View allAll Photos Tagged USHE
The executive E's lead a media special across the old Kate Shelley High Bridge back in '07. The UP invited a bunch of media types out to see the progress of the new high bridge construction and to hear about the plans going forward. As per ushe, Papa Grefe got a ride and I got to shoot from the ground. I didn't mind being the only person to shoot from the right side of the bridge...
The northern cardinal (Cardinalis cardinalis) is a North American bird in the genus Cardinalis; it is also known colloquially as the redbird or common cardinal. It can be found in southern Canada, through the eastern United States from Maine to Texas and south through Mexico. It is found in woodlands, gardens, shrublands, and swamps.
The northern cardinal is a mid-sized songbird with a body length of 21 cm (8.3 in). It has a distinctive crest on the head and a mask on the face which is black in the male and gray in the female. The male is a vibrant red, while the female is a dull red-brown shade. The northern cardinal is mainly granivorous, but also feeds on insects and fruit. The male behaves territorially, marking out his territory with song. During courtship, the male feeds seed to the female beak-to-beak. A clutch of three to four eggs is laid, and two to four clutches are produced each year.
I got some good light on this one! Early in the morning in my backyard. Lake Wales, Florida.
Union Pacfic USHES 14 comes down off the east end of the MacArthur Bridge at East Saint Louis, IL into a golden light on 1/15/2012.
Empty UP steel train USHES 26 crosses over Rock Creek in Kimmswick MO as the train heads north on UP's Desoto Sub. 5/27/12.
I've always wanted to ride a Scania on the 474, from its early days at Go Ahead with it's shared allocation with the 425, to then later having replacement Scanias working on the route from Metrobus and now at Stagecoach having allocated Scanias from time to time. It's weird that it took so long to happen and that being in times like this but at least I finally did it! It's interesting that 3 different types of Scania Omnicity's have worked on the route over the years.
I had noticed this bus on the 474 and decided to get the bus from North Woolwich to Manor Park, now with the slow nature of buses nowadays typically you would assume that the journey was slow and I guess sort of alright, but surprisingly it was actually really fast, but it did mean we had to regulate as per ushe which happened just after we had departed Beckton Bus Station, but it wasn't too long of a wait and in a way it was kind of worth it, I've not had a speedy ride like that in a while. It was amazing and I'm thrilled to have finally had an experience on a Scania working on the 474
br trackside heaton...my favourite peice so far..ushe also painted, but crossed his out for some reason...i thought his was fresh!shame we had the same colours.they would have looked nice together.
One last shot from Soufriere's Diamond Botanical Gardens.
One of the highlights of the Gardens is the Diamond Waterfall at the far end of the park gorge.
The Diamond Botanical Gardens are part of the Soufrière Estate. This 2,000-acre land grant was presented by King Louis XIV in 1713 to three Devaux brothers from Normandy in recognition of their services to France.
Today, the estate is still owned by their descendants; Joan Du Bouley Devaux maintains the gardens with ushes and shrubs bursting with brilliant flowers that grow beneath towering trees and line pathways that lead to a natural gorge.
Deep within the botanical gardens, water bubbling from underground sulfur springs streams downhill in rivulets, forming the Diamond Waterfall.
King Louis XVI of France was convinced and allocated funds to build a bath house for his troops with twelve stone baths, fortifying them against the St. Lucian climate. Also here in the bath house, it is believed that Empress Joséphine Bonaparte had bathed here as a young girl while visiting her father's plantation nearby. The bath house in Diamond Waterfall was destroyed during the Brigand's War, just after the French Revolution.
In 1930 the site was excavated by André Du Boulay, and two of the original stone baths were restored for his use. Outside baths were added later. Through the centuries, the rocks over which the waterfall cascade spills have become encrusted with minerals and tinted yellow, green, and purple.
As per ushe, trains were stacking up on each side of Ottumwa as Amtrak neared. Again, I was blessed with a heritage leader. I try not to shoot the same motors in the same places so I went for Iowa Ave. where I knew I'd be able to get the most sunlight. A grain train was holding Main 1 with a gross GE on the front, frustrating because a brand clean ACe 3rd in that consist.
I just came back to the hotel from my boyfriend's sister's wedding. I was an usher. I ushed.
And I love reading books with no words.
Dress- Modcloth
Shoes- Thrifted
Nylons- CVS
Headband- Gift, but I think it came from Icing?
Flower- From wedding!
The handsome groom, his best man and his ushers
(they ushed very well - were I wearing a hat, I'd doff it to them!)
This is the one choreographed by their wedding photographer. He was fabulous, but I can't help thinking I could have got a better group-jump shot....
recently Kansas City Southern has started routing unit coil steel train UESSH/USHES ( US Steel Granite City Works to Shreveport LA & return ) over there railroad instead of running it over UP trackage rights. This view shows UESSH-14 leaving TRRA rails for KCS trackage at WR tower in Granite City, IL Dec 14th 2013
"Something that is supposed to appeal to the heart, has to come from the heart" Goethe's lovely words...
or did he say WITH hearts?! Yes, YES I am pretty sure it was WITH hearts, what has to come, to Appeal to hearts...
SO here is my newest photography-series WITH hopefully enough hearts to Appeal to your hearts <3
I always was a Latex-Baby and I am so happy I got this mere impossible Kombination of "sweet AND Latex", 'cause I never in my life wanted something so badly like this "lips"-Bikini,
although the Occasion to wear it nearly touch the zero-Point,
but men have control of everything except their hearts..an my heart wanted THIS drag...on MY Body!
Photography, model, Idea, Make up : Amely Rose
O.U.T.F.I.T:
lips Bikini: Kaori
wig: etsy-shop
sunglasses: Zero UV
heels: Vivienne Westwood
stockings: Beate Ushe
'Es muss von Herzen kommen, was auf Herzen wirken soll", sagte einst Goethe...
oder sollte es MIT Herzen kommen?! Ja, JA ich bin mir sicher es war MIT Herzen, was kommen sollte, um auf Herzen zu wirken...
Hier kommt also meine neue Foto Reihe MIT hoffentlich genug Herzen um auf eure Herzen zu wirken <3
Ich war schon immer ein Latex-Baby und freue mich umso mehr das mir diese schier unmögliche
Kombination von "süß UND Latex" gelungen ist, denn ich wollte nichts lieber haben als diesen
"lips"-Bikini, obwohl die Gelegenheiten ihn zu tragen dem Nullpunkt gefährlich nah kommen,
aber über alles hat der Mensch Gewalt, nur über sein Herz nicht!
und mein Herz wollte DIESEN Fummeln...an MEINEM Körper!
Foto, Model, Idea, Make up: Amely Rose
Фотографии, модель, идея, составляют: Амели Роуз
"Это должно исходить от сердца, что влияет сердца" цитату из Гете.
Вернее мы должны подходить с сердцем! Или то, что ласковая работы сердца?
