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bahir dar, ethiopia. A village washing something on the shore of Lake Tana in Ethiopia
copyright: © varenne. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.
<a href="http://www.fluidr.com/photos/varenneistanbul</
used for fire department exercise
Renault Mégane Scenic 2.0 RR-RJ-18 27-5-1997 - 6-4-2019
Renault Megane Scenic 1.6 ZD-RP-33 15-4-1999 - 8-4-2019
I got a message from a dear friend on Facebook...
I love your photography, but I am a little upset you are now converting you photos to B&W.
I prefer them in their true colour!
I gave a reply that I do not wish to reveal, but I shoot less I am trying to get used to shooting less once my Pro membership ends in September 2014 I will be like the rest limited space , and to get more space I would have to shell out 500 dollars which I think is downright daylight robbery,,as we dont use Flickr for commercial purpose .. I think Flickr should be lucky and opportunistic that some great photographers share their stuff and we bloggers their country cousins make the journey poetic and adventurous giving you local news ,,,
People use Flickr as a photo gallery I use it to blog and from here I pimp my blogs on Facebook Google+ Twitter and Tumblr .. I earlier did not use Tumblr but since Ms Marissa Mayer touched it and blessed it anointed it as billion dollar site I had no option but to latch myself to this bandwagon.. and I can assure you as a mystic clairvoyant whatever Ms Marissa Mayer touches will turn to gold..
Now back to my picture it was shot during the PSI Mumbai annual day and ever since I shot this and blogged it as a record at Flickr I stopped getting invitations for their Annual days I am a life member of this prestigious club..
But it does not matter I record events for posterity and I have politely edged myself out from competitive photography and analogue photography per se.
The Aviary tool is good for me as I type with one finger of a permanently damaged hand and 287000 images blogged here at Flickr and those with text all created by this magical right hand index finger.
Thanks to the Aviary tool I manipulate old images add new thought new dimension and sometimes a poetic interpretation.
Mr KG Maheshwari in his late 90s was totally occupied with the Internet , keeping us tuned in to his wisdom and other articles he sent to us .. judiciously keeping us all in good spirits..
But since a few months Babuji as he is called has been unwell and I miss his e mails ,,and I speak to him sometimes , but will visit his home once he has recovered ..and I have not been to Maheshwarijis house since many years now ,,,
My only wish is that he recovers and gets his glow back and I also wish that Old Flickr brings back the Gift Of Pro , as there were friends who paid for our membership.. and it helped a lot.. I hope Ms Marissa Mayer gives this back to us as Hanukkah present ..otherwise I have no grumbling complaints with New Flickr ,, 500 US dollar for additional space would even destroy the humped back of an Indian Camel ,,,
So shooting a picture and blogging it are two aspects of cosmic divine interpretation differing from one person to the other ,
please feel free to use these i your own creations! just share your application with me via a post or link!
thanks,
sue
Haveli is generic term used for a traditional townhouse and mansions in India, Pakistan, Nepal and Bangladesh usually one with historical and architectural significance. The word haveli is derived from Arabic haveli, meaning "an enclosed place" or "private space" popularised under Mughal Empire and was devoid of any architectural affiliations. Later, the word haveli came to be used as generic term for various styles of regional mansions, townhouse and temples found in India, Pakistan, Nepal and Bangaldesh.
HISTORY
The traditional courtyard homes in South Asia is built on the ancient principles of Vastu Shastra. which state that all spaces emerge from a single point, that is the centre of the house. Courtyards are common feature in south asian architecture. The earliest archaeological evidence of courtyard homes in the region dates back to 2600–2450 BCE. Traditional homes in South Asia are built around courtyard and all family activities revolved around chowk or courtyard. Additionally, the courtyard serves as a light well and an effective ventilation strategy for hot and dry climates of South Asia. During medieval period, the term Haveli was first applied in Rajputana by the Vaishnava sect to refer to their temples in Gujarat under the Mughal Empire and Rajputana kingdoms. Later, the generic term haveli eventually came to be identified with townhouse and mansions of the merchant class.
CHARACTERISTIC
Socio-Cultural Aspects: The chowk or courtyard served as the centre for various ceremonies and the rituals. The sacred tulsi plant was placed here and worshipped daily to bring prosperity to the house.
