View allAll Photos Tagged VictoriaMiro
All the External Love I Have for the Pumpkins by Yayoi Kusama. I highly recommend you visit the Victoria Miro gallery to see this work, but be warned. You'll only have 20 seconds to take your shot!
"all four are gone.
now time reflects
on their place,
shared before
the door closed
and was shut,
again"
image and poetry (c) DM
Some visitors to the Yayoi Kusama exhibition at Victoria Miro in London made a real effort to dress for the occasion;-)
Yayoi Kusama's floating stainless steel spheres sculpture at the Victoria Miro Gallery in London.
© All Rights Reserved
These metallic pumpkins in a chamber of mirrors were very much the highlight of the show, much of the rest resembled a 1980s disco, I thought, although they are described as "a space to ponder the mysteries of the physical and mehaphysical universe."
More goodies from Yayoi Kusama—a gigantic stainless steel pumpkin in this case. Ota Fine Arts decided to give her a solo show at the event in collaboration with Victoria Miro Gallery so closed to 40 of her pieces were shown.
Here behind the sculpture you can also see some of her printmaking works, which are silkscreen on canvas. In the far back the yellow organic forms from wonderland far far away is a mixed media sculpture formed with stuffed fabric.
Yayoi Kusama
Pumpkin, 2010
Stainless steel
H220 x diameter 220 cm
H86 5/8 x diameter 65 5/8 in
# Yayoi Kusama
Yayoi Kusama (草間 彌生 or 弥生 Kusama Yayoi, born March 22, 1929) is a Japanese artist and writer.
en.wikipedia.org/wiki/Yayoi_Kusama/
# Ota Fine Arts
3F Piramide Building, 6-6-9 Roppongi, Minato-ku
Tokyo 106-0032
Japan
47 Malan Road, #01-23 Gillman Barracks
Singapore 109444
Singapore
# Victoria Miro
16 Wharf Road
London N1 7RW
United Kingdom
# SML Data
+ Date: 2013-05-23T16:44:22+0800
+ Dimensions: 3474 x 3474
+ Exposure: 1/50 sec at f/4.0
+ Focal Length: 22 mm
+ ISO: 10
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.13830.SQ
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Installation by Yayoi Kusama: Pumpkin, 2010 (stainless steel)” / Ota Fine Arts + Victoria Miro / Art Basel Hong Kong 2013 / SML.20130523.6D.13830.SQ
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #Crazyisgood #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #草間彌生 #YayoiKusama #OtaFineArts #VictoriaMiro #Japan #sculpture #installation
In the black fantastic KUNSTHAL Rotterdam 3D anaglyph
D7000 cha-cha fish-eye
The Backholt Dance Victoria Miro
P1090031 Seen at the Victoria Miro gallery"Cinematic Visions" exhibition, Summer 2013.
I thought this looked like a postmodernist version of a Mondrian!
Optic Labyrinth (Arrangement 1), 2018 by Conrad Shawcross (b.1977 London England). Stainless steel, commissioned specifically for this year's Frieze Sculpture exhibition, Regent's Park, London Borough of Camden.
©2018 All Rights Reserved
This is just one in an exhibition of Grayson Perry's tapestries, designed and woven as part of his 2012 Channel 4 series In the best possible taste, held at the Victoria Miro Gallery in Islington, London. As you'd expect from this innovative artist and potter, his work is not only brilliant, but also immensely entertaining.
On show alongside Grayson Perry’s exhibition of tapestries at the Victoria Miro Gallery in Islington, London, were a number of ceramic pots – the work for which he’s most famous. One features a teddy bear – not Alan Measles, who's been with him for most of his life, but this little guy, who stands on top of a pot entitled A work in progress..
As you'd expect from this innovative artist, his work is not only brilliant, but also immensely entertaining.
Sculptor: Victoria Miro
Frieze Masters Frieze art Fair , Regents Park Sculpture Park, London December 2015
On show alongside Grayson Perry’s exhibition of tapestries at the Victoria Miro Gallery in Islington, London, were a number of ceramic pots – the work for which he’s most famous. This is a detail from Voting Patterns (2012).
As you'd expect from this innovative artist, his work is not only brilliant, but also immensely entertaining.
On show alongside Grayson Perry’s exhibition of tapestries at the Victoria Miro Gallery in Islington, London, were a number of ceramic pots – the work for which he’s most famous. This is a detail from Voting Patterns (2012).
As you'd expect from this innovative artist, his work is not only brilliant, but also immensely entertaining.
"Grayson Perry, winner of the 2003 Turner Prize, uses the seductive qualities of ceramics and other art forms to make stealthy comments about societal injustices and hypocrisies, and to explore a variety of historical and contemporary themes. The beauty of his work is what draws us close. Covered with scraffito drawings, handwritten and stencilled texts, photographic transfers and rich glazes, Perry's detailed pots are deeply alluring. Only when we are up close do we start to absorb narratives that might allude to dark subjects such as environmental disaster or child abuse, and even then the narrative flow can be hard to discern".