View allAll Photos Tagged Use,
File name: 10_03_000776a
Binder label: Soap
Title: Use Fairbanks Soap. [front]
Date issued: 1870-1900 (approximate)
Physical description: 1 print : chromolithograph ; 11 x 8 cm.
Genre: Advertising cards
Subject: Boys; Women; Dogs; Household soap
Notes: Title from item.
Statement of responsibility: N. K. Fairbank & Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
using facial reconstruction wax models of some of the sailors on the sunken ship Vasa.
2014 08 04 154920 Sweden Stockholm Vasa Museum 1HDR
JABULANI FIFA WORLD CUP SOUTH AFRICA 2010 MATCH 33 USED ADIDAS BALL MEXICO VS URUGUAY SIGNED BY GOLDEN BOOT WINNER DIEGO FORLAN
PROPERTY OF YKYECO
Last Train related shot. The tracks right next to the train cars not being used anymore. Taken with a Sony W55 edited on iPod touch.
Using the ICM technique, this is a portrait of the Redbud Lavender Twist from beginning of spring and mid April. I accidentally forgot my ND filter but was pleasantly surprised that this photo worked out.
One of three structures seen in Rue de Barré, Dun le Palastel, 23800 France. This rather stylish doorway is in a former abbatoir, no longer used, but still owned by the local butcher, and used for meat preparation and as a storeroom.
Yashica 44 2nd test roll
1959 Yashica 44, f3.5/60mm Yashikor lens, X2 Yellow filter. Fomapan 100, rated @ 400asa, developed in Diafine: 5 mins pre-soak in water, with vigorous agitation, 5 mins in solution "A", 3 inversions every 15 seconds, 3 mins in solution "B", 30 seconds continuous inversion, 3 inversions for each remaining 45 seconds, all @21C
Doric Cinema; Newmarket. Opened March 1937, designed by Edgar Simmons and provided with a deep stage, the Doric continued as a cinema and theatre until July 1964. It has then been a mix of closure, pub and nightclub use, but hopes are high that it can be returned to use as an entertainment centre after refusal for conversion (mainly demolition) into flats.
Newmarket, Suffolk, former Doric Theatre
October 2015
QSL cards have been used by Citizen Band (CB) radio folks for many years to indicate that they have talked together on a certain radio frequency, date and time.
Royal Arch Mason veils made by MAC and SAC ready for the candidates. No lint rollers! Only use cello tape to remove lint..
The two middle veils were soon switched.
www.jttgrandchapter.org/resources/Lectures/The Veils.pdf
Part I
Comp Michael Post
As all companions have, we have gone through a particular ceremony in which we must pass to truly become a Royal Arch Mason. That ceremony is “Passing the Veils”. Why is this ceremony important and what does it represent?
The ceremony of “Passing the Veils” or the use of the Veils in Royal Arch ceremonies is as old as the Degree itself although it origins seem to be lost in the oral traditions of ancient times. The Veils in early ceremonies were three in number, later a fourth was added in some countries (Most all, if not all, American Chapters today work in this “four-Veiled” ceremony). There are some scholars however believe that this elaborate ceremony did not always belong to the Royal Arch but rather it was part of, or wholly the ceremony of Excellent Master or High Excellent Master’s degree (Ireland; Scotland, and Bristol, England). This Excellent Master degree can also be seen in the Allied Masonic Degrees in America.
So what does this intricate ceremony signify?
It could be said that masonically, passing of the Veils signifies the enlightenment that comes with Masonic progression. While some academics say it symbolizes the problems or suffering encountered by the Jews on their returning journey from exile. Others believe that it involves the Veils of the Tabernacle of Moses and related to those of the Temple of Solomon. And still others consider it as a reference to Jesus, tying it to among other things the Veil of the last Temple upon His death.
What is the lesson that should ultimately be discovered in this ceremony? As said before I believe it to be lost in the oral traditions of the past. What do you believe? What do you think is the truth behind the symbolism?
The problem with this topic is where to start. There are many avenues in which I can take this discussion, but where to start? Should I start with the colors of the Veil? Or perhaps why our Veil system of America is different of that of Scotland or the United Kingdom? Should I talk about the Tribes of Israel and there banner colors vs. the colors that are on the High Priest Ephod? Or should I discuss the Veils or coverings of the tabernacle vs. the Veil that separates the Holy Place from the Most Holy Place or the Holy of holies. But what about the journey we have made?
