Richard's Flora and Fauna
View allAll Photos Tagged Verify,
a possibility for Macro Mondays backlighting.
The size verification is in the first comment box-- it is well under 3 inches- approx 2 and 1/4 inches
…….💙⏪🔦💡🔅HMM 💙
In 1964 the young Paul Simon wrote The Sound of Silence, a song that more than half a century later is still sadly valid. He couldn’t imagine that in 2020s we would still talk about his dialogue with the most intimate part of himself, opened by one of the most beautiful opening words ever written.
There have been multiple theories about the meaning of this song. For example, some believe it is related to the death of JFK or the Vietnam War. But many think it is something simpler. And the author himself has verified that it has to do with something as simple as lack of communication.
This is a message that resonates, even more, today than it did 59 years ago, which is perhaps what led Disturbed to create a hauntingly beautiful cover of the song. It was most famously played live on "Conan" on March 28, 2016, and the video of it on YouTube has garnered a mere 75 million views since.
Apologies if you had commented or even faved this earlier! Have no clue how it got lost.
The Macro Monday theme for 7/24 is buckle. (The admin said we could use a toggle and I extrapolated that to include a clasp, also.) We have a dearth of typical belts, so I went hunting for stand-ins. There are a few possibilities so I’ll dither, naturally. There are 8 possibilities and they’re in the front of the photostream .
This, the worn toggle, and the watch may be my favorites. Am partial to others for various reasons and not necessarily for the MM theme. Will add the size verification shots to the first comment box of each picture in a bit!
…….💙 HMM 💙
04-May-2022: about turism: my perplexities towards a future with more and more bans and more and more over-taxes.
Lake Bohinj and the much more famous Lake Bled are close (less than 20 km) but the second has a mass tourism now rooted, while the first is expanding its tourist reception in recent years, coming out (unfortunately) from the shadow of Bled, that was a lightning rod for peaceful and symbiotic nature lovers.
I am totally against mass tourism because it transforms a relaxing resort into an area where it is difficult even to access it.
Around Lake Bled, even at a certain distance, there are only paid parking lots, which come to cost 6 euros per hour (about the most decentralized and in May...) that, certainly, leave perplexed about the "tourist selection" that "they" would like to implement (high-end tourism) and, in general, certainly drive away the tourist in search of nature and not restaurants, bars, concrete lake-front and crowd baths.
The naturalist tourist should not feel like a tourist in Nature, which is a single great asset of humanity and that only administratively is divided between various Countries, while in Bled, as in Rimini or Cortina d'Ampezzo, they make you feel not only tourist, but also guest, sometimes unwanted if you spend little.
As tourism increases, so do the bans, because unfortunately mass tourism includes many people who don't know anything about Nature and generally only go to very touristy places to make themselves of...people, sowing dirt and ignorance wherever they move.
The imposition of prohibitions/bans to limit the "damage from mass tourism" affects everyone indiscriminately, including locals and naturalists who have always had a symbiotic relationship with these places, thus making them become inhospitable, at least to those seeking pure contact with nature itself.
Of course this happens all over the world, but it should be condemned.
We already pay State taxes for the maintenance of the slice of Nature that falls within our administration, tourist surcharges, exploiting market laws that should be verified and contained, are for the most part unconstitutional, as well as several prohibitions that deprive access and use of public property.
With the money that the tourist municipalities pocket they could very well implement a targeted prevention (controls by foresters, cameras, ad hoc fences for areas subject to micro-pollution...) rather than closing everything and then de-empowering themself on the maintenance of roads and areas (more and more numerous), thus going to save further, starting from the basic taxes that we pay to also have access to given areas.
I can understand that you tax parking at high altitude to maintain the roads, but the amount of the payment should be directly proportional to the expenses that must be incurred to ensure accessibility, not by putting prices at random and with increases of 200% from one year to the next.
