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The large red door of the Arts & Humanities Building (ARTS) read “Today Decides Tomorrow” and “Creativity Happens Here” on Monday, May 9, 2022 in Chico, Calif.
(Jason Halley/University Photographer/Chico State)
Logo and Invitation :: Designed by www.skillsdivision.com
..for less formal encounter we are @ Facebook ...so drop by :)
The message Today Decides Tomorrow is displayed above the main stage as graduating students of the College of Humanities and Fine Arts (HFA) and College of Natural Sciences (NSC) are honored during their commencement ceremonies on Sunday, May 22, 2022 in Chico, Calif.
(Jason Halley/University Photographer/Chico State)
Through Taiwan 318 Student Protest, the designer uses the conversation between the governor and the people to create this piece. Using different sizes of dialogue frames to present voices of people from different places as well as all the promises made by the governor. On visual design aspect, the designer uses the image-editing tool “transparency” from the commonly use software, Photoshop, to eliminate or erase the voices. The title “Conversation” means that the designer wants the viewers to think without any personal judgments: does the governor only talks the talk but doesn’t walk the walk, or is the governor neglecting the people’s wishes?
AS Government elected student officers and staff
Michelle Davis, Kiley Kirkpatrick, Tyler Jenkins, Austin Lapic, and AS President Duncan Young (left to right) watch the reveal of Chico State new visual identity with new logos such as a new Wildcat, Athletics mark, and University Seal during the President's Convocation presentation on Thursday, August 19, 2021 in Chico, Calif.
(Jason Halley/University Photographer/CSU, Chico)
Paige Munson delivers student reflections as graduating students of the College of Humanities and Fine Arts (HFA) and College of Natural Sciences (NSC) are honored during their commencement ceremonies on Sunday, May 22, 2022 in Chico, Calif.
(Jason Halley/University Photographer/Chico State)
Marianne Paiva (center) gives remarks as graduating students of the College of Humanities and Fine Arts (HFA) and College of Natural Sciences (NSC) are honored during their commencement ceremonies on Sunday, May 22, 2022 in Chico, Calif.
(Jason Halley/University Photographer/Chico State)
"La Semaine Belge", a visual identity workshop at HEAJ (Haute-École Albert Jacquard, Namur), 2015.
Work by Romain Dubay, Thibaut Dessy, Guillaume Le Fur & Marjolaine Heusling.
Visual communication course, Prof. Marc Wathieu.
About "La semaine belge".
"La semaine belge" on Radio Rectangle is a media event proposed by the belgian webradio Radio Rectangle. Specifically, it's a week of content publications (articles, podcasts , documents, interviews, news) on music and pop & rock culture in Belgium. This web event - unique of its kind - is the subject of a specific promotion campaign supported both by a press officer and the Rectangle Radio team.
About Radio Rectangle.
Founded in 2012, Radio Rectangle is an associative webradio dedicated to pop music - the most popular to the most underground - and more broadly to pop and alternative cultures that result from it. Radio Rectangle broadcasts every day a new podcast and a new feature article, and one or more news.
Branding and strategic positioning for a new baths accessories company. The core concept is build around the waves. The visual concept also showing the flexibility in the used of those accessories. The strategic positioning is « Your new Flexible Life» that's give an higher perspective on bath accessories.
As part of the promotional efforts for the its new Web site, the New England Journal of Medicine commissioned Corey to design "one sheets" to describe individual features of the site, including multimedia, specialty pages and an archive. The one sheets were designed to match the New England Journal of Medicine folder designed by Corey.
Logo design, brand identity design, corporate identity design. KORAY KISLALI. Portfolio: koraykislali.com/en/
Golden brick and upturned eaves catch the late-day light along Grant Avenue, where Chinatown announces itself through form as much as signage. The Trade Mark Building rises with deliberate theatricality, its pagoda-inspired rooflines stacked in rhythm, borrowing from southern Chinese architectural vocabulary while asserting a distinctly San Francisco presence. Built in the early 20th century during Chinatown’s reconstruction era, the structure reflects a moment when architecture was used as both cultural expression and civic defense—designed to be unmistakable, resilient, and seen.
From this angle, the building’s details come forward quietly: tiled roofs curling skyward, ornamental medallions set into warm masonry, steel fire escapes tracing a utilitarian counterpoint to the decorative façade. Grant Avenue hums below, but here the scene feels composed, almost ceremonial, as if the building is holding its breath between waves of foot traffic.
This is Chinatown as lived architecture, not a stage set—commercial, layered, slightly worn, and deeply rooted. The Trade Mark Building stands as part landmark, part working structure, anchoring a block where culture, commerce, and memory intersect. It rewards attention slowly, revealing its character through proportion, repetition, and the particular way San Francisco light settles into brick.