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Icographic was a magazine on visual communication founded by John Halas in 1971 and designed and edited by Patrick Wallis Burke. The magazine was designed on a 4 column grid with the titles and headings set in Helvetica and the body copy set in Univers Medium.
COCA-COLA SIDE OF LIFE ART REMIX
Over the last 120 years, Coca-Cola has built up a worldwide fan-base for their memorable, successful and often groundbreaking visual work and campaigns.
The “Coke Side of Life” Art Remix Project is a highly visual celebration of Coca-Cola’s everlasting influence.
Designed within the “Coke Side of Life” concept and format, the Remix artworks are colorful explosions of positive thinking.
The experimental, playful and humorous collages of historical Coca-Cola milestone images are a true tribute to the brands unique and undying creative spirit.
THE REMIX ARTISTS
013a, Romania, Europe * Adhemas, Brazil, South America * Büro Destruct, Swiss, Europe * CaosCC, Spain, Europe * Creative XL, India, Asia * DJ Spinbalon, Venezuale, South America * Extraverage / Drezign, Hungary, Europe * Fung Wee Lim, Canada, North America * Idokungfoo, Japan, Asia * Imny, USA, North America * Pixecute, Indonesia, Asia * Rex, South Africa, Africa * Serge Mienandi, Senegal, Africa * The Designers Republic, UK, Europe * Vault 49, USA, North America
PROJECT TEAM COCA-COLA
Peter Schelstraete, Global Brand Manager
Craig * Christenson, Senior Brand Manager * Marc Mathieu, Senior Vice-President Global Brand Marketing & Creative Excellence * Special Thanks to Phil Mooney, Ted Ryan & Jamal Booker, Collections Development/Archives Department
PROJECT TEAM ROCKANDROLL AGENCY
Wouter De Coster, Creative Director * Jean-Philippe Noterman, Managing Director * Fred Feyfer, Art Director * Contact: info@rockandrollagency.com
ABOUT ROCKANDROLL AGENCY
For the Coke Side of Life Remix Art Gallery, RockAndRoll Agency creatively managed 15 artists/agencies/collectives from around the world. RockAndRoll Agency develops marketing concepts, brand identities & strategies. The full-cycle communication office was founded in 2003 in Brussels by Jean-Philippe Noterman and Wouter De Coster. Their work has earned them a lot of industry recognition.
RockAndRoll Agency has had the privilege to work with companies from many walks of life and from all around the world: The Coca-Cola Group, Tommy Hilfiger, Fratini Group, Procter & Gamble, Levi’s, Schott NYC, Pepe Jeans London, Colombus Communications, Motorola, Nokia, W Hotels, …
Blog: www.coca-cola-art.com
Coca-Cola Art Website: www.coke-art.com
YouTube Channel: www.youtube.com/cocacola86artgallery
type specimen of the redis face.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
Icographic was a magazine on visual communication founded by John Halas in 1971 and designed and edited by Patrick Wallis Burke. The magazine was designed on a 4 column grid with the titles and headings set in Helvetica and the body copy set in Univers Medium.
Herbert Bayer, painter, designer, architect
Reinhold Publishing Corporation - New York, 1967
couverture: design by herbert Bayer
this is my latest assingment in typography cours in my school.
the brief consisted of taking a poem, and convert our impression of it to a graphic concept that will allow me to pass the impression by graphic means. the format is A3, and the poster is typographical only, meaning pictures are not allowed.
i chose a poem by a female israely poet called "Yona Wallach" (poem name is "shir"="song").
------------ (cut the crap, this is the important part)----------------------
i wanted to convey this poet's mental complexity and entanglement. for that i designed a maze using the letters and words from the song. below i added the end of the song as the "consequence" waiting on the other side of the maze. this allows us to understand that the maze is made out from half readable letters.
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making your own letters instead of using existing fonts is much more fun.
(and tedious!).
type specimen of the "redis" face. probably influenced by the "grotesque" type.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
Estampa desenvolvida pela aluna Claudia Macan na disciplina de Computação Gráfica I, curso técnico em Comunicação Visual/SATC 2010-2
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T-shirt design developed by student Claudia Macan in the discipline of Computer Graphics I, technical course in Visual Communication / SATC 2010-2
"Rolit" face, designed with a very eastern feel.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
I never had braces. Sometimes I don't smile for long periods of time. That's when it doesn't bother me.
Someone said to me: "those collages have been done".
Well, It hasn't yet been done by me. I don't know why so many people are afraid of doing things that "we've seen already"... in my opinion it's a great starting place to things we haven't seen yet.
A sketch for a poster Avigail and Me had done yesterday.
this is the second of the two designs for kytes in last year's "original thinking" class at my visual communications school.
the brief was to design kytes that were designated to be flown all along israel and palestine, as a symbol of dicssion between the two nations.
i chose to make symbols, rather than a designed poster on this subject, because i felt that these icons will be seen on a flying kyte only if they are catchy.
in this symbol i was inspired by the "Shamir Bros" illustration for early israely milk advert. i turned the old milk glass from the advert, into a "plastic cup" with a string attached, symbolizing a symple yet coherant communication method used by kids.
photos of a book i designed, titled "the loser"* by Thomas Bernhard , as a part of the "book design & typography" class in my college (taught by Ankati).
* the book's title in hebrew is "Hatovea" - "the drowner".
The work showcases the Exhibition work by L3 Visual Communication Students at Kirklees College - Wheelwright Centre #cdi
Wonderful Tonight | Eric Clapton
- But... baby?
- I' can't leave you. I just can't wait for six months...
- Shut up and kiss me!
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type specimen using the "Rolit" face.
iv'e managed to work with this font, and it's terrible, every letter screams out for a space of it's own and i can't recommend this face when using a really short headline.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
photos of a book i designed, titled "the loser"* by Thomas Bernhard , as a part of the "book design & typography" class in my college (taught by Ankati).
* the book's title in hebrew is "Hatovea" - "the drowner".
double spreads of a book i designed, titled "the loser"* by Thomas Bernhard , as a part of the "book design & typography" class in my college (taught by Ankati).
* the book's title in hebrew is "Hatovea" - "the drowner".
I wanted this shot to feel like it was from a movie. If I could, I'd give this a slow shift in and out of focus, blurred hands and quick hasty actions. No movement from shot angle with silence then slow building piano music. But, I can't so have to settle for this and imagination.
"the bread box"
"a bakery with an old taste".
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This was an assignment for typography class (visual communications studies, second year).
the brief - create a logo for a fictitious food business. the logo should be designed from scratch - no existing fonts should be used except the line underneath.
my choice was to invent a bakery called - "the bread box" as a brand who sells nostalgic life style.
"the bread box" stands for a bread container. it was commonly used in Israeli kitchens throughout the late first and early second years of the 20th century, and has became an item that represents childhood and nostalgia for several generations.
these generations, which back then were children in the first years of the Israeli state, are now above 40 years old. they are the main target audience for this bakery.
the sweetness of childhood memories help the costumer to connect with the brand.
the code words (or strategic line) for this campaign were - nostalgia, home, bread, warmth, childhood in Israel in it's first years.