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After a multi-year expansion of company formation and in biopharma valuations, 2018 was a year of heightened market volatility. Investors’ eagerness to support new modalities enabled more than 50 biotech IPOs, but with much less mature clinical development progress than traditionally demonstrated. More than half those companies are trading below their IPO prices, however, complicating conditions for the next new offering. As interest rate worries, international trade disputes, and regulatory reimbursement uncertainty have increased, biopharma stock indexes have seen significant corrections. With historically high valuations experiencing sudden dips, M&A deal-making seems to have reignited with notable, multi-billion dollar deals in recent weeks. This session will assemble market experts to discuss what forces continue to shape performance within the sector and what opportunities the market correction can reveal for investors and companies seeking resources to deliver the next wave of innovative therapies for patients.

 

Speakers

Sara Michelmore, MacDougall

Katherine Andersen, Silicon Valley Bank (SVB)

Noël Brown, Cantor Fitzgerald

Andrew Gitkin, Piper Jaffray

Geoffrey Goodman, Wells Fargo Securities

Philip Ross, J.P. Morgan

Jennifer Sheng, Citi

Yaron Werber, Cowen

History

 

Although there is evidence of Ice age inhabitants here[citation needed], and probable trading in the Bronze age, the first evidence of a town comes from the Saxon times. It is possible that Saxon settlement originated by sea from Hampshire in the sixth century, or overland around the year 800.[2]

 

Brixham was called Briseham in the Domesday Book.[3] Its population then was 39.[4]

 

Brixham was part of the former Haytor Hundred. The population was 3,671 in 1801[citation needed] and 8,092 in 1901. In 1334, the town's value was assessed at one pound, twelve shillings and eightpence; by 1524, the valuation had risen to £24 and sixteen shillings. It is recorded as a borough from 1536, and a market is recorded from 1822.[5]

 

William Prince of Orange (afterwards King William III of Great Britain & Ireland) landed in Brixham with his mainly Dutch army, on 5 November 1688, during the Glorious Revolution, and issued his famous declaration "The Liberties of England and The Protestant Religion I Will Maintain". Many local people still have Dutch surnames, being direct descendants of soldiers in that army. A road leading from the harbour up a steep hill to where the Dutch made their camp, is still called Overgang, meaning 'passage' in Dutch.[6]

 

The coffin house reflects Brixham humour: it is coffin-shaped and when a father was asked for the hand in marriage of his daughter, he said he would 'see her in a coffin, before she wed'. The future son-in-law bought the coffin-shaped property, called it the Coffin House, and went back to the father and said 'Your wishes will be met, you will see your daughter in a coffin, the Coffin House'. Amazed by this, the father gave his blessing.[7]

 

The street names reflect the town's history. Pump Street is where the village pump stood. Monksbridge was a bridge built by the monks of Totnes Priory. Lichfield Drive was the route that the dead (from the Anglo-Saxon ‘lich’ meaning a corpse) were taken for burial at St Mary’s churchyard. Salutation Mews, near the church, dates from when England was Catholic, and the salutation was to the Virgin Mary. Similarly, Laywell Road recalls Our Lady’s Well. The first building seen when coming into Brixham from Paignton is the old white-boarded Toll House where all travellers had to pay a fee to keep the roads repaired.

 

The tower of All Saints' Church, founded in 1815, stands guard over the town. The composer of Abide With Me, Rev. Francis Lyte was a vicar at the church. He lived at Berry Head House, now a hotel, and when he was a very sick man, near to dying, he looked out from his garden as dusk fell over Torbay, and the words of that hymn came into his mind.

 

The main church is St. Mary's, about a mile from the sea. It is the third to have been on the site (which was an ancient Celtic burial ground). The original wooden Saxon church was replaced by a stone Norman church that was in its turn built over in about 1360. Many of the important townspeople are buried in the churchyard.

 

Many of Brixham's photogenic cottages above the harbour were originally inhabited by fishermen and their families. Near the harbour is the famous Coffin House mentioned earlier. Many of the dwellings towards Higher Brixham were built largely between the 1930s to 1970s. Several holiday camps were built in this area, for example Pontin's Wall Park and Dolphin. The Dolphin was one of the companys biggest camps. The camp closed in 1991 after fire destroyed the main entertainments building.

 

Brixham was served by the short Torbay and Brixham Railway from Churston. The line, opened in February 1868 to carry passengers and goods (mainly fish), was closed in May 1963 as a result of the Beeching Axe cuts. Although the former line to Brixham is deserted and overgrown, the branch line through nearby Churston is now maintained and operated as a heritage railway by a team of volunteers as the Paignton and Dartmouth Steam Railway.

Maritime

Looking west across Brixham Harbour

 

Brixham is also notable for being the town where the fishing trawler was improved in the 19th century; their distinctive sails inspired the song "Red Sails in the Sunset", which was written aboard a Brixham sailing trawler called the Torbay Lass.

 

In the Middle Ages, Brixham was the largest fishing port in the south west of England. Known as the 'Mother of Deep-Sea Fisheries', its boats helped to establish the fishing industries of Hull, Grimsby and Lowestoft. In the 1890s, there were about 300 trawling vessels in Brixham, most individually owned. The trawlers can still be seen coming in and out of the harbour, followed by flocks of seagulls. The fish market is open to the public on two special days in the summer, when the finer points of catching and cooking fish are explained. The modern boats are diesel-driven, but several of the old sailing trawlers have been preserved.

 

Hundreds of ships have been wrecked on the rocks around the town. Brixham men have always known the dangers but even they were taken by surprise by a terrible storm that blew up on the night of 10 January 1866. The fishing boats only had sails then and could not get back into harbour because gale force winds and the high waves were against them. To make things worse, the beacon on the breakwater was swept away, and in the black darkness they could not determine their position. According to local legend, their wives brought everything they could carry, including furniture and bedding, to make a big bonfire on the quayside to guide their men home. Fifty vessels were wrecked and more than one hundred lives were lost in the storm; when dawn broke the wreckage stretched for nearly three miles up the coast.

Brixham breakwater and lighthouse

 

Hearing of this tragedy, the citizens of Exeter gave money to set up what became the Royal National Lifeboat Institution's Brixham Lifeboat in 1866. Now known as Torbay Lifeboat Station, it operates a Severn Class all-weather lifeboat and a D Class inshore lifeboat.[8] The crews have a history of bravery, with 52 awards for gallantry. The boathouse can be visited and memorials to the brave deeds seen; on special occasions visitors can go on board the boat. Two maroons (bangs) are the signal for the lifeboat to be launched.

 

Smuggling was more profitable than fishing, but if the men were caught, they were hanged. There are many legends about the local gangs and how they evaded the Revenue men. One humorous poem describes how a notorious local character, Bob Elliott ("Resurrection Bob"), could not run away because he had gout and hid in a coffin. Another villain was caught in possession but evaded capture by pretending to be the Devil, rising out of the morning mists. On another occasion when there was a cholera epidemic, some Brixham smugglers drove their cargo up from the beach in a hearse, accompanied by a bevy of supposed mourners following the cortege drawn by horses with muffled hooves.

 

The town's outer harbour is protected by a long breakwater, useful for sea angling. In winter this is a site for Purple Sandpiper birds. During the Second World War, a ramp and piers were built from which American servicemen left for the D-day landings.

 

To the south of Brixham, and sheltering the southern side of its harbour, lies the coastal headland of Berry Head with a lighthouse, Iron Age Fort and National Nature Reserve.

Military

The replica of Golden Hind in Brixham harbour

 

Warships have been seen in Torbay from the days of the Vikings up until 1944 when part of the D-Day fleet sailed from here. In 1588 Brixham watched Sir Francis Drake attacking the Spanish Armada after he had (so the legend goes) finished his game of bowls on Plymouth Hoe. Today in Brixham harbour there is a full-sized replica of the ship, the Golden Hind, in which Drake circumnavigated the globe; visitors can go on board.

 

For centuries, ships going down the English Channel have come into Torbay to seek refuge from the storms and to replenish food supplies. Sometimes these were merchants, taking cargoes to far away places and bringing back exotic goods and rare spices; sometimes they were carrying pilgrims, or gentlemen on the Grand Tour.

 

Since the days of Henry VIII Brixham has played a part in the defence of the nation. The headland known as Berry Head is now a National Nature Reserve, but it is also a military site where guns were once positioned to defend the naval ships that were re-victualling at Brixham. Twelve guns were put there during the War of American Independence, but were removed when peace came in 1783. Just ten years later, during a war with France, guns were again deployed around the town. The major position was at Berry Head, but this time fortifications were built to defend the gun positions. These can still be seen, and are now some of the best preserved Napoleonic forts in the country.

 

During the long series of wars against the French that began in 1689 and lasted until 1815, the Royal Navy came into Brixham to get supplies of fresh vegetables, beef and water. There might have been twenty or so of the big men-o'-war lying at anchor in Torbay, recovering from exploits of the sort described in the books about Hornblower, Bolitho or Jack Aubrey. On the harbourside towards the marina there is a grey stone building which today is the Coastguard headquarters; then, it was the King's Quay where His Majesty's vessels were provisioned. Local farmers brought vegetables to ward off scurvy, and cattle were slaughtered and their meat packed into barrels. The water came from a big reservoir situated near the crossroads in the middle of town; from there a pipeline carried it under the streets and under the harbour to the King's Quay.

 

Many of the well-known Admirals of the day visited Brixham. Not only Nelson, but also Lord St. Vincent, Cornwallis, Hood, Rodney and Hawke. There was also Earl Howe, who earned the nickname of Lord Torbay because he spent so much time ashore in Brixham. A notorious visitor was Napoleon Bonaparte, who, as a prisoner on HMS Bellerophon, spent several days off Brixham waiting to be taken to exile on St. Helena.

 

Battery Gardens have a military history leading back to the Napoleonic wars and the time of the Spanish Armada. The emplacements and features seen here today are those of the Second World War and are of national importance. The site, listed by English Heritage, is recognised as one of the best preserved of its kind in the UK. Of the 116 ‘Emergency Coastal Defence Batteries’ set up in the UK in 1940, only seven remain intact.

Industrial

 

Apart from fishing, most of the other local industries were connected with stone. Limestone was once quarried and used to build the breakwater, for houses and roads, and was sent to Dagenham to make steel for Ford automobiles. It was also burnt in limekilns to reduce it to a powder which was spread on the land in other parts of Devon as an agricultural fertiliser. The old quarries and the limekilns can still be seen.

 

Another mineral found in Brixham is ochre. This gave the old fishing boats their "Red Sails in the Sunset", but the purpose was to protect the canvas from sea water. It was boiled in great caldrons, together with tar, tallow and oak bark. The latter ingredient gave its name to the barking yards which were places where the hot mixture was painted on to the sails, which were then hung up to dry. The ochre was also used to make a paint. This was invented in Brixham in about 1845 and was the first substance in the world that would stop cast iron from rusting. Other types of paint were made here as well, and the works were in existence until 1961.

 

There were iron mines at Brixham, and for a while they produced high quality ore but the last one closed in 1925. Most of the sites have been built over and there are now no remains of this once important industry.

Politics

 

On 1 April 2007, Brixham Town Council was established after a forty-year gap since Brixham Urban Council disappeared. In its first meeting the council changed its name to Brixham Town Council per the Local Government Act 1972 and adopted the term Chairman instead of Mayor to avoid confusion with the Torbay elected Mayor. The Council's duties are those of a standard English civil parish.

 

The former British Prime Minister, James Callaghan was educated partly at Furzeham Primary School.

Sport

 

Brixham is home to the Brixham Archers.[9] This is the biggest archery club in the bay and shoots at the Brixham Cricket Club. The Archery club was formed in 1969 and has been successful at county and national level competitions.

 

In 1874, Brixham Rugby union Football Club was founded and became one of the founder members of Devon RFU of which six clubs are now left. They played Rugby on Furzeham Green until 1896 when they moved their present ground to New Gate Park (now Astley Park). The club will play their league fixtures in the Southwest 1 west division of English rugby.[10]

 

Footballer Dan Gosling, of Newcastle United F.C., was born and raised in Brixham, and is the fourth-youngest player to have ever played for Plymouth Argyle aged 16 years and 310 days.

Transport

Brixham Station entrance in 1964

 

The railway station in Brixham on the Torbay and Brixham Railway served the town until the Brixham Line was closed in 1963. Today, the remains of the line operate between Paignton, Goodrington, Churston and Kingswear as a steam railway. There are bus services operated by Stagecoach Devon to Newton Abbot, Paignton and Torquay.

 

The Association of Train Operating Companies included Brixham as one of fourteen towns that, based on 2009 data, would benefit from a new railway service. This would be an extension of the First Great Western service on the Riviera Line from Exmouth as far as Churston, which would then act as a railhead for Brixham. It would also serve other housing developments in the area since the opening of the steam railway, and may require the doubling of that line between Paignton and Goodrington Sands.[11]

Opentrons offers open-source lab automation, and this is their prototype from Maker Faire 2014 in New York.

 

The company just closed their Series C on a $1.8 billion valuation. News

Cryptocurrency and other digital assets have exploded in valuation, media attention, and interest from investors, financial technology companies, and regulators. These assets have experienced sharp increases and decreases in value, and several have imploded into bankruptcy with severe consequences for investors. Digital assets and cryptocurrency challenge existing legal and regulatory definitions and frameworks, often straddling lines in ways 20th century law never contemplated. Regulators at both the federal and state levels have been working to try to protect consumers and investors, safeguard the financial system, and allow for innovation and competition.

 

On Tuesday, November 15, the Center on Regulation and Markets convened the third event of our series on regulating digital assets. Keynoting was the New York Department of Financial Services Superintendent Adrienne A. Harris, who discussed her perspective as a state regulator dealing with digital assets and cryptocurrency. The event also featured two panels of experts, one focused on issues of prudential regulation, supervision, safety, and soundness, and a second focused on issues of consumer and investor protection.

 

Photo Credits: Paul Morigi

What was the station approch with the goods shed behind the coach and the actual station next to that, offically closed on the 8th March 1965 two days after the last trains ran, this is the old Scarborough & Whitby Railway which opened on the 16th July 1885, the last train through here was a scrap merchants valuation special on the 31st October 1967 made up of two brake vans hauled by D2051, over two years after closure.

It is now known as the 21 mile Cinder Track which runs along the old track bed between Whitby and Scarborough.

Cryptocurrency and other digital assets have exploded in valuation, media attention, and interest from investors, financial technology companies, and regulators. These assets have experienced sharp increases and decreases in value, and several have imploded into bankruptcy with severe consequences for investors. Digital assets and cryptocurrency challenge existing legal and regulatory definitions and frameworks, often straddling lines in ways 20th century law never contemplated. Regulators at both the federal and state levels have been working to try to protect consumers and investors, safeguard the financial system, and allow for innovation and competition.

 

On Tuesday, November 15, the Center on Regulation and Markets convened the third event of our series on regulating digital assets. Keynoting was the New York Department of Financial Services Superintendent Adrienne A. Harris, who discussed her perspective as a state regulator dealing with digital assets and cryptocurrency. The event also featured two panels of experts, one focused on issues of prudential regulation, supervision, safety, and soundness, and a second focused on issues of consumer and investor protection.

 

Photo Credits: Paul Morigi

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Vale of York Viking Hoard

 

The Vale of York Hoard, also known as the Harrogate Hoard and the Vale of York Viking Hoard, is a 10th-century Viking hoard of 617 silver coins and 65 other items. It was found undisturbed in 2007 near the town of Harrogate in North Yorkshire, England. The hoard was the largest Viking one discovered in Britain since 1840, when the Cuerdale hoard was found in Lancashire, though the Anglo-Saxon Staffordshire Hoard, found in 2009, is larger.

 

www.historyofyork.org.uk/themes/viking-invasion/vale-of-y...

 

Discovery

 

On 6 January 2007, David Whelan, a semi-retired businessman from Leeds, and his son Andrew, a surveyor, discovered the Harrogate hoard using metal detectors. The Whelans told BBC News they have been metal detecting as a hobby for about five years.

 

They found the hoard in an empty field that had not yet been ploughed for spring sowing. Later the field was searched but no evidence of a settlement or structure was found. About 30 cm underneath the soil, after parts of a lead chest that had been discovered were excavated, a silver bowl fell from the side of the dig. When it was examined on the ground, coins and scraps of silver were visible. The Whelans reported the find to Amy Cooper, Finds Liaison Officer of the Portable Antiquities Scheme: this was one of the first finds reported to Cooper. The pair were commended for displaying "exemplary behaviour in not unpacking all the objects from the bowl, but keeping the find intact." The hoard was transferred to the British Museum, where conservators excavated each find to preserve the objects and "contextual information." The discovery was announced on 19 July 2007. The British Museum press release stated, "The size and quality of the hoard is remarkable, making it the most important find of its type in Britain for over 150 years," and also said, "The find is of global importance, as well as having huge significance for the history of North Yorkshire".

 

At a court hearing in Harrogate on 19 July 2007, the hoard was classified as a Treasure by North Yorkshire coroner Geoff Fell under the Treasure Act 1996, which requires the find to be offered for sale to museums, with the proceeds divided by agreement between the discoverers and the landowner. The find will be valued by the Independent Treasure Valuation Committee for the Department for Culture, Media and Sport.

 

Items

 

Silver and gold armrings, neckrings and brooch fragments from the hoard

The hoard consists of 617 silver coins and 65 other items, including ornaments, ingots and precious metal, which were hidden in a gilt silver vessel lined with gold (variously identified as a cup, bowl, or pot) made in France or Germany around 900 and decorated with "vines, leaves and six hunting scenes showing lions, stags, and a horse". The lions were lionesses, with no mane. The vessel is thought to have been used to hold communion bread for a wealthy church or monastery in northern France and to have been acquired either in a Viking raid or as tribute.The cup is so closely paralleled by the Halton Moor cup, conserved in the British Museum, that both must be from the same Carolingian workshop and were produced in the mid-ninth century. The vessel was buried in a lead chest.

