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ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
Portrayal of the last supper with Jesus and his disciples above a now walled up door. This Romanesque depiction was covered later and it was not rediscovered until 1914. (And don't you just love their feet sticking out from under the table?)
At the 12th century Romanesque style church of Saint Manvieu in the small village of Meuvaines (population in 2013: 147).
Gerolamo di Romano called Romanino, "Last Supper", 1533-34, fresco, Church of Santa Maria della Neve, Pisogne (BS), Italy
In the Minoritenkirche in Vienna
"There is a life-sized copy of Leonardo da Vinci's The Last Supper on the church's northern wall. It is a mosaic made by the Roman mosaic artist Giacomo Raffaelli, commissioned by Napoleon I in 1809, but it was not finished before Napoleon's abdication. Francis II of Austria bought it, wanting to install it in the Belvedere in Vienna. As it was too large for the building, it was donated by Emperor Ferdinand I. of Austria to the Italian Congregation and set up on the north wall of the church, where it remains to this day. The mosaic is 9.18 x 4.47 m and weight approximatively 20 tons." en.wikipedia.org/wiki/Minoritenkirche_(Vienna)
"And yet behold, the hand of the one who is to betray me is with me on the table;" (Luke 22:21, NABRE)
The reaction of four of the twelve apostles after this announcement of Jesus Christ: on the far left, Andrew, who seems most astonished; next to him, his brother Peter, who reaches for a knife in anger; in front of him, the traitor Judas Iscariot, who holds a bag full of money in his hand, the reward for his betrayal; on the far right, the youthful John, the favorite disciple of Jesus, whom the angry Peter pleads with, but who does not seem to respond.
Detail of a life-sized copy of Leonardo da Vinci's The Last Supper in the Minoritenkirche in Vienna. "It is a mosaic made by the Roman mosaic artist Giacomo Raffaelli, commissioned by Napoleon I in 1809 [...]." en.wikipedia.org/wiki/Minoritenkirche_(Vienna)
Leonardo's original, created in 1495-98, is a mural painting in the refectory of the Dominican monastery of Santa Maria delle Grazie in Milan.
"Leonardo reportedly used the likenesses of people in and around Milan as inspiration for the painting's figures." But it took him a long time, it seems, to find a model for the head of Judas, for which only the very worst man of Milan was good enough. About the model for Judas the Austrian writer Leo Perutz wrote the novel "Leonardo's Judas" (posthumously, 1959). I just finished reading this highly recommendable novel and that is why I am doing this research. en.wikipedia.org/wiki/The_Last_Supper_(Leonardo) de.wikipedia.org/wiki/Das_Abendmahl_(Leonardo_da_Vinci)
Das Letzte Abendmahl als Holzrelief - The Last Supper as wooden relief - Dernière Cène - Ultima Cena - Última Cena - Ostatnia Wieczerza ...
A TUTTI I MIEI AMICI DI FLICKR AUGURO UNA FELICE PASQUA.
TO ALL MY FLICKR'S FRIEND HAPPY EASTER
A TODOS MIS AMIGOS DE FLICKR FELIZ PASCUA DE RESURRECION.
À TOUS MES AMIS DE FLICKR JOYEUSES PÂQUES
The two stars of David are Franciscan symbols on the temple facade.
***
The Basilica di Santa Croce (Basilica of the Holy Cross) is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories (Tempio dell'Itale Glorie).
La iglesia de San Esteban Protomártir en Hormaza (Burgos) – Spain conserva de sus orígenes románicos del siglo XII esta bella portada con cuatro arquivoltas de bella escultura.
La arquivolta inferior muestra diferentes personajes como animales luchando, personajes humanos, combates diversos y máscaras monstruosas.
Mientras que en la arquivolta superior representa un calendario agrícola y a continuación una Última Cena con Cristo presidiendo y los Apóstoles.
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The church of San Esteban Protomartir in Hormaza (Burgos) - Spain preserves its 12th century Romanesque origins this beautiful facade with four beautifully sculptured archivolts.