So let us begin with that journey, which we all have taken.
After we have all braved that rough and rugged road we come unto a tabernacle and we are met with resistance to enter, the first Veil. We explain to the Grand Master of the First Veil that we have come from captivity and our intent to help rebuild the temple and that we are the true descendents of the Giblimites that built the first temple. After that we are then challenged for entry, we recollect the lesson of the burning bush from which Moses spoke with the great I AM, with that we enter. We are given a sign and password. The sign is explained by a scripture reading from the book of Exodus 7: 10–12. The password is that of the three sons of Noah.
“These three names can allude to Noah’s Ark or the Ark of Safety. We could say that God was the architect, Noah was the builder and his sons, Shem, Ham and Japheth they were the craftsmen.”
We now come to a second Veil and are met with resistance. We then give the sign and password that we were divested with from the Grand Master of the First Veil. We are allowed to enter and although we are in fact Most Excellent Masters promoting the noble and glorious work of rebuilding the temple we are told that we cannot go further without the words and signs of the Grand Master of the Second Veil. We are given a sign and password. The sign is explained by a scripture reading from the book of Exodus 4: 6–7. The password is that of three builders of the Ark of the Covenant.
The Ark of the Covenant, or of Moses, is also known as the Ark of the Testimony. Along with Moses, Bezaleel (tribe of Judah) and Aholiab (tribe of Dan) were filled with spirit of God, wisdom, understanding, and in knowledge, and in all manner of workmanship and thus worked diligently until the tabernacle, Ark and all things belonging to it were made exactly as God had instructed.
Next we come to the Third Veil and again are met with resistance. We give the sign and password that we were divested with from the Grand Master of the Second Veil. Proving once again that we must be in fact Most Excellent Masters we promoting the noble and glorious work of rebuilding the temple we are permitted to enter but we can go no further without the words, signs and signet of the Grand Master of the Third Veil. The sign is thus explained by a scripture reading from the book of Exodus 4:9. The password is that of the three principles to build the Second Temple and replace or substitute the arch of the Covenant in the Holy of Holies. We are then given the Signet of Truth.
Alas, we come to the Grand Master of the Fourth Veil or Royal Arch Captain. We give the sign and password that we were divested with from the Grand Master of the Third Veil, we then present the Signet of Truth. We are then told to wait until the Grand Council is informed of or request to enter. The Grand Council recognizes or request and permits us to enter.
This completes our initial journey through the Veils.
PART 2
So now that we went through the journey of “Passing the Veils” where should we go? I guess a suitable place to go is; what is the right number of veils one should go through? Previously I stated, “The Veils in early ceremonies were three in number, later a fourth was added in some countries (and most all, if not all, American ( whether they are Prince Hall or otherwise) Chapters today work in this “four-Veiled” ceremony)”.
Comp. F. A. M. Taylor, Assistant Librarian for the Grand Royal Arch Chapter of England; wrote in 1932, “The veils were doubtless a part of early ceremony of the Arch Degree and the working of the same discontinued, I believe, at the Union in 1817.” He goes on to state, that it appears that the, “passing of the veils” was extensively in the early part of the 19th century. No account of what the ceremony was, or any records are to be found in minutes of the early English Chapters.
What should the proper system of veils that one should pass? What do the veils really represent? I think this is the basis of what we should look into. Depending on what you say the Veils represent you can state your argument.
Ernest Cooke, Provincial Grand Superintendent of Bristol (England), informs us that until 1929 only three veils were used in the Chapters of that Province. In 1932 after much research and careful consideration, the use of the fourth veil (White) was authorized. He based much of his argument on the fact that one, they were in use in the early Chapters. (There is no proof of this). And two, the description of the Tabernacle in Exodus is so definite.
A point of interest comes from the Comp. F. A. M. Taylor, Asst. Librarian of the English Grand Chapter in 1932. He states that it was the practice to have three “Masters of the Veils”, who were officers of the Chapter (Which officers, is not stated.). Being armed with a sword and bearing a banner of appropriate colour, were stationed at the Blue, Purple and Scarlet veils (The White veil is guarded by the RA. Captain (as it is in our Ritual)).
i. I will start off with the “traditional” three- Veiled system then unto the four -Veiled system. So the basic question is “Why three veils”? Before we go any further let’s break down what a veil is. If you go to Wikipedia or other website you can find various meanings of veil, from veils for women to headgear and so on, veils have several meanings. The word "veil" in the Hebrew speaks of a screen, something that conceals and separates. With that said lets break down these systems.