 

A rare gold arm ring (possibly from Ireland), and hacksilver (fragments of cut metal sometimes used as currency) were also found. Reports indicate that the coins bear Islamic, Christian, and pre-Christian Norse pagan symbols: "some of the coins mixed Christian and pagan imagery, shedding light on the beliefs of newly Christianized Vikings."

 

The hoard had been protected by lead sheeting of some kind. The coins date from the late 9th and early 10th centuries, providing a terminus post quem for dating the hoard. The first theory as to a likely tenth-century occasion for such a careful burying was that it had belonged to a wealthy Viking leader during the unrest that followed the conquest of the Viking kingdom of Northumbria in the year 927 by the Anglo-Saxon king of a unified England, Athelstan (924–939). Another brief period of Viking rule in Northumbria also followed Athelstan’s death in 939; it lasted until the expulsion and murder of the Viking king of Jórvík (modern-day York), Eric Bloodaxe, in 954.

 

The hoard included objects from many diverse locations, including Samarkand in present-day Uzbekistan, North Africa, Afghanistan, Russia, Ireland, Scandinavia, and continental Europe, "illustrating the breadth of the Vikings' travels and trade connections." Gareth Williams, curator of early medieval coins at the British Museum, examined the artifacts.

 

Acquisition and display

  

Silver pennies from the hoard on display in the British Museum

The independent Treasure Valuation Committee valued the hoard at £1,082,000. The hoard was purchased jointly by York Museums Trust, and the British Museum with funding from the National Heritage Memorial Fund, The Art Fund and The British Museum Friends.

 

From 17 September 2009 items from the hoard were on display in the Yorkshire Museum, York, for a period of six weeks before the museum closed for refurbishment in November 2009. The hoard was then taken to the British Museum for further conservation work and was returned to the Yorkshire Museum for its reopening following a major refurbishment on 1 August 2010 (Yorkshire Day). The hoard was used in the British Museum's Vikings exhibition from 6 March to 22 June 2014, the first at the British Museum in 30 years.

 

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Example of Inspection to inspection of products, goods for exporting, importing and issuance the certificate:

Inspection of Export products, goods

Inspection condition, status of goods, products are to meet with quality specifications, inspection quantity, weight, inspection marking, packing, inspection dimension, size, testing of quality, inspection basing on pattern samples. Inspection of loading to prevent the rejection of importers, buyers at the destinations due to the shipments were not meet with the standards of products, goods as per contracts, P.O.

 

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Certification:

The certification to be issued after the inspection finished, It is exposed the results of inspection on the goods, products as quality, quantity, weight, marking, packing, condition, status. . .and photos taken at the sites. The certification is certify not only the condition, status of goods, products to meet with the standards, specification, contract, P.O or no. but also the evidence or proof to claim to third party

 

Sometimes, we don't realize that we have a beautiful nature surrounding us until we take a photo of it. Talking about my self, i've discovered that life is a treasure of nature, every where, no matter where it is, there is a nature, different nature in different places , and thats where my photography are mostly navigating to ! :)

 

Photography has givin me more values to some of the things, nature are one of them, and many other things, photography made me start to think again of many things and say " hey that's a beautiful thing " OR " OMG was this thing around me all the time ?!" ( Rhetorical Question ) ..

 

Photography are more than taking a photo with a camera.. Photography can be a life lesson, a realization and valuation.. :)

 

That's what photography has taught me till now :)

 

+ Hope you like the shot =)

 

F

We are dedicated to helping our clients establish a value for their intellectual property. Contact our intellectual property valuation consultants at 800.454.9091 or visit www.consor.com.

 

Ya pokupayu magazine.

Art Lebedev studio.

The Mona Lisa is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, [and] the most parodied work of art in the world." The painting's novel qualities include the subject's enigmatic expression, monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism.

The painting has been traditionally considered to depict the Italian noblewoman Lisa del Giocondo. It is painted in oil on a white poplar panel. Leonardo never gave the painting to the Giocondo family. It was believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. King Francis I of France acquired the Mona Lisa after Leonardo's death in 1519, and it is now the property of the French Republic. It has normally been on display at the Louvre in Paris since 1797.

The painting's global fame and popularity partly stem from its 1911 theft by Vincenzo Peruggia, who attributed his actions to Italian patriotism—a belief it should belong to Italy. The theft and subsequent recovery in 1914 generated unprecedented publicity for an art theft, and led to the publication of many cultural depictions such as the 1915 opera Mona Lisa, two early 1930s films (The Theft of the Mona Lisa and Arsène Lupin), and the song "Mona Lisa" recorded by Nat King Cole—one of the most successful songs of the 1950s.

The Mona Lisa is one of the most valuable paintings in the world. It holds the Guinness World Record for the highest known painting insurance valuation in history at US$100 million in 1962, equivalent to $1 billion as of 2023.

The title of the painting, which is known in English as Mona Lisa, is based on the presumption that it depicts Lisa del Giocondo, although her likeness is uncertain. Renaissance art historian Giorgio Vasari wrote that "Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife." Monna in Italian is a polite form of address originating as ma donna—similar to Ma'am, Madam, or my lady in English. This became madonna, and its contraction monna. The title of the painting is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), which is rare in English, where it is traditionally spelled Mona.

Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany, and the wife of wealthy Florentine silk merchant Francesco del Giocondo. The painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. The Italian name for the painting, La Gioconda, means "jocund" ("happy" or "jovial"), or literally "the jocund one", a pun on the feminine form of Lisa's married name, Giocondo. In French, the title La Joconde has the same meaning. Vasari's account of the Mona Lisa comes from his biography of Leonardo published in 1550, 31 years after the artist's death. It has long been the best-known source of information on the provenance of the work and identity of the sitter. Leonardo's assistant Salaì, at his death in 1524, owned a portrait which in his personal papers was named la Gioconda, a painting bequeathed to him by Leonardo.

That Leonardo painted such a work, and its date, were confirmed in 2005 when a scholar at Heidelberg University discovered a marginal note in a 1477 printing of a volume by ancient Roman philosopher Cicero. Dated October 1503, the note was written by Leonardo's contemporary Agostino Vespucci. This note likens Leonardo to renowned Greek painter Apelles, who is mentioned in the text, and states that Leonardo was at that time working on a painting of Lisa del Giocondo. In response to the announcement of the discovery of this document, Vincent Delieuvin, the Louvre representative, stated "Leonardo da Vinci was painting, in 1503, the portrait of a Florentine lady by the name of Lisa del Giocondo. About this we are now certain. Unfortunately, we cannot be absolutely certain that this portrait of Lisa del Giocondo is the painting of the Louvre."

The catalogue raisonné Leonardo da Vinci (2019) confirms that the painting probably depicts Lisa del Giocondo, with Isabella d'Este being the only plausible alternative. Scholars have developed several alternative views, arguing that Lisa del Giocondo was the subject of a different portrait, and identifying at least four other paintings referred to by Vasari as the Mona Lisa. Several other people have been proposed as the subject of the painting, including Isabella of Aragon, Cecilia Gallerani, Costanza d'Avalos, Duchess of Francavilla, Pacifica Brandano/Brandino, Isabella Gualanda, Caterina Sforza, Bianca Giovanna Sforza, Salaì, and even Leonardo himself. Psychoanalyst Sigmund Freud theorized that Leonardo imparted an approving smile from his mother, Caterina, onto the Mona Lisa and other works like The Baptism of Christ, Virgin of the Rocks, and The Virgin and Child with Saint Anne.

The Mona Lisa bears a strong resemblance to many Renaissance depictions of the Virgin Mary, who was at that time seen as an ideal for womanhood. The woman sits markedly upright in a pozzetto armchair with her arms folded, a sign of her reserved posture. Her gaze is fixed on the observer. The woman appears alive to an unusual extent, which Leonardo achieved by his method of not drawing outlines. The soft blending (sfumato) creates an ambiguous mood "mainly in two features: the corners of the mouth, and the corners of the eyes".

The depiction of the sitter in three-quarter profile is similar to late 15th-century works by Lorenzo di Credi and Agnolo di Domenico del Mazziere. Frank Zöllner notes that the sitter's general position can be traced back to Flemish models and that "in particular the vertical slices of columns at both sides of the panel had precedents in Flemish portraiture." Woods-Marsden cites Hans Memling's portrait of Benedetto Portinari (1487) or Italian imitations such as Sebastiano Mainardi's pendant portraits for the use of a loggia, which has the effect of mediating between the sitter and the distant landscape, a feature missing from Leonardo's earlier portrait of Ginevra de' Benci.

Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.

The painting was one of the first Italian portraits to depict the sitter in front of an imaginary landscape, although some scholars favour a realistic description, and Leonardo was one of the first painters to use aerial perspective. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her, a vast landscape recedes to icy mountains, winding paths and a distant bridge, giving only the slightest indications of human presence. Leonardo chose to place the horizon line not at the neck, as he did with Ginevra de' Benci, but on a level with the eyes, thus linking the figure with the landscape and emphasizing the mysterious nature of the painting. The bridge in the background was identified by Silvano Vincenti as the four-arched Romito di Laterina bridge from Etruscan-Roman times near Laterina, Arezzo, over the Arno river. Other bridges with similar arches suggested as possible locations had more arches. Some observers find similarities with the Azzone Visconti Bridge.

Mona Lisa has no clearly visible eyebrows or eyelashes, although Vasari describes the eyebrows in detail. In 2007, French engineer Pascal Cotte announced that his ultra-high resolution scans of the painting provide evidence that Mona Lisa was originally painted with eyelashes and eyebrows but that these had gradually disappeared over time, perhaps as a result of overcleaning. Cotte discovered that the painting had been reworked several times, with changes made to the size of the face and the direction of gaze. He also found that in one layer the subject was depicted wearing numerous hairpins and a headdress adorned with pearls which was later scrubbed out and overpainted.

There has been much speculation regarding the painting's sitter and landscape background. For example, Leonardo probably painted his sitter's appearance faithfully since her beauty is not seen as being among the best, "even when measured by late quattrocento (15th century) or even twenty-first century standards." Some historians in Eastern art, such as Yukio Yashiro, argue that the landscape in the background of the picture was influenced by Chinese paintings; this thesis has been contested for lack of clear evidence.

Research in 2003 by Professor Margaret Livingstone of Harvard University said that Mona Lisa's smile disappears when observed with direct vision, known as foveal. Because of the way the human eye processes visual information, it is less suited to pick up shadows directly; however, peripheral vision can pick up shadows well. Research in 2008 by a geomorphology professor at Urbino University and an artist-photographer revealed that Mona Lisa's landscape was similar to some views in the Montefeltro region in the Italian provinces of Pesaro and Urbino, and Rimini. Research in 2023/2024 by geologist and art historian Ann Pizzorusso suggests that the landscape contains "several recognisable features of Lecco, on the shores of Lake Como in the Lombardy region of northern Italy."

Of Leonardo da Vinci's works, the Mona Lisa is the only portrait whose authenticity has never been seriously questioned, and one of four works—the others being Saint Jerome in the Wilderness, Adoration of the Magi and The Last Supper—whose attribution has avoided controversy. He had begun working on a portrait of Lisa del Giocondo, the sitter for the Mona Lisa, by October 1503. It is believed by some that the Mona Lisa was begun in 1503 or 1504 in Florence. Although the Louvre states that it was "doubtless painted between 1503 and 1506", art historian Martin Kemp says that there are some difficulties in confirming the dates with certainty. Alessandro Vezzosi believes that the painting is characteristic of Leonardo's style in the final years of his life, post-1513. Other academics argue that, given the historical documentation, Leonardo would have painted the work from 1513. According to Vasari, "after he had lingered over it four years, left it unfinished". In 1516, Leonardo was invited by King Francis I to work at the Clos Lucé near the Château d'Amboise; it is believed that he took the Mona Lisa with him and continued to work on it after he moved to France. Art historian Carmen C. Bambach has concluded that Leonardo probably continued refining the work until 1516 or 1517. Leonardo's right hand was paralytic c. 1517, which may indicate why he left the Mona Lisa unfinished.

Circa 1505, Raphael executed a pen-and-ink sketch, in which the columns flanking the subject are more apparent. Experts universally agree that it is based on Leonardo's portrait. Other later copies of the Mona Lisa, such as those in the National Museum of Art, Architecture and Design and The Walters Art Museum, also display large flanking columns. As a result, it was thought that the Mona Lisa had been trimmed. By 1993, Frank Zöllner observed that the painting surface had never been trimmed; this was confirmed through a series of tests in 2004. In view of this, Vincent Delieuvin, curator of 16th-century Italian painting at the Louvre, states that the sketch and these other copies must have been inspired by another version, while Zöllner states that the sketch may be after another Leonardo portrait of the same subject.

The record of an October 1517 visit by Louis d'Aragon states that the Mona Lisa was executed for the deceased Giuliano de' Medici, Leonardo's steward at Belvedere, Vienna, between 1513 and 1516; this was likely an error. According to Vasari, the painting was created for the sitter's husband, Francesco del Giocondo. A number of experts have argued that Leonardo made two versions (because of the uncertainty concerning its dating and commissioner, as well as its fate following Leonardo's death in 1519, and the difference of details in Raphael's sketch—which may be explained by the possibility that he made the sketch from memory). The hypothetical first portrait, displaying prominent columns, would have been commissioned by Giocondo c. 1503, and left unfinished in Leonardo's pupil and assistant Salaì's possession until his death in 1524. The second, commissioned by Giuliano de' Medici c. 1513, would have been sold by Salaì to Francis I in 1518, and is the one in the Louvre today. Others believe that there was only one true Mona Lisa but are divided as to the two aforementioned fates. At some point in the 16th century, a varnish was applied to the painting. It was kept at the Palace of Fontainebleau until Louis XIV moved it to the Palace of Versailles, where it remained until the French Revolution. In 1797, it went on permanent display at the Louvre.

 

Business market research is designed to gather and analyze data as it relates to marketing your products, services, and the changing elements of customer behavior.

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Professor, Dr. Phil

Valuation theory, civil society development and stakeholder analysis

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For more information – check www.castoncorporateadvisory.in or contact on Caston Corporate Advisory Services : 6 / 5, Didar House Building, DLF Industrial Area, Moti Nagar New Delhi-110015 (India) Ph.:+91-11-25161294

 

I need to get this off my chest.

 

I love churchcrawling, the visiting and photographing of churches, I have learned so much, met some wonderful people and seen some wonderful buildings and details.

 

But sadly, it's those places that you receive a less that welcoming reception that sticks in your memory.

 

The one place I wasn't welcomed before last weekend was Dartford, where the warden wasn't going to let me take photos.

 

Se did in the end, and was very happy as I pointed out things she didn't know.

 

Anyway, on to St Dunstan.

 

We arrived from East Peckham, with me not expecting the church to be open, but it was.

 

THere was a one way system marked out on the floor, but as we were the only ones there, we didn't follow it. Nor did I see a board with requirements for being masked.

 

About halfway through the visit, a warden came and hissed at us that we should be masked. This we dd willingly, but it was clear she was angry with us.

 

I carried on taking shots.

 

A second came in and complained that the gate to the porch was open, we were not the last ones to enter the church, but there you go.

 

And as we left, our welcome clearly at en end, the second complained about people visiting the church.

 

It was open.

 

She didn't say it loudly, but loud enough to hear.

 

Sad then that St Dunstan is in my top ten Kentish churches, so full of detail and delight.

 

And it is a delight.

 

As usual I had not read up on what I would see inside the church, so was stunned by the Geary Family Pew, now so elevated above the tomb it sits on, that those look down as if from a balcony.

 

Here too is a fine wall mounted memorial, with the two looking at each other through eternity, while above, hatchments fill the wooden roof.

 

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Saxo-Norman, with a good early double-splayed window on the south face of the tower. The church is small, dark and welcoming, dating in the greater part from the fourteenth century. The north chapel contains the private pew of the Geary family. When the burial vault beneath became full the floor of the pew was raised by 8 ft to provide more burial space, creating a solid-floored galleried pew! It is panelled and benched and appears to be of expensive construction although closer inspection reveals that it is made of cheap wood grained and painted to look like oak! On the ceiling of the pew is a good collection of hatchments, and the top of the earlier monuments, lost when the floor was raised, may still be seen. Behind the altar is a series of continental wooden statues representing the Twelve Apostles which were a twentieth century gift from Mereworth Castle. The chancel screen is also twentieth century in date, and although it is a good example of craftsmanship it is patently the wrong size - its loft is far too high for the medieval door opening that still survives in the north wall!

 

www.kentchurches.info/church.asp?p=West+Peckham

 

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WEST, ALIAS LITTLE PECKHAM.

EASTWARD from Shipborne lies the parish of West, alias Little Peckham, called in Domesday, PECHEHAM, and in the Textus Roffensis, PECHAM.

 

It has the appellation of West Peckham, from its situation westward of Great, or East Peckham, and of Little, from its smallness in regard to that parish. They both probably had their name from their situation, peac signifying in Saxon, the peke, or summit of an hill, and ham, a village, or dwelling-place.