The lower archivolt shows different personages such as fighting animals, human characters, various battles, and monstrous masks.
While in the upper archivolt it represents an agricultural calendar and then a Last Supper with Christ presiding and the Apostles.
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Como Jueves Santo se conoce la festividad cristiana que celebra la última cena de Jesús de Nazaret con sus discípulos, la institución de la eucaristía y del orden sacerdotal, así como el lavatorio de pies.
Como tal, toda la cristiandad, tanto la Iglesia católica como las otras iglesias cristianas, conmemora el Jueves Santo con procesiones y celebraciones eucarísticas.
El Jueves Santo tiene lugar durante la Semana Santa, el jueves anterior al Domingo de Pascua o de Resurrección.
Con el Jueves Santo acaba la Cuaresma y se inicia el Triduo Pascual, es decir, el periodo en que se recuerda la pasión, muerte y resurrección de Jesús, que se extiende del Jueves Santo al Sábado Santo.
Dos eventos de singular importancia tienen lugar este día según la Biblia: la última cena, donde se instituye la eucaristía y el sacerdocio, y el lavatorio de pies.
Este día, pues, se suele conmemorar la institución de la eucaristía mediante la celebración de los Santos Oficios, y se recuerda la agonía y oración de Jesús en Getsemaní, en el jardín de los olivos, la traición de Judas y el arresto de Jesús.
Última cena
Como última cena se conoce la comida que, en celebración de la Pascua, compartió Jesús con sus discípulos. En ella instituyó la eucaristía, también llamada comunión, en la cual Cristo deja su cuerpo y sangre transustanciados en pan y vino.
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Las pinturas del denominado maestro de San Felices se datan a finales del siglo XV, y son abundantes en zonas de iglesias románicas de la Montaña Palentina y Cantabria.
Estas pinturas tienen características propias, gran expresividad e intención didáctica. Los fondos no tienen elementos paisajísticos y contienen bandas de colores planos, estando divididos por escenas.
Vemos la Oración del Huerto, Cristo con la Cruz, la Flagelación, Cristo ante Pilatos; y una de las más famosas, la Última Cena con excelentes detalles y la mesa abatida muestra todos los alimentos que tomaron los comensales.
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The paintings of the so-called master of San Felices date back to the end of the 15th century, and are abundant in areas of Romanesque churches in the Palentina Mountain and Cantabria.
These paintings have their own characteristics, great expressiveness and didactic intention. The backgrounds do not have landscaping elements and contain bands of flat colors, being divided by scenes.
We see the Garden Prayer, Christ with the Cross, the Flagellation, Christ before Pilate; and one of the most famous, the Last Supper with excellent details and the lowered table shows all the food that the diners ate.
One single long exposure. No photoedition : straight out of the camera except for contrast/crop.
Models : Sylvain Horne, Corentin Lambert, René Godefroid, Gregory Lamouline, Océane Bolette, Sébastien Ernest, Jerem Surings, Julian PanPan Cara Bim, M, Pascal Biston, Pol Lution
Lights : me
Trigger : Jerem Surings
Catering : Océane Bolette & Jerem Surings
Light painting session with Océane Bolette, Julian PanPan Cara Bim, Jerem Surings, Sylvain Horne, Pascal Biston, Pol Lution, Corentin Lambert, René Godefroid, Sébastien Ernest, Gregory Lamouline
© Fernando Sosa Montemayor
All rights reserved
Todos los derechos reservados
Restaurante "Don Poncho" San Salvador Cuauhtenco, Milpa Alta. DF México.
Jesucristo fue la primera celebridad (Hace falta Judas).
No puedo ocultar que soy un maldito publicista.
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The Last Supper
Jesus was the first celebrity (and Judas is missing).
CHIESA DI SAN LORENZO
La storia della chiesa di S.Lorenzo, a Sauris di Sopra, inizia nel 1328.