In the book, “Secret Societies of all Ages and Countries” by C.W. Heckethorn (1897) he mentions only three veils. “The Textbook of Freemasonry” (1870) which is irregular and an unauthorized publication, supposedly giving all the ceremonies of the Craft and the Royal Arch, the author states that the ceremony is sometimes dispensed with. Here reference is made to only three veils. A quote from “The Perfect Ceremonies of the Royal Arch Degree,” Lewis (1907) states, “The ceremony is said to follow the restoration to light. The ceremony is carried out with only three veils”.
ii (Italicized words done by me) I believe the original intent was to imitate the tabernacle of Moses. In that Tabernacle, properly there were three veils or curtains. It is said these veils were used to hide the glory of God's face or presence from the people or to separate a sinful man from a Holy God.
The first veil was the eastern gate which opened into the courtyard. Those who came to present offerings to God (this is where the Brazen Alter was) could pass through this veil or gate (Ex. 40:33). This “Passover Veil” separates the courtyard of Moses' tabernacle from the world.
The next veil allowed only the priests to enter the Holy Place (Ex. 40:28). This was the first veil into the tabernacle. The Holy place is the place of testimony, of spiritual bread, and the offering up of the prayers and praises. This “Pentecost Veil” separates the courtyard from the Holy Place.
The last veil was only for the High Priest, who once a year could enter into the Holy of Holies (Ex. 40:21). This was the place that the Ark of the Covenant rested. This Holy place was where the High Priest would give up offering and provoke the ineffable name of Deity. In the Tabernacle there was a table, but no chair for Aaron or any of the priests to sit on, for their work was never finished. Although there was no chair; there was one seat, the Mercy-seat reserved for The Almighty Himself who sat there between the cherubim. The “Tabernacles Veil” separates the Holy Place from the Most Holy Place where God "sat" on the mercy seat.
“I will commune with thee from above the Mercy Seat, from between the two cherubim’s which are upon the ark of the testimony, of all things which I will give thee in commandment unto the children of Israel."
Exodus 25:17-22
Another correlation to these three veils above is the three annual feasts of Israel (which some believe, four have been achieved or celebrated).
“Three times in a year shall all thy males appear before the LORD thy God in the place which he shall choose; in the feast of unleavened bread, and in the feast of weeks, and in the feast of tabernacles: and they shall not appear before the LORD empty.”
Deuteronomy 16:16
However, I will not go into more detail about them during this paper... lol (Research is a beautiful thing. I implore you to do some more, let me know how it goes!)
So here we have several questions. If the veils were representing those of the tabernacle, Why do we have four veils? Is there or should there be a three or four Veils?
If you look at the veils of the tabernacle there are three. But what of the “true” veil of the Tabernacle. There are four colors to it; does this represent the meaning of the veils as we see it today? So why do we have four veils? Why are there three Masters of the Veils and not four? Why is the “fourth veil” guarded by the Royal Arch Captain and not another Master of the veil?
The meaning of the four horns on an altar.
hoshanarabbah.org/blog/tag/horns-of-the-altar/
Exodus 29:12, Horns of the altar. The four horns of the altar of sacrifice was the place where the blood of atonement was sprinkled (also Lev 4:4, 17, 18, 25, 30, 34; 8:15; 9:9; 16:18).
But there’s more. Horn is the Hebrew word qeren meaning “horn, hill or ray.” This word is used to describe the rays of light rays emanating from the face of Moses after his encounter with YHVH (Exod 34:29) and the horns of an animal (Ps 69:31). In ancient cultures, the horn was a metaphor for physical strength or spiritual power (Deut 33:17; 2 Sam 22:3; Ps 18:2). Elsewhere, YHVH is referred to as man’s “horn of salvation” meaning he is the strength of our salvation. The Hebrew word for salvation is yesha meaning “deliverance, rescue, safety, welfare, victory, prosperity.” The root of yesha is the verb yasha meaning “to save, to deliver, to give victory.” Not only is YHVH called our “horn of salvation” in the Tanakh, but this designation is applied to Yeshua as well in the Testimony of Yeshua (Luke 1:69). Interestingly, Yeshua is a derivative of the Hebrew name Yehoshua (or Joshua), which also derives from yasha.
