Art by Promeai
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Amanecer en la ermita de Santa Lucía en Fustiñana, Navarra (Spain).
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (javidurophotography@gmail.com).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (javidurophotography@gmail.com).
Thank you.
The temple has several features to be appreciated. The main complex houses ten thousand miniature gold Buddhas. The Buddhas are housed on shelves throughout the complex. The grounds also host a seven story stupa utilizing authentic Chinese architecture. But the real treat lies within the stupa, a 5 story tall bronze statue of Buddha. The Buddha is a truly awesome work of art that needs to be see
Gaztelugatxe III
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© Javi Duro Photography 2017 - All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (javidurophotography@gmail.com).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (javidurophotography@gmail.com).
Thank you
A New Mini-Series on the Usage of Niji or Utilizing the Niji・Journey Bot.
Starting with an Image Excluding Niji, Followed by Various Niji Configurations.
Today's Prompt: A Typical Midjourney Scenario.
Same prompt as in second image
and third image
and fourth image
and fifth image
and last image
IMAGE: Skull-Clown:: Woman, A Dark Celebration of Día de los Muertos | STYLE: Lilia Alvarado meets Aztec Art | MOOD: Eerie and Intricate | COLOR: Vibrant and Grotesque Palette | INSPIRATION: Nightmare Before Christmas, Tim Burton | DETAILS: Elaborate skull-clown:: makeup, intricate costume, sculpted elements | RENDER: Dark, Mysterious, and Whimsical | LIGHTING: Dramatic and Shadowy | COMPOSITION: Dynamic and Visually Striking | CAMERA Sony A1 | LENS 50mm portrait | TAGS: Día de los Muertos, Skull-Clown, Nightmare Before Christmas, Tim Burton, Lilia Alvarado, Aztec Art, Dark, Intricate, Grotesque, Sculpted --ar 16:9
Serie Pictoricas VII - Huerto 3 -- Pictorial Series VII - Orchard 3
Se ha empleado textura de Lenabem Anna J. textures.
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© Javi Duro Photography 2016- All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (javidurophotography@gmail.com).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (javidurophotography@gmail.com).
Thank you
Hasselblad solid platinum body.
Eastman Kodak neutrino Boyer Paris lens.
Holga shutter.
Nikon DR-6 right angle viewer.
Interferometric quantum sensor.
Muon G2 mercuric oxide colloidal film.
I have taken my camera building passion to new heights.
Utilizing high energy proton acceleration I managed to create a camera capable of taking photos beyond the constraints of time and space.
As the heavens prepare for an imminent downpour, nature paints a breathtaking scene in the mountains of Tuscany.
Italy experiences a period of intense rainfall as dark clouds dominate the sky. The relentless downpour transforms the landscape, turning streets into temporary rivers and fields into saturated patches of earth. People navigate through the rain, seeking shelter and utilizing umbrellas and raincoats to stay dry. The heavy rainfall showcases the power and unpredictability of nature, reminding us of our vulnerability in the face of natural forces.
Una nueva "vanitas rural", esta vez una olvidada y solitaria casa de labranza en mitad del llano manchego, simbolizando con su ruinoso estado, la preocupante acelerada desaparición de los modos de vida y de las comunidades rurales.
-English:
A new "rural vanitas", this time a forgotten and lonely farmhouse in the middle of the plain of La Mancha, symbolizing with its dilapidated state, the worrying accelerated disappearance of rural livelihoods and communities.
Imagen protegida por Plaghunter / Image protected by Plaghunter
© Francisco García Ríos 2019- All Rights Reserved / Reservados todos los derechos.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (recesvintus(at)yahoo.es).
Thank you.
niebla - mist
Onlyraw.
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© Javi Duro Photography 2020 - All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (javidurophotography@gmail.com).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (javidurophotography@gmail.com).
Thank you
Tumon Bay is a bay in the United States territory of Guam, opening to the Philippine Sea. It is bounded to the north by Two Lovers Point and to the south by Ypao Point. The entirety of the bay falls within the Tumon Bay Marine Preserve, also known as the Tumon Bay Marine Preserve Area (MPA) and Tumon Preserve, one of five marine preserves on Guam. The Preserve measures 4.54 square kilometers and is roughly two miles long. The platform of the fringing reef that separates the open ocean from the lagoon is up to 1,450 feet (440 m) wide. and up to one mile from the shore. The bay is located off of the Tumon area, the tourist center of the island, in the village of Tamuning. The bay is extensively utilized for recreation and fishing.