Costruita su un pendio poco discosto dall’abitato, nell’aspetto attuale, che risale al ‘500, essa si presenta come una tipica chiesetta alpina di stile gotico tedesco.
Notevoli sono l’abside poligonale, nella quale si aprono tre monofore con arco a sesto acuto, e la torre campanaria con una svettante guglia poligonale.
L’edificio, modificato ed ampliato più volte nei secoli, conserva diversi elementi dello stile gotico originario.
Note tratte dal sito:
www.ultimacena.afom.it/sauris-ud-fraz-sauris-di-sopra-chi...
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CHURCH OF SAN LORENZO
The history of the church of San Lorenzo, in Sauris di Sopra, begins in 1328.
Built on a slope not far from the town, in its current appearance, which dates back to the 16th century, it appears as a typical Alpine church in German Gothic style.
Noteworthy are the polygonal apse, in which there are three single-lancet windows with pointed arches, and the bell tower with a soaring polygonal spire.
The building, modified and expanded several times over the centuries, retains several elements of the original Gothic style.
CANON EOS 600D con ob. SIGMA 70-300 f./4-5,6 DG
Hoy es viernes 13. ¿Conoces el significado simbólico de este número o el origen de sus connotaciones negativas? Y es que un viernes 13 de 1307 Felipe el Hermoso ordenó apresar a los míticos templarios. Monarca que urdió una trampa contra la Orden al citar al gran maestre Jacques de Molay en París. Quien fue quemado vivo en la hoguera tras ser cruelmente torturado. Mas antes de perecer en las llamas inquisitoriales lanzó una maldición contra el rey y el papa, Clemente V. El monje guerrero les vaticinó que ese mismo año dejarían este mundo para responder ante Dios por la enorme infamia cometida y así como predijo a los pocos meses fallecieron.
.😱.
La mitología nórdica habla de que Loki, la divinidad del engaño, fue el asistente número trece a la cena del Valhalla, el salón de los muertos. Donde a través de sus ardides consiguió que muriera el dios de la alegría, Balder el Hermoso, para así sumir a la Tierra en la oscuridad.
.🎥.
Si quieres conocer más sobre este enigmático número consulta el vídeo de YouTube de la escritora Ibiza Melián: ➡️ youtu.be/o7BF87cNv-M
.👍.
Si te gusta compártelo y no olvides suscribirte a su canal para estar al tanto de las actualizaciones: ➡️ www.youtube.com/user/ibizamelian
#IbizaMelián ✍️ #escritora 📚 #libros #símbolos #simbología #simbolismo #misterio #templarios 👻 #Viernes13 #Valhalla #mitología
Capitell representant el Sant Sopar a la galeria septentrional del Monestir de Santa Maria de L'Estany, on els capitells ensenyen escenes de l'Antic i Nou Testament, les figures denoten una certa rigidesa i falta de moviment. En aquestes escenes, l'artista destaca per la minuciositat dels detalls, tecnicament parlant, dels millors de tot el romànic català.
Jacopo Bassano (Jacopo dal Ponte 1515/16 - 1592) - Last Supper (1547-48) cm 168 x 270 - Rome Galleria Borghese - Exhibition the young Tintoretto Galleria dell'Accademia - Venice
Il dipinto è stato identificato con la Cena commissionata nel 1546 dal nobile veneziano Battista Erizzo. Per l'alta qualità pittorica e lo straordinario impianto compositivo, l’opera è considerata uno dei capolavori di Bassano. La tela si ispira alla Grande Passione di Dürer, come è possibile notare nella figura del Cristo e nelle pose di alcuni personaggi. Lo spazio chiuso, raccolto fra la quinta architettonica dello sfondo e la movimentata scena in primo piano, evidenzia le particolari fisionomie degli apostoli, lontane da ogni idealizzazione come in altre opere dell’artista. Si noti, infine, l'insieme degli oggetti sulla tavola, che oltre a una funzione simbolica, vedi la testa dell'agnello indicata da Cristo, compongono indirettamente uno dei primi esempi di natura morta.