I have always appreciated the fact that Slovenia, thanks also that it is not densely inhabited and has a modest tourism (except precisely Bled, Postojna Caves and the Coast), guarantees a wide accessibility and use of its territories and I hope it can continue, limiting the prohibitions and parking lots everywhere.
The Doolough Tragedy is an event that took place during the Great Irish Famine close to Doo Lough in southwest County Mayo.
On Friday 30 March 1849, two officials of the Westport Poor Law Union arrived in Louisburgh to inspect those people in receipt of outdoor relief to verify that they should continue to receive it. The inspection, for some reason, did not take place and the two officials went on to Delphi Lodge – a hunting lodge – 19 kilometres (12 miles) south of Louisburgh where they intended to spend the night. Several hundred people who had gathered for the inspection, or later did so, were consequently instructed to appear at Delphi Lodge at 7am the following morning if they wished to continue receiving relief.
For much of the night and day that followed seemingly hundreds of destitute and starving people had to undertake what for them, given their existing state of debilitation, was an extremely fatiguing journey, in very bad weather.
A letter-writer to The Mayo Constitution newspaper reported shortly afterwards that the bodies of seven people, including women and children, were subsequently discovered on the roadside between Delphi and Louisburgh overlooking the shores of Doolough lake and that nine more never reached their homes. While some sources put the total number of deaths at approximately 20 people, local sources suggest that the number who perished was far higher.
For Macro Mondays for 1/23 for tape. This is a fabric case for some reading glasses and to reinforce the edges, it is sewn with bias binding tape. Btb, this was not the picture I thought I’d take but it’s sort of dramatic— yes?… The size verification shot should be next in the photostream— this portion is about an inch and 5/8ths.
…..💙 HMM 💙
CMWD_black&white
ANSH scavenger2 tradition…. My Sunday tradition is to stage and to photograph a macro picture for whatever the Macro Mondays theme is for the week! I don’t think I’ve missed one in years!!
Horseshoe Pond, Alger County, Michigan
August 4, 2021
ID verified by Darrin O'Brien of Odonata central
'Blow off a little steam'
World's first steam powered clock
Built in 1977. Raymond Saunders' first steam clock was built in 1977 to solve the issue of a steam vent in a popular sidewalk for the renovated Gastown district of Vancouver. Owned by the City of Vancouver, BC Canada
The steam clock's plaque reads:
THE GASTOWN STEAM CLOCK
Designed and built by
Raymond L. Saunders
Horologist
The world's first steam powered clock has been created for the enjoyment of everyone. The live steam winds the weights and blows the whistles. Every 4.5 minutes one steel weight will travel by steam power to the top of the clock. The gravity driven "falling ball" drive was 'engineered' by Douglas L. Smith. Each quarter hour the clock will sound the Westminster Chimes. The large whistle will sound once on the hour. The steam is supplied by the underground system of Central Heat Distributor's Limited. The component parts cost $42,000 and the clock weighs over two tons.
A few years ago the clock was refit and is not entirely steam powered. It also has three small electric motors to help operate two internal fans, one of which blows the steam out the top, and another that controls the valves that play the tunes on the five steam whistles mounted atop the clock case.
The large central whistle, which was taken off the CPR steam tug Naramata, counts off the full hours while the four auxiliary whistles chime the Westminster Quarters every quarter hour. The number of chimes matches the number of quarter hours that have passed.
Wikipedia and various other online sites.
*Please note : Information has not been verified accurate
Best experienced in full screen.
Colours and light slightly muted due to weather conditions.
Thanks so much for comments and visits
~Christie
The MM theme is odd and the micro-mini duckies are back!! After a MM posting last week that wasn’t at all my usual, I thought the blue duckies should make an appearance.
World's first steam powered clock
Historic Gastown
Vancouver, British Columbia
Canada
The insides of this clock is where the magic begins....