 

THE QUARRY STONE HILLS bound the northern side of this parish, consequently the whole of it is within the district of the Weald. The soil is in general a stiff clay, and in the lower or southern part of it where it is mostly pasture, it is very rich grazing land. The northern part adjoining to the hill is covered with those woods, commonly called the Herst woods, from which there are several fine springs of water, which extend over the eastern parts of this parish, where, near the boundary of it, next to Mereworth, is the village, with the church. The northern side of this parish is watered by the stream which flows hither from Plaxtool, and from hence into the Medway at Brandt-bridge, a little above Yaldham, having turned two corn-mills in its course within this parish. The seat of Hamptons, now almost in ruins, stands near the east side of this stream, in a wild gloomy situation, and at a small distance, that of Oxenhoath, an antient brick building, situated on a rise of ground, having a most extensive prospect over the Weald, and again to the hills north-eastward, the ground about it is finely wooded, and is the greatest part of it exceeding rich pasture.

 

There were antiently two parks in this parish, both of which were disparked at the time Lambarde wrote his Perambulation in 1570.

 

There is a fair held in this village yearly, on the 16th of June.

 

This parish, with others in this neighbourhood, was antiently bound to contribute to the repair of the fifth pier of Rochester bridge.

 

LITTLE PECKHAM before the conquest was in the possession of earl Leofwine, who as well as his brother, king Harold, lost their lives in the fatal battle of Hastings. After which William the Conqueror gave it to Odo, bishop of Baieux, his half-brother, whom he likewise made earl of Kent, under the general title of whose lands it is thus entered in the survey of Domesday, taken about the year 1080.

 

Corbin holds Pecheham of the bishop (of Baieux). It was taxed at two sulings; the arable land is six carucates. In demesne there is one, and twelve villeins, having five carucates, and eight borderers, and five servants, and three acres of meadow, wood for the pannage of ten bogs. In the time of king Edward the Confessor, and afterwards, it was worth twelve pounds, now eight pounds, and yet it yields twelve pounds. The king has of this manor three dens, where four villeins dwell, and are worth forty shillings. Earl Leuin held it.

 

On the disgrace of the bishop of Baieux, about four years afterwards, this among the rest of his estates was confiscated to the crown.

 

In the reign of king John, the manor of West Peckham, then valued at fifteen pounds, was held in sergeantry, by a family of the name of Bendeville, by the service of bearing one of the king's goshawks, beyond sea, from the feast of St. Michael to that of the Purification, when the king demanded it, in lieu of all other services. Soon after which it came into the possession of a family who took their surname from it.

 

John de Peckham held it in the reign of king Henry III. and his descendant, John de Peckham, died possessed of it in the 21st year of king Edward I. holding it in capite, by the service above-mentioned. (fn. 1) Soon after which it passed into the possession of Robert Scarlet, who died possessed of it in the 33d year of that reign, but in the next of king Edward II. Adam at Broke was possessed of it. He died in the 11th year of it, both of them holding it in capite by the service mentioned above. And it appears, that in the latter year it was accounted a manor, and that there were here a capital messuage, pidgeon-house, rents of assize, and one hundred and eighty-four acres of land and wood.

 

His widow, Dionisia at Broke, died possessed of it in the 5th year of king Edward III. after which this manor seems to have been separated into moieties.

 

John de Mereworth, of Mereworth, died in the 39th year of that reign, possessed of a moiety of the manor of West Peckham, which he held of the king in capite, by the service before mentioned. Since which it has passed through the same tract of ownership that the manor of Mereworth has; as may be more fully seen hereafter in the description of it, and it is now, as well as that manor, in the possession of the right hon. Thomas Stapleton, lord le Despencer.

 

THE OTHER MOIETY of the manor of West Peckham, after the death of Dionisia at Broke, in the 5th year of king Edward III. came into the possession of Lionel, duke of Clarence, the king's third son, in right of his wife Elizabeth, sole daughter and heir of William de Burgh, earl of Ulster. She died in the 38th year of that reign, leaving by him an only daughter, Philippa, surviving her, who died in the 43d year of it, and the duke being then possessed of the moiety of this manor, which he held by the law of England, as of the inheritance of Elizabeth his late wife deceased, in capite by knight's service, Philippa, his daughter above-mentioned, then countess of March, was found to be his next heir. Upon which Edmund Mortimer, earl of March, her husband, had possession granted of it that year. Soon after which this moiety came into the possession of that branch of the family of Colepeper settled at Oxenhoath, in this parish, in which it remained till Sir John Colepeper, one of the judges of the common pleas, in the reign of king Henry IV. gave it to the knight's hospitallers of St. John of Jerusalem, in the 10th year of that reign, anno 1408.

 

They established a preceptory within this manor, which continued part of their possessions till the general dissolution of their hospital in the 32d year of king Henry VIII. when this order was suppressed by an act then specially passed for that purpose, and all their lands and revenues were given by it to the king and his heirs for ever. It was at that time stiled the Preceptory, or commandery of West Peckham, otherwise called the Chantry Magistrale. A preceptory or commandery, was a convenient mansion belonging to these knights, of which sort they had several on their different estates, in each of which they had a society of their brethren placed to take care of their lands and rents in that respective neighbourhood.

 

This manor of West Peckham, for so it was then stiled, together with the preceptory, was valued at the above dissolution at 63l. 6s. 8d. annual revenue, and sixty pounds clear income.

 

King Henry VIII. in his 33d year, granted the fee of this manor, with it appurtenances to Sir Robert Southwell, of Mereworth, to hold in capite by knight's service, and he in the 35th year of that reign, alienated it to Sir Edmund Walsingham. In which name and family this manor continued till the latter end of the reign of king Charles I. when Sir Thomas Walsingham, of Scadbury, (fn. 2) alienated it, with Yokes-place, and other estates in this neighbourhood, to his son in law, Mr. James Master, of Yokes, in the adjoining parish of Mereworth, Sir Tho. Walsingham having married the widow of Mr. Nathaniel Master, Mr. James Master's father; since which it has passed in like manner as that seat, into the possession of the right hon. George Bing, viscount Torrington, the present possessor of it.

 

HAMPTONS is a seat in this parish, situated at the western extremity of it, which, as well as the borough of that name, is accounted within the hundred and manor of Great Hoo, near Rochester. In the reign of queen Elizabeth it was in the possession of John Stanley, gent. who resided here, being the son of W. Stanley, gent. of Wilmington, whose grandfather, John Stanley, gent. was of Wilmington, in Lancashire, and bore for his arms, Argent, on a bend, azure, three bucks heads caboshed, or, a chief gules. And it appears, by an antient pedigree of the family of Stanley, well drawn with the several bearings of arms, now in the hands of William Dalison, esq. that the Stanleys of this county were descended of the eldest branch of that family, being the direct descendants of William de Stanley, lord of Stanley, in Staffordshire, and of Stourton, in the 10th year of king Richard II. the elder brother to John de Stanley, lieutenant of Ireland, who by the daughter and heir of Latham, of Lancashire, was ancestor to the Stanleys, earls of Derby, of the lords Montegle, and of those of Holte and Wever. (fn. 3) He died possessed of this seat in 1616, and his eldest son Thomas Stanley, esq. of Hamptons, dying in 1668, was buried in this church near his father. He left issue an only daughter and heir Frances, married to Maximilian Dalyson, esq. of Halling, who in her right became entitled to this seat, to which he removed on her father's death.

 

This family of Dalyson is of good account for its antiquity in this kingdom. William d'Alanzon, the first ancestor recorded of it, is said to have landed in this kingdom with William the Conqueror, whose direct descendant in the eighth generation, was of Laughton, in Lincolnshire, and first wrote himself Dalyson. His great grandson, William Dalyson, esq. of Laughton, was sheriff and escheator of Lincolnshire, and died in 1546, leaving two sons and three daughters; George Dalyson, the eldest son, was of Laughton, whose grandson, Sir Roger Dalyson, was lieutenant-general of the ordnance, and was created a baronet in 1611.

 

William Dalyson, the second son, represented the county of Lincoln in parliament in 1554, and was afterwards one of the judges of the king s bench, in the time of queen Mary, whose coat of arms, Gules, three crescents, or, a canton ermine, are still remaining in a window in Grays-inn chapel, and in another window is a like coat belonging to Charles Dalyson, anno 1660. He died in 1558, and was buried in Lincoln cathedral. He left four sons, of whom William, the eldest, will be mentioned hereafter, and Thomas was of Greetwell, in Lincolnshire, and was afterwards knighted. Lloyd in his memoirs says, Sir Thomas Dalyson, of Lancashire, lost his life for his loyalty at Nazeby, and 12,000l. in his estate, and that there were three colonels more of this name in the king's army, viz. Sir Charles Dalyson, Sir Robert Dalyson, and Sir William Dalyson, who spent 130,000l. therein, being men of great command in their country, and bringing the strength thereof to the king's assistance.

 

William Dalyson, the eldest son, on his marriage with Silvester, daughter of Robert Dene, gent. of Halling, in this county, in 1573 settled in this county, and resided at the bishop's palace, in Halling,' where he died in 1585, and was buried in Clerkenwell church. His widow afterwards married William Lambarde, gent. of Greenwich, our Kentish perambulator, and dying in 1587, was buried in Halling church, leaving issue by both her husbands.

 

Maximilian Dalyson, esq. the direct descendant of William Dalyson, by Silvester his wife, resided, in like manner as his ancestors had done at Halling, but having married Frances, only daughter and heir of Thomas Stanley, gent. of Hamptons, in this parish, as has been before related, on the death of her father, he removed thither, where he died in 1671, and was buried in this church, as was Frances his wife, who survived him, and died in 1684. They left two surviving sons, Thomas, of whom hereafter; and Charles, who was of Chatham, gent.

 

Thomas Dalyson, esq. the eldest son, of Hamptons, was twice married; first, to Susan, daughter of Sir Thomas Style, bart. of Watringbury; and secondly, to Elizabeth, daughter of Sir Thomas Twisden, bart. of Bradborne, by the latter of whom he had no issue. He died in 1636, leaving by his first wife a daughter Elizabeth, who married John Boys, esq. of Hode-court, in this county, and Tho. Dalyson, esq. who was of Plaxtool, where he resided during his father's life-time, and afterwards removed to Hamptons, where he died in 1741, and was buried in Plaxtool chapel, as were his several descendants.

 

He married first Jane, only daughter of Richard Etherington, gent. of Essex, by whom he left Mary, who died unmarried, and Jane, who married Sir Jeffery Amherst, of Riverhead, afterwards created lord Amherst. His second wife was Isabella, second daughter of Peter Burrell, esq. of Beckenham, who surviving him, died in 1762. By her he had William, of whom further mention will be made hereafter. Frances Isabella married to William Daniel Master, esq. of Mereworth, and Thomas Dalison, clerk, A. M. Wm. Dalison, esq. the eldest son, is the present possessor of Hamptons, but resides at Plaxtool, and is as yet unmarried.

 

The family of Dalyson, of Hamptons, has a right to quarter the arms of Stanley, and with them the coats of Hooton, Houghton, Grosvenor and Harrington; and with those of Dalyson, the coats of Elkinton, Greenfield, Dighton and Blesby.

 

THE BOROUGH OF OXENHOATH in this parish, is within the hundred and manor of Hoo, near Rochester, at the court of which a borsholder is appointed for this borough yearly.

 

THE MANOR OF OXENHOATH, alias Toxenhoath, is held of the manor of Great Hoo, by the service of the yearly payment of a pair of gilded spurs, but the payment of them has been forborne many years. It was in antient times part of the possessions of a branch of the family of Colepeper, or Culpeper, as they were called, and sometimes wrote themselves, in which it continued till it became part of the possessions of Sir John Colepeper, justice of common pleas, in the 7th year of king Henry IV. in the 10th year of which reign, he gave his manor of West Peckham to the knights hospitallers, as has been mentioned before. He resided at Oxenhoath, of which he died possessed in, or soon after, the 3d year of king Henry V. and was buried in this church with Katherine his wife, by whom he left Sir William Culpeper, of Oxenhoath, sheriff of this county in the 5th year of king Henry VI. whose son, Sir John Colepeper, likewise resided here. His son, Sir William Colepeper, was of Aylesford, and sheriff in the 5th year of king Henry VI. By his wife, daughter of Ferrers, of Groby, he had three sons; Sir Richard Colepeper, of Oxenhoath, William, of Preston-hall, in Aylesford; and Jeffry.

 

Sir Richard Colepeper was sheriff in the 11th year of king Edward IV. and died possessed of Oxenhoath, in the 2d year of king Richard III. leaving by Isabella, daughter and coheir of Otwell Worceley, of Stamworth, three daughters, his coheirs, Margaret, married to William Cotton, third son of Sir Thomas Cotton, of Landwade, in Cambridgeshire; Joyce, to the lord Edmund Howard, younger son of Thomas, duke of Norfolk; and Elizabeth, to Henry Barham, of Teston. (fn. 4) And on the division of their inheritance, this estate was allotted to William Cotton, in right of his wife Margaret. He resided here, bearing for his arms, Sable, a chevron between three griffins heads erased, argent. (fn. 5) He was succeeded by his son, Sir Thomas Cotton, who alienated this manor to John Chowne, gent. of Fairlawne, and his great grandson, Sir George Chowne, of Fairlawne, intending to confine his possessions within Sussex, passed away this manor to Nicholas Miller, esq. of Horsnells Crouch, in Wrotham, sheriff of this county in the 8th year of king Charles I. who bore for his arms, Ermine, a fess gules, between three griffins heads erased, azure. He died in 1640, and was buried in Wrotham church, leaving by Jane his wife, daughter of John Polley, esq. of Preston, two surviving sons, Nicholas of Oxenhoath, and Mathew of Buckland, in Surry, and several daughters.

 

His eldest surviving son, Sir Nicholas Miller, resided at Oxenhoath, which he greatly, augmented and beautified. He died in 1658, leaving four sons and four daughters surviving, of whom Humphry became his heir; and Nicholas, to whom his grandfather, Ni cholas Miller, bequeathed his family seat of Crouch, in Wrotham, and other estates. Humphry Miller, esq. the eldest son, succeeded his father in this manor and seat, where he resided, and in 1660, was created a baronet, and in 1666 was sheriff of this county, and kept his shrievalty at Oxenhoath. He died in 1709, leaving a son and heir, Borlase, and a daughter, Elizabeth, who will be mentioned hereafter.

 

Sir Borlase Miller, bart. was of Oxenhoath, of which he died possessed in 1714, s. p. leaving his wife, Susanna, daughter of Thomas Medley, esq. of Sussex, surviving. On which this estate came by survivorship to Elizabeth his sister, before-mentioned, then the wise of Leonard Bartholomew, esq. of Rochester, who afterwards resided at Oxenhoath, who served the office of sheriff in 1713, and bore for his arms, Or, three goats heads erased, sable. He died in 1720, being buried with Elizabeth his wife in this church, and leaving three sons, Philip, Leonard, and Humphry; the eldest of whom, Philip Bartholomew, esq. possessed and resided at Oxenhoath. He first married the only daughter and heir of Mr. John Knowe, gent. of Ford, in Wrotham; by whom he had two sons, Leonard, and John-Knowe-Bartholomew, the latter of whom died before his brother, without issue. He married secondly Mary, younger daughter of Alexander Thomas, esq. of Lamberhurst, by whom he had a daughter Mary, married to Francis Geary, esq.

 

Philip Bartholomew died in 1730, and was succeeded by his eldest son, Leonard Bartholomew, esq. who was of Oxenhoath. He died without issue in 1757, and by will gave Oxenhoath, with his other estates in this county, to the second son, then unborn, of Francis Geary, esq. of Polesdon, in Surry, afterwards admiral of the royal navy, and created a baronet on August 10, 1782, by Mary, his half sister abovementioned, in tail male, with remainder to the admi ral's eldest son, in like tail, remainder to the family of Beaumont, in Yorkshire.

 

His second son before mentioned was afterwards born and christened William, and his eldest brother having died unmarried, became his father's heir, and succeeded on his death in 1796, to the title of baronet, being the present Sir William Geary, bart. who resides at Oxenhoath, of which he is the present possessor. He is M. P. for this county, and at present unmarried. The arms of Geary are, Gules, two bars argent, on each three mascles of the first, a canton ermine.

 

Charities.

DAME MARY CHOWNE gave by will in 1619, to be distributed to the poor of this parish on Michaelmas day yearly, the sum of 40l. with which a house was bought, which is vested in trustees, and now of the annual produce of 40s.

 

THOMAS STANLEY, esq. gave by deed in 1637, to an aged married pair for life, or an antient widow, a house and land, vested in the churchwardens and overseers, and now of the annual produce of 1l 10s.

 

THE REV. SAMUEL COOKE gave by will in 1637, to ten poor persons of this parish yearly, on Lady-day, a sum of money, vested in the minister of this parish, and now of the annual produce of 5l.

 

NICHOLAS JAMES and THOMAS DUNMOLL gave by their several wills in 1695, 1705, and 1708, the sums of 20s. each, to be paid out of lands in this parish, and to be distributed to the poor on Christmas day, which sums are vested in the churchwardens and overseers, and now of the like annual produce.

 

MILDMAY, EARL OF WESTMORELAND, gave a field, containing two acres, to the inhabitants of this parish, for a sporting place and for a more commodious way to the church.

 

WEST OR LITTLE PECKHAM is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester and deanry of Malling.

 

The church, which is dedicated to St. Dunstan, is a small building, with a low pointed steeple.

 

King Edward I. in his 14th year, granted to the prior and convent of Ledis, in this county, the advowson of the church of Parva Pecham, to hold in free, pure, and perpetual alms; and he granted that they should hold it appropriated to their own use, whensoever they would, without any hindrance of him, his heirs and successors. (fn. 6)

 

In the 21st of the above reign, a quo warranto was brought before the justices itinerant against the prior and convent, to enquire by what right they possessed this church, then valued at forty pounds per annum, and formerly in the king's gift; and on their pleading the above grant, the jury gave it for them.