It should be evident from this quick study that the horns of the altar are a picture of Yeshua, who is the horn or strength of our salvation and who shed his blood for our sins on the altar of the cross.
This being the case, why then are there four horns on the altar? This is likely symbolic of the four attributes of Yeshua, even as the four colors of cloth used throughout the tabernacle prophetically symbolize the same thing. Crimson speaks to Yeshua’s humanity, purple to his kingship, blue to his divinity, and white to his sinlessness or righteousness.
Additionally, the Jewish sages view the four horns as symbolizing the four corners of the earth, for, in Hebraic thought, the earth is nothing more than a large altar dedicated to Elohim. (See The ArtScroll Tehilim/Psalms commentary on this verse and notes at Ps 118:27.) The horns on the four corners of the altar could also prophetically point to the fact that Yeshua came to save all humans (who would trust in him) from the four corners of the earth.
Used the same stock on my other creation, the Lariat Assault rifle.
Lemme know what you think! Thanks :)
Built in 1912-1913, this Arts and Crafts-style hotel was designed by Fred Loring Seeley for Edwin Wiley Grove, and is known as the Grove Park Inn. Edwin Wiley Grove, whom had made his fortune selling Grove's Chill Tonic, used to help relieve symptoms brought on by malaria that was then endemic to the southern and midwestern United States, manufactured by his company, the Paris Medicine Company, which originated in Paris, Tennessee, before moving its operations to the larger city of St. Louis, Missouri. Grove had a summer house in Asheville, built circa 1897, prior to the construction of the inn, with Fred Loring Seeley, his son-in-law and business partner, having spent extensive time in the area with Grove and his wife, Evelyn Grove Seeley. The land upon which the hotel and nearby Kimberly Avenue neighborhood was later built was purchased by Grove in 1910, acquiring land all the way to the top of Sunset Mountain, as well as several tuberculosis sanatariums that Grove closed and demolished in order to change the reputation of Asheville’s health-focused resorts. Part of the land, atop Sunset Mountain, later became home to Seeley’s Castle, a large, Tudor Revival-style castle-like mansion built similarly of rough stone, and also designed by Seeley, but featuring more medieval appearance. The hotel went through several designs by various professional architects before Grove settled upon a design by Fred Loring Seeley, which featured a simple facade clad in rough granite stones, with a shingled cotswold cottage-style roof with dormers and curved edges, casement windows, and an all-concrete interior structure. The interior of the building was outfitted with Arts and Crafts furnishings and finishes designed and built by Roycrofters, a firm based in East Aurora, New York, and was opened in a ceremony with William Jennings Bryan as the keynote speaker. The hotel featured a large dining room in the northwest wing, with a tile floor and simple plaster walls, which sat next to the hotel’s original service wing, which housed the kitchen, laundry, and other service areas, a large Great Hall, serving as a lobby and lounge, in the center wing, with stone columns and massive stone fireplaces, a plaster ceiling, and a tile floor, and guest rooms on the upper floors, with a large atrium, known as the Palm Court, directly above the Great Hall, and four stories in height, crowned with a large skylight. The hotel was marketed as a health-conscious retreat for wealthy visitors. The hotel has hosted former United States Presidents William Howard Taft, Woodrow Wilson, Calvin Coolidge, Herbert Hoover, Franklin D. Roosevelt, Dwight D. Eisenhower, Richard M. Nixon, George H. W. Bush, Bill Clinton, George W. Bush, and Barack Obama in its over century-long history. The hotel was utilized during World War II to house diplomats from the Axis Powers, and later by the US Navy as a rest and rehabilitation center for returning sailors, and in 1944-45, as a US Army Redistribution Station, where soldiers rested before being assigned duties in other parts of the army. Following World War II, contingency plans in the event of a nuclear attack on the United States involved moving the US Supreme Court to the Hotel, as Asheville sat far inland in the midst of the Blue Ridge Mountains, a far more defensible location than many major cities, and had very little strategic value compared to most cities of its size. In 1955, the hotel was purchased by Sammons Enterprises, owned by Charles Sammons, and underwent a modernization, seeing the stone columns in the lobby stripped and clad in aqua-colored vinyl wallpaper, the addition of a pool to the southeast terrace, a large two-story concrete motel structure that sat southeast of the hotel along the hillside, and later, the addition of a wing to the southwest, which appears to have only lasted about a decade and a half before being demolished. In 1976, the Sammons family purchased the adjacent Asheville Country Club and Golf Course, before embarking on a major