Built in 1977. Raymond Saunders' first steam clock was built in 1977 to solve the issue of a steam vent in a popular sidewalk for the renovated Gastown district of Vancouver. Owned by the City of Vancouver, BC Canada
The steam clock's plaque reads:
THE GASTOWN STEAM CLOCK
Designed and built by
Raymond L. Saunders
Horologist
The world's first steam powered clock has been created for the enjoyment of everyone. The live steam winds the weights and blows the whistles. Every 4.5 minutes one steel weight will travel by steam power to the top of the clock. The gravity driven "falling ball" drive was 'engineered' by Douglas L. Smith. Each quarter hour the clock will sound the Westminster Chimes. The large whistle will sound once on the hour. The steam is supplied by the underground system of Central Heat Distributor's Limited. The component parts cost $42,000 and the clock weighs over two tons.
A few years ago the clock was refit and is not entirely steam powered. It also has three small electric motors to help operate two internal fans, one of which blows the steam out the top, and another that controls the valves that play the tunes on the five steam whistles mounted atop the clock case.
The large central whistle, which was taken off the CPR steam tug Naramata, counts off the full hours while the four auxiliary whistles chime the Westminster Quarters every quarter hour. The number of chimes matches the number of quarter hours that have passed.
Wikipedia and various other online sites.
*Please note : Information has not been verified accurate.
A special thanks to all my Flickr friends and visitors, for taking the time to view and acknowledge my photography.
I would also, like to extend my thanks, to all those who place my images in their beautiful galleries, or use my images for their covers.
Additionally, I am truly humbled to receive so many thoughtful and generous testimonies. I cannot express how deeply touched and honoured I am, to find such caring and beautifully written words left on my behalf.
Happy Clicks
~Christie
Gastown is the original settlement that became the core of the creation of Vancouver, British Columbia, Canada. Currently, it is a national historic site and a neighbourhood in the northwest end of Downtown Eastside, adjacent to Downtown Vancouver.
World's first steam powered clock
Historic Gastown
Vancouver, British Columbia
Canada
The insides of this clock is where the magic begins....
Built in 1977. Raymond Saunders' first steam clock was built in 1977 to solve the issue of a steam vent in a popular sidewalk for the renovated Gastown district of Vancouver. Owned by the City of Vancouver, BC Canada
The steam clock's plaque reads:
THE GASTOWN STEAM CLOCK
Designed and built by
Raymond L. Saunders
Horologist
The world's first steam powered clock has been created for the enjoyment of everyone. The live steam winds the weights and blows the whistles. Every 4.5 minutes one steel weight will travel by steam power to the top of the clock. The gravity driven "falling ball" drive was 'engineered' by Douglas L. Smith. Each quarter hour the clock will sound the Westminster Chimes. The large whistle will sound once on the hour. The steam is supplied by the underground system of Central Heat Distributor's Limited. The component parts cost $42,000 and the clock weighs over two tons.
A few years ago the clock was refit and is not entirely steam powered. It also has three small electric motors to help operate two internal fans, one of which blows the steam out the top, and another that controls the valves that play the tunes on the five steam whistles mounted atop the clock case.
The large central whistle, which was taken off the CPR steam tug Naramata, counts off the full hours while the four auxiliary whistles chime the Westminster Quarters every quarter hour. The number of chimes matches the number of quarter hours that have passed.
Wikipedia and various other online sites.
*Please note : Information has not been verified accurate.
A special thanks to all my Flickr friends and visitors, for taking the time to view and acknowledge my photography.
I would also, like to extend my thanks, to all those who place my images in their beautiful galleries, or use my images for their covers.
Additionally, I am truly humbled to receive so many thoughtful and generous testimonies. I cannot express how deeply touched and honoured I am, to find such caring and beautifully written words left on my behalf.
Happy Clicks
~Christie
for #MacroMondays "WHITE"
Picture for SIZE VERIFICATION in the first commentbox.