Security and Privacy: The chowk, at times, separated areas for men and women, and provided them with privacy.
Climate: Treating open space in building design to respond to the local climate. Air movement caused by temperature differences is utilized in the natural ventilation of building.
Different Activities At Different Times: The use of the court in the day time, mostly by women to carry out their work, interact with other women in private open space. Mansions of merchant class had more than one courtyard.
Articulation Of Space: In Mor chowk, City Palace, Udaipur, there is the concept of courtyard as a dancing hall. Similarly, in havelis, a courtyard has several functions, commonly used for weddings and festive occasions.
Materials : Fired bricks, sandstone, marble, wood, plaster and granite are commonly used materials. Decorative aspects are influenced by local culture and traditions.
All these elements join to form an enclosure and give the chowk a composed secured feel. The architectural built form of havelis has evolved in response to the climate, lifestyle and availability of material. In hot climates where cooling is a necessity, buildings with internal courtyards were considered the most appropriate. It acted as a perfect shading technique, while also allowing light inside. The arcade along the court, or the high wall around it, kept the interiors cool.
Many of the havelis of India and Pakistan were influenced by Rajasthani architecture. They usually contain a courtyard often with a fountain in the centre. The old cities of Agra, Lucknow and Delhi in India and Lahore, Multan, Peshawar, Hyderabad in Pakistan have many fine examples of Rajasthani-style havelis.
FAMOUS HAVELIS IN INDIA
The term Haveli was first applied in Rajputana by the Vaishnava sect to refer to their temples in Gujarat. In the northern part of India. havelis for Lord Krishna are prevalent with huge mansion like constructions. The havelis are noted for their frescoes depicting images of gods, goddesses, animals, scenes from the British colonization, and the life stories of Lords Rama and Krishna. The music here was known as Haveli Sangeet.
Later on these temple architectures and frescoes were imitated while building huge individual mansions and now the word is popularly recognized with the mansions themselves. Between 1830 and 1930, Marwari's erected buildings in their homeland, Shekhawati and Marwar. These buildings were called havelis. The Marwaris commissioned artists to paint those buildings which were heavily influenced by the Mughal architecture.
The havelis were status symbols for the Marwaris as well as homes for their extended families, providing security and comfort in seclusion from the outside world. The havelis were to be closed from all sides with one large main gate.
The typical havelis in Shekhawati consisted of two courtyards - an outer one for the men which serves as an extended threshold, and the inner one, the domain of the women. The largest havelis could have up to three or four courtyards and were two to three stories high. Most of the havelis are empty nowadays or are maintained by a watchman (typically an old man). While many others have been converted into hotels and places of tourist attraction.
FAMOUS HAVELIS IN MAWAR AREA (SIKAR DISTRICT)
"Nadine Le Prince Haveli"
FAMOUS HAVELIS IN MAWAR AREA (JODHPUR DIVISION)
The towns and villages of Shekhawati are famous for the embellished frescoes on the walls of their grandiose havelis, to the point of becoming popular tourist attractions.
The havelis in and around Jaisalmer Fort(also known as the Golden Fort), situated in Jaisalmer, Rajasthan, of which the three most impressive are Patwon Ki Haveli, Salim Singh Ki Haveli, and Nathmal-Ki Haveli, deserve special mention. These were the elaborate homes of Jaisalmer's rich merchants. The ostentatious carvings etched out in sandstone with infinite detail and then painstakingly pieced together in different patterns each more lavish than the next were commissioned to put on show the owner's status and wealth. Around Jaisalmer, they are typically carved from yellow sandstone.They are often characterized by wall paintings, frescoes, jharokhas (balconies) and archways.
The Patwon Ji ki Haveli is the most important and the largest haveli, as it was the first erected in Jaisalmer. It is not a single haveli but a cluster of 5 small havelis. The first in the row is also the most popular, and is also known as Kothari's Patwa Haveli. The first among these was commissioned and constructed in the year 1805 by Guman Chand Patwa, then a rich trader of jewellery and fine brocades, and is the biggest and the most ostentatious. Patwa was a rich man and a renowned trader of his time and he could afford and thus order the construction of separate stories for each of his 5 sons. These were completed in the span of 50 years. All five houses were constructed in the first 60 years of the 19th century. Patwon Ji Ki is renowned for its ornate wall paintings, intricate yellow sandstone-carved jharokhas (balconies), gateways and archways. Although the building itself is made from yellow sandstone, the main gateway is brown.