The painting was identified with the Cena commissioned in 1546 by the Venetian nobleman Battista Erizzo. For the high pictorial quality and the extraordinary compositional layout, the work is considered one of Bassano's masterpieces. The canvas is inspired by Dürer's Great Passion, as can be seen in the figure of Christ and in the poses of some characters. The closed space, gathered between the architectural backdrop of the background and the lively scene in the foreground, highlights the particular physiognomies of the apostles, far from any idealization as in other works of the artist. Finally, note the set of objects on the table, which in addition to a symbolic function, see the head of the lamb indicated by Christ, indirectly compose one of the first examples of still life.
Jacopo Bassano (Jacopo dal Ponte 1515/16 - 1592) - Last Supper (1547-48) cm 168 x 270 - Rome Galleria Borghese - Exhibition the young Tintoretto Galleria dell'Accademia - Venice
Il dipinto è stato identificato con la Cena commissionata nel 1546 dal nobile veneziano Battista Erizzo. Per l'alta qualità pittorica e lo straordinario impianto compositivo, l’opera è considerata uno dei capolavori di Bassano. La tela si ispira alla Grande Passione di Dürer, come è possibile notare nella figura del Cristo e nelle pose di alcuni personaggi. Lo spazio chiuso, raccolto fra la quinta architettonica dello sfondo e la movimentata scena in primo piano, evidenzia le particolari fisionomie degli apostoli, lontane da ogni idealizzazione come in altre opere dell’artista. Si noti, infine, l'insieme degli oggetti sulla tavola, che oltre a una funzione simbolica, vedi la testa dell'agnello indicata da Cristo, compongono indirettamente uno dei primi esempi di natura morta.
The painting was identified with the Cena commissioned in 1546 by the Venetian nobleman Battista Erizzo. For the high pictorial quality and the extraordinary compositional layout, the work is considered one of Bassano's masterpieces. The canvas is inspired by Dürer's Great Passion, as can be seen in the figure of Christ and in the poses of some characters. The closed space, gathered between the architectural backdrop of the background and the lively scene in the foreground, highlights the particular physiognomies of the apostles, far from any idealization as in other works of the artist. Finally, note the set of objects on the table, which in addition to a symbolic function, see the head of the lamb indicated by Christ, indirectly compose one of the first examples of still life.
Censorship is often your neightbour.
This adv has been censored by adv commetee in Milan, cause it has been judged offensive as regard the catholic beliefs.
I 've decided to upload this shot not only cause i consider it a very evocative masterpiece (never wondered about a specular catholicism?) but also as an action against every kind of restriction in the freedom of thought.
Photo: © Marithé and François Girbaud
Someone knows who realized this campaign?
This is the Last Supper (L'ultima cena) of Da VInci, one of the greatest masterpiece of all time art (and one of the greatest failure of Da Vinci's experimentation on new wall painting technique)... well, more or less. Just the hands...
Recipe:
- One White Sheet
- A small table
- A Lamp
- Two hands
- Lack of respect of masterpiece
- A bit of blasphemy
- 13-14 shots
- Enough time to do the shots
- Enough time to blend them all
By the way... I wish an happy Easter to everybody.
(PS: Some zones are dirty and reveals levels' shape... my monitor is not well balanced... I have to retouch it on a better one :()
Estoy muy cansada terminando de trabajar para mis examenes...
Esta foto esta impresa sobre pvc, tiene textura y es tamaño grande!. Mide unos 50 cm de alto y un poco mas de un metro de ancho.
Cuando este todo terminado e impreso, subiré mas fotos.