Crazy Bones was inspired by a children's game played in Ancient Greece and Rome called 'Astragal' (Knucklebones), where children played a similar game using sheep's knucklebones. This ancient pastime is also known as Tabas. Games played are reminiscent of marbles and jacks. Crazy Bones is a modern version of this game, played with characters molded from plastic. There are hundreds of individual characters, each character having a unique face and name. Each series has a number of 'rare' pieces that are sought after by collectors and are sold on numerous websites for many times their original value.
en.wikipedia.org/wiki/Gogo%27s_Crazy_Bones
---------------------------------------------------------------------------------------
Gogo's Crazy Bones (kortweg Gogo's genoemd) zijn kleine, kleurrijke figuurtjes. Ze bestaan in verschillende soorten en kleuren.Dit speelgoed kende zijn oorsprong in het Oude Griekenland. De kinderen gebruikten daar sprongbeentjes van schapen om te bikkelen. In de 21e eeuw worden ze nog steeds gebruikt. Kinderen kunnen met deze figuurtjes eigen verhalen uitvinden.
Formerly EXPO '86
Telus World of Science/ Formerly the Expo'86 Centre
Vancouver, BC Canada
Science World at Telus World of Science, is a science centre run by a not-for-profit organization.
This geodesic dome ( golf ball shaped ) building was constructed for Expo '86. It was opened in 1985 as the Expo preview center and became the Expo '86 World's Fair Centre.
The height is 155 feet tall with a foundation of reinforced steel in a cement slab.
The dome is supported by 182 piles
There are 391 lights and 766 triangles on the Science World dome.
Constructed using 15,000 pounds of extruded aluminium and aluminium panels on the dome. The panels are 1 mm thick and are covered with a vinyl surface.
Science World has a total building area of 10,220 square metres and a total exhibit area of 4,275 square metres. The building’s volume is 36,790 cubic metres.
The air-conditioning system uses chilled water for cooling and gas-fired boilers for heating.
The OMIMAX Theatre seats 400 people
The screen is 27 metres in diameter. The theatre’s sound system uses high-fidelity, six-channel, two-way sound with sub-bass to create an unparalleled surround sound experience.
I read that the 15,000 watt xenon lamp that lights the movie screen is so bright that if it was placed on the surface of the moon and focused it at a spot on Earth, you would actually see its light.
The dome in this image was lit in red in honor of Remembrance Day. Remembrance Day (sometimes known informally as Poppy Day) is a memorial day observed in Commonwealth of Nations member states since the end of the First World War to remember the members of their armed forces who have died in the line of duty.
(Please note** All information has been taken from various online sources and has not been verified to be accurate)
I invite you to view my Night and Twilight album:
www.flickr.com/photos/120552517@N03/albums/72157649684655761
Thanks for visiting
~Christie
Back side of old store, Omaha Arkansas,
I believe that this is the original general store
and Post Office building, built about 1873.
This would make it one of the oldest structures
on the area. Upon verification, would be eligible
for the National Register of Historic Places.
Lying that is, being partisan or, to put it mildly, being economical with the truth. This is why we can't trust an image unless it has been "verified" as our news bulletins often call it. Sometimes, one and the same image can be used for two mutually exclusive "narratives". We are observing this in relation to the imagery of the war in Ukraine. Corpses of civilians in Mariupol, we are being told, are the result of Russian war crimes, or, alternatively, of the action of the snipers of the (Ukrainian) Azov Battalion with its neo-Nazi background. These things need to be "verified". Seeing and believing are two different things.
Hotel Europe is a six storey, flatiron style building, built on a pie shaped property located in Historical Gastown, Vancouver BC Canada.
Construction began in 1908 and the hotel was completed and opened in 1909.
It was the first reinforced concrete structure to be built in Canada and the earliest fireproof hotel in Western Canada.
For the first years, the hotel flourished as people arrived to Vancouver by Steamship and stayed at the hotel.
The ground floor was once a beer parlour and is now currently a store. Below this beer parlour was an underground saloon accessible by stairs from a sidewalk entrance.