 

In the reign of king Edward III. the valuation of this church was, forty acres of the endowment of it, twenty shillings hay; twenty shillings tithe of pannage and herbage; ten shillings tithe of geese, calves, pigs, and mills; with oblations and other small tithes belonging to it.

 

Bishop Thomas de Brinton, by his instrument in 1387, the 11th year of king Richard II. granted licence to the prior and convent of Ledes to appropriate this church, then vacant and of their own patronage, to their own uses, saving a competent vicarage in it, the presentation of which should belong to them, which he ordained to consist of all small tithes, oblations, obventions, pannages, and all other things belonging to the altarage, except the tithe of hay itself of the parish wheresoever, excepting of twenty acres of meadow, then belonging to the earl of Gloucester, in the western part of the parish; the tithe of which twenty acres the vicar of the church for the time being, should take and have for ever. And that the vicars themselves should have the hall, with the chambers adjoining to it, and the garden, together with four acres of land, with the tithe arising from them, and two acres of wood of the demesne of the church, as they were bounded off; and also two shillings annual rent, which John, called le Kinge, of this parish, and his heirs, should pay to the vicars for ever, for land which he held of the fee of this church, together with the tithes arising from it; and that the vicars should take all tithes in the gardens of the whole parish, which were dug with the foot. But that the prior and convent should, for their portion, sustain all burthens, as well ordinary and extraordinary, happening to the church, saving the right, dignity and custom of his church of Rochester, and of all others.

 

The advowson and parsonage of West Peckham continued with the priory of Leeds till the time of its dissolution in the reign of king Henry VIII. when the same, together with all the lands and revenues of it, was surrendered into the king's hands, after which the king, by his dotation-charter, in his 33d year, settled this church of Peckham Parva, and the advowson of the vicarage, on his new-erected dean and chapter of Rochester, with whom they now remain.

 

On the intended dissolution of deans and chapters, after the death of king Charles I. the parsonage of Little Peckham was surveyed in 1649; when it appeared that it consisted of a barn, yard, &c. and twentyfive acres and an half of glebe land, of the improved rent of sixty pounds per annum; which premises were let anno 13 Charles I. to James, Elizabeth, and Duke Stonehouse, for the term of their lives, or the longest liver of them, by the dean and chapter of Rochester, at the yearly rent of six pounds. In which lease the advowson was excepted, and the lessess covenanted to repair the premises, and the chancel of the parish church. (fn. 7)

 

The present lessee of this parsonage, under the dean and chapter, is Sir William Geary, bart.

 

In the reign of queen Anne, the small tithes of this vicarage amounted to about twelve pounds per annum. It had then an augmentation of fourteen pounds per annum which had been given to it by the dean and chapter of Rochester about the year 1690. There was likewise a small augmentation to it from John Warner, bishop of Rochester, of about ten pounds per annum, but not fixed to it.

 

The vicarage is now a discharged living, of the clear yearly certified value of forty-five pounds, the yearly tenths of which are 14s. 7d.

 

¶In 1732 it was augmented by the governors of queen Anne's bounty, and by the benefactions of one hundred pounds per annum, from the trustees of Sir William Langhorne, bart. being part of his legacy towards the augmentation of small livings, and of 100l. 17s. 6d. by Henry Burville, vicar of this parish, with which, and fifty pounds, added by George Richards, the succeeding vicar, a farm of fifteen pounds a year was purchased in this neighbourhood. The vicarage, which is a handsome sashed brick house, situated near the church, was built by the bounty of Philip Bartholomew, esq. of Oxenhoath.

 

www.british-history.ac.uk/survey-kent/vol5/pp56-70

Photo by Caroline Barton (Assistant Treasure Registrar)

From 1928 to 1932 the store was rebuilt with 4 storeys, closed early 1970s, replaced by Centrepoint department store & car park. Originally opened 1886 by John Craven & William Armstrong, who had purchased Thomas Willcox & Co’s business, “Craven & Armstrong” renamed J. Craven & Co when Armstrong retired, neighbouring shops were taken over, extensions 1912, third floor added 1926. During WWII Cravens closed 2 days a week with staff assisting the war effort. [Photo from State Library of SA: B 6200 (1932)]

 

“Having Disposed of our Drapery Business . . . to Messrs. Craven & Armstrong. . . our Premises will be Closed on and after Friday, the 16th inst, for Stocktaking and the Transfer of our Business. T. Wilcox & Company.” [Evening Journal 16 Oct 1885 advert]

 

“Craven & Armstrong. We have Purchased the Business of T. Wilcox & Co., Rundle-street, and will offer the Entire Stock, After Valuation, For Absolute Clearance, Regardless of Cost, so that we may carry on a system of ready cash trading . . . 154 and 156, Rundle-street and Pulteney-street, Opposite York Hotel.” [Advertiser 17 Oct 1885]

 

“Young Women's Christian Association. . . In 1889 the committee took the flat over Craven & Armstrong's shop, in Pulteney-street, and there the institution was housed until 1900, when the Lady Colton Hall, in Hindmarsh-square, was built.” [Advertiser 24 Apr 1914]

 

“Large additions have just been completed to the establishment of Messrs. J. Craven and Co., the well-known Rundle-street drapers. . . The same design will be continued up to Pulteney-street almost immediately, and there will then be about 150 ft. of plate glass frontage. . . The design of the old building has been followed, all cornices and other mouldings in cement being continued. . . Messrs. English & Soward were the architects.” [Advertiser 24 Aug 1912]

 

“On the corner of Rundle and Pulteney streets stand the establishment of Messrs. J. Craven and Co. . . Thirty years ago it was a homely corner shop of modest dimensions, founded by Messrs. Craven & Armstrong. To-day that little corner shop has been extended to four more, running eastwards. Modern improvements have been effected, showrooms built, ‘cash railways' thread, their way through the building.” [The Mail 28 Nov 1914]

 

“Dressmaking.— All branches thoroughly taught; drafting, cutting, designing, quickest methods. — Worth's College, above Craven's, Rundle-street.” [Advertiser 18 Aug 1917 advert]

 

“J. Craven & Co., announce the last week of their 'English Slump’ Sale. . . This week they opened, ex S.S. Palma, a big shipment of Carpets and Floor Coverings. . . splendid range of French Model Evening, Race, Dinner, Street, and Afternoon Gowns, Dresses and Coats. . . An inspection by ladies about to visit Melbourne in connection with the forthcoming racing festivals is highly recommended.” [Daily Herald 22 Oct 1920]

 

“the alteration just being completed for Messrs. J. Craven & Co., Limited, of Rundle street, Adelaide. It is just five weeks ago since the builders started operations, which consisted of demolishing a wall 100 feet in length, along Pulteney street, and replacing same by steel pillars and girders for new shop fronts. These windows are almost completed, and will be dressed out with new season's goods early next week. The front entrance is being specially admired, situated as it is behind a very attractive island window on the corner. . . The architect was Mr. J. H. Laity, of Pirie street” [Register 1 Apr 1922]

 

“J. Craven & Co., Limited, of Rundle street, Adelaide, have purchased the shop recently occupied by Fearn & Co., in Pulteney street, adjoining their own premises. . . A three-storey building will be erected on the new Pulteney street purchase. At a later date the shop now occupied by Mr. Spicer next to the Savings Bank in Rundle street will be taken over and a similar three-storey building will be erected there.” [News 1 Sep 1925]

 

“Extensive new showrooms have been arranged by the enterprising firm of J. Craven & Co., Rundle street, Adelaide. . . A great clearance sale will begin, when stocks must be reduced to make room for goods ordered by Mr. John Craven, who will return shortly from London.” [News 15 Jul 1926]

 

“in four and a half months. Mr. Craven, who returned from abroad on Saturday in the R.M.S. Moldavia, has just made one of his periodic trips in the interests of his well-known business. . . the returned traveller spoke of England, Scotland, Ireland, France, Switzerland, and Italy. He did not go to Germany, because he was able to obtain from that country's agents in London the mechanical toys and dolls usually purchased.” [Register 24 Aug 1926]

 

“Messrs. J. Craven & Co., the progressive Rundle street drapers, have purchased a further property in Pulteney street, adjoining their present store. . . The building is a fine three-story type with basement, and was built a few years ago by the South Australian Company. One half of the building is at present unoccupied. . . The other half is held on lease by Messes. Peek Brothers, tailors, and Messrs. Grey Brothers, of Melbourne. This purchase completes Messrs. J. Craven's fine block.” [Register 16 Jan 1928]

 

“Craven & Co., Limited, drapers, of Rundle street, Adelaide, have pulled down and are rebuilding into their extensive premises the two-story brick shop which in the early 'seventies was occupied by Jonah Witcombe, undertaker. In the 'sixties and 'seventies Witcombe had the contract for burying paupers who died in the Adelaide Hospital and Destitute Asylum.” [News 31 Jul 1928]

 

“Mr. J. Craven (managing director of J. Craven and Co., Limited), who returned on Saturday from his annual business trip abroad. . . bought in Switzerland, Italy, Belgium, and Germany. In Paris he purchased a fascinating assortment of model frocks, ensembles, suits, and silk coats. . . Silks were all the rage. . . Many ensembles were composed entirely of lace, and most frocks featured lace somewhere. . . Skirts were still knee-length.” [News 20 Aug 1928]

 

“J. Craven & Co, Ltd., founded in 1888 by the late John Craven, has expanded from a small single fronted shop of insignificant dimensions to a four-storied departmental store, with some six acres of floor space. The company is entirely owned and controlled in South Australia.” [Advertiser 12 Jul 1933]

 

“J. Craven & Co., Ltd.. drapers, of Rundle street, have signed a contract for further building additions and alterations. . . It is still the intention of the firm to be drapers and furnishers only. When the present scheme is complete the floor space of the store will be more than three acres. . . Messrs. Claridge and Fisher are the architects.” [Advertiser 12 Sep 1933]

 

“W.C.T.U. [Woman's Christian Temperance Union]. . . beginning. . . in Franklin street. . . in Pirie street. . . The next home was in Rundle street, above Craven's, and from there the union found a more permanent home in the Presbyterian Church and surrounding buildings, in Wakefield street.” [Advertiser 30 Apr 1934]

 

“the drapery and furniture firm of J. Craven and Co., Ltd., Adelaide, observed the 50th anniversary of its foundation. . . the opening of the business In 1886. . . The firm in those days consisted of the late Messrs. John Craven and William Armstrong. . . There were then only 15 assistants employed, and the two-storey premises, which were leased from the South Australian Company. . . The top floor was let, first to the German Club then to the Army and Navy Club, later to the Woman's Christian Temperance Union, but was afterwards used by the firm. . . The freehold of the property was bought, and later that of adjoining shops in Rundle street, including Bean's leather shop, Brown's pie shop, and Piper's fancy goods shop. Later two more buildings, occupied by the London Bank and Messrs. Ormsby and Spicer, were acquired. . . expansion began along Pulteney street, and the building occupied by Messrs. Fearn & Co., a furniture firm, and later a shop occupied by Messrs. Peek Bros., tailors, were acquired. . . Mr. John Craven. . . During the latter twenty years of his life he paid 12 visits to England and the Continent.” [Advertiser 4 May 1936]

 

“On two days a week J. Craven and Co., Ltd. turns a blank face to the street where customers pass but indoors the scene is one of cheerful activity. . . everyone was busy with flannelette. Floor walkers checked it, small boys measured it, junior assistants marked it in pencil, saleswomen cut into countless yards of it, rolled it neatly into bundles of standard size and shape. Every one of the big staff . . . was doing Army work, providing for part of the essential equipment of a soldier. This is a voluntary service offered by the firm to overcome a manpower problem in the provision of equipment.” [The Mail 16 May 1942]

 

“To complete an urgent war work assignment, the firm of J. Craven and Co. Ltd. will close for one day on Monday next. . . The work is voluntary and is given to the Government free of any cost in an endeavor to assist the War Effort.” [Advertiser 8 May 1943]

 

“J. Craven & Co. Ltd.'s store. . . Plans to make the 68-year-old building one of the most modern-looking in the city were announced. . . As a first step the Rundle and Pulteney street sides of the three-storey building will be faced with cream and burgundy ceramic tiles. . . the present verandahs, supported by posts, will be replaced with awnings.” [Advertiser Oct 1954]

 

JOHN CRAVEN

“CRAVEN.— On the 18th November, at his residence, 'Rusheens,' Strangways terrace, North Adelaide, John, beloved husband of Bertha Craven.” [Chronicle 24 Nov 1932]

 

“Mr. John Craven. . . was governing director of J. Craven & Co., a business which he founded 46 years ago. Born in Killala, County Sligo, Ireland, on November 7, 1860, he arrived in Adelaide as a young man in 1880. . . Mr. Craven started business in partnership with Mr. William Armstrong on the site of the present business in 1886. Mr. Armstrong retired in 1910 and the business was carried on by Mr Craven until 1920, when it was floated into a limited company. . . [He] took a prominent place in the Archer street Methodist Church. He was keenly interested in and supported generously many educational and charitable institutions. . . In 1887 Mr. Craven married Miss Bertha Johnson, daughter of the late Mr S Johnson. . . He leaves two sons and two daughters, Mr. T. C. Craven, of North Adelaide, Mr. J .D. L. Craven, of Medindie, Mrs. D. Wighton, of Kensington Gardens and Mrs. J. R. Campbell of Medindie. There are eleven grandchildren.” [Advertiser 19 Nov 1932]

 

M.P. 36.47 from Manchester on the Portsmouth Branch.

 

Digital image made from photograph in Boston & Maine Railroad Historical Society Archives. Copyright Boston & Maine Railroad Historical Society, Inc. Learn more about the B&MRRHS at www.bmrrhs.org. Photo 2894

Planning Ballyfermot 1936 Dublin Lord Mayor came along with TDs and other top officials from Dublin Corporation in 1936 to Inspect for a housing estate they also viewed other sites in Inchicore, Rialto, Chapelizod as there was a major tenement housing problem in the city and it was being talked about in all the papers and this was reaching other countries throughout Europe so it was an embarrassment. But Ballyfermot was selected but building did not begin till 1948 after the war (can mention the Painters Hut – first Church, Stew House, OLV Youth Club

href="https://www.flickr.com/photos/ballyfermot/14594101239/in/photolist-SpWQoP-RneQFB-AdZnWN-zyH3FB-oeCzRa-8sLcEK-8sLjqV-7W7wuU-7U8DYh-6RRTjr">www.flickr.com/photos/ballyfermot/14594101239/in/photolis...

 

The address Stone House as mentioned in the map above was featured in Le Fanu’s book ‘The House by the Churchyard’ and was situated in what is now Markievicz Park. The house is now long gone and its last residents were the Merriman family.

 

Dublin Corporation purchased the farmland from Patrick Rafter in 1946/47, for lower Ballyfermot housing development. But on Maps in the Valuation Office it showed that Dublin Corporation had planned the housing development as far back as 1937. The Second World War started in 1939 and ran to 1945.

 

Notes taken from the Book Ballyfermot Building a Community 1948 - 2006

From: ashwinarchitects | Jun 9, 2011 | 35 views

The co-founders of Twitter, Evan Williams and Biz Stone, with a valuation of more than $1 Billion, can afford the grandeur of Beverly Hills home interiors. Lately heard they were on the lookout for new homes, a pic of Biz Stone's Bedroom Interiors at his current home.

 

While they go ahead to find new homes, we welcome you to contemporary interior designs for Indra's Apartment Bangalore. Designed by Ashwin Architects, leading architecture and interior design firm in Bangalore, the style reflects a contemporary approach to architecture and interior design. The designs are least overwhelming, cluttered or fussy. They are natural and sleek, specifically designed to make what is most important to the surroundings.

 

Remember the amazing architectural features in the Bond flicks, where each interior looks worthy of its characters? Indra's apartment interior designs reflect a style that is worthy of its contemporary and yet traditionally inclined owners.

 

As the saying goes, "There's no place on earth like home", and this apartment interior design underlines the statement by making it modern and yet very traditional. Least to say, the Home & Interior Designs are inspirational.

 

Vibrant Colors Reflecting Modern Interiors, Contemporary and yet Soothing

 

The design goes beyond providing a roof over one's head. The house deigns operate in multiple ways and respond with sensitivity to the varying needs of the owners, the spaces ranging from very public to very private.

 

The designs incorporate vibrant colors and wooden works that underline each effect. The rooms combine spaciousness with soothing yellow red and orange tones combined with white. Striking color combinations in all the rooms set the tone for a striking design. The clean interiors add a lot of charm and personality to each room providing a safe and secure environment, yet porous enough to encourage interaction.

 

House Design Components, very Contemporary and yet very Traditional

 

The Ganesh Idol in the Living Room furniture comes from the popular use of Ganesha figurines and paintings in Vastu. Ganesha being the symbol of prosperity and profound knowledge is believed to be destroyer of all obstacles which come in the way of our undertakings. And according to vastu principles, the Ganesha idol has been rightly placed next to an external wall and not a wall that separates two rooms of the house. Ganesha facing the North is a happy location as HE is facing the abode of his father -- Lord Shiva.

 

By adding a terracotta horse to the corner of the living room interiors, reflects a touch of class to the living room.

 

Use of Contemporary Furniture in Living Room, Bedroom, Dining Room and Guest Rooms

 

In defining the atmosphere of a living place, furniture definitely plays an important role. Ashwin Architects brings a sleek, modern elegance to each room with contemporary furniture elements for this stunning apartment pad. The interiors with perfect symmetry, clean lines, and utter simplicity, make this an especially special place to relax.

 

The furniture chosen shows the personality of the owner. Contemporary wooden furniture is well known for its minimal style, creates easy and natural living conditions. Such contemporary furniture looks great whether it's an apartment or house. And the interior design here creates warmth, elegance and provides a comfy looking house design.