(Wikipedia)
⁜ Hair - Unorthodox - Gabby w/ All Scalpz
Utilizing new hairbase designed for LeLUTKA Mesh Heads
⁜ Earrings - Six Feet Under - SFU - Aurora Earrings (EvoX), exclusive @ the Dollholic Event - 18 November - 11 December
Rigged for female heads only - Elf ears and Human ears
Original mesh with texture Hud
⁜ The Crow Ink Art - Siria Eyeshadow - Evoshop Hud
19 November - 19 December - Hud available at the Store
⁜ Lipstick - The Crow Ink Art - Dipped Lipstick
At SWANK Event - 7 November - 30 November
⁜ Magnetic - Glamour Eyes, exclusive @ SWANK Event
BOM and Applier
⁜ Mask - Malandra - Steampunk Tattoo #5, exclusive @ SWANK Event - for LeLUKA Evo X
⁜ Nails - LEXU - ASTER NAILS, exclusive @ SWANK Event
Fungi are manifest in a multiplicity of folktales and fairy tales, and in folk remedies and rituals. They appear as foods, poisons, diseases, decorations, dyes or tinder, and even in insults, compliments, graffiti and video games. These and other impacts of fungi on folkways are here concisely reviewed under categories likely to interest professional and amateur mycologists and accessible to the lay reader. The evolution of popular perceptions of fungi is sketched from Shakespearean times through contemporary European and American cultures. Provided are specific instances of how different cultures utilized or avoided fungi, responded to fungal diseases of crops or humans, or viewed fungi in the context of popular belief, superstition or religion.
Utilizing a trackage rights agreement established in 1985, a Union Pacific Sharp, Utah - Valmy, Nevada coal train exits the Provo Sub and enters Rio Grande's eastward main track at Lakota Junction on a snowless Dec. 8, 1990 afternoon in rural Utah County.
Looking forward to the Winter chill, frost and murk, bring on the opportunities and challenges, and hopefully........ i may be ready to utilize them.or at least have a play.
I started to feather this in, then decided not to, i have idea's, when i have the correct images.
This is a crude effort in many ways, but i learn as i go, my planning needs refining, execution tweeking, and a concrete decision made as to which way i will be going process wise, before i take the shot, bracketing helps, but isn't always the answer.
Then there are the many things that you don't see with your minds eye,only with hindsight, i wish i could capture that.
Credits: bluemoodstyle.blogspot.com/2023/07/ak-egla-head.html
෴✿෴ ෴✿෴෴✿෴ ෴✿෴
▶ ⲊⲢⲞⲚⲊⲞⲄ: AKERUKA HEAD AKERUKA
animated Cyclops head brings your avatar to life with realistic movements and expressions.
Customize your avatar's appearance with ease, utilizing the tattoo layer to create a truly cyclopean effect.
✿✿.[AK ADVX] - Vampire Ears ✿✿.[AK ADVX] - Mermaid Ears
✿✿.[AK ADVX] - Elf Ears
⁀➷ AKERUKA
෴✿෴ ෴✿෴෴✿෴ ෴✿෴
✿ EBODY REBORN
✿ Sintiklia - Hair Etsuko
✿ .random.Matter. x Bonbon - Star Girl - UFO Lamp [Blue] 1
✿ .random.Matter. x Bonbon - Star Girl - Freckles [Gold]
Naples Botanical Garden
Southwest Florida
USA
The woodpecker in the image is a female just outside her nest cavity in a dead tree.
The red-bellied woodpecker (Melanerpes carolinus) is a medium-sized woodpecker of the Picidae family. It breeds in southern Canada, northeastern Mexico, and the northeastern United States, ranging as far south as Florida and as far west as Texas. Its common name is somewhat misleading, as the most prominent red part of its plumage is on the head; the red-headed woodpecker, however, is another species that is a rather close relative but looks quite different.
Look for Red-bellied Woodpeckers hitching along branches and trunks of medium to large trees, picking at the bark surface more often than drilling into it. Like most woodpeckers, these birds have a characteristic undulating flight pattern.
Red-bellied Woodpeckers are common in many Eastern woodlands and forests, from old stands of oak and hickory to young hardwoods and pines. They will also often venture from forests to appear at backyard feeders.