The underground area, including the saloon is said to have extended under the sidewalks on both sides of the hotel. These extensions were known as “areaways,” a typical feature of buildings in the Gastown area. Areaways were used to load and unload freight through trap doors in the outside sidewalk.
The Hotel Europe’s areaways were eventually filled in and bricked up and the underground saloon is said to be now a storage basement.
A more luxurious, Vancouver hotel opened in 1919 and the guest traffic shifted to the new hotel. At sometime it was said that the Hotel Europe became a brothel.
This building was later renovated into suites and is currently an affordable housing complex.
Rumored haunted. It is believed there is one, possibly two ghosts residing in the Hotel Europe. The first ghost was reported in the early '80s by a contractor who had been working on some repairs alone in the cellar, near the bricked up areaway entrance. Supposedly, he had left the cellar briefly and when he returned he found his tools had been scattered all over the floor. He heard scratching noises coming from behind the brick wall (a wall said to have been previously filled in) and felt a bad presence. He grabbed his tools and fled. Also, reported was a man dressed in a black coat with a flat cap that appeared in the shop on the ground level. One evening in the early 2000's after the shop owner had closed the store, the owner saw a man/ghost clearly reflected in the convex security mirror at the top end of the store. She was surprised to see him as she was sure there were no customers left in the store when she locked up. When she went to investigate, there was nobody there. The man in the mirror had vanished. The owner was left shaken and fled the property. This man/ghost was reported to return again at a later date.
It is questioned if this was the same original ghost or indeed a second one.
**Please note: All enclosed information has been collected from various online sources and has not been verified to be true or accurate.
Thank-you for visiting
~Christie by the River
If those Flickrites who know their nondescript wee buff birds could verify or correct my best guess above, I'd be grateful.
I was taking pictures of a mallard on the lake.I had to look down at my screen to check my shots when I saw this guy down by my feet staring at me.
Je prenais des photos d'un canard colvert sur le lac. J'ai dû regarder mon écran pour vérifier mes photos quand j'ai vu ce type à mes pieds en train de me regarder.
... de vérifier...
s'il y a plus de joie à donner
... qu'à recevoir !
New opportunity...
...to verify...
if there is more enjoyment to give
that to receive !
Taken with my Nikon N90s and Fujichrome slide film. The lens was my 14-24mm f/2.8. Conversion to digital was my Nikon D850. Colors are very different with film/transparencies. If you can find good film it's worth the effort, IMO. I heard that tree to the left is gone but I haven't verified that myself. If anyone knows, drop a note below.
La idea de construir un temple expiatori (és a dir, a partir de donatius) dedicat a la Sagrada Família va partir del llibreter Josep Maria Bocabella, inspirat pel sacerdot Josep Manyanet —canonitzat el 2004—, fundador de la Congregació de Fills de la Sagrada Família i de la Congregació de Missioneres Filles de la Sagrada Família de Natzaret, encarregades de promoure el culte a la Sagrada Família i de fomentar l'educació cristiana de nens i joves.[6] El 1866, Bocabella va fundar l'Associació de Devots de Sant Josep, entitat dedicada entre altres qüestions a recaptar fons per a la construcció d'un temple. Per a la difusió de la seva tasca, va editar a partir del 1867 una revista, titulada inicialment El Propagador de la devoción a San José, inspirada en la revista francesa Le propagateur de la dévotion à Saint Joseph, publicada a Dijon pel pare Joseph Huguet.[7][b]
El 31 de desembre de 1881, Josep Bocabella va comprar per 172.000 pessetes uns terrenys situats a la zona del Poblet, aleshores una barriada de Sant Martí de Provençals.[8][9][c][10] Delimitats pels carrers de Mallorca, Provença, Marina i Sardenya, corresponien a una de les illes del Pla Cerdà, la qual, però, era més gran que les altres perquè, en principi, estava previst construir-hi un hipòdrom.[8]
El projecte fou encomanat a l'arquitecte Francesc de Paula Villar i Lozano, que va traçar un projecte neogòtic amb una església de tres naus amb creuer i un absis amb deambulatori, rebutjant la idea de Bocabella de fer una rèplica del santuari de Loreto, que se suposa va ser la casa de Josep i Maria a Natzaret.[11] El dia de Sant Josep de 1882, el bisbe Urquinaona posava la primera pedra,[12][13][14] coincidint amb la proclamació al Concili Vaticà I de sant Josep com a patró de l'Església Universal. Els desacords de Villar amb Bocabella van fer que aquest demanés assessorament a l'arquitecte Joan Martorell i Montells i van provocar la dimissió del primer. Aleshores, es va oferir el càrrec a Martorell, però aquest el va rebutjar i va recomanar Gaudí, que havia treballat per a ell com a ajudant, i el 1883, assumí la direcció de les obres.[15]
