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**🎬 Prompt (FR) :**
Une scène hyperréaliste en macro-cinéma représentant une baleine biomécanique futuriste flottant à l’intérieur d’une goutte d’eau parfaitement sphérique en suspension dans l’air. La goutte agit comme un micro-écosystème autonome, avec un fond marin miniature composé de roches, de végétation aquatique luxuriante et de micro-organismes lumineux.
La baleine, massive et majestueuse, possède une peau mêlant textures organiques réalistes et structures mécaniques avancées : plaques métalliques finement intégrées, circuits lumineux bleutés pulsants, cœur énergétique circulaire irradiant une lumière cyan intense depuis son flanc. Ses yeux émettent une lueur douce et intelligente. Des détails microscopiques révèlent des joints, câbles et nanostructures fusionnés avec des tissus biologiques.
Autour d’elle, de petits poissons nagent en bancs, capturés avec un flou de mouvement subtil. L’eau dans la goutte présente une surface interne avec tension de surface visible, légèrement ondulée, captant et réfractant la lumière.
**Éclairage :**
Lumière volumétrique froide et cinématographique, dominante bleu/teal, avec des reflets spéculaires réalistes sur la surface de la goutte. Halo lumineux doux autour de la sphère. Effet de caustiques aquatiques projetées à l’intérieur. Particules flottantes visibles dans l’air et dans l’eau.
**Ambiance :**
Silencieuse, contemplative, légèrement futuriste et onirique, mélange de nature et de technologie. Sensation d’un monde encapsulé, fragile et précieux.
**Caméra :**
Plan rapproché en légère contre-plongée, profondeur de champ faible (bokeh cinématographique), focus ultra net sur la baleine et le cœur lumineux. Lent effet de travelling avant.
**Qualité visuelle :**
Ultra haute définition, photoréalisme extrême, rendu 8K, textures détaillées, ray tracing, global illumination, HDR, rendu type film de science-fiction haut de gamme.
**Style :**
Fusion entre nature océanique et science-fiction avancée, esthétique proche de concept art AAA, inspiration studios VFX (cinéma haut budget).
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**🎬 Prompt (EN):**
An ultra-realistic macro-cinematic scene depicting a futuristic biomechanical whale suspended inside a perfectly spherical droplet of water floating in mid-air. The droplet functions as a self-contained micro-ecosystem, featuring a miniature ocean floor with textured rocks, lush aquatic vegetation, and faintly glowing microorganisms.
The whale is massive and majestic, its body seamlessly blending organic realism with advanced mechanical design. Its skin reveals intricate metallic plating, embedded circuitry, and softly pulsing bioluminescent lines in shades of cyan and electric blue. A radiant circular energy core glows intensely from within its side, casting subtle light through semi-translucent layers. Its eyes emit a calm, intelligent glow. Microscopic details expose joints, cables, and nanostructures fused with biological tissue.
Surrounding the whale, small fish swim in delicate schools, captured with subtle motion blur. The inner surface of the droplet shows visible surface tension, gently warping reflections and refracting light in complex ways.
**Lighting:**
Cool-toned cinematic volumetric lighting dominated by blue and teal hues. Realistic specular highlights shimmer across the droplet’s surface. Soft halo glow envelops the sphere. Dynamic underwater caustics ripple within. Fine floating particles drift both inside the water and in the surrounding air.
**Mood & Atmosphere:**
Silent, contemplative, slightly futuristic and dreamlike. A poetic fusion of nature and technology. The scene evokes the feeling of a fragile, self-contained world suspended in time.
**Camera:**
Close-up shot with a subtle low-angle perspective. Shallow depth of field with cinematic bokeh. Razor-sharp focus on the whale and its glowing energy core. Gentle forward dolly movement.
**Visual Quality:**
Extreme photorealism, ultra-high definition, 8K resolution, highly detailed textures, ray tracing, global illumination, HDR rendering. Premium sci-fi film aesthetic.
**Style:**
A fusion of oceanic naturalism and advanced science fiction. High-end concept art style inspired by AAA VFX studios and blockbuster cinema.