Though the species is not globally threatened, it depends on large trees for nesting. In areas that are extensively deforested, the birds will sometimes utilize gardens, but for the most part simply will not be present in any numbers. – Wikipedia
Utilizing SD40-2 No. 6383 as a shoving platform, Wheeling & Lake Erie's train No. 617 slowly backs empty coke cars down the Matt Branch at Speers, PA on Sept. 18, 2021. At the coke plant at Monessen, the empties will be exchanged for loads.
Try to utilize playing the different layers of single color as a metaphor of faded love, when love was away, one's heart would be lost , just like the flowers faded out , the color faded away.
Utilized the CPL filter here stacked on the ND filter to get the muted reflection and details there under the pool of water in the reflection. Had the camera pretty low to the ground for this POV as well.
Postcard blue sky too!
Música (abrir en nueva pestaña) / Music (Open link in new tab): Ellie Goulding - Dead In The Water.
Sígueme en Instagram / Follow me on Instagram
Una vista de Moraira (Costa Blanca, Alicante) desde la cala de l'Andragó, justo antes del amanecer. Nunca antes había supuesto una experiencia tan relajante el tomar una fotografía... hasta que mi filtro Kood ND se cayó al suelo, devolviéndome de inmediato a la realidad de nuestro proceloso mundo :-)
-English:
A view of Moraira (Costa Blanca, Alicante, Spain) from l'Andragó Cove, just before dawn. Never has it been so relaxing experience to take a photograph... just until my Kood ND filter fell to the ground, returning me suddenly to the reality of our hectic world :-)
Imagen protegida por Plaghunter / Image protected by Plaghunter
© Francisco García Ríos 2018- All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (recesvintus(at)yahoo.es).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (recesvintus(at)yahoo.es).
copyright: © 2009 shazli's photography | copyright: © 2009 ministryoftones
I am trying to fully utilized D3 body + photoshop vignette
Kuala Ibai fisherman port...
Borjomi is famous for its mineral water industry (which is the number one export of Georgia). Archaeological excavations have revealed the existence of stone baths in the area, proving that these mineral waters have been utilized by people for thousands of years. Because of the supposed restorative and healing powers of the area's mineral springs, it is a frequent destination for people with health problems. Borjomi is also home to the most extensive ecologically-themed amusement park in the Caucasus.
utilizing spiritual alchemy fer evolutionary purposes
now is da time to go witin & harmonize da male n female qualities n energies
I use me hand-drums
Un bello y colorido atardecer en el área lagunar entre Corral Rubio y Pétrola (Albacete).
-English:
A colourful and beautiful twilight in the lagoon area located between Corral Rubio and Pétrola (Albacete, Spain).
Imagen protegida por Plaghunter / Image protected by Plaghunter
© Francisco García Ríos 2017- All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (recesvintus(at)yahoo.es).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (recesvintus(at)yahoo.es).
Thank you.
Storm clouds break over the Broadacres Farm near C
Carnation, WA. This historic dairy farm is on the National Register of Historic Places
Six years after they were married, William and Estella Adair bought 110 acres in the Snoqualmie Valley next door to her parents place near the community of Vincent which lies northwest of the current town of Carnation in Kings County Washington. In the early years flood and shifting river channels caused them to abandoned there home and establish a new place on their property to the south. In 1915 they built a farmhouse in the Craftsman style. William set about replacing his temporary structures with more permeant ones. In 1922, Will Adair constructed a hay bam using the new bow-truss roof configuration. He was among the first Snoqualmie Valley dairymen to build such a bam which was designed to maximize the interior volume of the hay loft. Other farmers quickly followed Adair's example and today many barns in the Snoqualmie Valley utilized this design. High on the barn's north end, in bold black letters below the hay door ,were painted the words “Broadacre Farm-1922” This is the first time this name for the farm appears in public Will Adair milked his 55 cows by hand until he retired in 1945.
In the photo the building in front of the barn is the Milkhouse and Milking Parlor. It was built in the late 1940s after peter Sinnenas bought the farm. This complex of four adjoining buildings were altered by Peter’s son Ed over time as milking technology and size of herds changed. The milking parlor was one of the first in valley, and the additions date from the 1970s to 1990s. The complex is attached to and functionally integrated with the 1922 hay bam.