El desembre de 1884, Gaudí signà el projecte de la capella de Sant Josep a l'absis de la cripta, que fou inaugurat el 19 de març de 1885, en el qual intervingueren els escultors Llorenç Matamala i Piñol i Carles Mani.[16] Se sap que en aquest any hi treballaven un equip de vuit paletes, deu picapedrers, dotze escultors i un nombre indeterminat de fusters i serrallers.[17] El 1891 van començar les obres de la façana del Naixement,[cal citació] i des del 1895, la gestió del projecte va a càrrec de la Junta Constructora del Temple Expiatori de la Sagrada Família, una fundació canònica per a promoure la construcció del temple mitjançant donatius i iniciatives privades.[cal citació]
A partir de l'encàrrec de la casa Milà de l'any 1906, Gaudí pràcticament es concentraria només en l'obra de la Sagrada Família que, de fet, ocuparia tota la seva carrera, ja que feia un quart de segle que en dissenyava i dirigia la construcció i moriria fent-ho; així i tot, el temple només quedava embastat.[18] Va poder veure'n construïda una part del costat de l'Epístola amb la façana del Naixement, de la qual només la torre de sant Bernabé estava acabada totalment i una part del mur exterior de l'absis.[cal citació]
El 12 de juny de 1926, Antoni Gaudí va ser sepultat a la capella de la Mare de Déu del Carme de la cripta.[cal citació] A la seva època, hi van col·laborar molts dels seus deixebles i ajudants, com Francesc Berenguer, Josep Maria Jujol, Josep Francesc Ràfols, Cèsar Martinell, Joan Bergós, Francesc Folguera, Josep Canaleta i Joan Rubió, i a la seva mort, es va fer càrrec de les obres un altre dels seus deixebles, Domènec Sugrañes, que va finalitzar la construcció de les tres torres de la façana del Naixement que quedaven pendents.[cal citació]
El 20 de juliol de 1936, tot just iniciada la Guerra Civil espanyola, grups d'exaltats anarquistes van incendiar el temple i van destruir bona part del taller en el qual Gaudí havia treballat i on hi havia els seus esbossos, maquetes i models. Tot i que es va perdre molt material van quedar restes de les maquetes, que es van restaurar, i la documentació que s'havia publicat en El Propagador, en l'Àlbum i que havia estat recollida pels seus deixebles, com Isidre Puig i Boada.[cal citació]
L'any 1944 es van reprendre les obres per un equip dirigit per Francesc de Paula Quintana i Vidal, Isidre Puig i Boada, Lluís Bonet i Garí, els quals, a la mort del primer l'any 1966, continuaren fins a l'any 1981, en què prengué el relleu Francesc Cardoner i Blanch.[19] El 1985 va ser nomenat director Jordi Bonet i Armengol,[20][21] amb un equip on figuraven Carles Buxadé, Joan Margarit i Jordi Faulí i Oller.[20] El 2012, Jordi Bonet va ser substituït per Jordi Faulí i Oller.[22]
El 18 de març de 2007 se'n va commemorar el 125è aniversari de la col·locació de la primera pedra amb una festa, concerts i ballant una sardana (La Santa Espina) encerclant tot el temple.[23]
Segons les darreres previsions, la torre de Jesús s'acabaria a finals del 2025, i el 2026 es faria la inauguració oficial, coincidint amb el centenari de la mort de Gaudí.[24]
The Basílica i Temple Expiatori de la Sagrada Família,[a] otherwise known as Sagrada Família, is a church under construction in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí (1852–1926), in 2005 his work on Sagrada Família was added to an existing (1984) UNESCO World Heritage Site, "Works of Antoni Gaudí".[5] On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.[6][7][8]
On 19 March 1882, construction of Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned,[5] Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete.[9]
Relying solely on private donations, Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, anarchists from the FAI set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans.[10] In 1939, Francesc de Paula Quintana took over site management, which was able to go on with the material that was saved from Gaudí's workshop and that was reconstructed from published plans and photographs.[11] Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer-aided design and computerised numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. In 2014, it was anticipated that the building would be completed by 2026, the centenary of Gaudí's death,[12] but this schedule was threatened by work slowdowns caused by the 2020–2021 depths of the COVID-19 pandemic.[13] In March 2024, an updated forecast reconfirmed a likely completion of the building in 2026, though the announcement stated that work on sculptures, decorative details and a controversial proposed stairway leading to what will eventually be the main entrance is expected to continue until 2034.[14]