Для Иоганн Вольфганг фон Гете, я решил пойти к Heartbreak Hotel и там выполнить эту серию фотографий. Теперь у вас есть свой новый skolekcję от сердца, от сердца к сердцу ... и я надеюсь, что ваше сердце будет работать <3
Я всегда был сумасшедшим ребенком, и я рад, что латекс особенно, что я был в состоянии казалось бы, невозможное сочетание "сладкий" и латекса "понимают!
Это работало, потому что я ничего больше, чем создать "рот-бикини", потому что немногие из них имеют возможность носить такую кусок одежды не хочу.
Но человек преимуществом только Manade не во всем своем сердце!
И мое сердце хотел обязательно этот кусок одежды для моего тела, чтобы чувствовать и больше ничего.
Мэрилин Монро в настоящее время, сказал: "Сегодня я был в постели носить только латекса сердце и ничего больше"
Foto, Model, Idea, Make up: Amely Rose
"To musi pochodzić z serca, co na serce wpływa" cytat od Goethe.
Czy raczej my powinniśmy z sercem podejść?! Albo co serdeczne to na serce działa?
Dla Johanna Wolfganga von Goethe postanowiłam pojechać do HeartBreak Hotel i tam tą serię zdjęć wykonać. Teraz macie moją nową skolekcję od serca, z sercem dla serca... i mam nadzieję że na wasze serca będą działać <3
Zawsze byłam zwariowanym dzieckiem lateks i cieszę się szczególnie że udało mi się pozornie niemożliwe połączenie "słodkiego" i lateks" zrealizować!
Udało się, bo nie chciałam niczego więcej niż założenia "Usta-bikini" bo tak mało ma się okazji do noszenia takiego ciucha.
Ale człowiek manad wszystkim przewagę tylko nie nad swoim sercem!
A moje serce chciało koniecznie tego ciucha na moim ciele odczuwać i nic innego.
Marilyn Monroe by teraz powiedziała: "dzisiaj w łóżku miałam na sobie tylko serca z latexu i nic innego
==Slabside Penitentiary==
9000 miles away from Gotham City, in the middle of Antarctica, lies the most remote prison on Earth. Nicknamed The Slab, Slabside Penitentiary is a sprawling, concrete supermax designed to hold the most volatile, the most powerful and the most persuasive metahumans on Earth. However, contrary to its longstanding reputation, its security has been lacking as of late. Once Arkham City fell, the prison became the de facto facility for housing costumed criminals of all classes and levels of notoriety. Like a curse, it also inherited all of Arkham’s past problems. Six months ago, the mercenary Deathstroke breached the prison and released Onomatopoeia to silence former Gotham Mayor Marion Grange. Onomatopoeia succeeded in silencing Grange, and himself, when he blew the two of them apart with an explosive vest during a confrontation with Drury Walker. Four months later, Walker returned to Slabside to recruit one of its more peculiar inmates for a time-crossing mission. It didn’t end well. Walker got cold feet, and his prospective partner got a full-body cast, courtesy of Zoom. Then, less than twelve hours ago, Kite-Man entered Slabside alone, to secure The Riddler’s assistance in an impending assault on Arkham.
That brings us to now: an isolated inmate lies dormant in his hospital bed; his face submerged under a mass of white bandages. A plastic analogue clock hung above him, steadily ticking on. A half-full cup of water sat on his bedside table, alongside a disorganised stack of pills, tablets and other medicines. A chart was affixed to the end of the bed with the name ‘David Clinton’ scrawled on it in the typical, messy handwriting of a prison doctor. Closed eyelids scrunched tighter, as though the inmate was suffering particularly potent night terrors.
He was about to be.
The faintest hum of a teleport echoed down the hallway, ignored by the overworked, underpaid skeleton crew on this floor. Black boots glided silently along the ground, edging closer towards the bed whilst the inmate slept on. A black gauntlet took hold of the plastic cup, then splashed its contents into the inmate’s face, jolting him awake. Blue eyes slammed open suddenly, then relaxed at the sight of the intruder. Another man would have flinched at the shrouded, grim silhouette of The Batman at the foot of their bed; many so-called ‘tough guys’ would have screamed. Instead, the inmate took a tissue out of the bedside box and, unfazed, began mopping up the water.
“What time is it?” an ethereal voice escaped the white wrappings.
“You would know better than me,” The Batman replied. “Wouldn’t you?”
The inmate uttered a single, mirthless “hah!” as his electric blue eyes narrowed. The damp tissue scrunched up into a ball in his grip. “It’s late; that much I know. Too late for a Gothamite, even one with hours as irregular as yours... Which means this must be urgent.”
The Batman’s silence betrayed him. There was a shuffling sound as he reached into his belt pouch and unearthed a crinkled envelope. “Do you know what this is?” he asked, holding it aloft.
“A get well soon card? You needn't have bothered. I haven't the room on my dresser.”
“No,” he said flatly, handing over the envelope. Clinton’s bandaged face shifted; the playful coyness had disappeared. Bruce shivered slightly. His bandaged visage dredged up unpleasant memories.
Clinton stroked the paper, with each gentle caress of his finger, he identified possibilities that ought not to be; pathways opened that should have remained shut. Temporal discrepancies, written in ink. “This letter is an anomaly. It is the one anomaly. It shouldn't exist.”
“And yet it does,” Batman stated.
“And yet… it does.”
“Chronos, I know Walker took your belt. I need to know when he travelled to; the exact date, to the minute, if possible. I need to know if this note is legitimate. I need to know if it's from who it says it’s from.”
“Why?”
“Because if it is... if it is, it might just save his life.”
“And if it isn't?”
Batman bowed his head, concealing the emotion behind his eyes. “It will drive him deeper into despair. That I know for a fact.”
“There's just one problem, Batman. Why would I care what happens to Walker?” Clinton asked, propping the letter between two bottles of aspirin. He took a steady sip of cold water, then sank into his pillow. “He burned my utopia, a version of him, at least, and his continued meddling placed me in this bed. I certainly don't care if anything good happens. Allow me this hypothetical: let’s say I claim it’s legitimate, knowing that it’s not. You offer him a false promise, one too many, and you will crush his heart forever. Or, I say it's illegitimate, again, knowing that it’s not, and you deny him his salvation… He does, as the Killer Moth does, and you lose him all the same. Do you see what I'm getting at?”
Batman was silent for a moment, then his words returned, calmer than before. “Palmer tells me you can see the future. What am I thinking right now?” he inquired.
Clinton frowned. “You're-”
“Wondering if I can push that bed out the window before the guards show, yes,” the slightest smile flashed across The Batman’s shadowed features. “And now, you and Walker's futures are intertwined. Now, it's your future you're gambling.”
Chronos took another sip of water, remoistening his cracked lips. “Then let's not waste any more time,” he relented, gently tugging the letter free from the envelope. He read to himself, scoffing at the scribed sentimentality within. Batman watched closely, then his eyes widened.
Blood.
Blood dripped onto the bedcovers, staining them red. His eyes darted towards Clinton; still injured, but his cuts sealed, then at the letter itself. The paper was bleeding. One splotch of blood after another manifested on the page and trickled downwards. It was as if the note itself was wounded. Quickly, he moved to intercept, cutting short Clinton’s investigation.