  

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I began the Kent church project back in 2008, and Barham was one of the first dozen I visited. I took a few shots, and from then I remember the window showing a very fine St George and a balcony from where the bells are rung giving great views down the church.

 

I have not stepped foot inside a Kent church since the end of September, and so I felt I needed to get back into it, as the orchid season is possibly just four months away, and then I will be lost for months.

 

Barham is like an old friend; it lies on a short cut from the A2 to the Elham Valley, so I pass down here many times a year, zig-zaggin at its western end as the road heads down towards the Nailbourne.

 

You can see the spire from the A2, nestling in the valley below, and yet being so close to a main road, the lane that winds it way through the timber framed and clapboard houses is wide enough to allow just one car to pass at a time.

 

Unusually, there is plentiful parking on the south side of the church, and from there there is a great view of the southern face of the church with its magnificent spire.

 

As hoped, it was open, and the church has so much more than I remember from what, eight years back.

 

Rows of modern chairs have replaced pews, but it looks good like thet. The church has a good collection of Victorian glass, some better than others, and there is that St George window at the western end of the north wall.

 

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A long and light church, best viewed from the south. Like nearby Ickham it is cruciform in plan, with a west rather than central, tower. Sometimes this is the result of a later tower being added, but here it is an early feature indeed, at least the same age (if not earlier) than the body of the church. Lord Kitchener lived in the parish, so his name appears on the War Memorial. At the west end of the south aisle, tucked out of the way, is the memorial to Sir Basil Dixwell (d 1750). There are two twentieth century windows by Martin Travers. The 1925 east window shows Our Lady and Child beneath the typical Travers Baroque Canopy. Under the tower, affixed to the wall, are some Flemish tiles, purchased under the will of John Digge who died in 1375. His memorial brass survives in the Vestry.

 

www.kentchurches.info/church.asp?p=Barham

 

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Many churches in Kent are well known for their yew trees but St. John the Baptist at Barham is noteworthy for its magnificent beech trees.

 

The Church guide suggests that there has been a Church here since the 9th Century but the present structure was probably started in the 12th Century although Syms, in his book about Kent Country Churches, states that there is a hint of possible Norman construction at the base of the present tower. The bulk of the Church covers the Early English, Decorated and Perpendicular periods of building. Many of the huge roof beams, ties and posts are original 14th Century as are the three arches leading into the aisle..

 

In the Northwest corner is a small 13th Century window containing modern glass depicting St. George slaying the dragon and dedicated to the 23rd Signal Company. The Church also contains a White Ensign which was presented to it by Viscount Broome, a local resident. The Ensign was from 'H.M.S. Raglan' which was also commanded by Viscount Broome. The ship was sunk in January, 1918 by the German light cruiser 'Breslau'.

 

The walls contain various mural tablets. Hanging high on the west wall is a helmet said to have belonged to Sir Basil Dixwell of Broome Park. The helmet probably never saw action but was carried at his funeral.

 

The floor in the north transept is uneven because some years ago three brasses were found there. According to popular medieval custom engraved metal cut-outs were sunk into indented stone slabs and secured with rivets and pitch. In order to save them from further damage the brasses were lifted and placed on the walls. The oldest dates from about 1370 is of a civilian but very mutilated. The other two are in good condition and dated about 1460. One is of a woman wearing the dress of a widow which was similar to a nun. The other is of a bare headed man in plate armour. These are believed to be of John Digges and his wife Joan.

 

At the west end of the church is a list of Rectors and Priests-in-Charge - the first being Otho Caputh in 1280. Notice should be made of Richard Hooker (1594), the author of the Laws of Ecclesiastical Polity. The tiles incorporated into the wall were originally in place in the Chancel about 1375. They were left by John Digges whose Will instructed that he was to be buried in the Chancel and "my executors are to buy Flanders tiles to pave the said Chancel".

 

The 14th century font is large enough to submerse a baby - as would have been the custom of the time. The bowl is octagonal representing the first day of the new week, the day of Christ's resurrection. The cover is Jacobean.

 

The Millennium Window in the South Transept was designed and constructed by Alexandra Le Rossignol and was dedicated in July 2001. The cost of the project (approximately £6,500) was raised locally with the first donation being made by the then Archbishop of Canterbury, Dr George Carey.

 

The porch contains two wooden plaques listing the names of men from the village who were killed in the Great Wars - among them being Field Marshall Lord Kitchener of Broome Park.

 

www.barham-kent.org.uk/landmark_church.htm

 

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ANTIENTLY written Bereham, lies the next parish eastward. There are five boroughs in it, viz. of Buxton, Outelmeston, Derrington, Breach, and Shelving. The manor of Bishopsborne claims over almost the whole of this parish, at the court of which the four latter borsholders are chosen, and the manors of Reculver and Adisham over a small part of it.

 

BARHAM is situated at the confines of that beautiful country heretofore described, the same Nailbourne valley running through it, near which, in like manner the land is very fertile, but all the rest of it is a chalky barren soil. On the rise of the hill northward from it, is the village called Barham-street, with the church, and just beyond the summit of it, on the further side Barham court, having its front towards the downs, over part of which this parish extends, and gives name to them. At the foot of the same hill, further eastward, is the mansion of Brome, with its adjoining plantatious, a conspicuous object from the downs, to which by inclosing a part of them, the grounds extend as far as the Dover road, close to Denne-hill, and a costly entrance has been erected into them there. By the corner of Brome house the road leads to the left through Denton-street, close up to which this parish extends, towards Folkestone; and to the right, towards Eleham and Hythe. One this road, within the bounds of this parish, in a chalky and stony country, of poor barren land, there is a large waste of pasture, called Breach down, on which there are a number of tumuli, or barrows. By the road side there have been found several skeletons, one of which had round its neck a string of beads, of various forms and sizes, from a pidgeon's egg to a pea, and by it a sword, dagger, and spear; the others lay in good order, without any particular thing to distinguish them. (fn. 1)

 

In the Nailbourne valley, near the stream, are the two hamlets of Derrington and South Barham; from thence the hills, on the opposite side of it to those already mentioned, rise southward pretty high, the tops of them being covered with woods, one of them being that large one called Covert wood, a manor belonging to the archbishop, and partly in this parish, being the beginning of a poor hilly country, covered with stones, and enveloped with frequent woods.

 

BARHAM, which, as appears by the survey of Domesday, formerly lay in a hundred of its own name, was given anno 809, by the estimation of seven ploughlands, by Cenulph, king of Kent, to archbishop Wlfred, free from all secular demands, except the trinoda necessitas, but this was for the use of his church; for the archbishop, anno 824, gave the monks lands in Egelhorne and Langeduna, in exchange for it. After which it came into the possession of archbishop Stigand, but, as appears by Domesday, not in right of his archbishopric, at the taking of which survey, it was become part of the possessions of Odo, bishop of Baieux, under the title of whose lands it is thus entered in it:

 

In Berham hundred, Fulbert holds of the bishop Berham. It was taxed at six sulings. The arable land is thirty two carucates. In demesne there are three carucates, and fifty two villeins, with twenty cottagers having eighteen carucates. There is a church, and one mill of twenty shillings and four pence. There are twentlyfive fisheries of thirty-five shillings all four pence. Of average, that is service, sixty shilling. Of herbage twenty six shillings, and twenty acres of meadow Of pannage sufficient for one hundred and fifty hogs. Of this manor the bishop gave one berewic to Herbert, the son of Ivo, which is called Hugham, and there be has one carucate in demesne, and twelve villeins, with nine carucates, and twenty acres of meadow. Of the same manor the bisoop gave to Osberne Paisforere one suling and two mills of fifty sbillings, and there is in demesne one carucate, and four villeins with one carucate. The whole of Barbam, in the time of king Edward the Confessor, was worth forty pounds, when be received it the like, and yet it yielded to him one hundred pounds, now Berhem of itself is worth forty pounds, and Hucham ten pounds, and this which Osberne bas six pounds, and the land of one Ralph, a knight, is worth forty shillings. This manor Stigand, the archbishop held, but it was not of the archbishopric, but was of the demesne ferm of king Edward.

 

On the bishop's disgrace four years afterwards, and his estates being confiscated to the crown, the seignory of this parish most probably returned to the see of Canterbury, with which it has ever since continued. The estate mentioned above in Domesday to have been held of the bishop by Fulbert, comprehended, in all likelihood, the several manors and other estates in this parish, now held of the manor of Bishopsborne, one of these was THE MANOR AND SEAT OF BARHAM-COURT, situated near the church, which probably was originally the court-lodge of the manor of Barham in very early times, before it became united to that of Bishopsborne, and in king Henry II.'s time was held of the archbishop by knight's service, by Sir Randal Fitzurse, who was one of the four knights belonging to the king's houshould, who murdered archbishop Becket anno 1170; after perpetrating which, Sir Randal fled into Ireland, and changed his name to Mac-Mahon, and one of his relations took possession of this estate, and assumed the name of Berham from it; and accordingly, his descendant Warin de Berham is recorded in the return made by the sheriff anno 12 and 13 king John, among others of the archbishop's tenants by knight's service, as holding lands in Berham of him, in whose posterity it continued till Thomas Barham, esq. in the very beginning of king James I.'s reign, alienated it to the Rev. Charles Fotherbye, dean of Canterbury, who died possessed of it in 1619. He was eldest son of Martin Fotherby, of Great Grimsby, in Lincolnshire, and eldest brother of Martin Fotherby, bishop of Salisbury. He had a grant of arms, Gules, a cross of lozenges flory, or, assigned to him and Martin his brother, by Camden, clarencieux, in 1605. (fn. 2) His only surviving son Sir John Fotherbye, of Barham-court, died in 1666, and was buried in that cathedral with his father. At length his grandson Charles, who died in 1720, leaving two daughters his coheirs; Mary, the eldest, inherited this manor by her father's will, and afterwards married Henry Mompesson, esq. of Wiltshire, (fn. 3) who resided at Barhamcourt, and died in 1732, s. p. and she again carried this manor in marriage to Sir Edward Dering, bart. of Surrenden, whose second wife she was. (fn. 4) He lest her surviving, and three children by her, Charles Dering, who married Elizabeth, daughter of Sir Thomas Farnaby, bart. since deceased, by whom he has an only surviving daughter, married to George Dering, esq. of Rolling, the youngest son of the late Sir Edw. Dering, bart. and her first cousin; Mary married Sir Robert Hilyard, bart. and Thomas Dering, esq. of London. Lady Dering died in 1775, and was succeeded by her eldest son Charles Dering, esq. afterwards of Barhamcourt, the present owner of it. It is at present occupied by Gen. Sir Charles Grey, bart. K. B. commanderin chief of the southern district of this kingdom.

 

THE MANORS OF BROME and OUTELMESTONE, alias DIGGS COURT, are situated in this parish; the latter in the valley, at the western boundary of it, was the first residence in this county of the eminent family of Digg, or, as they were asterwards called, Diggs, whence it gained its name of Diggs-court. John, son of Roger de Mildenhall, otherwise called Digg, the first-mentioned in the pedigrees of this family, lived in king Henry III.'s reign, at which time he, or one of this family of the same name, was possessed of the aldermanry of Newingate, in Canterbury, as part of their inheritance. His descendants continued to reside at Diggs-court, and bore for their arms, Gules, on a cross argent, five eagles with two heads displayed, sable, One of whom, James Diggs, of Diggs-court, died in 1535. At his death he gave the manor and seat of Outelmeston, alias Diggs-court, to his eldest son (by his first wife) John, and the manor of Brome to his youngest son, (by his second wife) Leonard, whose descendants were of Chilham castle. (fn. 5) John Diggs, esq. was of Diggs-court, whose descendant Thomas Posthumus Diggs, esq. about the middle of queen Elizabeth's reign, alienated this manor, with Diggs-place, to Capt. Halsey, of London, and he sold it to Sir Tho. Somes, alderman of London, who again parted with it to Sir B. Dixwell, bart. and he passed it away to Sir Thomas Williams, bart. whose heir Sir John Williams, bart. conveyed it, about the year 1706, to Daniel and Nathaniel Matson, and on the death of the former, the latter became wholly possessed of it, and his descendant Henry Matson, about the year 1730, gave it by will to the trustees for the repair of Dover harbour, in whom it continues at this time vested for that purpose.

 

BUT THE MANOR OF BROME, which came to Leonard Diggs, esq. by his father's will as above-mentioned, was sold by him to Basil Dixwell, esq. second son of Cha. Dixwell, esq. of Coton, in Warwickshire, then of Tevlingham, in Folkestone, who having built a handsome mansion for his residence on this manor, removed to it in 1622. In the second year of king Charles I. he served the office of sheriff with much honour and hospitality; after which he was knighted, and cveated a baronet. He died unmarried in 1641, having devised this manor and seat, with the rest of his estates, to his nephew Mark Dixwell, son of his elder brother William, of Coton above-mentioned, who afterwards resided at Brome, whose son Basil Dixwell, esq. of Brome, was anno 12 Charles II. created a baronet. He bore for his arms, Argent, a chevron, gules, between three sleurs de lis, sable. His only son Sir Basil Dixwell, bart. of Brome, died at Brome,s. p. in 1750, and devised this, among the rest of his estates, to his kinsman George Oxenden, esq. second son of Sir Geo. Oxenden, bart. of Dean, in Wingham, with an injunction for him to take the name and arms of Dixwell, for which an act passed anno 25 George II. but he died soon afterwards, unmarried, having devised this manor and seat to his father Sir George Oxenden, who settled it on his eldest and only surviving son, now Sir Henry Oxenden, bart. who is the present owner of it. He resides at Brome, which he has, as well as the grounds about it, much altered and improved for these many years successively.

 

SHELVING is a manor, situated in the borough of its own name, at the eastern boundary of this parish, which was so called from a family who were in antient times the possessors of it. John de Shelving resided here in king Edward I.'s reign, and married Helen, daughter and heir of John de Bourne, by whom he had Waretius de Shelving, whose son, J. de Shelving, of Shelvingborne, married Benedicta de Hougham, and died possessed of this manor anno 4 Edward III. After which it descended to their daughter Benedicta, who carried it in marriage to Sir Edmund de Haut, of Petham, in whose descendants, in like manner as Shelvington, alias Hautsborne, above-described, it continued down to Sir William Haut, of Hautsborne, in king Henry VIII's reign, whose eldest daughter and coheir Elizabeth carried it in marriage to Tho. Colepeper, esq. of Bedgbury, who in the beginning of king Edward VI.'s reign passed it away to Walter Mantle, whose window carried it by a second marriage to Christopher Carlell, gent. who bore for his arms, Or, a cross flory, gules; one of whose descendants sold it to Stephen Hobday, in whose name it continued till Hester, daughter of Hills Hobday, carried it in marriage to J. Lade, esq. of Boughton, and he having obtained an act for the purpose, alienated it to E. Bridges, esq. of Wootton-court, who passed away part of it to Sir George Oxenden, bart. whose son Sir Henry Oxenden, bart. of Brome, now owns it; but Mr. Bridges died possessed of the remaining part in 1780, and his eldest son the Rev. Edward Timewell Brydges, is the present possessor of it.

 

MAY DEACON, as it has been for many years past both called and written, is a seat in the southern part of this parish, adjoining to Denton-street, in which parish part of it is situated. Its original and true name was Madekin, being so called from a family who were owners of it, and continued so, as appears by the deeds of it, till king Henry VI's reign, in the beginning of which it passed from that name to Sydnor, in which it continued till king Henry VIII.'s reign, when Paul Sydnor, who upon his obtaining from the king a grant of Brenchley manor, removed thither, and alienated this seat to James Brooker, who resided here, and his sole daughter and heir carried it in marriage, in queen Elizabeth's reign, to Sir Henry Oxenden, of Dene, in Wingham, whose grandson Sir Henry Oxenden, bart. sold it in 1664, to Edward Adye, esq. the second son of John Adye, esq. of Doddington, one of whose daughters and coheirs, Rosamond, entitled her husband George Elcock, esq. afterwards of Madekin, to it, and his daughter and heir Elizabeth carried it in marriage to Capt. Charles Fotherby, whose eldest daughter and coheir Mary, entitled her two successive husbands, Henry Mompesson, esq. and Sir Edward Dering, bart. to the possession of it, and Charles Dering, esq. of Barham-court, eldest son of the latter, by her, is at this time the owner of it. The seat is now inhabited by Henry Oxenden, esq.

 

There are no parochial charities. The poor constantly maintained are about forty, casually fifteen.

 

THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanryof Bridge.

 

The church, which is dedicated to St. John Baptist, is a handsome building, consisting of a body and side isle, a cross or sept, and a high chancel, having a slim tall spire at the west end, in which are four bells. In the chancel are memorials for George Elcock, esq. of Madeacon, obt. 1703, and for his wife and children; for Charles Bean, A. M. rector, obt. 1731. A monument for William Barne, gent. son of the Rev. Miles Barne. His grandfather was Sir William Barne, of Woolwich, obt. 1706; arms, Azure, three leopards faces, argent. Several memorials for the Nethersoles, of this parish. In the south sept is a magnificent pyramid of marble for the family of Dixwell, who lie buried in a vault underneath, and inscriptions for them. In the north sept is a monument for the Fotherbys. On the pavement, on a gravestone, are the figures of an armed knight (his feet on a greyhound) and his wife; arms, A cross, quartering six lozenges, three and three. In the east window these arms, Gules, three crowns, or—Gules, three lions passant in pale, or. This chapel was dedicated to St. Giles, and some of the family of Diggs were buried in it; and there are memorials for several of the Legrands. There are three tombs of the Lades in the church-yard, the inscriptions obliterated, but the dates remaining are 1603, 1625, and 1660. There were formerly in the windows of this church these arms, Ermine, a chief, quarterly, or, and gules, and underneath, Jacobus Peccam. Another coat, Bruine and Rocheleyquartered; and another, Gules, a fess between three lions heads, erased, argent, and underneath,Orate p ais Roberti Baptford & Johe ux; which family resided at Barham, the last of whom, Sir John Baptford, lest an only daughter and heir, married to John Earde, of Denton.