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--ar 1:1 --v 6 --style raw --q 2 --s 750 --chaos 12 --weird 50 --uplight
༻ CREDITS ༺
༻ [TNK x TRV] - CERBERUS GRAVE - (FATPACK) ༺
• EXCLUSIVE - TOKYO ZERO - OPEN ▌CLOSED: 10th 2:00 PM SLT ~ 25th 2:00 PM SLT •
• COMES WITH:
•2 Cerberus Fire Mode
-Rapid Fire
-Overclock + Eletric FX
•20+ SFX & VFX
•Sit Action
•3 Ultimate Skills
-Demolition Shot
-Storm Barrage
-Raging Tornado
•5 Wrapping Textures
-Full Black
-Gold & Black
-Black & White
-Cosmic (Fatpack)
-Industrial(Fatpack)
•30+ Bento Animations
•Get ultrasonic with our Run/Fly SpeedBoster HUD
Launching at the Equal10 Event: maps.secondlife.com/secondlife/equal10/210/128/89
And Later come visit us in our Mainstore maps.secondlife.com/secondlife/Chris%20Two%20Designs/49/1...
•Two controllable SpeedBost modes: SL Run & Togglable Run/Fly.
•Combined with a SpeedBoost VFX + 7x Particle trails patterns to choose.
•All that with a Colour Picker to personalize the VFX/Trail Start/End colour.
•••Setting / Configuration / User Guide:
If you wish to run without the Trail Addon, you can detach it.
• The HUD:
Use the Minimize button to reduce the HUD to a Tiny HUD on the Left Lower Corner of your screen; by pressing in that Tiny HUD, it maximizes again.
••• Functions
• Photo/Colour Picker Mode:
- When opening this function, the Avatar will move to a MID Running Static pose, and the Visual Effect will show around your Avatar so you can use your many to change the Colours.
-- Attention to the Yellow ball Markers. When Yellow, it means that the Effect, 1/2/3/4 or 5 will receive the colour from the Colour Picker.
- How to apply new colours? Please select your desired colour in the Colour Picker, left-click the balls you don't want to use to hide them from the selection, and left-click on Apply this colour.
- You Can also select Particle Trail Patterns from the selector and personalize the Start/End Colour of that Particle Pattern.
By clicking again on the Camera/Colour Picker button, it will hide the menu.
• Running Button
Here you will find the SpeedBar, where you can change the speed for the running mode. In the Running mode, only the Particle Trail is visible (The Large visual Effect aka Booster, only shows when in flying mode)
• Flying Button
Here you will find the SpeedBar, where you can change the speed for the flying mode with the Booster (Large visual Effect) around you.
Featuring - [TNK x TRV] - SANCTUM PUNISHER - (SPECIAL EDITION)
Comes with 3 Punisher Fir Mode Rapid Fire,Energy Ball and Laser Blast 20 + SFX & VFX Sit action 4 Wrapping Textures +30 Bento Animations Automatically adjusts to your avatar size
TREVOR - Marketplace- marketplace.secondlife.com/stores/57608
TREVOR - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/173/128/3186
TANAKA - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/128/128/3186
• TREVOR - LINKTREE: linktr.ee/trevorios
• TANAKA - LINKTREE: linktr.ee/TANAKASL
__________________________
Backdrop-Synnergy// Wasteland Backdrop
__________________________
Wearing
Top-::GB:: IGNITE vest (Legacy_A) Black
Gloves-::GB:: IGNITE Gloves (Legacy)
Pants- ::GB::Leather boots in pants / long (Legacy) Bicolor
KABUTO
[REKT x TREVOR] - KABUTO ARMS VFX - (UPPER-R)
[REKT x TREVOR] - KABUTO ARMS VFX - (UPPER-L)
[REKT x TREVOR] - KABUTO ARMS VFX - (LOWER-R)
[REKT x TREVOR] - KABUTO ARMS VFX - (LOWER-L)
[REKT x TREVOR] - SWORDMASTER KABUTO - (SPINE)
[REKT x TREVOR] - SWORDMASTER KABUTO - (HUD)
Wouw this incredible swordmaster kabuto are available for buy at the PLAYXPO by madpea, really amazing with tricks, meter, and full bento animesh i put here the video demostration, really amazing love this collab from Trevor and Rekt_ stores thanks for this amazing job
TREVOR AND REKT_ COLLAB
REKT_
These are builds and photos I did for the LEGO Adventure Book Volume 2. Many thanks to Megan Rothrock for inviting me to be involved and to Pete Reid for loaning a few select pieces.
this one is all me, but Pete Reid's influence is clearly seen in my midi scale NCS Galaxy Explorer
I did some weeks of on-set VFX supervision in Jordan early 2019. The drone ( DJI Inspire ) footage that was shot here would later be added in post to the windows inside an army plane.