“Stop! What are you doing? Put it back!” he ordered.
Clinton relented. With a flick of his wrist, the paper returned to its original state. The blood vanished as though it had never been drawn, with nary a spot on Clinton nor his bedsheets. “I’m sorry,” he apologised “It just... slipped out.”
“What was that?” Batman asked, snatching the letter back, then returning it to his utility belt.
“The future,” Clinton explained. “Another gift of mine, courtesy of prolonged exposure to the temporal void. My clairvoyancy extends to the material world. I can accelerate a timeline with a touch; I can ripen fruit, prove bread, dry paint and grow trees... I can follow the path of the physical from birth till death with but a stroke of my finger. Time has its ways of speaking to us, you know, but only I know its language.”
Batman shook his head. “I don’t believe you.”
“Then answer me this,” Clinton took another sip. “Where did I get the water?”
Batman stared at the cup in Clinton’s grasp, replenished with no jug in sight. Then without warning, and with speed atypical for a man hospitalised, Clinton lunged forward, gripping his forearm.
“Now,” he smiled. “What was it you said about a window?”
Bruce winced. Dark patches formed under his batsuit. Blood from wounds since healed seeped through the Kevlar armour, and he stumbled back.
“I told you; time is my tapestry. Mine to read and mine to weave.”
Freed from Clinton’s touch, the patches rescinded. The suit dried. And both men understood each other at last.
“I have to go,” Bruce said briskly, more shaken than he let on, then he turned towards the exit.
“We all have to go, Batman,” Clinton said quietly. “And some of us sooner than others.”
~-~
Drury stood in Ted Carson’s empty cell, staring at his abandoned helm, untouched since his last dance with the Reverse-Flash. His fingers followed the arc of blood across the walls; the blows still fresh in his mind, his wounds still sore. He knelt down, then picked up the battered helmet, wiping a smear of blood- his own -off its forehead. He put it over his head, then arose anew as the Killer Moth.
==Arkham North: Courtyard==
Gar had taken Krill aside for a private conservation; the discussion was tense, but it appeared that they had an accord. As Krill departed, he patted Simon on the back. “You did good, lad,” he smirked affirmatively.
“Krill,” Gar said with some urgency.
“Aye-aye, keep your- scalp on,” Krill snapped back. “Back in ten. See you outside the mansion, yeah?” Gar nodded back, a surly expression on his face, then the Polka Dot Man opened a purple portal and stepped through the vortex.
Blake and Sharpe seemed to be arguing for some time, Bridget observed. The subject of their present disagreement was Lord Manga. The metal mogul was in mourning; his robot companion, L-Ron, lay swaddled in his magenta cape like a newborn baby. Blake was shaking his head, making various uncooperative gestures: Sharpe meanwhile had emptied his pockets to illustrate, quite flamboyantly, his own inability to provide financial compensation. After taking turns poking at their respective injuries, Blake grumbled and the two approached Lord Manga in lockstep. Sharpe took point, his inside-out pockets flapping against his thighs like elephant ears, handing Manga a wad of what had been Blake’s cash. “Hey, dude, sorry ‘bout the Gonk, this ought to pay for a good repairman.”
“Your doodles are touching, human, but I fail to see the significance of this aged female.”
“That’s- That’s George Washington dude. It’s dough. Moolah. Green.”
“Paper?” Manga asked, his volume on the verge of reaching unreasonable levels. “You pay in paper? Your currency is tree-trimmings? Pulp?”
Blake and Sharpe had no answer for him. Manga’s fist clenched around the bills, then he raised his head to the heavens and exhaled a puff of pink steam through a small slit in his helm. “Damn this backwater mud ball.”
A nearby cacophony of squeaks caught Bridget's ear, then she turned around. “The hell-”
A pack of plump rats had swarmed Flannegan’s body, crowding around him and clamping their tiny jaws around his clothing to get a grip of him. Together, the rats moved Flannegan along the ground in the direction of the maintenance hatch from which he had he had joined the battle. More still crawled under his legs and head, keep them from hitting against the ground.
“Hey, what are you-?” Bridget asked, moving between them and the maintenance hatch to cut them off. She reached out her hand and the lead rat snapped. Reproachful, Bridget clutched her fingers in her other hand, then stood aside, allowing the rats safe passage to the below. A hand rested on her shoulder and she turned back.
“Let them go,” Needham advised.
“I was just trying to-” Bridget started.
“I know what you were trying to do. But maybe- shit -maybe they know better than you or me.”
Bridget looked back; the strongest of the rat pack had coalesced, working together to keep the hatch raised, then the rest of the rats carried Flannegan down to his watery resting place. “I don't understand this world,” Bridget said, wiping her eyes. “Any of it.”
“And you think I do?” Needham asked. “Rats and robots and Reverse-Flashes from the future?”
“Nice alliteration.”
“Thanks. The point is, we face it all together. Good and bad.”
==The Bowman Estate==
Bowman’s bedroom was bathed in a purple glow as a circular portal opened and a man in white emerged. His pimpled brow furrowed; he had been told he would be extracting five people, not three. But the haggard expressions on the survivors’ faces told him everything he needed to know.
Jenna’s back straightened. “What did you do?” she asked, her tone immediately accusatorial. “Where’s McCulloch?”
“Gone,” Krill said casually, rolling his shoulders. “Poor bloke fell to pieces, so I’m told. It turns out he boasts a lot more than a glass jaw.”
Jenna grabbed the bedside lamp, holding it close against her chest.
“Easy, luv,” Krill raised his palms. “I’m on the side of the angels tonight. Think of it as a Chrimbo miracle.”
“You should know I’m not feeling very festive. Might have something to do with the blood on my overalls,” Jenna stated.
“And a crappy new year to you too. Look on the bright side, yeah? You fared better than Tockman. He looks like the subject of a burger bukkake.”
Tockman mumbled something in German rendered inaudible by the hands used to cover his face; Mayo, ducked under the bed sheet, so as to avoid implicating himself. “Your highness,” Krill bowed, one hand on his gut. “That a pickle in your pants or you just happy to see me?”
Mayo scrunched his face, then reached under the covers. “It’s a pickle.”
~-~
Drury’s journey to the mansion had been uneventful; eerily so. By the time he reached the door to Arkham’s- Joker’s -office, he was already dripping blood; reopened wounds from past battles fought. The Outcasts had left their mark on Drury’s skin. A trio of glass shards he couldn’t pick out dug into his shoulder blade; the remnants of a one-way mirror obliterated by the snap of Zoom’s fingers. His left hand twitched; blood seeping through to stain his lilac gloves; cuts created when he drove his fist through Sims’ lens to bludgeon the man beneath the mask. His puffed-up face rubbed against the lining of his helm; swelling caused by a brick wall and Thawne’s swift evasion. The worst wounds were Carson’s; a needle-thin scar down his face from a wrist-mounted laser; cracked ribs from several punches and a tumble down a Christmas tree; his leg, as bad as it ever was. To say nothing of the psychological damage wrought by Spellbinder’s games.