Describing Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art",[15] and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages".[16]
Though sometimes[when?] described[by whom?] as a cathedral, the basilica is not the cathedral church of the Archdiocese of Barcelona; that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral).
History
Origins
Sagrada Família was inspired by a bookseller, José María Bocabella [es], founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically.[17] Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884.[citation needed]On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry."[18] When Gaudí died in 1926, the basilica was between 15 and 25 percent complete.[9][19] After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations.[14] Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Garí and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. Armengol began introducing computers into the design and construction process in the 1980s.[citatiThe central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. In 2002, the Sagrada Família Schools building was relocated from the eastern corner of the site to the southern corner, and began housing an exhibition. The school was originally designed by Gaudí in 1909 for the children of the construction workers.[20]
As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. Computer-aided design technology has allowed stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand.[21] In 2008, some renowned Catalan architects advocated halting construction[22] to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years.[23]
Since 2013, AVE high-speed trains have passed near Sagrada Família through a tunnel that runs beneath the centre of Barcelona. The tunnel's construction, which began on 26 March 2010, was controversial. The Ministry of Public Works of Spain (Ministerio de Fomento) claimed the project posed no risk to the church.[24][25] Sagrada Família engineers and architects disagreed, saying there was no guarantee that the tunnel would not affect the stability of the building. The Board of the Sagrada Família (Patronat de la Sagrada Família) and the neighborhood association AVE pel Litoral (AVE by the Coast) led a campaign against this route for the AVE, without success.[citation needed] In October 2010, the tunnel boring machine reached the church underground under the location of the building's principal façade.[24] Service through the tunnel was inaugurated on 8 January 2013.[26] Track in the tunnel makes use of a system by Edilon Sedra in which the rails are embedded in an elastic material to dampen vibrations.[27]
The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies.[28] The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people.[29] A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion.[30]In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project.[31][32] Mark Burry of New Zealand serves as Executive Architect and Researcher.[33] Sculptures by J. Busquets, Etsuro Sotoo and Josep Maria Subirachs decorate the fantastical façades.
Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure were planned to be completed by 2026, the centennial of Gaudí's death;[14] as of a 2017 estimate, decorative elements should be complete by 2030 or 2032.[34][failed verification] Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million.[35] Completion of the structure will use post-tensioned stone.[36]
Starting on 9 July 2017, an international mass is celebrated at the basilica every Sunday and holy day of obligation, at 9 a.m., and is open to the public (until the church is full). Occasionally, Mass is celebrated at other times, where attendance requires an invitation. When masses are scheduled, instructions to obtain an invitation are posted on the basilica's website. In addition, visitors may pray in the chapel of the Blessed Sacrament and Penitence.[37]
The stone initially used in its construction came from the Montserrat mountain, but it became clear that as quarrying there went deeper, the stone was increasingly fragile and an alternative source had to be found. Since 2018 stone of the type needed to complete the construction has been sourced from the Withnell Quarry in Brinscall, near Chorley, England.[3
for the #MacroMondays theme of “perfect together”— an ornament and the string to hang it…. am not sure I’ll use this but she’s just so cute!! She’s under 5cm- will post the size verification later.