As traditionally defined:
a. To sail or travel about, as for pleasure or reconnaissance;
b. To go or move along, especially in an unhurried or unconcerned fashion;
c. To travel at a constant speed or at a speed providing maximum operating efficiency for a sustained period;
d. To move leisurely about an area in the hope of discovering something.
All perfectly characterizing my dear loons who remain still, providing the ideal canoe companions and the perfect example of how to best utilize the lake. Here, the male shown in the morning fogs which now characterize the lake, they will stay until the first signs of ice arrive.
The Downtown Beloit Association, formed in 1987, is a collaboration of property owners, business people and community volunteers who have jointly committed to the mission of revitalizing and managing Beloit’s Central Business District, utilizing the Main Street Four-Point approach as established by the National Trust for Historic Preservation.
Downtown Beloit hosts more than 50 days of events a year: from a summer lunchtime concert series to an ArtWalk featuring more than 100 artists.Farmers’ Market draws more than 90 vendors and was named the best event in Wisconsin Main Street history in 2008. Beloit’s commitment to local food is evident in a new grocery store, Bushel & Peck’s Local Market, housed in the restored Woolworth Building
The large four-winged flying fortress utilized by the Torumekian military of the Nausicaa movie and manga. The ship features a large lower cockpit with space for several crew as well as a rear troop deployment space and several turrets toward the front and back. The Corvette is shown to be quite agile for its size and ancient mechanical components, but maneuvers tend to come at the cost of the lives of some of the crew.
I've wanted to make this vehicle for over two years, and I'm really glad that it's finally finished. The model has a wingspan and length of over two feet, and I hope to bring it to some Lego expos this year. Thanks for looking!
Playing with some steel wool on a bridge in Hamilton, Ontario. We were utilizing the moonlight last night as it was very apparent and was giving some interesting shadows.
Utilizing several textures including Lenabem-Anna J.'s texture "402" flic.kr/p/2hKVajT Thanks
Many thanks for faves & comments, they're much appreciated :-)
Música (abrir en nueva pestaña) / Music (Open link in new tab): Apocalyptica - Nothing else matters.
Otra toma de las ruinas de las instalaciones de la vieja cementera abandonada en Pozo Cañada (Albacete), en esta ocasión bajo la noche estrellada y adornada con una lograda pirotécnica exhibición de maese Isidro con la lana de acero ardiendo.
-English:
Another shot of the ruins of the old and abandoned cement plant facilities in Pozo Cañada (Albacete, Spain), this time under the starry night sky and enhanced with a successful pyrotechnic performance of Master Isidro with burning steel wool.
Imagen protegida por Plaghunter / Image protected by Plaghunter
© Francisco García Ríos 2015- All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (recesvintus(at)yahoo.es).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (recesvintus(at)yahoo.es).
Try to utilize playing the different layers of single color as a metaphor of faded love, when love was away, one's heart would be lost , just like the flowers faded out , the color faded away.
Franka Rolfix 6x9
Kodak Gold 120
Being a 28mm photographer I am definitely not used to using this 105mm vintage glass. But that was the fun of it. Trying to utilize my standard composition style with a different system.
Kodak gold is a sweet film, but if I'm going to shoot color analog I would prefer Portra. Until such time someone brings back Kodachrome. What is your favorite film?
Southbound CN A40891-18 breezes into Alma, Illinois, not far from Centralia. Always a pleasure to find the A407/A408's still utilizing these old IC black six axle EMD Locomotives.
Utilizing a slightly unusual routing, Terminal Railroad's T101 drops down off the High Line, headed for its usual work at Miller Yard on the St. Louis waterfront. In tow are a couple of CN widecabs for routine maintenance at MEI's Arsenal Street shops.
This move most typically exits the south end of TRRA's Madison Yard on the Eads main, crosses the Mississippi river on the MacArthur bridge, and uses the connector immediately above this train to drop down into Miller yard.
In the sepulchral dusk of a world long extinguished, I, Quirlin, a humble ant, bear witness to the desolation that has befallen this forsaken earth. A world unrecognizable, a spectral remnant of its former grandeur, this planet has endured the scourge of 135,235 years since the cataclysmic advent of the first Solar Cyclone. This cataclysm, these calamitous epochs we designate as the Eras of Blazing Wrath, have all but obliterated the race once known as humanity. These five dread ages – The Flaming Inferno, The Burning Wrathfire, The Glowing Destruction, The Heated Chaos, and The Scorched Ash – have eradicated every vestige of electrical circuitry upon this forsaken sphere. The once vital electric grid, the erstwhile lifeblood of civilization, now lingers only in the ephemeral realm of myth.
