box do? It should allow students to visualise Chladni forms in three dimensions using sound waves. Which actually brings us back to music. 🤔 When sounds waves interact with objects they can arrange them in a visual form (think sound waves), search for it... but only in weightlessness can we attempt to make three dimensional forms! The sound waves needed are not music (unfortunately) but mathematical wave forms. The French name for this experiment is TetrISS, do I have to explain that it was a legendary videogame?... 😂
Credits: ESA/NASA–T. Pesquet
607J5935
Visualisation Stadler. Tous droits réservés.
Commnuniqué de Stadler et de Westbahn.
Stadler fournira trois rames à grande vitesse SMILE (type Giruno aux CFF) à la société autrichienne Westbahn.
Ces compositions seront engagées à partir du premier mars 2026 sur la nouvelle relation Westbahn entre Wien, Graz, Klagenfurt et Villach.
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The visualisation software Uniview allows visitors of the Ars Electronica Center’s Deep Space 8K to explore the universe not only in a breathtaking resolution - but also in 3-D.
A best of Ars Electronica photos can be found here.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
Credit: Ars Electronica / Robert Bauernhansl
A very short video of some of my work. www.leighkemp.co.uk
I also have a Flickr album with these and other works - www.flickr.com/gp/leighkemp/qX5p48
3D conceptualisation of a future iMac made by Adam Benton (source)
"The iMac features a 30" utra-thin LCD screen, which is totally transparent when the iMac is not in use. The screen can also be set to various levels of translucency, and can fade during sleep modes etc. The keyboard is also totally tramsparent, low profile and a curved ergonomic design, with light sensitive illuminated keys."
A visualisation of the polarisation of the Cosmic Microwave Background, or CMB, as detected by ESA's Planck satellite over the entire sky.
The CMB is a snapshot of the oldest light in our Universe, imprinted on the sky when the Universe was just 380 000 years old. It shows tiny temperature fluctuations that correspond to regions of slightly different densities, representing the seeds of all future structure: the stars and galaxies of today.
A small fraction of the CMB is polarised – it vibrates in a preferred direction. This is a result of the last encounter of this light with electrons, just before starting its cosmic journey. For this reason, the polarisation of the CMB retains information about the distribution of matter in the early Universe, and its pattern on the sky follows that of the tiny fluctuations observed in the temperature of the CMB.
In this image, the colour scale represents temperature differences in the CMB, while the texture indicates the direction of the polarised light. The patterns seen in the texture are characteristic of ‘E-mode’ polarisation, which is the dominant type for the CMB.
For the sake of illustration, both data sets have been filtered to show mostly the signal detected on scales around 5º on the sky. However, fluctuations in both the CMB temperature and polarisation are present and were observed by Planck on much smaller angular scales, too.
More details:
www.esa.int/Our_Activities/Space_Science/Planck/Planck_re...
Credit: ESA and the Planck Collaboration
Visualisation ne.ch . Tous droits réservés.
Le Conseil d'Etat du Canton de Neuchâtel, l'OFT et transN ont communiqué en novembre 2021 avoir passé commande de deux rames Stadler avec accès surbaissés ABe 4/8 pour la ligne La Chaux-de-Fonds - Les Ponts-de-Martel (cadre horaire 222).
Ces automotrices doubles seront issues d'une commande groupée avec les TPC (pour la ligne ASD) et les CJ.
Par contre la ligne Le Locle - Les Brenets (cadre horaire 224) devrait être supprimée et remplacée par une ligne d'autobus électriques, dont l'aménagement serait financé par le fonds pour l'infrastructure ferroviaire (!).
Visualisation des futures rames en livrée transN. Si elles seront effectivement aménagées en tant qu'ABe 4/8, cela impliquera l'introduction de la première classe sur la ligne des Ponts-de-Martel.
Cette image de synthèse est une reprise travaillée des rames à adhérence TPC pour la ligne ASD.
L'observateur attentif remarquera les destinations frontale "La Chaux-de-Fonds" et latérale "Les Diablerets".
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As a photographer i always aspire to try getting a different persective to things. A different angle, or different lighting, A new feel or mood.. Given that I primarily shoot wildlife it does get to be a challenge - but then that also makes it more exciting. I'd shot the flamingoes a few times this season and was hoping I'd get a chance to execute that one shot I had visualised. It did require a bit of adventure where I actually had to go into the water - and trust me when I say that wading through water carrying a 600mm isn't the easiest thing ive done! I did get rewarded - the bokeh i got at the level of water against the rising sun made it look like there were gold crystals spread all over the water ... Canon EOS 5D Mark III + Canon EF 600mm f/4L IS II USM 1/3200, f/32, ISO 100 via 500px ift.tt/1CZMYrJ
Personal visualisation project based on the Minimum House by Scheidt Kasprusch Architekten.
Interpretation of the design and interior, plus all modelling/rendering/post by James Lawley (some stock objects used...)
Rendered in V-ray 2.0 with post-production in Photoshop CS5 and a touch in Lightroom.
As ESA engineers work together to design a future space mission, it takes virtual shape before them in three dimensions.