renovation and expansion of the hotel between 1982 and 1988, with the addition of the massive Vanderbilt Wing and Sammons Wing on the south facade of the building, obscuring the original service wing, northwest wing, and heavily altering the hotel’s appearance with their white EIFS-clad facades, postmodern rooflines based on the original hotel, bands of horizontal and vertical black-tinted glass curtain walls, and minimal usage of rough stone. The Sammons Wing contains conference spaces, a parking garage, and service areas for the hotel, with guest rooms along the southern and western edges of the building, with the Vanderbilt Wing containing hotel rooms along the southern and eastern edges of the building, wrapping around a central parking garage, and also containing a large multi-story atrium and restaurants. The original wing of the hotel was restored as part of this project, with the columns in the lobby being clad in oak surrounds, the stonework and roof being repaired, the palm court being brought back to its original appearance, and furnishings from the period of significance for the hotel being re-introduced to the interior. Around the turn of the millennium, the grounds in front of the historic inn and between the two modern wings was re-landscaped with waterfalls, terraces, and gardens, with a new Spa building being constructed below the hotel, partially underground, between the two wings, with the two previous swimming pools on the hotel grounds being closed at this time. In 2012, the hotel was purchased by KSL Resorts for $120 million, whom subsequently sold it to Omni Hotels in 2013, with the hotel being rebranded as The Omni Grove Park Inn. The hotel was listed on the National Register of Historic Places in 1973, though this would not have been possible following the massive alterations the building underwent in the 1980s, as the renovations have significantly and irreversibly altered the historic hotel, and have removed several character-defining features, though this is understandable in that it was done to keep the hotel economically viable in the modern age of larger resorts and economies of scale, which made the hotel in its previous form no longer economically viable.
Using Green Stuff I sculpted the body of the Soul Grinder, Shoulder Pads from the Daemon Prince, Skulls and Claws from two soul grinder boxes and some misc Chaos vehicle bits.
Fortune Brainstorm Health
Wednesday, May 3rd, 2017. San Diego, CA
9:30 AM
THE THREE-PARENT BABY
In vitro fertilization using DNA from three parents is now officially sanctioned in the U.K. The controversial method can prevent horrific genetic diseases from being passed on to children. But the advent of such revolutionary technologies, as well as others such as CRISPR-Cas9 and gene-editing, have raised concerns about a brave new world where “designer babies” are a possibility. Do those worries line up with the actual science? And what is the best way to address the legitimate ethical concerns surrounding such methods? Meet the doctor who helped pioneer the technique for the world’s first three-person baby.
Dr. John Zhang, Founder and Director, New Hope Fertility Clinic
Interviewer: Dr. David B. Agus, USC
Photograph by Stuart Isett/Fortune Brainstorm Health
Use as you wish. All I ask is for a credit in the description of your artwork and post a small size image of your work under the texture.
Peace.
TA
This image is free to use in your creative works.
Please do not redistribute or make small changes and claim it as your own.
Please provide credit via a link under your work back to this image or to my account where possible.
I would love to see how you use this image, so please leave me a link or a small copy in my comment box below.
Thank you,
Brenda.
I belong to these sets ~Backgrounds~ & ~Buildings~
If you are looking for more stock images or texture please check out my group pool at
Using a cute little car to advertise a cemetery. I wonder if they have Smart hearses?
I apologize for the quality of this, but conditions were not conducive to great photography.
Incidentally, this business is owned by a man named--and I swear I'm not making this up--Dick Tips. He's going to be put away in a gold casket, like Michael Jackson: www.ksat.com/news/19984820/detail.html
A used lot I purchased today. A pretty good haul, considering there are quite a few sets I probably wouldn't have bought otherwise. Not 100% complete, but still worth the price.
03.12.13
I used the Ruched Maternity Skirt pattern by Megan Nielsen to make this skirt. It literally came together in 15 minutes! I was worried it would be too tight, I get claustrophobic and aches with things going up over my stomach but it is seriously THE most comfortable item of maternity wear I own!! I used this second-hand stretch fabric I scored at the op shop for a few dollars, it said it was lycra and it does have a 4-way stretch but it has a coarser feel to it than just spandex.
Read more here
Dedi Aprianto (32), collecting resin from a damar tree (Shorea Javanica) in Pahmongan village, Pesisir Barat regency, Lampung province, Indonesia on November 06, 2017.