Drury removed his helmet, placing an unencumbered ear against the wooden door to confirm Joker’s presence. Listening closely, he was met with the faint sound of ABBA’s ‘Gimme! Gimme! Gimme! (A Man After Midnight)’ pulsing through the door. Taking the lyrics as confirmation that Joker was here, and that he was calling to him like a swarm of Swedish sirens, he put his helmet back on and took a step back.
Drury’s boot kicked at the door. It didn’t give. At the second kick, a voice rang out.
“Who’s there?”
Drury stepped back again, rolling his shoulders, then took a run up, putting his body weight into a shoulder barge that, at last, knocked the door open. As he took a single step into the bloodstained, graffitied office, the glow of the coming dawn creeped through the windows; bars of radiant sunbeams lit up the stained glass, giving unearned divinity to the Joker’s abode. He was sat behind Arkham’s desk, scribbling something down with some vigour. As Drury peered closer, it became obvious that he was filling out a colouring book.
“No, no, no, that won’t do at all! Go back outside and do it properly!” Joker shook his head churlishly, tossing a rainbow’s worth of coloured pencils off the desk. “No? Let me demonstrate!” he chastised him, violently chapping the desk with his knuckles. “Knock. Knock. Who's there? Wu. Wu who? Woohoo, now we can really get this party started!”
Drury said nothing.
“Oh! Where are my manners... Welcome to the ABBA-toir, Drubert!” Joker cackled merrily, switching moods as quickly as flicking a light switch. “Sorry about the soundtrack; Doctor Arkham keeps terrible, heh, records. Probably explains the weekly exodus of patients.” He was wearing a striped, orange cape over his usual purple suit, and he did a small twirl to model it.
“How d’you like the new threads? I saw it hanging up in the cutest little crematorium in the East End, and well, I thought of you. Well, your wife. And your father-in-law. Also, Tigress. And Bronze Tiger.”
…
“Velvet Tiger.”
“It’s a tiger-print cape. Make of that what you will.”
Drury pressed his hand down on the record; it scratched, slowed, then stopped entirely. Joker’s green eyes glinted. “Oh, turn that frown upside down sourpuss! I made fruitcake!” he announced, gesturing to a catering table full of festive foods.
“Well, it’s stollen,” he admitted with a sly smile.
“Do you know what you did?” Walker asked.
“Sure! I put together some damn good television,” Joker answered, sliding back into his seat. “I wrote theatrical dynamite! And! I gave you the closure most can only dream of! The chance to face your insecurities and punch ‘em in their glass jaws! And I did it all so that you would stop moping about the past and look to the future! Our future! They told me Arkham couldn’t cure a common cold! Amazing what a change in regime and the right equipment can accomplish! And if Batsy doesn’t want to play with us then we'll drop our pantaloons and play with each other. What do you say, BFFN (Best friend for now)?”
“What do I say?” Drury asked through gritted teeth.
“Yes, preferably!” Joker prodded. “After all, we have so much in common!”
“Don’t give me that line, I’ve used that line. We’re nothing alike,” Drury spat venomously.
“Of course we are! We have all the same friends, enemies, profession… Don’t get me started on our interests; musical theatre, killing Carson, an affinity for purple (and brooding men in tights…)” Joker’s eyes twinkled with malicious nostalgia. “And boy, do we like a barbeque! Or should that be Garbeque? Why, we go together like hydrochloric acid and a veterinarian! We go together like a poisoned pretzel and a famished Bavarian!” he sang. “So! Come on, pardner! What do you say?”
‘What would he say?’ Drury pondered. He looked to the floor, his indignant, loathful expression hidden by his mask. Then finally, he spoke, with a voice unlike his own. “If someone told you to run, you'd run, right?” he wondered. “Because that'd be the smart thing to do.”
His neck jerked up, a layer of polycarbonate the only thing shielding his eyes from Joker’s. “I don't want you to be smart.”
“So, when I say run, you do me a favour, alright, and stay right there. Exactly there. So that when I beat you, when your brains are play-doh on my fists, I can tell them, honestly, truthfully, that I told you to leave. That I gave you an out and you didn’t take it.”
“Let's try that now, yeah? Joker?”
“Run.”
“That’s the spirit.”
Beaming broadly with porcelain teeth and shark-like eyes, Joker reached for the gun in his drawer; a long-barrelled six shooter. Drury fired first; cocoon gunk bound Joker’s hand to the drawer. Coldly, Drury walked towards the desk, one steady step after another. “Getting ahead of ourselves, aren’t we?” Joker cast his eyes down at the sticky, off-white binding. “Why, we haven’t even had dessert- urk!”
Drury gripped the back of Joker’s head and slammed his face against the table; there was a crunch of broken cartilage as his nose made first contact with the oak tabletop.
“Shut up.”
Joker’s free hand shot up, jamming a coloured pencil into Drury’s neck. Drury recoiled; Joker slipped his glove and grabbed his gun. Drury caught the barrel and pointed it up into the roof. Bang. Bang. Chunks of white plaster rained down from the ceiling. He held Joker’s hand against the wall with his right, and punched him in the gut with his left, forcing him to drop the firearm. Drury didn’t get the chance to use it himself. Joker squeezed his lapel flower, squirting acid. The acid splattered across Drury’s mask; he removed it; using it as a shield against the next drizzle of acid, then he cracked it across Joker’s face. Joker giggled, taking an exaggerated step backwards, wobbling like a Bop Bag. He reached for the purple rotary on his desk, but Drury reached it first. He wrapped the phone cord around Joker's throat and bashed his head against the desk.
“Heh. I know- I know what you’re thinking.” Joker croaked, as the cord dug into his neck.
“Doubt it.”
“But- ha! -the last time I owned a Kord-less telephone, I was viciously set upon by The Blue Beetle!”
Joker snipped the chord with a razor tipped playing card, then elbowed Drury in the ribs, creating distance.
“He’s always bugging me, that one. Heh.”
A royal flush pierced Drury’s side. He winced, as he pulled an ace from his abdomen. His arm tanked the next barrage of playing cards. His flexi-wings moved to shield Drury; fortunately, Gar had packed the prototype. A dyed halibut clobbered Drury in the face. Stollen bounced off Joker’s head. Drury stuck the bread knife into Joker’s thigh then dragged downwards, slicing his leg open. Joker stamped on Drury’s foot, and in his pain, released the knife. Joker yanked the blade out of his thigh and started swinging it at Drury; the first frenzied slash sliced apart his forearm, as Drury attempted to shield his face. On the next swing, Drury caught the knife by its blade, blood trickled down his wrist as he wrestled it from Joker’s grip. With his other hand, Joker squeezed his boutonniere. Drury relinquished the knife, throwing his still bleeding hand up to shield himself, as the flower sprayed acid across his palm. Teeth bared, Drury launched his fist into Joker’s face; Joker at last dropping the knife; then ripped the flower off his lapel. The acid, still spewing from the flower’s centre, melded glove and hand.