 

¶The church of Barham has always been accounted as a chapel to the church of Bishopsborne, and as such is included in the valuation of it in the king's books. In 1588 here were communicants one hundred and eighty; in 1640 there were two hundred and fifty.

 

www.british-history.ac.uk/survey-kent/vol9/pp350-358

Here are the valuations of the first theme!

 

We have valued every one of you because everyone should know what we think about him!

 

So to you Raquelle:

Jamila: Raquelle Raquelle what a Suprise... I am so glad that we gave the color blue. This is perfect for you. You are a top model!

Zoé: Blue is good on you! GOOD JOB! You look very sexy and beautiful too. Your red lips are amazing!

 

So to you Ryan:

Jamila: Oh my Gosh! You are so sexy and tempting. OnE Of the best! I love your necklace which create a perfect contrast. Blue is perfect for you too! I love your face and your posture. You are sexy, Don´t be shy to show more of your personality! GOOD LUCK

Zoé: WOW! You are very sexy and beautiful. Your style have staggered me ! You look like a cool boy from a highschool! You are on the beginning of a big career. I am happy that you are one of the contestants.

 

So to you Anais:

Jamila: GOOOOD JOOB ! I love how you have done your shooting: The sweet mini dog is part of your photo. Very good idea. You show us that you are creative enough to be part of this! You are one of my favorite!!!

Zoé: YOU are one of the best! Your face expression has staggered me! Pouple was the best color for you which you have showed us here!

 

So to you Maguerite:

Jamila: Wow your face is very beautiful and pouple is very good for you. Because of your beauty face you can make advertising for parfume or make-up. I don´t like your body language. You can do this better. I am sure and believe in you! Good luck!

Zoé: I Love YOUR FACE too, and I agree with Jamila. Your pose looks a little bit funny! But you seem to have fun, please enjoy this and stay strong if you want to win this! GOOD LUCK!

 

So to you Reginia:

Jamila: WOW ONE of my favorites! Your are our sweet princess! You are soo cute and unbelieveable beuatiful! Your big blue eyes and your eyelashes are so sexy! You are a mini CINDERLLA Reginia! Your dress makes your fantastic and your hairlook is wonderful! You have surprised me too and I love your attitude!

Zoé: I love your long red dress. Your hairlook is fantastic and RED is perfect or you are good in presenting dresses. You can be more beautiful also in a natural way. You needn´t to do so much to look good, because you are very pretty.

 

So to you Arlise:

Jamila: you have the color black. Your dress is very nice and your pose too. I know you can do this better. I must say that you are very weak this week. Because the other were more better. Good luck!

I hope you can show us more about you next time!

Zoé: I like your style but I must agree with Jamila. I n comparison to the others you are not the best. I Must add that your idea is very good and I wish you good luck!

 

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Fairness Opinions

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Joint Venture (JV) Valuations

We evaluate JV relationships and advise our clients on their JV entry and exit assessments. We also assist our clients in determining contributions of the JV partners, whether in the form of cash or intangibles.

 

Restructuring / Re-organization

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For more information – check www.castoncorporateadvisory.in or contact on Caston Corporate Advisory Services : 6 / 5, Didar House Building, DLF Industrial Area, Moti Nagar New Delhi-110015 (India) Ph.:+91-11-25161294

 

Free valuations offered, but for what? The leaves on the ground? Not much value in those now they've fallen off the tree. Taken in Stroud, Gloucestershire.

The fundamental value of all housing prices is equivalent rents. Rents define the fundamental value of real estate because rental is a direct proxy for ownership; both rental and ownership provide for possession of property. Most people believe comparable sales define the value of real estate.... at Fundamental Valuation of Houses – What Are Houses Really Worth?

  

Visit the OC Housing News, and read the OC Housing News blog. Learn why you should use a home guide. Meet the Akason Realty Consulting home guides and housing market analysts, and read our real estate agent testimonials. Discover why you should register with the OC Housing News and how to use the OC Housing News. Utilize the advanced property search, or the MLS map search.

 

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Also read Renter News, SD Housing News, Housing Bubble News & Information, Housing Market Forecast US, Housing Market News & Information, Real Estate Ruin, USA Housing News, California Real Estate News, Housing Market News, USA Foreclosure News, Mortgage and Foreclosure News, Mortgage Refinance News, Real Estate Loan News, Debt Default News, Ponzi Debt, Loan Modification and Default News, Mortgage News Clips, and Fay Mortgage News.

  

Sherborne School, UK, Book of Remembrance for former pupils who died in the First World War, 1914-1918.

 

If you have any additional information about this individual, or if you use one of our images, we would love to hear from you. Please leave a comment below or contact us via the Sherborne School Archives website: oldshirburnian.org.uk/school-archives/contact-the-school-...

 

Credit: Sherborne School Archives, Abbey Road, Sherborne, Dorset, UK, DT9 3AP.

 

Details: Maurice Harry Donne Parsons (1880-1916), born on 9 December 1880 at Teal Flat, South Australia, eldest son of Henry John Donne Parsons (1851-1906) (Old Shirburnian) of 3 Regent's Park, Exeter (formerly a land agent in Australia 1876-1886 and afterwards at Exeter) and Lucy Jane Taylor (1856-).

 

Siblings:

Merrifield Henry Donne Parsons (1882).

Cecil Braithwaite Parsons (c.1885-1916).

Margaret Grace Parsons (1888-).

Harold Charles Parsons (1893-).

Lucy Joyce Parsons (1897-).

 

Attended Crewkerne School, 1891-1895.

 

Attended Sherborne School (School House) September 1895-March 1898 (expelled). A member of the 1st XV rugby football team 1895-1897 (awarded his 2nd XV colours on 9 December 1895 and his 1st XV colours on 16 November 1896). He is described in April 1897 in 'Characters of the XV': 'M.D. Parsons - 12st. A very formidable three-quarter making good use of his weight and great strength. Collars well. Punts indifferently, but is a very fine place kick.' On 14 February 1898, Douglas Steward, Hon. Sec. of the Southampton Trojans F.C. wrote to Maurice Parsons: 'We should very much have liked to come down & play you, but regret that owing to the scarcity of Rugby Clubs in this neighbourhood we have so many out matches to play, that it would not be possible for us to give you a fixture. I note what you say about your Old Boys giving us a return date but know from experience that such teams are more or less uncertain in fixtures.'

 

Married to Louisa Mary Parsons (daughter of Captain Neville of Westholme, Exeter) of The Elms, Clevelands, Exeter.

 

Occupation: Land surveyor in Exeter. Member of the Devon & Cornwall Provincial Committee of the Surveyors' Institution. Land agent to the Haldon Estate, Devon. In 1910 joined the staff of the Government Land Valuation Department.

 

Club captain of Exeter Rugby Club (played as centre three quarters).

 

Lieutenant in the 1st Volunteer Rifles Battalion, Devonshire Regiment.

 

WW1, Captain, Royal Horse Artillery, 'O' Battery, 8th Division. Received his commission in January 1916 and proceeded to the front. Killed in action in France on 18 July 1916, aged 35.

 

Commemorated at:

Laventie Military Cemetery, La Gorgue, II. E. 4 www.cwgc.org/find-war-dead/casualty/328106/PARSONS,%20MAU...

 

Exeter Rugby Football Club Roll of Honour Plaque (WW1), Sandy Park, Exeter.

 

Parsons Memorial Window, St Leonard’s church, Misterton, Devon.

 

Sherborne School: War Memorial Staircase; Book of Remembrance.

 

Exeter and Plymouth Gazette, 28 July 1916:

‘SANDFORD: The announcement in the Devon and Exeter Gazette on Monday that Captain M.H.D. Parsons, R.H.A., had been killed in action was received here with sincere regret. During nearly three years’ residence Capt. Parsons made many friends, and was highly esteemed. Deceased was a very efficient officer, and from the commencement of hostilities had a great desire to go on active service. But it was not until December last that he was allowed to relinquish his official capacity of land valuation officer. Much sympathy is felt for Mrs Parsons in her bereavement.’

A house built in 1797 by the Reverend William Massy, second son of the Reverend Godfrey Massy. Occupied by George Massy in 1814. The residence of Mary Anne Massy at the time of Griffith's Valuation, held from the Court of Chancery and valued at £38. In the later 19th century it was the home of the Atkinson family. Slater noted it as the seat of Thomas D. Atkinson in 1894. This house is still extant and occupied.

According to Burke's Landed Gentry the Atkinsons settled in the north of Ireland in the late 16th century. Some time in the late 1850s Edward Atkinson of Glenwilliam and Skea House, Enniskillen, county Fermanagh, appears to have bought the Glenwilliam estate from the Massys [or possibly won it in a game of cards, see Bence Jones]. In the 1870s Edward Atkinson of Glenwilliam Castle, Ballingarry, county Limerick, owned 2,655 acres in the county. He was the father of John Atkinson, Attorney General of Ireland in the 1890s and Member of Parliament for North Derry and later created Lord Atkinson.

  

This family claimed descent from Thomas Atkinson, who obtained a grant of land in County Monaghan in 1667 under the Act of Settlement. The genealogy below begins with Thomas Atkinson (1770-1839), the son of Thomas Atkinson (1736-1824) 'of Anaghabawn', which is perhaps to be identified with Bannaghbane in Co. Monaghan or Annaghbane in Co. Down. Thomas himself farmed at Dernamoyle, Dartrey (Monaghan), a property which he passed to his son Thomas Atkinson (1805-92). His other two sons, Edward and John, were sent to Glasgow University to study medicine, and qualified as surgeons. John died young, but Edward Atkinson (1801-76) established a successful practice at Drogheda in Co. Louth, where he quickly became a prominent figure in the town, serving as a JP for the borough, and as its Sheriff in 1824. The accumulated proceeds of successful practice, perhaps combined with some family money, enabled Edward to buy Glenwilliam Castle near Ballingarry in Co. Limerick through the Incumbered Estates Court for £3,100 in 1851. The estate comprised over 500 acres, and the castle was a comfortable late 18th century house with a modern castellated extension of the 1830s. In 1872 he made a further investment when he bought Skea Hall near Enniskillen (Fermanagh), a handsome house built in about 1830 for the Hassard family.

  

Dr. Atkinson married twice. By his first wife he had two sons and three daughters, and one of the sons predeceased him. The other was John Atkinson (1844-1932), who qualified as a barrister in 1865 and soon built a large practice on the Munster circuit. He also harboured political and judicial ambitions, becoming Solicitor General for Ireland 1889-92, and MP for Londonderry North and Attorney General for Ireland, 1895-1905. He was then made a Lord of Appeal and given a life peerage as Baron Atkinson. The fact that he was moved straight into such a senior judicial position without any previous judicial experience caused some comment at the time, but he quickly demonstrated his competence, and he continued to act as a Law Lord until he retired in 1928. His career meant that he divided his time between Dublin and London, and this may be why his father decided to leave his estates to the only son of his second marriage, Thomas Richard Durbin Atkinson (1863-1935), who was a teenage boy when Dr. Atkinson died in 1876. Thomas came of age in 1884 and lived at Glenwilliam throughout his life. Skea was normally let, the tenant for many years being George Andrew Atkinson (1854-1927), a younger son of the Atkinsons of Cavangarden, who was a solicitor in Enniskillen; the estate was apparently sold after G.A. Atkinson gave up the tenancy.

  

When Thomas Richard Durbin Atkinson died in 1935 he had one surviving daughter, Sibyl Maud (1895-1975), who was the wife of Col. John Penry Garnons Worlledge (1888-1957). Sibyl proposed selling the Glenwilliam estate at the end of the Second World War, and the house was put on the market. A prospective purchaser made an offer and was told this had been accepted, but Mrs. Worlledge subsequently declined to complete the sale and later persuaded the courts that the agents who accepted the offer had not been authorised to do so. Glenwilliam in fact remained in the family for another half century, passing in 1975 to Sibyl's daughter, Wendy Sibyl Garnons Worlledge (1926-95), who married Aubrey Stuart Rawson (b. 1922) in 1948. There was a big sale of the historic contents of the house before she finally sold the house with the remaining 25 acres to the present owners in 1993.

  

A two-storey three-bay house with a curved bow in the centre of the entrance and garden fronts, built in 1796-97 by an unknown architect for the Rev. William Massy. On the entrance side, the bow has a round-headed rusticated doorway; the rear bow looks into a walled garden behind the house. In the early 1830s George Massy added a castellated tower to the left of the original house, reputedly to the designs of James & George Richard Pain. They were no doubt also responsible for the castellated outbuildings close to the house.

  

Descent: Rev. William Massy (d. 1822); to son, George Massy (1760-1835); to son, William Hamo de Massy (1820-48); to son, George Thomas de Massy (c.1844-1922), whose Trustees sold the house and 552 acres in the Incumbered Estates Court, 1851 to Dr. Edward Atkinson (1801-76) for £3,100; to son, Thomas Richard Durbin Atkinson (1863-1935); to daughter, Sybil Maud (1895-1975), wife of John Penry Garnons Worlledge (1888-1957); to daughter, Wendy Sibyl Garnons (1926-95), wife of Maj. Aubrey Stuart Rawson (b. 1922); who sold with 25 acres for £205,000 in 1993 to Edward Anthony Storey (b. 1940) & Barbara Storey (b. 1942).

  

Atkinson, Sibyl Maud (1895-1975). Younger daughter but only surviving child of Thomas Richard Durbin Atkinson (1863-1935) and his wife Sophie Mary, daughter of Capt. Thomas Wilkinson of St. Oswalds (Limerick), born 31 January 1895. She married, 17 March 1919, Col. John Penry Garnons Worlledge OBE (1888-1957), son of Capt. Alfred C. Worlledge of York, and had issue:

(1) Wendy Sibyl Garnons Worlledge (1926-95) (q.v.);

(2) Annabel Moya Garnons Worlledge (b. 1932), born 16 August 1932; registered nurse, 1957; married, 29 September 1959, Capt. Leonard Rhys Griffiths and had issue three sons; lived in Ottawa (Canada) in 1976.

She inherited Glenwilliam Castle from her father in 1935. The castle was advertised for sale in 1946 and a purchaser came forward, but she did not complete the sale; this led to a legal action in 1947 which she won.

She died 21 December 1975; her will was proved in Limerick, 13 April 1976 (estate in Ireland, £8,881) and in London, 8 July 1976 (estate in England & Wales, £8,209). Her husband died 27 or 29 July 1957; his will was proved in Dublin, 27 November 1957 (estate in Ireland, £1,256) and in London, 23 January 1958 (estate in England, £881).

  

Worlledge, Wendy Sibyl Garnons (1926-95). Elder daughter of Col. John Percy Garnons Worlledge OBE (1888-1957) and his wife, Sybil Maud, daughter of Thomas Richard Durbin Atkinson of Glenwilliam Castle and Skea House, born in Cairo (Egypt), 31 January 1926. During the Second World War she was recruited by MI5 for military intelligence work, and was later private secretary to HM Ambassador to Peru, 1946-47. In 1974 she became the first woman to sit as a jury member in a criminal trial in Ireland outside Dublin. She married, 20 April 1948, Maj. Aubrey Stuart Rawson (b. 1922), elder son of Maj-Gen. Geoffrey Grahame Rawson CBE MC of London SW5, and had issue:

(1) Clennell Aubrey Penry Rawson (b. 1949), born 13 July 1949; educated at Culford School; animation layout artist and animator since 1976;

(2) David Graham Thomas Rawson (b. 1953), born 25 January 1953; educated at Shiplake College.

She inherited Glenwilliam Castle from her mother in 1975 but sold it in 1993.

She died at Adare (Limerick), May 1995. Her husband's date of death is unknown.

  

Sir, - Before leaving Ireland for the United States in 1879, de Valera's mother, as a young woman, worked at Glenwilliam Castle, Ballingarry, Co Limerick, the home of the Atkinson family. On several occasions later, he sought and got help from the Atkinsons. They contributed towards his education, and although politically poles apart from the young de Valera, gave him assistance on his first occasion of standing for election in Clare.

The best known member of the Atkinson family was Lord John Atkinson, who was Attorney General for Ireland from 1895 till 1905 and a member of Parliament. There is good reason to believe that he used his good offices to have the young man from Bruree reprieved of his death sentence. Two generations on, the descendants of the Atkinsons at Glenwilliam were more than a little miffed when their property was daubed with "Brits Out" slogans. - Yours, etc.,

Killiney,

Co Dublin.

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Pieter Aertsen (1508/09 - 1575), active in Antwerp and Amsterdam Market scene, to 1560/65

In addition to the large number of religious themes, Aertsen has specialized in a by him created new image type, the one of the market pictures. With monumental figures that confront the viewer massively and look at him, Aertsen resorts to Italian suggestions. An aggressive Dutch Realism and a according to the valuation of that time "lower" material here by a "high", from the Italian Renaissance borrowed form are ennobled.

 

Pieter Aertsen (1508/09 - 1575), tätig in Antwerpen und Amsterdam Marktszene, um 1560/65

Neben der großen Zahl religiöser Themen hat sich Aertsen auf einen von ihm geschaffenen neuen Bildtypus spezialisiert, den der Marktbilder. Mit monumentalen Figuren, die dem Betrachter wuchtig entgegentreten und ihn anblicken, greift Aertsen auf italienische Anregungen zurück. Ein aggressiver niederländischer Realismus und ein nach damaliger Wertung "niedriger" Stoff werden hier durch eine "hohe", der italienischen Renaissance entlehnte Form geadelt.