FAMOUS HAVELIS OF PAKISTAN
There are a number of historically and architecturally significant havelis in Pakistan, most of which are situated in the Punjab province and constructed during the Mughal period.
Below is a list of some of the historically and architecturally significant havelis in Pakistan:
Kapoor Haveli in Peshawar
Fakir Khana Haveli and Museum, in Lahore
Mubarak Haveli in Lahore
Haveli Asif Jah in Lahore
Haveli Wajid Ali Shah in Lahore
Choona Mandi Haveli in Lahore
Haveli Nau Nihal Singh in Lahore
Haveli Barood Khana in Lahore
Lal Haveli or Chandu Di Haveli in Lahore
Haveli Man Singh in Jhelum
Lal Haveli in Rawalpindi
Saad Manzil in Kamalia
Khan Club in Peshawar
Waziristan Haveli in Abbottabad, home of Osama bin laden
Janjua Haveli in Malowal, Gujrat, Pakistan
Haveli Mubashar Ali Janjua, in Matore, Kahuta, Rawalpindi
HAVELIS IN POPULAR CULTURE
Haveli is an also a novel by Suzanne Fisher Staples and is a sequel to her Newbery Award-winning novel Shabanu: Daughter of the Wind. The story takes place in an old-fashioned haveli in Lahore, Pakistan.
WIKIPEDIA
Church Street Marketplace, Burlington, Vermont USA • Another shot in my Burlington Neon Survey; this one shows a modern USED BOOKS sign in red, surrounded by a white round-corned rectangle.
☞ Part of a series of photos documenting my home & neighborhood for three years, in the heart of Vermont's largest town: Burlington 05401. • This town is one of the true outposts of optimism, on the eastern shore of Lake Champlain (the 6th Great Lake).
;–D
Used in a lecture about Livingston New Town presented by JR James at the Department of Town and Regional Planning at The University of Sheffield between 1967 and 1978.
Using the camera in "Manual Exposure" seems scary for some. If so, this is for you ;-)
I have had several communications over the last week, asking for advise on how I do my shots and as soon as I mention I use manual exposure, it seems to strike terror into them. So I thought I would try and get the dial on my camera to move off the "M" setting :)
So this is a first for me, tabletop shot usng artificial light and the camera working out the exposure (thats scary for me)
As it happens, it's not far off what I would have chosen, so maybe it has some merits :)
I went for Aperture Priority (AV on Canon) as I thought that would best suit my style of shooting. Set the aperture to f16 and ISO 200 as I would if working manually and hit the button. Not bad I think you will agree, very slightly over exposed for my tastes, but only by about 1/3 to 2/3 of a stop, which could easily be catered for using exposure compensation.
So if anybody thought they couldnt do this kind of thing as they dont understand exposure, that excuse no longer applies ;-)
Similar setup to yesterday, but with a couple of refinements shown below.
Usei:
- 01 camada da base reestruturadora e fortalecedora DNA Nails Technology, da Risqué
- 01 camada do verme menta Festival, da Capricho
- 02 camadas do glitter indie Guacamole, da BBF
- 01 camada do top coat para glitter Base Glitter, da 5Cinco
- 01 camada da Cobertura Intensificadora da Cor, da Colorama
Mais um lindão da Tiane! *.*
Como base, usei um verdinho menta fofo, o Festival. Ele tem uma pigmentação legal, mas se fosse usar só ele, passaria mais uma camada. Ele seca rapidinho e tem um brilho bem legal.
O Guacamole é um glitter mate bem pequenininho, nas cores amarelo flúor e azul. Super diferente! A secagem dele não é mto rápida, e ele tem uma certa textura, então não dispensei o top coat.
Gostei mto do resultado! Não sei pq, mas me deu vontade de matificar... Vou tentar antes de tirar...