With his unscathed hand, Drury grabbed the scruff of Joker’s collar and forced him through the stain glass window, then dragged his face over the newly, twice-stained shards. White skin peeled away like wallpaper, leaving thick strips of red muscle exposed across the clown’s face. With each new wound, Joker only laughed. “Yes!” he cackled. “Yes! What’s next? What’s next? Twist my arm? Pull my finger? Purple my nurple?”
Joker caught a fallen shard of green glass, then plunged it into Drury’s side; Drury lumbered back, then a spring-loaded boxing glove struck him in the gut; sending him flying into a nine-foot Christmas Tree. Grenades dangled from the branches in place of baubles, and so, Drury took the nearest one, unpinned it, and launched it at Joker. Joker dodged, and the grenade ripped apart the floorboards.
Both men slid along the collapsing floor; as did the revolver and a dozen uneaten appetisers; landing on the floor below. Joker stirred, sitting cross-legged on the dust-drowned ground, wooden splinters down his backside. His eyes scanned the darkness, but he saw no sign of his playmate. Just as he got to his feet, Drury came from behind, wrapping his striped cape around his fist, and pulled, choking Joker. A joyful tear ran down Joker’s cheek. He cut the edge of the cape off with a switchblade, then cast the torn cape aside completely before Drury could again exploit it. Then, reading Drury’s questioning expression, Joker flicked his jacket open, revealing a kitchen’s worth of blades fastened within its inner lining.
Their breather lasted five seconds only, then they returned to bloody battle.
The knife nicked Drury’s mouth, leaving the crude beginners of a red smile along his left cheek. “Och, hoots, mon! Have ye no heard of a Glasgae smile?” Joker teased, delivering his taunt in an equally crude Scottish accent.
Drury tackled Joker, pulling his jacket down over his shoulders. “Oh Drury-!” Joker giggled with a put-on sultry voice, tickling his abs with his finger. Drury was unmoved, with one hand he pinned Joker to the ground and with the other, reached into the jacket, securing a butcher’s cleaver from Joker's assorted armaments. Like beheading a chicken, he swung the cleaver down, and the Joker’s severed hand bounced off the ground. A fountain of blood gushed out Joker’s wrist.
Fake blood.
Joker’s hand popped out of his sleeve unscathed, waving his palm at Drury; Drury dodged the sparking joybuzzer, grabbing hold of Joker’s forearm and yanking downwards; the bone snapped like uncooked linguini. If it pained Joker, he never let on. His other hand reached up, painting a crimson smile on Drury’s face with his blood. Drury spat out the blood in revulsion. He recoiled, stepping back from Joker, his head spinning. He scrubbed his face with his hand, but that only seemed to spread the blood further. He could feel the bile rising in his throat. He could see Joker’s perverse, pervasive grin, even with his eyes scrunched shut.
Then a click filled Drury’s ear.
Joker had found the gun.
“Hee,” Joker tittered, waving the gun around carelessly, exercising an impressive lack of trigger discipline. “Do you know what happens once a character’s fulfilled their arc? When they’ve done everything they needed to, everything they could do? Y’know what happens then? They kill ‘im off. Heh.”
But before Joker could fire, if, indeed, he was ever even going to, Drury’s pack boosted him forwards, tackling him through the window. Shards scraped along their backs, shedding clothes from skin, and skin from bone, as they rocketed through the glass. Looking past Joker, Drury could see them gathered on the grounds below; his Misfits, his family, everyone who’d come to bring him home. Distracted but for a moment, Joker seized his chance and rammed his final knife into Drury’s wingpack. The two dropped like a pair of stones; Drury’s descent slowed by his wings catching the wind. Joker fell hard and fast, but whether kept conscious by adrenaline or just rotten luck, he rolled onto his back and began giggling with glee. “Again! Again!” he cheered, slapping his knee in delight.
Drury pounced, wrapping his hands around Joker’s throat. “I knew I should have taken that left turn at Albuquerque...” Joker rasped between gasps.
“Why did I ever show you mercy?” Drury hissed, his hands clamping tighter around his windpipe.
“Beats... me...” Joker began. “Must've been your bleeding heart!”
Joker shot his arm forward, stabbing Drury in the abdomen. Drury yelped in pain, releasing his grip on his throat. “Ooh and speaking of bleeding hearts!” Joker chuckled, shuffling back along the ground on his knees. “Stop me… Stop me if you’ve heard this one before… A woman walks into a sword-”
Drury’s fist struck Joker’s face; a mass of white and red flew out of his mouth, then chattered about on the floor. False teeth. “Ow... Ow. You hit your mother with that hand?” Joker exhaled from his nose. His face had fallen. Literally. His cheeks were sunken, and his nose drooped downwards. His mouth was a red maw lined with teeth broken long ago. “Shee, I’ve had a lot of shetbacksh, a lot of loshes… But I alwaysh… alwaysh…” Joker clicked his jaw back into place, “Found time to shmiiiiiiiiiiiile!”
“Oh, the waysh he ushed to hit me…” Joker rasped, running his tongue across his shattered teeth and bloodied gums. “Jusht like you hit me…” he giggled, his shrill laughter descending into a gross, phlegm-filled gurgle.
“Stop laughing!” Drury demanded.
“Shtop laughing? Shtop-? It’sh like you don’t even know me! Heh. But we can fix that, Drury.”
“Yeah, we can.”
Slowly, Drury walked back to the scene of their crash, finding Joker’s revolver resting on a pillow of green grass. He closed his eyes, in silent remembrance. He remembered his sons and daughter, strapped to those chairs. He remembered dozens- hundreds -of faces inhumanly stretched into deathly grins. He remembered Harley, black and blue and black again. He remembered the cops, torn asunder by shrapnel from Zoom’s snap. He remembered Spellbinder. Sims. Crane. Thawne. All of Joker’s allies and their marks on him, skin deep and deeper.
Then he remembered the photos.
He remembered the young woman with hair like fire and the temper to match.
He remembered Barbara Gordon.
And his decision was easy.
He scooped up the gun, then scattered the bullets, leaving just one in the chamber. He spun the chamber a single time, then began the return journey.
“Shay,” Joker craned his neck forward, watching as Drury trudged back towards him, gun in hand. “Anyone ever tell you that it’sh bad form to shteal a gag-”
Drury struck Joker with the side of the gun, and then aimed it squarely between the clown’s eyes. “Hey,” he said. Coldly. Dispassionately. “Anyone here familiar with Russian Roulette?”
“Walker!”
Drury turned. The Batman was perched on a small formation of rocks; his black cape flapped in the wind, his white eyes offered sympathies that would never be enough. Joker stared down the barrel, frowned, then looked past Drury to the shadow behind. “You know, I think I’ve broken my toy.”
Drury stared at Bruce blankly. The gun stayed level. “Where. The. Hell. Have you been?”
“Walker, don’t,” Bruce pleaded.
“Aw, c’mon “Killer,” time to earn your shtripey tightsh. I double dare ya!” Joker giggled
Drury scoffed. Bruce either didn’t understand or didn’t want to. But Drury remembered. He remembered every horrid thing Joker had ever done, and his mind was already made up. His finger curled around the trigger, and he pulled it back.
Click.
Nothing.