↣REKT X TREVOR↢
▶ ARM BLADES - [REKT x TREVOR] - MANTIS ARMS
ITEM FEATURES
📍6 Different Skills:
-Berserker Combo
-Tornado Cut [FP Only]
-Cut Slash [FP Only]
-Berserker Slash [FP Only]
-Drill Cut [FP Only]
-Fatal Cut [FP Only]
📍30 + Claws Animations
📍10 + Externals Shells Textures
📍Flame Aura Mode
📍10 + sfx & vfx
📍COMBAT SYS FRIENDLY:
-Flamewar Compatible
-Snowar Compatible
▶ ROCKET LEGS - [REKT x TREVOR] - ROCKET-LEGS
ITEM FEATURES
📍Working on :
- Legacy male and female versions
- Maitreya Lara
- Ebody Reborn
📍Augmented movements by pressing WASD + C
📍Supersonic Flying
📍Backflip kick (Flatpack only)
📍Exploding kick (Flatpack only)
Both stuff are available in the:
=======================
‘GOLDEN STAR’
VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!
Chris invited me to also come out to shoot while he was at Vasquez Rocks.. so I did! He didn't say -what- I should..could.. shoot.. (so that's him). He's done all sorts of commercial and feature work at the park over the years, but today he was just out taking stills.
༻ CREDITS ༺
༻ [TNK x TRV] - ENDOTHERMIC BLASTER - (FATPACK) ༺
• EXCLUSIVE - TOKYO ZERO - (Dec 10th - 25th)
• 3 Bullet Type
• 20+ SFX & VFX
• 8 Original Animations
• 8 Textures (Fatpack)
Coruja das Torres I Tyto alba
VFX, Portugal
Do báu... com saudades de ter um bocadinho de tempo para esta vida.
‘GOLDEN STAR’
VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!
Filmando en el ex aeropuerto de Cerrillos en Santiago. Tomando referencias de luz para los 3D, con un atardecer de aquellos.
A Stereographic Panorama of the Motion Capture Studio setup for one of my large Mocap projects.
Setting up the Studio for a large multi-character Mocap shoot:
Mocap set-up time-lapse video.
Mocap Technical Direction and Supervision:
Martin
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[Website] [Photography Showcase] [eBook] [Facebook]
After Doctor Strange's nomination for best Visual Effects was announced yesterday, Peyton Reed took to Twitter to confirm VFX artist Stephane Ceretti, who did the visual effects for both Doctor Strange and Guardians of the Galaxy, will in fact work on Ant-Man and the Wasp!
This is great news because I believe that Doctor Strange has the best VFX in the MCU so far! Does this also give us a clue of what Ant-Man and the Wasp is going to look like? Hear me out. So since this guy worked on a lot of those trippy dimensional stuff in Doctor Strange, could we see that carried over to this movie with Subatomic to the Quantum realm to find Janet Van Dyne?
That's just a theory of mine, and even though I'd prefer Ant-Man and the Wasp to stay earthbound for their movie, because I believe that's where their best stories and villains are, I wouldn't be too surprised if that's the direction they're going in.
Anyways, leave your thoughts on this piece of news in the comments below!
Preserved - Tyler Brace
(former Stagecoach East)
AE51 VFX (33305)
Dennis Dart Plaxton Pointer 2
For more information visit the Facebook page: www.facebook.com/AE51VFX
Preserved Stagecoach 33305 AE51 VFX at the South East Bus Festival, Detling on Saturday 2nd April 2022. DSCN52629.
Dennis Dart SLF - Plaxton Pointer MPD. New to Ladbrooke & Boor (Cavalier), Long Sutton. Ex-Stagecoach East and Stagecoach East Kent.
My fancy Astronomy Weather forecast App said: "Excellent Stargazing conditions tonight, mostly Clear".
The weather was spectacular, but definitely not for Astrophotography purposes. More often than not, the predictions are completely incorrect.
This forced me to start doing my own Astrophotography weather forecasts, by looking at the latest Weather Satellite images and weather data. So far the results seem to be more accurate.
Photo usage and Copyright:
Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.
Martin
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[Website] [Photography Showcase] [eBook] [Facebook]