Used by the British Armed Forces during World War Two the Bedford MW was a 15cwt 4x2 General Purpose Truck, powered by a Bedford 72bhp six-cylinder inline 3.5L petrol Engine through a four speed Transmission. Despite lacking four wheel drive and so being unsuitable for Off-Road use, the MW's powerful Engine, short wheel base, low centre of gravity and relatively light weight gave it excellent acceleration and almost sports car like handling.The early MWs were Oopen Cabbed with a Folding Windscreen and a Collapsible Canvas Tilt, from 1943 an Enclosed Cab with Doors and Perspex Side Screens was added, retaining the Canvas Top. The vehicle had a distinctive 'Wide Bonnet' necessitated by the need to accommodate a special extra large air filter that was never fitted to production vehicles.
In 1935 the War Office issued specifications for a new 15cwt 4x2 Military Truck for service with the British Army, inviting manufacturers to submit designs to take part in annual comparative trials in north Wales, one entrant was a modification of a Bedford Vehicles 2-ton rear wheel drive lorry. Following these trials Bedford fitted a larger radiator and larger tyres, the trials were repeated in 1936 after which Bedford modified the chassis to increase ground clearance and installed a new engine cooling system. For the 1937 trials a new special Bedford WD-1 Prototype was produced with a 15cwt payload, it performed admirably and in 1938 the eventual 72bhp Engine was installed. Between 1939 and 1945 Bedford produced over 66,000 MW's, the vehicles remained in British service until the late 1950's.
The Bedford MW was intended mainly to be a workhorse for the British Army's Infantry Battalions, but throughout World War Two it was adapted to a number of roles and was eventually also used by the Royal Air Force, Royal Navy, other Government Departments and some overseas customers.
The Bedford MW was built in Multiple Variants including:-
▪︎Bedford MWD Cargo Truck with General Service Body approximately 6ft x 6ft, main transport of an Infantry Battalion.
▪︎Bedford MWC Water Bowser Truck
▪︎Bedford MWT Anti-Aircraft Gun Tractor
▪︎Bedford MWG QF 2-pounder or 20mm Oerlikon Portee
▪︎Bedford MWR Radio Truck
▪︎Bedford MWV Royal Air Force Signals Van.
Specifications:-
▪︎Type: General Service Truck
▪︎Place of Origin: United Kingdom
▪︎Service: 1939 to late 1950's
▪︎Used By: British Army / Royal Air Force / Royal Navy
▪︎Wars: World War Two
▪︎Designer: Bedford Vehicles
▪︎Designed: 1937
▪︎Manufacturer: Bedford Vehicles
▪︎Number Built: > 66,000
▪︎Mass: 2.1 tons
▪︎Length: 14ft 4n
▪︎Width: 6ft 6in
▪︎Height: 7ft 6in
▪︎Crew: 2
▪︎Powerplant: Six-cylinder inline Bedford OHV 3.5L petrol 72bhp at 3,000rpm
▪︎Payload Capacity: 15 long cwt
▪︎Drive: Wheeled 4x2
▪︎Transmission: 4 forward / 1 reverse
▪︎Suspension: Live axles on semi-elliptical multi leaf springs
▪︎Maximum Speed: 40mph.
Flickr ✔ If you would like to use this photo, contact
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Reportages des mouvements sociaux à Paris 2009-10 www.flickr.com/photos/sebastienduhamel/sets/7215763676867...
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Débuté en mars 2010, le mouvement social contre la réforme des retraites en France en 2010 a mobilisé à huit reprises plusieurs millions de salariés dans les secteurs public et privé. L'objet immédiat est de protester contre le relèvement de 60 à 62 ans de l'âge légal de départ à la retraite et de 65 à 67 ans de l'âge auquel un salarié n'est plus pénalisé par le système de décote. Le fond du problème est la dette publique française, la nécessité de son contrôle ou de sa réduction. Le gouvernement met en place une approche par réduction des dépenses publiques (retraites, santé). L'opposition estime ce projet socialement injuste et économiquement dangereux : elle souhaite plutôt augmenter les entrées fiscales, en supprimant les niches fiscales et en augmentant les prélèvements obligatoires.