So, Drury spun the barrel again. Spin. Click. Spin. Click. His breathing was heavier; his eyes grew redder. He stepped back, held the gun out at arm’s length, spun the barrel a final time, and;
A red flag flapped out of the barrel. Drury watched the bang flag twisting in the wind, eyes bulging. He chuckled. He laughed. Then his laughter turned into a horrible scream of anguish. A guttural, hopeless, caterwaul. He tossed the gun away, disgusted. The useless thing bounced across the cold ground, and he buried his face in his hands, screaming into the black.
“Hey… Hey…” Joker whispered softly, stroking his elbow. “It’sh okay. Thish happensh to lotsh of guysh your age.”
Bruce stepped forward. “Drury... Drury, it’s OK.”
“It’s not OK!” Drury screamed. “It’s not! He made her a weapon, Bats. He took my memories, and he built me a prison. Don’t you get it? My memories were all I had left; my comfort in the dark, a respite from the present, and he stole them from me. Corrupted them. Corrupted her.”
Bruce looked down, his cowl’s brow hiding his eyes. “I know,” he said softly. He reached behind his cape, then presented a crinkled envelope.
Drury ripped it out of his hands, scoffing. “Don’t tell me you’re handing out Christmas cards now, because- because-” And then his heart skipped a beat.
“That’s… That’s Miranda’s handwriting. What is this?” he asked with wet eyes. Bruce motioned downwards, imploring him to read on. As Drury torn the envelope open, tears wet the paper, blotching the ink.
Drury, I am writing this letter on October 5th, 2019. I am placing it under your trophy cabinet, in the hope that you won’t find it until you need it the most.
I can’t stop thinking about what you said the other day. How you acted. All that talk of giving up. Giving in. Despite the odds we’re facing, all those impossible odds… It's never been in your nature to give in. But I know the pressure you’re under; Twag risen from the grave, the Misfits trapped in Arkham. Maybe with everything else going on, you hadn’t taken your medication. I know sometimes it's easy not to.
But. About an hour after you left, I called up the airport, wanting to make sure you’d got on the plane in time.
They told me you’d left Gotham two hours ago.
Believe me, I was confused as hell. Timings didn’t match up; how could you be in this cave with me, and on a plane to DC at the same time?
Unless it wasn’t you.
An imposter? A Clayface, maybe? God knows there’s a dozen kicking about. No. I’d know.
No.
No, I know you, Drury Walker. I know the difference between you and a pile of mud. But there was something off about you. The unkempt beard, when you’d trimmed that morning. The missing cologne. You know, the one you wear because you reckon you smell like Hugh Jackman’s pillow. Odd strands of red hair, when you go to extreme lengths to dye them. Bruises, where you hadn’t had them. So many contradictions. Making so little sense. And the eyes… Your eyes were missing that twinkle, that sparkle I’ve always loved. Like the light had faded. Snuffed out like a candle by the wind. In some respects, you weren’t my Drury, in others, you were completely. How? Then I remembered what Simon told us. How he came back. Why he left.
Time Travel.
But the only reason you’d time travel is if something went wrong. And I think, if things went wrong, well, are going to go wrong, I think you might need some help. So, get help, Drury. If not for yourself, then do it for me. Let those who care in. Stop apologising for what’s been and done and start living in the present. Don’t let this world change you, don’t let it harden you. Pessimism was never your colour. Besides, that’s what I’m here for, and if not me, then Gar, or Len. And my father’s always been happy to intrude upon the sentimental with grim reality. Cynics like us are a dime a dozen, but you aren’t.
I pray this is not the last time you hear my words, but if it is; if it has to be; know that I will love you, always.
Your Tiger Lily, Miranda.”
“Those are her words, Drury,” Bruce spoke. “Not Billings’, not Crane’s. Hers. That means something.”
“Why?” Drury asked Batman, his face wet, his hands trembling.
Bruce paused. “Because a few years ago, I was where you are now. Without hope. I was directionless. Aimless. Afraid, of what was to come. Grief-stricken, by what I had lost. But a friend of mine gave me a letter too. An impossible message encouraging me to be better. To keep fighting. And I want that for you too. Whatever happens now. Whatever you do next. I want you to fight. Like she would have wanted you to.”
The others were beginning to arrive now; they’d followed the smoke trail from Drury’s crash, and tracked him here, to this dirt road behind the mansion. “Drury,” Norbert shook his head, yellow eyes pleading with him. “Don’t let them cage you.”
“Like they could hold me,” Drury croaked. The brothers beamed at each other, like two young boys sharing a joke that was just their own. Smiling like they were the only ones there.
Bruce nodded to Drury. It was over.
It was- Over.
Drury didn’t hear what happened next; a metallic ringing drowned out the panicked yelling all around him. He looked down at his stomach; blood was gushing out from a hollow in his gut, wetting his costume, turning it from purple to burgundy. “Huh,” he started, placing his hand on his wound to try and plug it.
“Daddy!” Kitten shrieked; Gaige put an arm in front of her, holding her back.
Drury could just make out a blurry, scruffy figure emerge from the trees, lumbering forward in blind exuberance. “I did it!” he could hear Ted Carson yell. “I finally did it!”
Over… Drury was stumbling, he couldn’t keep upright, he couldn’t- Over.
The next bullet, meant for Joker, was deflected by Bruce’s gauntlet, as he ran to catch Drury.
“Oh, Batshy, I knew you cared!” Joker slurred.
“Shut up!” Bruce barked.
“Dad, no!” Bridget screamed, as Gar pushed her aside, and threw Carson to the ground, punching him, screeching at him. Gar didn’t glance at the fire, he wasn’t swayed by the crackling of flames, nor the smell of smoke. He could only see red.
“Fight this Walker, fight this,” Bruce was whispering, cradling Drury in his arms. The letter crumpled into a crimson ball in Drury’s bloodied fist.
“Done fighting...” Drury whispered. “Was never that good at it.”
Bruce shook his head. “You undersell yourself… Hang in there, OK? A short time ago, you asked me a question. Do you remember? You asked me whether we had ever been friends. I didn’t have an answer then. I do now.”
“The truth is no, we weren’t friends, but I wish that we were.”
“I-”
“Don’t speak,” Bruce urged, smiling as best as he could, under the circumstances.
“Don’t speak, don’t bleed out… so bossy,” Drury laughed weakly.
A violet vortex opened; Jenna’s slow walk turned into a sprint as soon as she caught sight of Gar, Carson at his mercy.
“Gar-! Gar, stop!” Chuck was saying, as he attempted to pull him off of Carson. Feral, Gar punched his arm, his broken one; Chuck recoiled, leaving Gar unencumbered. A dozen hard, fast punches rearranged Carson’s grinning face. A red web latched onto Gar’s shoulder, pulling him back. Gar yanked the web forwards, dragging Needham with it.
“Gar!”
Gar swung around, to be met with Jenna’s face. He panted; his chest rose and fell. Then his face wobbled. Tears fell down his face. And suddenly, he hugged Jenna, burying his face in her chest. Hesitant at first, Jenna placed her arm around his back and held him tight.