 

Austria Kunsthistorisches Museum

Federal Museum

Logo KHM

Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture

Founded 17 October 1891

Headquartered Castle Ring (Burgring), Vienna 1, Austria

Management Sabine Haag

www.khm.at website

Main building of the Kunsthistorisches Museum at Maria-Theresa-Square

The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.

The museum

The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.

History

Archduke Leopold Wilhelm in his Gallery

The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building.

Architectural History

The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währinger street/Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the Opera ring, and Ludwig Zettl the southeast side of the Grain market (Getreidemarkt).

From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience of Joseph Semper with the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.

Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.

Construction of the two museums began without ceremony on 27 November 1871 instead. Semper subsequently moved to Vienna. From the beginning on, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, in 1878, the first windows installed, in 1879, the Attica and the balustrade finished, and from 1880 to 1881 the dome and the Tabernacle built. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.

The lighting and air conditioning concept with double glazing of the ceilings made ​​the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times.

Dome hall

Entrance (by clicking on the link at the end of the side you can see all the pictures here indicated!)

Grand staircase

Hall

Empire

The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891, the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol needs another two years.

1891, the Court museum was organized in seven collections with three directorates:

Directorate of coins, medals and antiquities collection

The Egyptian Collection

The Antique Collection

The coins and medals collection

Management of the collection of weapons, art and industrial objects

Weapons collection

Collection of industrial art objects

Directorate of Art Gallery and Restaurieranstalt (Restoration Office)

Collection of watercolors, drawings, sketches, etc.

Restoration Office

Library

Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.

1914, after the assassination of Franz Ferdinand, heir to the throne, his "Estensische Sammlung (Collection)" passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d'Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.

The First World War went by, apart from the oppressive economic situation without loss. The Court museum remained during the five years of war regularly open to the public.

Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.

First Republic

The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.

It was not until the Treaty of Saint-Germain on 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.

On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House", by the Republic. On 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.

Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.

With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the

Egyptian and Near Eastern Collection (with the Oriental coins)

Collection of Classical Antiquities

Collection of Ancient Coins

Collection of modern Coins and Medals

Weapons collection

Collection of Sculptures and Crafts with the Collection of Ancient Musical Instruments

Picture gallery

The Museum 1938-1945

Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.

With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the German Reich.

After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to bring certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.

The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. To this end was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.

The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.

The museum today

Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).

The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.

In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.

Management

1919-1923: Gustav Glück as the first chairman of the College of science officials

1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director

1933: Arpad Weixlgärtner first director

1934-1938: Alfred Stix first director

1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief, in 1941 as first director

1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections, in 1949 as general director of the historical collections of the Federation

1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections, in 1949 as general director of art historical collections of the Federation

1949-1950: Hans Demel as administrative director

1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation

1951-1952: Fritz Eichler as administrative director

1953-1954: Ernst H. Buschbeck as administrative director

1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director

1967: Edward Holzmair as managing director

1968-1972: Erwin Auer first director

1973-1981: Friderike Klauner first director

1982-1990: Hermann Fillitz first director

1990: George Kugler as interim first director

1990-2008: Wilfried Seipel as general director

Since 2009: Sabine Haag as general director

Collections

To the Kunsthistorisches Museum also belon the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.

Kunsthistorisches Museum (main building)

Picture Gallery

Egyptian and Near Eastern Collection

Collection of Classical Antiquities

Vienna Chamber of Art

Numismatic Collection

Library

New Castle

Ephesus Museum

Collection of Ancient Musical Instruments

Arms and Armour

Archive

Hofburg

The imperial crown in the Treasury

Imperial Treasury of Vienna

Insignia of the Austrian Hereditary Homage

Insignia of imperial Austria

Insignia of the Holy Roman Empire

Burgundian Inheritance and the Order of the Golden Fleece

Habsburg-Lorraine Household Treasure

Ecclesiastical Treasury

Schönbrunn Palace

Imperial Carriage Museum Vienna

Armory in Ambras Castle

Ambras Castle

Collections of Ambras Castle

Major exhibits

Among the most important exhibits of the Art Gallery rank inter alia:

Jan van Eyck: Cardinal Niccolò Albergati, 1438

Martin Schongauer: Holy Family, 1475-80

Albrecht Dürer : Trinity Altar, 1509-16

Portrait Johann Kleeberger, 1526

Parmigianino: Self Portrait in Convex Mirror, 1523/24

Giuseppe Arcimboldo: Summer 1563

Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07

Caravaggio: Madonna of the Rosary (1606-1607)

Titian: Nymph and Shepherd to 1570-75

Portrait of Jacopo de Strada, 1567/68

Raffaello Santi: Madonna of the Meadow, 1505 /06

Lorenzo Lotto: Portrait of a young man against white curtain, 1508

Peter Paul Rubens: The altar of St. Ildefonso, 1630-32

The Little Fur, about 1638

Jan Vermeer: The Art of Painting, 1665/66

Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559

Kids, 1560

Tower of Babel, 1563

Christ Carrying the Cross, 1564

Gloomy Day (Early Spring), 1565

Return of the Herd (Autumn), 1565

Hunters in the Snow (Winter) 1565

Bauer and bird thief, 1568

Peasant Wedding, 1568/69

Peasant Dance, 1568/69

Paul's conversion (Conversion of St Paul), 1567

Cabinet of Curiosities:

Saliera from Benvenuto Cellini 1539-1543

Egyptian-Oriental Collection:

Mastaba of Ka Ni Nisut

Collection of Classical Antiquities:

Gemma Augustea

Treasure of Nagyszentmiklós

Gallery: Major exhibits

de.wikipedia.org/wiki/Kunsthistorisches_Museum

I like Bridge, I like the name, even if the bridge over the Nailbourne takes some finding.

 

Again, the main road between Dover and London used to pass through the village, but the A2 now curves pass it, so the long main street is quiet, if jammed with parked cars. It is also blessed with two good pubs and a fine country butcher.

 

St Peter stands on the hill to the east of the town, as the old road heads up to the downs on its way to the coast.

 

St Peter was Vicotianised, but the work did preserve much of what was old including a trimpium and a oddly truncated tomb where the middle section of the body is missing.

 

Windows seems to be in threes, echoing the Holy Trinity I guess, and the church has a fine rose window in the south chapel.

 

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LOCATION: Situated on Upper Chalk (just above the Nailbourne floodplain) at about 90 feet above O.D. with the main Roman road to Dover immediately to the north-east. Bridge Place is about a ¼ mile to the south-west, and its mother-church of Patrixbourne is about ¾ miles to the north-east. Canterbury is just under 3 miles to the north-west.

 

DESCRIPTION: Unfortunately the church was disastrously over-restored in 1859 by Scott (John Newman, B.O.E. (N.E. and Kent 3rd ed. 1983), 159, says it was 'done with grotesque insensitivity'). However, with the help of Glynne's description (of 1846), and various early 19th century views, as well as the few surviving medieval features, it is possible to work out something of the architectural history. Externally it has been completely refaced with heavy knapped flint, and Bathstone dressings, but the core of all the main walls, except the Vestry on the north-east and the tower stair-turret must be medieval. The west end of the north aisle also appears to have been extended westwards in 1859.

There had been an earlier small-scale repewing in 1836, followed by a restoration by Scott in 1857. The complete rebuilding took place in 1859-60, with most of the money coming from Mrs Gregory of Bridge Hill.

From the surviving remains, there is no doubt that the nave, chancel, south aisle and tower-base all date from the 12th century. It is also possible that the nave itself dates from the late 11th century, but there is no visible evidence for this. The west doorway to the nave is of a mid- to later 12th century date, and unlike virtually everything else on the outside of the church was not totally renewed in 1859. There is a decorated round-headed archway with water-leaf capitals, and much original Caenstone survives. The internal north jamb to the doorway is also mostly of original diagonally-tooled Caenstone blocks. On the north-east side of the chancel is a round-headed (c. mid-12th century) window, which was unblocked in 1859. Glynne in 1846 refers to two 'closed' windows on the north side of the chancel, and 'on the south a fine doorway and two windows, now closed; the former has fine chevron mouldings'. This doorway was reset on the east side of the north-east vestry in 1859, but its fine chevroned arch, over scalloped capitals, is still visible as an entrance to the vestry lobby. The south aisle and south-west tower seem to have been added in the later 12th century. The arcade had already gone by 1846, but part of a respond (with nook-shafts) still survives at the extreme east end. Just beyond this, in the east wall, a fragment of the north jamb of a 12th century window survives. This south aisle had a low southwall until 1859, and its steep-pitched roof continued the line of the main nave roof. The tower at the west end of this aisle has 1859 round-headed arches, on the north and east in a 'decorated Romanesque' style (? designed by Scott). Glynne tells us that originally they were 'very rude semicircular arches'. The south and east windows into the ground floor of the tower may be based on earlier 12th century ones.

During the earlier 13th century, a north transept chapel and north aisle were added. Glynne tells us that 'the north aisle is very low and narrow, divided from the nave by three rude pointed arches with large wall piers having no capitals or impost mouldings'. The pointed arches survive, though a fourth has been added on the west, as well as three extraordinary double piers. The eastern respond is mostly original, however, with bar-stopped chamfers. Another original arch (with bar-stopped chamfers) divides the north aisle from the north-east transept chapel. Glynne also says that there was a lancet at the west end of this aisle. The north-east chapel still has a pair of original lancets on the north (restored externally), and earlier there was apparently a hagioscope from this chapel into the chancel. The upper stage of the tower may be 13th century.

The one later medieval feature that survives is the 3-light early perpendicular window in the west wall of the nave. This too still contains quite a lot of original masonry, and may date from the late 14th century. The 2-light east window, now rebuilt, was probably early 14th century ('poor Middle Pointed' according to Glynne). The early 19th century views show a pair of two-light late perpendicular windows with square hoods on the south side of the chancel.

The chancel still contains some early 16th century fittings, and a roodloft was documented as being made in 1522 (see below). On the north side of the sanctuary are two low rectangular niches which contain the two halves of the effigy for Macobus Kasey (ob. 1512). Above and just to the west of this is some relief sculpture (also ? early 16th century) in a tympanum panel. Was this set originally inside a 12th century doorway? Above this is an early 17th century painting of Robert Bargrave (ob. 1649). On the chancel south wall (at the west end) are fragments of a relief memorial to a vicar, Malcolm Ramsey (ob. 1538). He was vicar of Patrixbourne and Bridge for 44 years. These include part of an inscription.

The tower appears to have been given brick south-east and south-west buttresses in the 17th or 18th century. These were removed in 1859 when a south-east stair-turret was added to the tower. This was apparently restored in 1891.

 

BUILDING MATERIALS: (Incl. old plaster, paintings, glass, tiles etc.): Virtually the whole of the church has Bathstone dressings, with heavy knapped flint on the exterior. Some 12th century and later Caenstone does, however, survive.

 

EXCEPTIONAL MONUMENTS IN CHURCH: - see above

 

CHURCHYARD AND ENVIRONS:

Size, Shape: Large Rectangular area around with church, but with the north-east side cut off by the main (Roman) road to Dover (Bridge Hill). Large new extension to the south - ? Late 19th century.

 

Condition: Good

 

Apparent extent of burial: Burial in churchyard from at least 1474.

 

Boundary walls: To road on north-east, with gateway with brick piers and iron arch.

 

Ecological potential: ? Yes - many fastigiate yews (and other trees) in southern part of churchyard.

 

HISTORICAL RECORD (where known):

Earliest ref. to church: 13th century.

 

Late med. status: Vicarage (with Patrixbourne).

 

Patron: Goes with Patrixbourne church to which it was a chapel. After the Reformation, the patron was the owner of nearby Bifrons.

 

Other documentary sources: Hasted IX (1800), 289-290. Test. Cant. (E. Kent, 1907), 35-6 mentions the Holy Cross (Rood) light, as well as lights of Our Lady, St. Nicholas, St. Erasmus, the Trinity, St. Loye, St. Trunion, as well as St. Peter (? in the chancel). The Eastern Sepulchre mentioned in 1535, and 'the painting of the High Cross in the Roodloft in 1504 - also 'to the making of the Roodloft, 1522'.

 

SURVIVAL OF ARCHAEOLOGICAL DEPOSITS:

Inside present church: ? Good, except under east end of south aisle, where there is a sunken boiler house.

 

Outside present church: Good, but perhaps disturbed by the 1859 refacing and rebuilding.

 

Quinquennial inspection (date\architect): MAY 1993 A. CLAGUE

 

ARCHAEOLOGICAL AND HISTORICAL ASSESSMENT:

The church and churchyard: A 12th century nave, chancel, south aisle and south-west tower base, with an added earlier 13th century north aisle and north-east transept chapel, which was very heavily restored and refaced externally in 1859-60.

 

The wider context: One of a group of medieval parish churches, which was technically only a chapel-of-ease (to Patrixbourne, in this case).

 

REFERENCES: For the vicars, see W.A. Scott Roberton 'Patricksbourne church, and Bifrons' Arch. Cant. 14 (1882), 169-184. (A list of vicars, by T.S. Frampton (1900) is on the S.W. side of the nave). S.R. Glynne Churches of Kent (1877), 131-2 (he visited in 1846).

 

Plans and early drawings: Petrie view from S.W. in 1807, and views from S.W. and S. in 1828 in Victoria and Albert Museum. Also view of church from S.W. in oil (? early 19th cent.) and Watercolour of church from S.E. (June 1869) in the vestry and plan of graveyard (new part) in 1942 (also in vestry).

 

DATE VISITED: 21st February 1994 REPORT BY: Tim Tatton-Brown

 

www.kentarchaeology.org.uk/01/03/BRI.htm

 

-----------------------------------------

 

BRIDGE

LIES the next adjoining parish to Patrixborne southward, being written in old deeds, Bregge, and taking its name from the bridge, which was antiently over the stream which crosses it. This parish was in early times so considerable, as to give name both to the hundred and deanry in which it is situated.

 

IT IS SITUATED about two miles and an half eastward of Canterbury, on the high Dover road, formerly the Roman Watling-street way, which appears high and entire almost throughout it; in the valley on this road stands the village of Bridge, with the church and vicarage in it, a low moist situation, the bourn or stream of the Little Stour crossing it under a stone bridge, built a few years ago by the contributions of the neighbouring gentlemen. At a small distance southward is Bridge place, now inhabited by lady Yates, widow of the late judge Yates, and of Dr. Thomas, late bishop of Rochester. The hills, form which there is a most pleasing prospect, are wholly chalk, as are in general the other upland parts of it, towards the south especially, where the country is very barren, with heathy ground and woodland, and much covered with stones. In this part of the parish is Gosley wood, once belonging to St. Augustine's monastery, afterwards granted to Thomas Colepeper, esq. It belongs now to Mr. Beckingham.

 

The MANOR OF BLACKMANSBURY, alias BRIDGE, claims over the greatest part of it, and the manor of Patrixborne over that part of this parish on the north side of the Dover road. There are two boroughs in it, viz. of Blackmansbury and of Bridge.

 

The MANOR OF BLACKMANSBURY, alias BRIDGE, was parcel of the possessions of the abbey of St. Augustine, belonging to the sacristie, as appears by the registers of it, in which frequent mention is made of this manor, with the free tenants belonging to it, in Honpit, Rede, and Blackmansbury. In which state this manor continued till the suppression of the abbey in the 30th year of king Henry VIII. when it came into the king's hands, (fn. 1) where it remained till the 36th year of that reign, when this manor, with divers lands in Houndpit and Blackmanbury, was granted to Henry Laurence, to hold in capite by knight's service, and he that year held a court here; and in his descendants it continued till the 18th of queen Elizabeth's reign, when it was alienated by fine levied, by John Laurence, to William Partherich, esq. whose arms were, Vaire, argent and sable, on a chief of the second, three roses of the first. His grandson Sir Edward Partherich, of this place, passed it away in 1638 to Sir Arnold Braems, descended of a family originally out of Flanders, where his ancestors were opulent merchants. Jacob Braems, his ancestor, was of Dover, merchant, and built the great house now the Custom house there, where he resided. Sir Arnold Braems above-mentioned, bore for his arms, Sable, on a chief, argent, a demi lion Tampant, gules. He built a spacious and magnificent mansion on the scite of the antient court-lodge here, which he named BRIDGE-PLACE, in which he afterwards resided, as did his son Walter Braems, esq. till his death in 1692; but the great cost of building this seat so impoverished the estate, that his heirs, about the year 1704, were obliged to part with it, which they did by sale to John Taylor, esq. of Bisrons, who soon afterwards pulled down the greatest part of this mansion, leaving only one wing of it standing, the size and stateliness of which being of itself full sufficient for a gentleman's residence, cannot but give an idea of the grandeur of the whole building when entire. He died in 1729, since which this manor and seat has continued in his descendants, in like manner as Bisrons abovedescribed, down to his great-grandson Edward Taylor, esq. the present possessor of them. There is not any court held for this manor.

 

BEREACRE, now called Greatand Little Barakers is another manor in this parish, which in the 21st year of king Edward I. was in the possession of Walter de Kancia, as appears by an inquisition taken that year, at his decease; not long after which it has passed into a family of its own name. After this name was become extinct here, it came into the possession of the Litchfields, who owned much land about Eastry, Tilmanstone, and Betshanger, and in this name it continued till the 22d year of Edward IV. and then Roger Litchfield passed it away to Richard Haut, whose only daughter and heir Margery carried it in marriage to William Isaac, esq. of Patrixborne, from whose descendant Edward Isaac, about the latter end of king Henry VIII. it was sold to Petyt and Weekes, who joined in the sale of it to Naylor, of Renville, from which name it was alienated to Smith and Watkins; after which it was conveyed by sale to John Taylor, esq. of Bisrons, in whose descendants it has continued down to Edward Taylor, esq. the present owner of it.