Cette réforme est contestée par les huit principaux syndicats français : la CGT, la CFDT, FO, la CFTC, la CGC, l'Unsa, Solidaires et la FSU, qui ont organisé des journées de grèves et de manifestations avec une fréquence qui s'est accélérée à l'automne 2010. Ils ont été suivis par les syndicats lycéens UNL, FIDL et SGL, et étudiants UNEF, SUD Étudiant ou FSE. Un certain nombre d'associations ont participé à ce mouvement social en l'éclairant de leurs propres points de vue, telles la Fondation Copernic ou la Ligue des Droits de l'Homme. Les secteurs les plus mobilisés ont été l'éducation, les transports, l'énergie et l'audiovisuel public1.
fr.wikipedia.org/wiki/Mouvement_social_contre_la_réforme...
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Photographie de Sébastien Duhamel, professionnel de l’image
www.sebastien-duhamel.com/présentation-références/
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Tournages vimeo.com/137495739
www.dailymotion.com/user/Sebastien_Duhamel/1
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Tous droits réservés sans la permission de l’auteur
All Right reserved without permission from the author
The trainer would go under the water and the whale and trainer would play hide and seek
Please do not steal or use anywhere without my permission!
Used in a lecture presented by JR James at the Department of Town and Regional Planning at The University of Sheffield between 1967 and 1978.
Using my Tripod and wideangle lens to get this show of the town entry of Pichl. I light painted the sign with my flashlight for a few seconds.
There is a car running through the street in the background and the smoke of the nearby incineration facility is visible.
MTV used to be all about music, but not anymore. MTV is one of the leading stations showing show about teens and sex. They have been a big contributor to sexual behaviors.
Photo Credit: -http://crushable.com/entertainment/mtv-does-a-terrible-job-of-educating-teens-about-stds/
This was a rather plain tan wall (see two pictures back) with evidence that there had been a large red key logo for Key Bank. I inverted the image to get some interest to it, and have fun with some artistic techniques. There wasn't much rust at all, but I made it look like it. I like how the rain streaks show more in this version where water ran down behind the lower part of the old sign. I used some equalization, oil paint, embossing and color balance effects, Best viewed at least moderately large to see them.
(DSCN9967Rustyartsybluekeywhereredkeyusedtobeoilemboinitflickr012416)
Dressing up and stepping out at the m use um.
With some inspiration from: www.flickr.com/photos/paolobarzman
Use of this image on websites, blogs, magazines, calendars or any other forms of media without the expressed permission of the photographer is illegal.
© Lyubov Love Photography. All rights reserved.
Cannas look like lilies but are not. They are native to the Americas but are grown world-wide now--including in pots on our back terrace here in CH. Besides producing beautiful flowers, every part of the plant is useful in some way. See: en.wikipedia.org/wiki/Canna_(plant)#Uses
In my set: Dan's Flower Power
(Dan Daniels)
Touring round Tata Steel Scunthorpe works passing some out of use molton steel carriers, in our brake vans behind Appleby Frodingham's Saddle Tank 1438 built by Peckett & Sons of Bristol in 1916.
7th March 2015
Based on the article www.uxmatters.com/mt/archives/2011/07/building-trust-on-e... posted in the UX group www.facebook.com/?ref=home#!/groups/173955382668026?id=17...
Flickr : If you would like to use this photo, please contact : sip-images-production@orange.fr
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Série complète du concert de Stanley Clarke & Stanley Stewart Copeland www.flickr.com/photos/sebastienduhamel/sets/7215763055856...
Albums Projets/Reportages de Musiciens www.flickr.com/photos/sebastienduhamel/collections/721576...
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Le Bataclan : www.bataclan.fr
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Stanley Clarke : basse
Stewart Copeland : batterie
Ruslan Sirota : synthés et piano
Brady Cohan : guitarre
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Photographie de Sébastien Duhamel, professionnel de l’image www.sebastien-duhamel.com/présentation-références/
Derniers projets/reportages photos www.flickr.com/photos/sebastienduhamel/collections/721576...
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Tournages vimeo.com/137495739
www.dailymotion.com/user/Sebastien_Duhamel/1
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[NB] Les photos HD sont de 5610x3741 Px-300dpi. Dans la base Flickr 700x467 Px-072dpi
Pour une visualisation optimale d’un album, placez la souris sur le bouton du centre en haut à droite de la fenêtre Flickr, puis cliquez sur le bouton
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