She was created by a dear one which makes her even more special!
…….💙💙 HMM 💙💙
Btw, probably the best macro is the Velcro strap used for keeping cords together.
Lake Genval is one of the MOST beloved places for a Nature lover and photographer like myself!! You can verify it by watching some extraordinary moments and views I have already experienced here, in my photo file with this name . But this last 23d of June, I tasted this magical place in a more …deeper way!! Because I stayed here overnight!! In the Château du Lac! A lovely hotel with a strong personality and history! Though very modern inside!
During the evening of this day, and in the morning of the following one, I have tasted the magical energy, light, and colors of this place, taking some pictures again, of course! But also sharing the upliftment of these special moments with a very beloved person by my side, a great Nature photographer himself…
I am so happy to share with you today, Lake Genval, on my Birthday!!!
The Macro Monday theme for 1/30 is screw. This choice fits the three parameters of the theme for MM. It also has garnered the most views and faves. I like the other three for totally different reasons, so I think I’ll dither for a bit before choosing.
Btb, I had an incredibly difficult time getting any of these to post. I finally discovered a work around but I’m hoping that my iPhone and Flickr app learn how to play nicely together again— SOON
…..💙HMM 🔩💙
Griffith, NSW.
A former small shop with a much faded store sign at the front and, at the side, a fading sign for Cottee's Passiona, a popular passion fruit flavoured soft drink now marketed by Schweppes (another Australian local brand fallen into the hands of a multinational!). I took this on. a very early morning walk. PS I read somewhere that Passiona had actually been discontinued but can't seem to verify this.
GMC 910 Truck 1969 Owner Verification (Vintage manual focus lens) - Chatted for a while to the owner of this 1969 GMC 910 Truck (he verified the year) who was unloading it outside the skate hire shop at Olympic Plaza today. He’d owned the truck for a number of years and was thinking about having it repainted in the spring. Didn’t look in bad shape given it’s age!
In the 1660s, English physicist and mathematician Isaac Newton began a series of experiments with sunlight and prisms. Based on his experiments he argued that the geometric nature of the laws of reflection and refraction could only be explained if light is made of particles, which he referred to as corpuscles, as waves don't tend to travel in straight lines. Newton concluded that light is composed of colored particles that combine to appear white.
August 27, 2011 - East of Amherst Nebraska US
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"Stacked Plates" is storm chasers jargon for us to describe a strongly striated mesocyclone! Oh this was a B E A U T Y!
Late August 2011. This was a LP (Low Precip) Storm, and she didn't drop an ounce of rain. If anything did come down it evaporated before it hit the ground. It was so damn hot and humid and was just happy the sun was blocked out by the clouds and then this came along. Along with the severe warning it had on it a few counties north of my location as it moved south.
You can clearly see the mid-level inflow bands. Better known as striations. These were so well defined it was jaw dropping!
When the storm got close enough I couldn't really see or verify a wall cloud of any type. We had a few lowerings, but nothing significant to get me to report it. So I really can't call this a supercell. But it sure was fun one to witness!
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Dale Kaminski @ NebraskaSC Photography
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A shot of a female wood-carving leaf-cutter bee primarily taken for identification purposes. The large head and pale pollen brush with a black tip can be seen clearly. The ID has been verified in iRecord from this shot plus three others from different angles.
Photographed on a fleabane flower about 2-2.5 cm across (this is a big bee!) at Burton Mere Wetlands RSPB reserve.