In the aftermath of these colossal power failures, the cooling systems of all nuclear power plants faltered, precipitating over four hundred catastrophic core meltdowns and an insidious contamination of nuclear radiation. It was amidst this irradiated desolation that we ants began to burgeon, evolving into beings of prodigious stature.
In this transformed and accursed realm, we insects, and particularly we ants, have ascended into beings of titanic proportions. Across countless generations, we have garnered the arcane knowledge preserved within the tomes you termed books, transmitting these esoteric treasures through the annals of time. Our mode of communication has transcended rudimentary methods; we now utilize intricate electrochemical signals, conveyed through the slightest of touches, a language of elegance and precision refined over hundreds of millions of years.
Upon a fateful and foreboding day, as I foraged amidst this wasteland for sustenance, I encountered a solitary human survivor – a trembling monk. The monk, gripped by palpable terror, uttered incoherent supplications to deities long forgotten.
Cautiously, yet impelled by an insatiable hunger, I approached. Despite the altered state of our existence, the primal need for nourishment remained undiminished. As I made contact, his feeble electrochemical signals coursed through me, starkly discordant from those of my kin – chaotic, disordered. I discerned his emotions: raw terror within the monk.
In a futile bid for mercy, the monk raised his hands in desperate supplication, but he was no match for my formidable strength. With a deft maneuver of my mandibles, I dismantled his feeble defenses and commenced my grim repast. His scream, a haunting echo through the desolate expanse, was swiftly stifled. His essence coursed through me, revitalizing my form.
Thus sated, I moved onward. This world, harsh and merciless, now falls under the dominion of us ants. We are the new sovereigns of the earth, and our electrochemical signals shall perpetuate the chronicles of this post-apocalyptic realm. Thus, I traverse the scorched remnants of this ancient world, ever poised to inscribe the next chapter of my saga.
Translations in French, Spanish and German in the first comments.
Pan Am's BFPO rumbles through Brattleboro, VT, utilizing trackage rights over the New England Central between East Northfield, MA, and Bellow Falls, VT for this once a week unit slurry train. The old brick buildings of Brattleboro make a nice backdrop as one of the few painted Pan Am C40s leads this train, running almost ten hours late. Ironically, this trackage was once owned by Guilford (Pan Am's predecessor), but poor maintenance and several Amtrak derailments led to the property being seized by Amtrak, and resold to the Central Vermont, with Guilford retaining trackage rights over the line.
Hallucinations - roads I
Hallucinations series.
my world collection.
Only raw
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© Javi Duro Photography 2020 - All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (javidurophotography@gmail.com).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (javidurophotography@gmail.com).
Thank you
The OC Brier Hill to Struthers job utilizes a short stretch of the NS Youngtown Line, crossing in front of CSX D755 at Center St with a decent sized train in tow on the morning of August 28, 2018.
After utilizing the wye to drop their inbound cars on the bridge west of the yard in St. Thomas, Ontario, the Ontario Southland crew used the wye again to run around due to the yard being full with cars dropped earlier in the day by GIO Rail. Now on the east end of the yard, GP9U 8235 is in the lead as the crew puts their train together to head back towards Ingersoll.
====Info====
CN Cayuga Subdivision
St. Thomas, ON
Unknown Symbol (Local; Salford, ON to CN - St. Thomas, ON Turn)
OSR 8235 GP9u Ex. JLCX 8235, CP 8235, CP 8822 Blt. 1958
OSR 182 RS18U Ex. QGRY 1801, CP 1801, CP 8764 Blt. 1958
WE 430 utilizes trackage rights on the CF&E as they haul ass eastbound up and out of Ada on the former Pennsy. Power today is a pair of GP35's of Southern heritage as they split the long since decommissioned PRR signals.
Before aggregate mining companies, housing developers, and Utah Transit Authority altered the landscape, the Jordan Narrows between Lehi and Riverton, Utah was a rural retreat with deer, birds, fish, and foxes for sightseers to enjoy. Utilizing trackage rights on the D&RGW granted late in 1985, Union Pacific's LUC51 rolls through the greenery with 71 cars for North Yard in Salt Lake City, Utah on July 8, 1993.