“I don’t- I don’t understand,” Joey stuttered. “We stopped Carson. We stopped him.”
“I did it-!” Carson wheezed, coughing up blood. On the ground, Joker was cackling. As she rose to her feet, Bridget could feel ten synthetic fingers pointed at her back. Then, Phillip Reardon turned away, a trail of saltwater trickling down his cheeks.
Until now, Simon had been standing there motionless, shell-shocked. But he now knew what he had to do. What Wally had told him to do what now seemed like a lifetime ago.
Run.
“No, Simon, wait!” Wally yelled. “You’re not-”
Simon ignored Wally’s warnings. He ignored the cries of those around him. He snatched his father from The Batman’s arms, and he ran. Across Arkham. Across the bridge into the city. He raced through the streets of Gotham, leaping over cars and past pedestrians, aware that every second he delayed was a second his dad did not have. At last, he arrived at Gotham General.
“Where did you-?” the receptionist looked up, stunned.
“My dad-” Simon blubbed, offering his father to the receptionist in desperation. The lobby was swarming with people; families, mostly, of victims of the GCPD attack. “He got shot. Please, he’s bleeding out.”
“Sir, I need you to calm down.”
“Can’t. I can’t. Please, help my dad.”
“Sir, I’m so sorry, but we don’t have any-”
It took Simon precious seconds to scan the hospital for an empty bed; the receptionist was right. Zoom’s attack had insured it would be hours before his dad could be examined. Simon kept running; his dad’s limbs dangled over his arms limply. Slack. Simon raced to the next hospital. Then the next. But this was holiday season in Gotham City, and all the beds were full. His speed was dissipating, he knew that. The streets were no longer out of focus, the people were blurs no longer, and he could feel a stitch forming in his side. He ignored that. Until he could run no more. His knees buckled, and father and son fell down together in a Gotham alley.
“Simon-” Drury wheezed.
“Don’t speak, you can’t speak. You’ve already lost a lot of blood. But I can fix that. I can call someone. You just have to hang in there, dad. Just don’t leave me,” Simon pleaded.
“Simon- Simon, it's OK,” Drury raised his hand.
“It's not OK, it's not!” Simon punched the ground, and sparks shot up. “I- I- can defibrillate you, see? I can help you, save you.”
“No saving me, kiddo. You knew that. Wish I'd known that.”
“But- but- he can't- he can't win,” Simon stammered. “Carson can't win.”
“He has to,” Drury smiled. “He has. Don't you see, I broke the cycle. I cleaned the slate. This is how it must be. No one else dies. From now on, no one else dies.”
“You will.”
“So what? You think I fear death?”
“No.” Simon sat back. “I fear you don't. I fear you haven't in a very long time.”
“You got me,” Drury leaned forward, wincing as he did. “You need to listen now, Simon, because this next bit... it's going to be hard. But I know you can handle it. You can tell Kitten; you can tell Axel. Tell Cammy, when he's old enough. That's it. Tell no one else; not even Gar. Especially not Gar. Promise me.”
Drury whispered his last request into his son’s ear. Simon’s eyes widened, and his grip on his dad’s hand tightened.
“Dad, I don't- I don't know if I can.”
“Dad?”
The alleyway shone with golden light, as a yellow portal tore through the polluted air, and a man in white emerged.
“You? How did you-?”
Krill bypassed Simon, picking a tiny tracking dot off his shoulder. He knelt down, and scooped Drury up in his arms, then turned around without a single word of condolence.
“What- what are you doing with him?” Simon asked meekly.
Krill didn't respond.
“What are you doing with him?!” Simon screamed. That got Krill’s attention.
Krill paused. “You want to leave him here, on a bed of grime and piss, be my guest.”
~-~
The atmosphere in Arkham was subdued. It had been mere minutes since Simon sped away with Drury. He had still been alive, then. Alive, but barely. The residents of Arkham; Simon’s siblings, his uncles, everyone that had sacrificed so much in such a short time waited his return with bated breath. Finally, the portal opened; Krill came first, Drury hanging limply over his arms. Simon trailed behind, his eyes puffy. Kitten wailed. Axel cried. Doctor Polaris floated above them in silence, his arms folded. Leonard Fiasco watched from the window, glad, at least, that no one could see him sniffle.
In the end, it only took one bullet.
As per ushe, I took a quick trip by the yard after work. Here, 474 pauses to air up the second half of its train while a BNSF coal load creeps up behind it.
The executive E's look proud in Boone Yard after making a trip out to the Kate Shelley High Bridge for a media special back in '07. The UP invited a bunch of media folks out to see the progress of the new high bridge construction and to hear the plans going forward. As per ushe, papa got a ride and I got to shoot from the ground.
I never realized this until posting it, but I somehow managed to snap off a show with nobody in the picture.
Huizache
Acacia farnesiana (L.) Willd.
Leguminosae
Sinonimia popular
Huisache, huechachin, wichachin (náhuatl). Aroma, cascalote, colita, corteza de curtidora, espina divina o sagrada, espino blanco, guizache, maroma, pedo de burro, vinorama. Guerrero: huisache, wichachin (náhuatl), ínucua (mixteco); Michoacán: arumbari, guizache yondero, tsurimbíní, tsurumbíni, tzurembini, tzurinbini; Morelos: huechachin (náhuatl), nacazcalotl, panthahochoixachin;. Oaxaca: xemb, xhag, yag guiichi; Quintana Roo: cakilizche, cashaw, cuntich, k’ank’ilixche, x’k’ant’ilix, subin, subinche, subin-che (maya); Sonora: kuka’; San Luis Potosí: thujanom (tenek); Sonora: joesh kam u’ushe (pima); Veracruz: hichin.
Sinonimia botánica.
Mimosa farnesiana L.; Vachellia farnesiana Wrigt; Acacia acicularis Willd.
Botánica y ecología.
Arbusto o árbol hasta de 7m de altura, muy ramificados de tallos lisos con muchas espinas blancas o blanquecinas de 1 a5cm de largo. Las hojas son pequeñas y divididas en hojitas más chiquitas que dan la apariencia de plumas, tiene flores como motitas amarillas muy perfumadas. Los frutos son vainas, que pueden estar solas o agrupadas, un poco alargadas, con las puntas redondeadas, gruesas y aplanadas, con semillas numerosas en forma de riñón de color pardo-amarillo.
Originario de los trópicos y subtrópicos de América. Habita en climas cálido, semicálido y templado, desde el nivel del mar hasta los 2000m. Crece silvestre a orilla de caminos, de ríos o riachuelos, presente en vegetación perturbada de sabana, manglar, bosque tropical caducifolio, subcaducifolio, subperennifolio y perennifolio, matorral xerófilo, bosque espinoso, pastizal, bosque mesófilo de montaña, de encino y de pino.
Etnobotánica y antropología.
