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༻ CREDITS ༺
༻ [TNK x TRV] - CERBERUS GRAVE - (FATPACK) ༺
• EXCLUSIVE - TOKYO ZERO - OPEN ▌CLOSED: 10th 2:00 PM SLT ~ 25th 2:00 PM SLT •
• COMES WITH:
•2 Cerberus Fire Mode
-Rapid Fire
-Overclock + Eletric FX
•20+ SFX & VFX
•Sit Action
•3 Ultimate Skills
-Demolition Shot
-Storm Barrage
-Raging Tornado
•5 Wrapping Textures
-Full Black
-Gold & Black
-Black & White
-Cosmic (Fatpack)
-Industrial(Fatpack)
•30+ Bento Animations
In Eggscellent Condition
Created by blending elements of several Wombo variations.
Prompts: Chicken, egg, on nest in back of a rusty old hatchback car parked in farmyard, barn,ultra realistic details
Styles: The City and VFX v2 were both used.
I spent quite a bit of time down the variations rabbit hole to get a handful of images that came close to what I wanted.
Much appreciation to all of you who took the time to view, fave, comment and invite!
Featuring- [TANAKA x TREVOR] - NEOBUSTER SWORD comes with • ESSENTIAL ITEMS:
- [TANAKA x TREVOR] - NEOBUSTER SWORD - (HUD)
- [TANAKA x TREVOR] - NEOBUSTER SWORD - (RHAND)
- [TANAKA x TREVOR] - NEOBUSTER SWORD - (BACK)
• OPTIONAL ITEMS:
- [TREVOR] - ADDITIONAL VFX - (AV.CENTER)
- [TREVOR] - FANTASY WAR - (METER)
- [TREVOR] - FLAMEWAR - (METER)
- [TRV] - SNOWAR - METER - 2.0
NEO JAPAN: maps.secondlife.com/secondlife/GABRIEL3/132/128/501
(March 29th, 2025 to Sunday April 20th, 2025)
• TREVOR - LINKTREE: linktr.ee/trevorios
• TANAKA - LINKTREE: linktr.ee/TANAKASL
_______________________
Backdrop-.PALETO.Backdrop:. TUNNEUM 03 (ML) (FULL PHYSICS)
______________________
Wearing
Sword-[TANAKA x TREVOR] - NEOBUSTER SWORD
Jacket-::GB:: KISHIN jacket ( Legacy M / A) Red / Black
Pants-:GB:: KISHIN C-pants ( Legacy M / A) Red / Black
Hair-[HAIR]DURA-B133 -DARK
Tattoo- .:CORAZON:. Tattoo AKUMA Light :.
Featuring - [TNK x TRV] - SANCTUM PUNISHER - (SPECIAL EDITION)
Comes with 3 Punisher Fir Mode Rapid Fire,Energy Ball and Laser Blast 20 + SFX & VFX Sit action 4 Wrapping Textures +30 Bento Animations Automatically adjusts to your avatar size
TREVOR - Marketplace- marketplace.secondlife.com/stores/57608
TREVOR - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/173/128/3186
TANAKA - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/128/128/3186
• TREVOR - LINKTREE: linktr.ee/trevorios
• TANAKA - LINKTREE: linktr.ee/TANAKASL
__________________________
Backdrop-Synnergy// Wasteland Backdrop
__________________________
Wearing
Top-::GB:: IGNITE vest (Legacy_A) Black
Gloves-::GB:: IGNITE Gloves (Legacy)
Pants- ::GB::Leather boots in pants / long (Legacy) Bicolor
These are builds and photos I did for the LEGO Adventure Book Volume 2. Many thanks to Megan Rothrock for inviting me to be involved and to Pete Reid for loaning a few select pieces.
this one is all me, but Pete Reid's influence is clearly seen in my midi scale NCS Galaxy Explorer
I did some weeks of on-set VFX supervision in Jordan early 2019. The drone ( DJI Inspire ) footage that was shot here would later be added in post to the windows inside an army plane.
📷 - 372
3 of 4 - Prompts: a humanoid fish lady in the artistic style, pixar art , fully body, VFX, highly intricate, highly detailed, detailed facial features, vivid colors, hyperrealism, hyperdetailed, realistic features, scales, fish and flowers, octane render, unreal engine render.
Made with #midjourney
This is from a series of photo I am doing with the help oof an AI called Dream by WOMBO. The AI takes as suggestions of Keywords along with a piece of art that I have created from the virtual world Second Life as a reference. In the photo the Key words were "Fairy" and the artwork was called "Fairies" In this one I used the VFX v2 filter as well.
This photo is to commemorate my time working at home on an animated series in 2020.
In the early stages of production, it is essential to be on-set or in the Motion Capture Studio to capture the performance of the actors. After these initial stages of an animated series or film, it is easy to work from home for the remainder of a project.
All of this is made possible by working with a core team of competent responsible people with the same vision, and a good Producer to keep the communication flowing. There are some challenges, but I don't miss rush hour traffic. All the extra hours that you gain, actually leads to increased productivity.
By sharing project recourses in the cloud, and being able to log in to the render farms and servers when needed, finally allows one to work remotely.
A compilation featuring snippets of the projects done remotely:
vimeo.com/mheigan/mocap-reel-2020
The dogs also approve when I spend more time at home!
Martin
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[Website] [Photography Showcase] [eBook] [Facebook]
‘GOLDEN STAR’
VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!
Chris invited me to also come out to shoot while he was at Vasquez Rocks.. so I did! He didn't say -what- I should..could.. shoot.. (so that's him). He's done all sorts of commercial and feature work at the park over the years, but today he was just out taking stills.
Check out this large scale panoramic photography suitable for large scale printing for office foyers or boardrooms, advertising billboards or visual effects and backdrops.
CP 5609
Intercidades nº 512; Coimbra-B -> Lisboa Santa Apolónia
Vila Franca de Xira, 28-08-2023 – 16:39
Coruja das Torres I Tyto alba
VFX, Portugal
Do báu... com saudades de ter um bocadinho de tempo para esta vida.
‘GOLDEN STAR’
VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!
Filmando en el ex aeropuerto de Cerrillos en Santiago. Tomando referencias de luz para los 3D, con un atardecer de aquellos.
3D Female Character Modeling and Animation. Giving attacking pose with Sword on ship.
HD quality Character design with ultra high VFX by GameYan Studio.
Read More -- www.gameyan.com
So I have decided to start a new personal project. Halo is probably one of my most favorite game series so it makes perfect sense to do this. Hopefully it will be nice on my portfolio too, as something I did as a personal project just for kicks.
This exercise for me is to improve the overall look and feel of the cinematics. I am taking heavy inspiration from Blur Studios and their work on Halo 2. I know, I only have the original graphics to work with. I can tell you one thing though, it's really fun doing it because the series is so fantastic. I don't have 3D skills anyway (I only do VFX and composite work right now), but I also want to keep the original integrity behind what made those games special - albeit with many enhancements in cinematic quality.
This is all WIP and really just for fun so I can exercise my VFX and compositing skills.
Preserved - Tyler Brace
(former Stagecoach East)
AE51 VFX (33305)
Dennis Dart Plaxton Pointer 2
For more information visit the Facebook page: www.facebook.com/AE51VFX