This 3D visualisation system is one of many state-of-the-art networking tools found in the Concurrent Design Facility (CDF), based at ESA’s ESTEC technical centre in Noordwijk, the Netherlands.
The CDF’s network of computers, multimedia devices and software tools allow experts from different engineering disciplines to work in close coordination, in the same place at the same time, to complete the most complex designs imaginable – in a matter of a few weeks rather than several months.
The CDF enables ‘concurrent engineering’ based on teamwork and focused on a common design model that evolves iteratively in real time as the different subsystem experts make their contributions. It has proved an influential approach over the CDF’s 15 years of operations, helping to inspire new ways of working for Europe’s hi-tech industries.
The CDF enables ‘concurrent engineering’ based on teamwork and focused on a common design model that evolves iteratively in real time as the different subsystem experts make their contributions. It has proved an influential approach over the CDF’s 15 years of operations, helping to inspire new ways of working for Europe’s hi-tech industries.
Credit: ESA/Guus Schoonewille
The Heartlands Project is a community-led vision to transform 7.5ha of Cornwall’s most derelict industrial landscape into a truly inspirational cultural attraction.
LUC won an international competition to masterplan and design an imaginative mixed-use site that would become a catalyst for regeneration in the future. Working with a large multidisciplinary team, for the client Cornwall Council, our team delivered a project that referenced Cornwall’s history and the site’s heritage, making it a space that fosters convergence and reflection.
Our design aimed to capture the spirit of Cornwall, providing dynamic new spaces for the community and visitors to enjoy. The masterplan included places to relax in the Diaspora Gardens, an outdoor events space and surrounding parkland. We also created the largest free adventure playground in Cornwall, with play specialists Timberplay. Revelling in Cornish folklore, the playground includes custom-made wooden climbing structures, tunnels and a beach with diggers and a sand transportation system.
The development also encompassed the Grade II listed Robinson’s Shaft, which was restored to provide a gateway for the Cornwall and West Devon Mining Landscape World Heritage Site, artists’ studios and residential units.
For more information, visit: www.landuse.co.uk
Teil meiner Visualisierung der Veranstaltung Hypnosystemische Krisenintervention, die von dem wunderbaren Dr. Gunther Schmidt geleitet wurde: Erkenntnisteich und mit viel Humor.
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Part of my visualisation of the seminar Hypnosystemic Crisis Intervention, conducted by the wonderful Dr. Gunther Schmidt: Insightful and with a lot of Humor.
#guntherschmidt #meihei #miltonherickson #visualisierung #visualisation #visualization #commundus #saschagademann #sascha #gademann
Ignoring 403 which had little footing in Surrey with more of a portion in London up to Sutton, the 405/409/420 each went to a major town in South London: Croydon (405/409) and Sutton (420).
It was an interesting choice of 405 being taken by London Transport though it was after it's cut from Crawley to Redhill. Since it's 20/04, (or in American standards, 4/20) I've thought why not imagine a 420 in the attire of a London attire decades after Sutton (A) previously operated it before Metrobus taking it on.
In this weird scenario I've decided to throw 420 in peril and connect it with the Northern Line at Morden from it's current and long time terminus of Sutton Bus Garage, whilst on the other end it's been extended from Redhill to Whitebushes in 2013 so I've omitted that.
So an every 20 (every 30 Sundays/evenings) route that could give reason to cut S1 from Banstead into London borders by Belmont, I say with the TfL mantra of 'cutting saves all'. Every journey matters. Giving Tattenham, Tadworth and Lower Kingswood a connection to neighbouring London borders, but at what cost?
Visualisation competition entry “Rechtbank Amsterdam” (2016), for iDO2: Volker Wessels, Hootsmans Architectuurbureau & Sevil Peach.
In collaboration with Bmd3d.
Plotting some data from www.hackdiary.com/2010/02/10/algorithmic-recruitment-with... in preparation for Web Directions @media London on Friday.
Shows all developers who identify their location as London on Github, who have 4 or more other Londoners following them. The sizes and colours come from Betweenness Centrailty and In-Degree respectively.
Plotted with Gephi
Visualisation for the Guardian Datablog
www.guardian.co.uk/news/datablog/2010/oct/07/information-...
See in mega zoom
www.flickr.com/photos/25541021@N00/5059367333/sizes/o/in/...
Download a PDF
Visualisation on my art photography on the wall.
Art Studios999 Burton on trent.
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This was to visualise the top brands and who owns them/other brands they own also. I started off with well known brand portfolios to visualise them like colgate palmolive but had no direction.
purchase a copy here: www.clockworkgallery.co.uk/?p=1&a=CW&w=CW01
100 x 60 cm
(approx.) £24.95 per Edition
($ 35.72, € 26.88)
So found this top ten list for 2007, and worked from here.
www.wonderlandblog.com/wonderland/2007/01/top_ten_most_po...
Also inspired by a car badges brands visual:
coolinfographics.blogspot.com/2008/04/who-owns-car-compan...
featured here: visualthinkmap.ning.com/photo/photo/show?id=2168552:Photo...
A old audio visualisation work. I actually use this to choose tracks that work well with the Hoxtron project ( www.play-create.com/id.php?016 ).
This song - Boards Of Canada 'Amo Bishop Roden'