CSX Q268, utilizing trackage rights on Louisville & Indiana, crawls north at 10mph across the massive former Pennsylvania Railroad bridge spanning the Ohio River at Louisville, Kentucky.
Utilizing good eyesight, American Goldfinches can dive from an overhanging tree branch to the ground to pick up a morsel of food in a split second. But they abstain from eating insects as they are strict vegetarians.
This species of goldfinches molts twice a year, once in the spring when the male sprouts his bright yellow feathers and once at the end of summer when darker feathers come in.
The second molt also provides over a thousand extra feathers for each bird that helps many of them spend the winter in Minnesota although those with more money and sense often spend the winter months in a condo in Florida or Texas.
Like a lot of us old people who have been married for a long time, when mated goldfinches pair up for flight, their calls are almost indistinguishable. Scientists believe these identical calls help other members of the flock distinguish mated pairs.
(Photographed near Cambridge, MN)
The red-necked falcon usually hunts in pairs, often at dawn and dusk, sometimes utilizing a technique in which one of the pair flies low and flushes up small birds while the other follows higher up and seizes the prey as it flushes from cover. They fly with a fast and dashing flight.
It prefers to prey on birds found in open areas and some of the species it has been recorded to hunt are Eurasian tree sparrow (Passer montanus), house sparrow (Passer domesticus), white-browed wagtail (Motacilla madaraspatensis), rosy starling (Sturnus roseus), chestnut-tailed starling (Sturnus malabaricus), Indian cuckoo (Cuculus micropterus), Kentish plover (Charadrius alexandrinus), little ringed plover (Charadrius dubius), ashy-crowned finch-lark (Eremoptrix griseus), besides robins, quails, babblers, swifts, bulbuls, pipits, larks (mainly Calandrella, Alauda, Galerida sp.), pied cuckoo (Clamator jacobinus), rock pigeon (Columba livia), collared dove (Streptopelia decaocto), laughing dove (Streptopelia senegelensis), brown crake (Lanius cristatus), tailor bird (Orthotomus sutorius), brown shrike (Lanius cristatus), white-breasted kingfisher (Halcyon smyrnensis), little stint (Calidris minuta), plain martin (Riparia paludicola) and pied bushchat (Saxicola caprata). In addition mice, lizards, large insects are also taken. In one study in Bangladesh, adults fed mainly on small sparrow sized birds (72%) and Pipistrellus bats (28%).They may sometimes pirate prey obtained by other medium-sized raptors. Prey may sometimes be cached and eaten subsequently.
The red-necked falcon drinks water where available during the afternoons. This has been observed both in India and in Africa, where it sometimes visits waterholes.
The breeding season in India is January to March. In Zambia, the breeding season begins in August. Pairs may indulge in courtship feeding in which the female feeds the male, an unusual behaviour that has also been noted in captivity. This falcon often reuses the old tree nests of corvids, or lays its 3-5 eggs in a nest that it builds on the fork of a tall tree or in the crown of a palm tree. In Africa, they have been known to reuse the nests of pied crows (Corvus albus), African fish eagles (Halieaetus vocifer) on Acacia apart from building their own nest in Borassus palms. In India, the nest is often placed in a large mango tree (Mangifera indica) and concealed inside foliage. The nest territory is well-guarded and crows and kites driven away. This falcon has been documented to nests in trees amidst dense human population.The clutch consists of two to four eggs which are incubated only by the female which begins after the last egg of the clutch is laid. The eggs hatch after about 32 to 34 days and the newly hatched young are covered in white down and are brooded by the female for a week. The male brings food which is torn by the female and fed to the chicks. The young fledge in about 35 to 37 days in Africa and up to 48 days in India.
Try to utilize playing the different layers of single color as a metaphor of faded love, when love was away, one's heart would be lost , just like the flowers faded out , the color faded away.
Just playing with different versions of the half track. I will likely continue this for the next couple of photos until you are all sick and tired of it lol
This particular version has utilizes a row hitch in the back. Also, the Wehrmacht are using splinter camo. Thanks to my Fallschirmjager who volunteered the use of their uniforms.
On a side note, I am in California so I won't be on as much, but I have pre-taken several photos to keep you kiddies occupied.
I hope everyone had a great Christmas.