View allAll Photos Tagged VintageSLR
Last of the redbud pods. Pentax SF1n, Fuji ISO 200 film (exp. 06-20), Tamron 28-70/3.5-4.5, f3.5 - 1/125.
Leicafle SL with 90mm Elmarit (11806). Arista.Edu 100 (rebranded Fomapan). Nikon 9000 scanner.
I accidently scanned this negative on a color setting which results in a sepia tone.
Legendäre Technik in seltener Hülle – die Minolta X-700 in Chrom.
Diese exklusive Version der ikonischen SLR war nur in Japan erhältlich und ist heute eines der begehrtesten Sammlerstücke der analogen Kamerawelt. Die Kombination aus seltener Chrome-Finish und der bewährten X-700-Technik macht sie zur perfekten Fusion aus Ästhetik und Funktionalität.
Mehr zur Geschichte, technischen Details und Sammlerwert jetzt im ausführlichen Review in der Rubrik GEMS auf www.fujicolours.com
#MinoltaX700 #MinoltaChrome #MinoltaJapanOnly #RareFilmCamera #VintageSLR #SLRClassic #AnalogPhotography #35mmFilm #FilmCameraCollectors #FujicoloursGEMS #CameraCollecting #FilmCommunity #CameraHistory #Fujicolours #GEMSbyFujicolours #ClassicCamera #ChromeCamera #JapanExclusive #VintageGear #MinoltaLove #RetroKamera #Fotografiegeschichte
I just found 1000s of slides from years past. I took this photo with a Hasselblad 500 with Carl Zeiss Planar 80mm/2.8 during my 1st trip abroad December 1973-January 1974. Shot on Kodak Ektachrome. I can't see any signs of fading.
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I recently found 1000s of slides from years past. I took this photo with a Hasselblad 500 with Carl Zeiss Planar 80mm/2.8 during my 1st trip abroad December 1973-January 1974. Shot on Kodak Ektachrome. I can't see any signs of fading. And the fondue was marvelous.
This is exactly the same camera model and lens I bought new back in 1974. The EL is actually very much like the legendary Nikon F2 (slightly more compact) with similar precision-smooth build quality, but with an automatic shutter. The EL is essentially the grandfather of the Nikon EL2, FE, FE2 and FM3a.
If you've had photography as your hobby since 1964, and you move to Sweden, what is the Holy Grail camera to buy? A Hasselblad 500 C/M, så klart! After many years of watching I found one I could afford. Looking forward to my first roll of Velvia 50.
Minolta SRT201, Minolta MD Zoom Rokkor 3.5/35-70
Fujicolor Gyokirokuyo 100
1/125, f5.6, UV filter
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So many photographs within this photograph. Taken with Hasselblad 500 C, with Carl Zeiss Planar 80mm/f:2.8, on Kodak Ektachrome. Still amazed at how well these slides have held up. Other brands used a decade later have already faded away.
Vintage Praktiflex FX.
My Collection.
Sony SLT-A77MkII.
Minolta AF 35-70 f4 Macro
This the model camera that i learned on. I used my dad's. Unfortunately, it was stolen in 1995. Been looking for one every since then. Obtained this one about a year ago. Now if i could just get my Meyer Optik lens.....
Trying to catalog my camera collection. So, you might be seeing a lot of old cameras....now and then. Hope you enjoy them.
Just found slides I took at the Georgia Tech Coliseum in Atlanta, Georgia, USA, in 1974. Nikon F or Nikkormat EL with Nikkor-S 50mm/1.4 on GAF 500 slide film. All rights reserved.
A Reinmetall Exa. When Ihagee Dresden ran out of manufacturing capacity, production of the Exa was handed over to Rheinmetall for a while. Several thousand Exas were made there, and are prominently labelled with the Rheinmetall name.
I wouldn't really call this camera "rare" but it is an unusual find. There is a myth about these being of low quality, but mine at least is virtually indistinguishable from an Ihagee Exa.
Odd thing. Launched in 1963, the Topcon RE Super was the first 35mm SLR with through-the-lens exposure metering. And the metering is at full aperture. AND its still working!
I think I may have died and gone to Leica SLR heaven. This feels it just came from a camera shop in Berlin circa 1975, via a time machine. It has the clearest and brightest viewfinder I've ever experienced. Taken with Sony A7R III using a vintage Leitz Wetzlar Macro Elmarit-R 60mm/2.8.
Another variation of the Praktica L theme. This is pretty much as the MTL 3, but lacks a self-timer. By this time, Praktica was already developing the B series models that were supposed to bring the brand up with the Japanese. This Super TL 1000 is really like any low model of the L series Praktica, stopped down metering, M42 screw mount, very loud and clear camera. Still, the fact remains that 40 years after its build, it works flawlessly, doesn't need batteries to operate and looks wise, it has stood the test of time quite well.
Leicaflex SL
35mm Elmarit (yellow filter)
Fomapan 200 in Rodinal (1:100 for 60 minutes)
-- Hard to imagine vacationers were ever at this spot.
The humblest of the M42 Fujicas was introduced in 1976, it is often dismissed as a cheap, bland, simple camera. This may be true in some respects, but the truth is that it is a great user camera. Very compact, fully mechanical, solidly built with accurate (stop-down, match-needle) SPD metering, an excellent viewfinder with shutter speeds visible and a smooth, refined action. The only let-down is the 1/700 top shutter speed which can be less of a problem if a slow lens like the super-compact Pentacon 3.5/30 is fitted and a slow film (like the Ektar 100 I have loaded in this one) is used. A light, compact and reliable combo for street shooting.
Boo bad at Boo Gård, just east of Stockholm, Sweden. 1st test of the new Kodak Ektachrome E100 slide film and a "new" Nikon F2AS. Probably with Nikkor 50mm/1.8 AIS "pancake" lens.
Taken with a "freebie" wide-range zoom lens (28-210mm f:3.5-5.6), branded Vitacon and apparently made by Cosina, on Sony A7 camera. Surprising sharpness for a vintage zoom. Others have given similar reviews. Also loving the Swedish Steel.
Odenplan, Stockholm, Sweden. Canon EF vintage camera using Fujifilm Fujichrome Velvia 50 slide film, through a Canon FD 24mm/2.8 (probably).
Praktica MTL5
Velvia 25mm
Xpro
I used Velvia 35mm for the first time and the whole roll turned out this color. I didnt get any of the beautiful color variations I would normally get from the 120mm. Nonetheless, it does put a spin on the ordinary : )
1st roll of film (1st time to use Velvia 50) in my new-old Hasselblad 500 C/M with Zeiss Planar 80mm/2.8.
This is one of the very narrow points in the waterway that once was the only way to get to Stockholm and Lake Melar from the Baltic Sea. Russian forces attacked here--with intent to burn down Stockholm--just over 301 years ago but were pushed back. Taken with a vintage Leicaflex SL2 35mm SLR from ca 1975, probably with Leitz Canada Summicron-R 90mm/f2, on Fujifilm Fujichrome Velvia 50 slide film, copied with a Sony A7RIII digital camera using a Canon FDn 50mm/f3.5 macro lens.