^_^
Jacopo Bassano (Jacopo dal Ponte 1515/16 - 1592) - Last Supper (1547-48) cm 168 x 270 - Rome Galleria Borghese - Exhibition the young Tintoretto Galleria dell'Accademia - Venice
Il dipinto è stato identificato con la Cena commissionata nel 1546 dal nobile veneziano Battista Erizzo. Per l'alta qualità pittorica e lo straordinario impianto compositivo, l’opera è considerata uno dei capolavori di Bassano. La tela si ispira alla Grande Passione di Dürer, come è possibile notare nella figura del Cristo e nelle pose di alcuni personaggi. Lo spazio chiuso, raccolto fra la quinta architettonica dello sfondo e la movimentata scena in primo piano, evidenzia le particolari fisionomie degli apostoli, lontane da ogni idealizzazione come in altre opere dell’artista. Si noti, infine, l'insieme degli oggetti sulla tavola, che oltre a una funzione simbolica, vedi la testa dell'agnello indicata da Cristo, compongono indirettamente uno dei primi esempi di natura morta.
The painting was identified with the Cena commissioned in 1546 by the Venetian nobleman Battista Erizzo. For the high pictorial quality and the extraordinary compositional layout, the work is considered one of Bassano's masterpieces. The canvas is inspired by Dürer's Great Passion, as can be seen in the figure of Christ and in the poses of some characters. The closed space, gathered between the architectural backdrop of the background and the lively scene in the foreground, highlights the particular physiognomies of the apostles, far from any idealization as in other works of the artist. Finally, note the set of objects on the table, which in addition to a symbolic function, see the head of the lamb indicated by Christ, indirectly compose one of the first examples of still life.
... sur un panneau de sens interdit.
Par Sykonurse. Reprise du célèbrissime tableau de Léonard de Vinci qui se trouve dans le réfectoire du couvent dominicain de Santa Maria delle Grazie à Milan.
Panneau de sens interdit vu du côté de la rue de la Mare
(Paris 20ème).
La iglesia de Saint Cirq Lapopie en Francia, a 30 kilómetros de Cahors, está en lo alto del bello pueblo, todavía conserva elementos románicos en su ábside, como estas pinturas del ábside del siglo XIII representando un detalle de la Última Cena.
Llegar a este lugar es una delicia por los paisajes que le rodean, río, acantilados, arbolados, fortalezas, calles empedradas con aire medieval, sitio ideal de inspiración y creación, donde se instalaron artistas para desarrollar sus obras.
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The church of Saint Cirq Lapopie in France, 30 kilometers from Cahors, is at the top of the beautiful village, it still preserves Romanesque elements in its apse, like these paintings of the 13th century apse representing a detail of the Last Supper.
Arriving at this place is a delight for the landscapes that surround it, river, cliffs, trees, fortresses, cobbled streets with a medieval air, an ideal place for inspiration and creation, where artists settled to develop their works.
Maître-autel dû aux Florentins Corbanelli, nombreuses marqueteries de pierres dures et semi-précieuses.
La puerta de madera del siglo XI, es una de las joyas románicas en la iglesia de Santa María del Capitolio en Colonia (Köln) Alemania.
Las tallas en madera representan, a la izquierda, la infancia de Jesús, Huida a Egipto, escenas de Herodes y los Inocentes; a la derecha, la última Cena, Ascensión de Cristo a los Cielos, Jesús Crucificado, mujeres y anuncio del Ángel ante el Sepulcro vacío.
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The wooden door of the 11th century, is one of the Romanesque jewels in the church of St. Mary of the Capitol in Cologne (Köln) Germany.
The carvings in wood represent, on the left, the childhood of Jesus, escape to Egypt, scenes of Herod and the Innocents; to the right, the Last Supper, Ascension of Christ to the Heavens, Jesus Crucified, women and announcement of the Angel before the empty Sepulcher.
Sailor Moon group in "The Last Supper"
Cosplayers: NadiaSK, Gabriella Orefice, Federica Borghi, Veronica Ceccherini, Amy Colanera, Ginevra Fusari, Giulia Ghersi, Alessia Merlo, Tatiana Motta, Fabiana Naccari, Giulia Presti, Maria José Di Salvo
Location: Cartoomics 2010, Milano, Italy