Photo by Ulet Ifansasti/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Voted by many as the best tank of WW2, the Soviet T-34 was based on the US-designed Christie suspension which was also used by the British Crusader and Cromwell tanks. However the Soviets sloped the tank's armour for better protection and widened the tracks for better grip. The early T-34 armed with a 76 mm gun was almost invulnerable to small German anti-tank guns. Later versions (including this one) had a larger three-man turret and carried a larger 85mm gun. It continued in production in Warsaw Pact countries into the 1950s and some are still in use in Third World countries. Cuba is believed to have a few still working.
See: en.wikipedia.org/wiki/T-34
***
More images from my October 2011 visit to the Imperial War Museum Duxford site. The Land Warfare Hall contains many vehicles and guns from WW1, WW2 and the Cold War. Unfortunately the building has very poor lighting and it is a pig to take photographs in the LWH.
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Ken Bromley Art Supplies" and link the credit to
Original watercolour by Ken Bromley.
Ken was born in Bolton in 1921 and studied fine art at Bolton Art College. With the outbreak of World War II, he found himself serving in the Royal Corps of Signals of the British Army. During this time he continued to paint as a way to supplement his army pay. It was also during this period that he built the first model of the Perfect Paper Stretcher.
Following the war, Ken moved to London and worked on commercial art projects, but returned to Bolton around 1948. Through the 50s and 60s, he specialised in sketches for schools, churches and universities.
In the mid 1970s, through the Bromley Art company, Ken produced sketches and watercolours depicting local views from around the country. It is from this period between 1975-1990 that most of the artworks featured in this gallery originate.
Championship three-peat for Crusaders.Richey, Dufficy spark potent offense against Tigers.D3 BOYS' BASKETBALL FINAL: WHITINSVILLE CHRISTIAN 72, LITTLETON 60.By Tom Flanagan CORRESPONDENT..FITCHBURG— All season, Whitinsville Christian star Colin Richey has been using his words to convey his belief that the Crusaders were more than a one-man team. .Yesterday, the junior guard used something else to prove his point — the basketball. ..While Richey had his share of acrobatic moves and fancy finishes, his sharing of the ball to get teammates involved helped propel Whitinsville Christian to a 72-60 win over Littleton in the Central Mass. Division 3 championship game at Fitchburg State University. ..The Crusaders, the defending state champions and winners of three straight Central Mass. titles, will meet St. Joseph's of Pittsfield (19-5) at 4:15 p.m. Tuesday in a state semifinal at the MassMutual Center in Springfield. ..Littleton, the tournament's No. 5 seed, finished 18-7. ..Richey, who finished with 20 points, consistently commanded the attention of two or three Tigers, which opened plenty of space for Tim Dufficy and Jesse Dykstra. ..Dufficy did most of his damage on the perimeter — getting very comfortable in the left corner, from where he canned three 3-pointers in the first half on his way to a game-high 26 points. ..“Tim was wide open at times,” said Richey, who wasn't at full strength because of an ankle injury. “Having guys like him out there if a team collapses on the dribble is great. You just can't leave him open. He made (Littleton) pay when they did.” ..Dufficy didn't exactly step off the bus brimming with confidence, but shook the jitters when he buried a trey on the Crusaders' first possession. ..“I didn't have a great shooting night at all in our last game (against Keefe Tech), but, luckily, my teammates had the confidence in me to get me the ball when I was open,” he said. “Playing with Colin, I know I'll probably get some open shots, and I was able to hit a lot of them.” ..With Richey using his ballhandling skills — particularly an effective crossover dribble that appeared impossible to defend — and Dufficy feeling it from the outside, it became a case of “pick your poison” for Littleton. ..Dykstra, a forward, had a solid inside game, netting 13 points. ..“We have a lot of kids who can play, and every night someone else steps up,” said Whitinsville Christian coach Jeff Bajema, whose team is 17-5. “(Last night) it was Tim, and Tuesday, it will be somebody else. That's how we win.” ..The Crusaders took a 19-13 lead after the first quarter on the strength of a 10-1 run, and poured it on in a dominating second quarter to build a 45-23 lead. ..While the Whitinsville Christian faithful may have spent halftime googling for information on St. Joe's, Richey knew the game was far from decided. ..“This is the fourth Central Mass. final I've been in as a player, and I knew (Littleton) was going to make a run — good teams always do.” Richey said. “They're a good team, and (Tiger junior) Chris Murray is one of the best players in the area.” ..Murray backed up the high praise and helped prove Richey prophetic, as Littleton's 1,000-point scorer shook off a slow first half and erupted for 15 points after intermission. ..Murray, who finished with a team-high 17, converted a three-point play with 6:55 left to cut the Crusaders' lead to 55-41. ..An offensive rebound and bucket from Alvin Muhwezi (10 points) and a strong drive and finish from Murray sliced the lead to 55-45 with 5:02 left, prompting Bajema to take a timeout. ..The Tigers got nine points from junior captain Ryan Sullivan, playing his first game since undergoing shoulder surgery...from www.telegram.com/article/20120311/NEWS/103119896/1152/hom...