 

Charities.

SIR HENRY PALMER, of Bekesborne, by will in 1611, gave 10s. to be yearly paid out of his manor of Well-court, towards the relief of the poor of it.

 

The poor constantly relieved are about eighteen, casually the same.

 

BRIDGE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of its own name.

 

¶The church, which is dedicated to St. Peter, consists of three isles, a high chancel, and a north sept or chancel in the middle of the north isle. It has a spire steeple at the south-east corner, in which are three bells. In the high chancel, within the altar-rails, is a monument for Jane, second daughter of Walter Harslete, of Bekesborne, first wife of Sir Arnold Braems, ob 1635, and lies buried in St. Mary's church, in Dover; and for Elizabeth, (second daughter of Sir Dudley Diggs) his second wife, obt. 1645, and lies in the middle of this chancel. Against the north wall is a painted portrait of Robert Bargrave, gent. of Bridge, obt. 1649. Under a circular arch in the same wall are two rows of small imagery, carved in stone, the uppermost repre santing God the Father, with several figures on each side; the lower one, figures taken from the history of the Old Testament. Underneath these, in the hollow of the wall, is the figure of a man lying at full length, in robes, with his two hands joined and uplifted, having on his head seemingly a full perriwig. A memorial for John Hardy, esq. of Bridge-place, obt. 1779. On the east side of the south window is a hollow in the wall, and under it an inscription for Macobus Kasey, vicar of Patrixborne, obt. m.v.c.i.xii. and of his being vicar there xxi years. On the opposite side of the window is carved the figure of a scull, with a snake entering in at one eye, and the end of it out at the other, and a hand with a finger pointing up to it, as if it had been the cause of the person's death, and several bones are interspersed about it. The north chancel is made use of for a school, by voluntary contributions. On the south side of the chancel is a circular arched door-way, with Saxon ornaments. In the register are many entries, from the year 1580 to 1660, of the family of Bargrave, alias Bargar, residents in this parish, and one for Thomas, son of John Cheney, gent. who died in 1620.

 

The church of Bridge, which is a vicarage, was always esteemed as a chapel to the church of Patrixborne, and as such is included in the valuation of that vicarage in the king's books, the vicar of which is instituted and inducted into that vicarage, with the chapel of Bridge annexed to it. (fn. 2)

 

The parsonage of this parish therefore, as an appendage to that of Patrixborne, is the property of Edward Taylor, esq. of Bifrons. In 1588 here were eightynine communicants, in 1640 one hundred and twenty.

 

www.british-history.ac.uk/survey-kent/vol9/pp286-290

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Eccles and Patricroft Journal 1975

Manchester owns 1,200 acres of Eccles.

 

The largest landowner in Eccles apart from Salford council is Manchester city council.

This puzzling fact came to the attention of the Journal when it was discovered that almost the whole of Barton Moss belongs to Manchester city council.

 

Mr Bryan Eaton, the Manchester city estates and valuation officer, told the Journal that the whole of Barton Moss was bought by the Corporation shortly before the turn of the (20th) century. Because of the nature of the land at the time it was a suitable location for the tipping of nightsoil.

 

Unfortunately records of the sale of this large piece of land could not be easily traced in the archives of the corporation so we cannot say exactly how much was paid for the land or the exact date of the transaction.

 

It appears, however, that the land came into the hands of Manchester not long after the Manchester Ship Canal was completed which tends to suggest that it was probably somewhere around the mid 1890s.

What we do know is that the total acreage of the moss belonging to Manchester is about 2,500. Of that 1,200 - just under half - is inside the boundaries of the old Eccles borough. The other half is in Irlam.

 

Once Manchester bought the land, business began to boom. Employment was brought into the area and records still in existence show that at times over 150 men were employed working on the estate.

 

The night soil was brought from Manchester down the ship canal on wide barges. The barges took the night soil as far as Boysnope Wharf where it was unloaded and transferred to trains pulled by steam engines. The trains took the night soil all over the moss.

Sheds and workshops were built at Boysnope Wharf to accomodate men and machines and they still stand today (but not in 2018). In fact one of the sheds still houses the remaining estate workers. When the dumping of the night soil first started the whole of the moss was a depression in the land. It would be an impossible task to estimate the thousands of tons of night soil dumped.

 

As the dumping of the night soil moved to new locations on the moss, the land was reclaimed for agricultural use and the corporation let sections to farmers. Dumping ceased in the area as late as the last war, but most of the land had been let to farmers many years before then.

 

Until the re-organisation of local government in April the moss was the responsibility of the cleansing department, but it has now come under the jurisdiction of the city estates and valuation office.

 

Today the 1,200 acres in Eccles are farmed by about 18 farmers with farms ranging from 10-300 acres in size.

 

Because of the high concentration of peat in the soil, the land is particularly suited to crops rather than dairy farming. In fact all the farms on the moss are arable farms. The main crops are wheat maize, barley, potatoes, cabbage, cauliflower and salads. The moss is not top grade land, but it is fertile.

 

It is a strange paradox to have an area of land still used for farming in an industrial area like Eccles, but the geologists give a simple answer, and that is that you cannot build safely on peat.

 

This problem arose when the builders of the M63 motorway built Barton high level bridge. The peat in places was measured as being 30ft deep and the foundations of the bridge had to be sunk into solid ground below this level.

 

A few places on the moss were found safe to build on, such as the plot where Makro now stands, but for the time being at least the greater part of the moss looke like remaining a green area in a mass of grey.

 

Night soil - for those fortunate enough not to know - was collected at night by horse and cart from the thousands of non-flush back-yard lavatories in the area which were then known as night soil closets. Hence the Lancashire expression for getting up early: "Out before the streets were aired."

 

Image: Night soil train.

Antiques Roadshow valuation day at Dulwich Picture Gallery 19/06/08

 

First, we all make a loooong queue to reach the reception counter. There we show our "antiques' and the receptionists give us tickets for each specialized queue to the expert tables.

 

Photo by my Japanese friend, Yumi Koseki, treated via Picasa by me.

Mergers & Acquisitions (M&A)

A Merger or Acquisition (M&A) can add considerable value to a business, but making sure that each stage of the transaction process—from valuation to negotiation and completion—is successful demands considerable experience and knowledge.

We can assist you by assessing the strategic fit of a business by analyzing all aspects of a transaction, assessing the projected synergies, project managing the process, assisting in negotiations, financial modeling and assisting in assessing transaction implications.

We work with you throughout the transaction lifecycle, helping you to achieve your strategic objectives across acquisitions, disposals, management buy-outs, buy-ins, fundraisings, Initial Public Offerings, takeovers, and mergers.

The key steps involved in our M&A advisory role are:

oIdentification of the business to be acquired

oStrategic planning of acquisition

oIdentifying key targets locally and internationally

oValuation

oTransaction structuring, and negotiation

oAdvice on financing, be it debt, equity or other more complex instruments

oSupervising due diligence, legal and other issues to work towards a successful completion

For more information – check www.castoncorporateadvisory.in or contact on Caston Corporate Advisory Services: 6 / 5, Didar House Building, DLF Industrial Area, Moti Nagar New Delhi-110015 (India) Ph.:+91-11-25161294

 

Business Valuation Opinions

 

We can support your senior management in making decisions by our advice on valuations for M&A Advisory

, Divestitures, Restructuring, strategy design and implementation, Litigation and

Risk Management. We assess critical value drivers of the business and advice clients on the fair value of their businesses.

M & A Valuations we advise our clients in analyzing targets for acquisitions and Evaluate Divestment Opportunities and provide pre and post transactional support in transaction process. We assist our clients in making strategic decisions by determining swap ratios during mergers.

Internal Evaluations

We offer independent advice to boards of directors to help them determine the right price to pay or accept for a business. We help evaluate shareholder value for Stakeholders .

Fairness Opinions

We provide independent advice to shareholders, promoters and boards of directors to assess reasonableness and fairness of the price and terms of a transaction, as required by regulatory authorities, for transaction negotiations and in related party transactions.

 

Joint Venture (JV) Valuations

We evaluate JV relationships and advise our clients on their JV entry and exit assessments. We also assist our clients in determining contributions of the JV partners, whether in the form of cash or intangibles.

 

Restructuring / Re-organization

We assist our clients in the re-organization of their group structure by evaluating and analyzing their core and non-core assets. Our team performs the valuation analysis and assists boards of directors, shareholders and promoters in determining the arms-length price for the related party transactions. We provide detailed analysis in our reports which are self explanatory and defendable with tax and regulatory authorities

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Browse by parish and find your ancestors or your house.

Learn more about using Scottish Valuation Rolls in our 'Learning Zone'.

 

The need for strong valuation and deliberation is rising among Environmental Justice Organisations (EJOs). Depending on the objectives of their action, economic valuation of environmental liabilities for the preparation of court cases, policy recommendation and stakeholder deliberation, different tools and methodologies can be used. Building on its internationally acknowledged expertise in economic and environmental valuation, elaboration of sustainability indicators and deliberation support, REEDS (Research in Ecological economics, Eco-innovation and tool Development for Sustainability) will support EJOs involved in EJOLT in their quest for economic valuation of environmental liabilities and reinforce them in their attempts to obtain redress through court cases or other means, as well as make policy recommendations to organisations or institutions as needed. As this action cuts across issues and supply chain cases, REEDS will work closely with the coordinators of other work packages, to build the capacities of the EJOs involved, as well as provide methodological support and training materials.

Digitised image from the Town Hall Photographer's Collection - GB127.M850.

 

The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.

 

The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.

 

The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.

 

The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.

 

What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.

 

A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.

 

This album represents the result of their work to date.

Students and professionals from China, India, South Africa, Iran and Brazil at #LUISSBusiness to learn how to apply IP as a strategic and managerial tool improving companies’ services and creating values to the clients. Specialized Course in IP Management and Valuation Graduation Day – the ten-week specialized program jointly promoted by LUISS Business School with the Italian Patent and Trademark Office and the World Intellectual Property Organization (WIPO, through the WIPO Academy) – was held on July 19th: congratulations to the new established international network of IP Specialists! #IntellectualProperty

Learn Business Valution with Professor Malick Sy @ Aventis

Business Valuation Opinions

 

We can support your senior management in making decisions by our advice on valuations for M&A Advisory

, Divestitures, Restructuring, strategy design and implementation, Litigation and

Risk Management. We assess critical value drivers of the business and advice clients on the fair value of their businesses.

M & A Valuations we advise our clients in analyzing targets for acquisitions and Evaluate Divestment Opportunities and provide pre and post transactional support in transaction process. We assist our clients in making strategic decisions by determining swap ratios during mergers.

Internal Evaluations

We offer independent advice to boards of directors to help them determine the right price to pay or accept for a business. We help evaluate shareholder value for Stakeholders .

Fairness Opinions

We provide independent advice to shareholders, promoters and boards of directors to assess reasonableness and fairness of the price and terms of a transaction, as required by regulatory authorities, for transaction negotiations and in related party transactions.

 

Joint Venture (JV) Valuations

We evaluate JV relationships and advise our clients on their JV entry and exit assessments. We also assist our clients in determining contributions of the JV partners, whether in the form of cash or intangibles.

 

Restructuring / Re-organization

We assist our clients in the re-organization of their group structure by evaluating and analyzing their core and non-core assets. Our team performs the valuation analysis and assists boards of directors, shareholders and promoters in determining the arms-length price for the related party transactions. We provide detailed analysis in our reports which are self explanatory and defendable with tax and regulatory authorities

For more information – check www.castoncorporateadvisory.in or contact on Caston Corporate Advisory Services : 6 / 5, Didar House Building, DLF Industrial Area, Moti Nagar New Delhi-110015 (India) Ph.:+91-9810295333

Business Valuation Opinions

 

We can support your senior management in making decisions by our advice on valuations for M&A Advisory

, Divestitures, Restructuring, strategy design and implementation, Litigation and

Risk Management. We assess critical value drivers of the business and advice clients on the fair value of their businesses.

M & A Valuations we advise our clients in analyzing targets for acquisitions and Evaluate Divestment Opportunities and provide pre and post transactional support in transaction process. We assist our clients in making strategic decisions by determining swap ratios during mergers.

Internal Evaluations

We offer independent advice to boards of directors to help them determine the right price to pay or accept for a business. We help evaluate shareholder value for Stakeholders .

Fairness Opinions

We provide independent advice to shareholders, promoters and boards of directors to assess reasonableness and fairness of the price and terms of a transaction, as required by regulatory authorities, for transaction negotiations and in related party transactions.

 

Joint Venture (JV) Valuations

We evaluate JV relationships and advise our clients on their JV entry and exit assessments. We also assist our clients in determining contributions of the JV partners, whether in the form of cash or intangibles.

 

Restructuring / Re-organization

We assist our clients in the re-organization of their group structure by evaluating and analyzing their core and non-core assets. Our team performs the valuation analysis and assists boards of directors, shareholders and promoters in determining the arms-length price for the related party transactions. We provide detailed analysis in our reports which are self explanatory and defendable with tax and regulatory authorities

For more information – check www.castoncorporateadvisory.in or contact on Caston Corporate Advisory Services : 6 / 5, Didar House Building, DLF Industrial Area, Moti Nagar New Delhi-110015 (India) Ph.:+91-9810295333

Mergers & Acquisitions (M&A)

A Merger or Acquisition (M&A) can add considerable value to a business, but making sure that each stage of the transaction process—from valuation to negotiation and completion—is successful demands considerable experience and knowledge.

We can assist you by assessing the strategic fit of a business by analyzing all aspects of a transaction, assessing the projected synergies, project managing the process, assisting in negotiations, financial modeling and assisting in assessing transaction implications.

We work with you throughout the transaction lifecycle, helping you to achieve your strategic objectives across acquisitions, disposals, management buy-outs, buy-ins, fundraisings, Initial Public Offerings, takeovers, and mergers.

The key steps involved in our M&A advisory role are:

oIdentification of the business to be acquired

oStrategic planning of acquisition

oIdentifying key targets locally and internationally

oValuation

oTransaction structuring, and negotiation

oAdvice on financing, be it debt, equity or other more complex instruments

oSupervising due diligence, legal and other issues to work towards a successful completion

For more information – check www.castoncorporateadvisory.in or contact on Caston Corporate Advisory Services: 6 / 5, Didar House Building, DLF Industrial Area, Moti Nagar New Delhi-110015 (India) Ph.:+91-11-25161294

 

Business Valuation Opinions

 

We can support your senior management in making decisions by our advice on valuations for M&A Advisory

, Divestitures, Restructuring, strategy design and implementation, Litigation and

Risk Management. We assess critical value drivers of the business and advice clients on the fair value of their businesses.

M & A Valuations we advise our clients in analyzing targets for acquisitions and Evaluate Divestment Opportunities and provide pre and post transactional support in transaction process. We assist our clients in making strategic decisions by determining swap ratios during mergers.

Internal Evaluations

We offer independent advice to boards of directors to help them determine the right price to pay or accept for a business. We help evaluate shareholder value for Stakeholders .

Fairness Opinions

We provide independent advice to shareholders, promoters and boards of directors to assess reasonableness and fairness of the price and terms of a transaction, as required by regulatory authorities, for transaction negotiations and in related party transactions.

 

Joint Venture (JV) Valuations

We evaluate JV relationships and advise our clients on their JV entry and exit assessments. We also assist our clients in determining contributions of the JV partners, whether in the form of cash or intangibles.

 

Restructuring / Re-organization

We assist our clients in the re-organization of their group structure by evaluating and analyzing their core and non-core assets. Our team performs the valuation analysis and assists boards of directors, shareholders and promoters in determining the arms-length price for the related party transactions. We provide detailed analysis in our reports which are self explanatory and defendable with tax and regulatory authorities

For more information – check www.castoncorporateadvisory.in or contact on Caston Corporate Advisory Services : 6 / 5, Didar House Building, DLF Industrial Area, Moti Nagar New Delhi-110015 (India) Ph.:+91-11-25161294

 

Business Valuation Opinions

 

We can support your senior management in making decisions by our advice on valuations for M&A Advisory

, Divestitures, Restructuring, strategy design and implementation, Litigation and

Risk Management. We assess critical value drivers of the business and advice clients on the fair value of their businesses.

M & A Valuations we advise our clients in analyzing targets for acquisitions and Evaluate Divestment Opportunities and provide pre and post transactional support in transaction process. We assist our clients in making strategic decisions by determining swap ratios during mergers.

Internal Evaluations

We offer independent advice to boards of directors to help them determine the right price to pay or accept for a business. We help evaluate shareholder value for Stakeholders .

Fairness Opinions

We provide independent advice to shareholders, promoters and boards of directors to assess reasonableness and fairness of the price and terms of a transaction, as required by regulatory authorities, for transaction negotiations and in related party transactions.

 

Joint Venture (JV) Valuations

We evaluate JV relationships and advise our clients on their JV entry and exit assessments. We also assist our clients in determining contributions of the JV partners, whether in the form of cash or intangibles.

 

Restructuring / Re-organization

We assist our clients in the re-organization of their group structure by evaluating and analyzing their core and non-core assets. Our team performs the valuation analysis and assists boards of directors, shareholders and promoters in determining the arms-length price for the related party transactions. We provide detailed analysis in our reports which are self explanatory and defendable with tax and regulatory authorities

For more information – check www.castoncorporateadvisory.in or contact on Caston Corporate Advisory Services : 6 / 5, Didar House Building, DLF Industrial Area, Moti Nagar New Delhi-110015 (India) Ph.:+91-9810295333

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