Shot at ISO 2500, Aperture of 2.8, Shutter speed of 1/400 and Focal Length of 90.0 mm
Taken with a Minolta/Sony AF 70-200mm F2.8 G lens and processed by Aperture 3.2.2 on Saturday March-10-2012 16:45 EST PM
Usei esse esmalte faz um tempinho e esqueci de postar! Lindo demais!!!!
Ele fica com textura áspera, mas consegui deixá-lo lisinho com o topcoat Top 2 Buttom, da Orly.
Ô topcoat lindo!!!! kkkkk
Reparem no brilho!
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I recently had the fantastic opportunity to photograph a fantastic piece of history right in the middle of Stoke on Trent.
Sometimes known as the 'Savoy of the Midlands' the Leopard Inn in Burslem certainly holds a lot of hidden secrets. The Leopard Inn is one of Stoke-on-Trent's hidden gems. A listed building in Burslem, it is steeped in history and the discovery of tunnels and 58 bedrooms that have been left exactly as they were when they were sealed between the 1930's and 1950's has brought it centre-stage again.
The Leopard Inn dates from the early 1700's. Initially a coaching house and Inn, there has been a working pub on this site for 300 years or more. In 1878 a three storey extension including 57 rooms were built. The ambition was to create in Burslem 'The Savoy of the North'. The rooms to the front of the Leopard are today in use as a pub and restaurant, and to the rear the hotel lies abandoned and purportedly haunted.
The Leopard Inn, on Market Place, has become internationally well-known following its appearance on Most Haunted in 2007.
If you like this shot, please feel free to favorite, comment or add a note to a particular point of interest.
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Photography:
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The best lens covers: amzn.to/3HtQGQ5
Bags:
Think Tank International Roller: bit.ly/2NWLfOg
Osprey Roller: amzn.to/4fbJGpl
Video:
RED Dragon-X
Canon R1: amzn.to/3D9Z3S6
Canon R3: amzn.to/3Tnb220
Canon R5: amzn.to/3pU9GP3
Canon 100-500mm: amzn.to/3LiHFv8
Canon 600mm F4: amzn.to/3S4rVzU
The best lens covers: amzn.to/3HtQGQ5
Mic on Camera: amzn.to/3gDIy2a
Mic off Camera: amzn.to/4cWLjqu
Field Audio Recorder: amzn.to/4f1g27C
Cartoni Focus 12 SDS Tripod: Cartoni Focus 12 Fluid Head with 2-Stage Carbon Fiber KSDS12-C (bhphotovideo.com)
Calendars: www.createphotocalendars.com/Shop/harrycollinsphotography
Prints: www.etsy.com/shop/HarColPhotographs
Website: www.harrycollinsphoto.com
I use Topaz Denoise on all of my photos: topazlabs.com/ref/519/
UEFA WOMEN'S CHAMPIONS LEAGUE 2013-14 FINAL LISBON 2014 MATCH USED ADIDAS BALL, TYRESO FF VS VFL WOLFSBURG
PROPERTY OF YKYECO
A quick draw to test my new Platinum Pro-Use II 0.5 (MSD-1500B), with the Pilot Neox 3B leads.
Lead hardness selector of the Pro-Use II: 3B, 2B, B, HB, F, H, 2H, 3H
Off prompt. But it is from a different decade ... The journaling reads:
Where Ashleah was, Dale wouldn't be far away - playing on their DS's, with LEGO, Playdough or cars. Then Ashleah hit puberty and things weren't the same anymore!
The cute Friendship transparency says:
"Friendship is a heart flooding feeling that can happen to any two people who are caught up in the act of being themselves together". Letty Cottin Pogrebin
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