Esta planta se usa principalmente para curar el empacho en algunos estados costeros de la República Mexicana, como Jalisco, en donde se toma en ayunas el cocimiento de las raíces de huisache, tuna (Opuntia ficus-indica), y orégano (Origanum vulgare), junto con la corteza de guamuchil hogadizo (Pithecellobium dulce), tomatillo (Solanum sp.) y semilla de cóbano (Swietenia humilis). En Michoacán, cuando el empacho es causado por comer frutos inmaduros, se utiliza la cocción de la corteza mezclada con hueso de durazno (Prunus persica) hecho polvo, hueso de aguacate (Persea americana) y tortilla tostada. En Guerrero y Morelos se recomienda tomar el cocimiento de la corteza.
Cada una de las partes de la planta se emplea en diversos padecimientos. El fruto se utiliza para curar fuegos en la boca, o afianzar la dentadura (V. dientes flojos), también contra la disentería y como antiespasmódico, antituberculoso y astringente.
Si a una mujer purépecha ”le entra frío” puede enfermar de cachán o cachanes. Éste mal se caracteriza por la pérdida del apetito, hinchazón en el vientre, dolor intenso en las articulaciones, picazón en los tobillos, dolor de cabeza y sensación de frío. Uno de los tratamientos que suelen prescribir las parteras consiste en dar frotaciones después del baño con alcohol en el que se ha macerado la raíz de cachancapotle, calentado al sol. Si el cachán es grave, además de las frotaciones se recomiendan lavados vaginales con una infusión de salvia, cuachalalate y orégano, o de huisache, malva y flor de sábila, a la que se agrega una cucharada de vinagre.
La corteza en cocimiento es útil para abrir el apetito, curtir el estómago, para aliviar dolores de estómago constantes, para quienes la bruja les ha chupado el estómago (V. chupada de bruja). Una tintura que se prepara con la corteza o la raíz puesta en alcohol durante 20 días, se aplica en piquetes de insectos. También se puede tomar un té elaborado con raíz, y/o masticar el” pellejito” del huisache, tragando la saliva, contra las picaduras de alacrán.
Entre los huicholes, en caso de lastimaduras provocadas por insectos, se prepara un cocimiento para beberlo, con corteza y espinas de huizache. Es particularmente apreciado para tratar la picadura del alacrán, aunque al parecer se trata de un remedio puramente mágico, ya que si hace falta un segundo tratamiento, se ata al cuello del enfermo un trozo de corteza pelada.
Las flores en infusión, se usan para la disentería, inflamaciones de la piel y de las mucosas así como en casos de dispepsia. Frescas, se restriegan sobre las aftas bucales. Molidas junto con otras plantas, se utilizan como agua de tiempo para el espanto.
La raíz se hierve junto con la de cornezuelo (sp. n/r) y se toma como agua de tiempo, cuando hay hemorragia vaginal.
Las hojas machacadas y remojadas, se aplican externamente a la mujer ojeada (mal de ojo). Las ramas se ponen debajo de la cabeza para dormir.
La resina se usa como antitusígeno, administrada por vía oral tres veces al día, antes de cada comida.
La epidermis de la planta se amarra sobre la frente cuando hay hemorragia nasal.
Otros padecimientos en los que se emplea el huisache son: diarrea, tifoidea, bazo crecido, catarro, inflamación de garganta, heridas, llagas, corazón débil, dolor de cabeza, nubes en los ojos y pasmo (comezón en los ojos).
Historia.
El Códice florentino, en el siglo XVI relata que se usó para las enfermedades de la cabeza.
Ya en el siglo XX, Maximino Martínez lo registra como antidisentérico, antiespasmódico, antifímico, astringente y para tratar la dispepsia.
Química.
En las hojas de A. farnesiana se han detectado los esteroles colesterol, estigmasterol y beta-sitosterol, el alcaloide isoquinolínico tiramina y el flavonoide camferol. De las flores se han aislado los componentes fenílicos anizaldehído, alcohol y aldehido benzoico, para-cresol, el éster metílico del ácido salicílico y el eugenol. En el fruto se han encontrado los flavonoides glucósido y galoil-glucósido de camferol; en la semilla, los aminoácidos raros ácido djenkílico, sus acetilglutamil y acetilsulfóxido, ácido pipecólico y su derivado 4-hidroxilado.
Farmacología.
La evaluación in vitro de la actividad antibiótica de esta planta no comprobó actividad antibacteriana, pero sí evidenció actividad frente al hongo Candida albicans.
Un extracto obtenido de las vainas presentó actividad antiinflamatoria en edema de la pata en roedores, inducida por carragenina e histamina, y actividad vasodilatadora, evaluada en perros, por vía intravenosa.
El aceite esencial obtenido de los frutos y evaluado en intestino de conejos mostró una actividad relajante del músculo liso, y por vía intraperitoneal en ratas, mostró actividad potenciadora de barbitúricos.
Este mismo aceite esencial, así como una mezcla de glicósidos extraída de la planta, mostró actividad cardiotónica, ejerciendo efecto inotrópico y cronotrópico positivo.
Un extracto acuoso de las semillas presentó actividad inhibidora de la tripsina.
Principios activos.
Se deben al aceite esencial de los frutos varias acciones biológicas, y a una mezcla de glicósidos obtenidos de la planta una actividad cardiotónica.
Toxicidad.
No se encontraron estudios de la evaluación toxicológica de esta planta. Sin embargo, existen reportes de intoxicaciones severas en el ganado por parte de dos especies relacionadas: Acacia gregii y Acacia berlandieri.
Comentarios.
La Acacia farnesiana es una planta de origen americano de uso muy antiguo. Las investigaciones farmacológicas validan algunos de los usos tradicionales y populares.
Herbarios.
CCIRIO, CHAPA, CIESAG, CIB, CIIDIRM, CIID1R0 CODAGEM, CSAT, EBUM, ENCB, FCME, HUMO, IMSSV IZTA, MEXU, MORE, UAS, UJAT, XAL, ZEA.
Literatura.
Botánica. Alejandre V. y cols. 1988; Cabrera J. y cols. 1992; Centro Coordinador Indigenista del Istmo 1987; Cervantes L. 1979; De Niz D. 1989; Espinosa J. 1985; Evangelista V. y cols. 1991; Flores R.1987; Garda I. 1984; García J. 1990; Gispert M. y Gómez A. 1992; Gómez L. y Chong 1.1985; Hernández E. 1983; López E. 1988; López R.e Hinojosa G. 1988; Ortíz A. 1986; Ortíz G. 1990; Ramírez C. 1988; Romero C. 1984; Santos M. 1988; Soto J. 1987; Zizumbo D. y García P. 1982.
Ecología. Cabrera J. y cols. 1992; De Niz D. 1989; Espinosa J. 1985; Gispert M. y Gómez A. 1992; Martínez M. A. 1991;Soto J. 1987; Zizumbo D. y García P. 1982. Ejemplares consultados: Breedlove D.; Guzmán G.; León J.; McVaugh R.; Rico L. y cols.; Sousa M. y cols.; Ventura E.
Etnobotánica Alejandre V. y cols. 1988; Arévalo M. T. 1976; Cabrera J. y cols. 1992 o s/a; Centro Coordinador Indigenista de la Región del Istmo 1987; Cervantes L. 1979; De Niz D. 1989; Espinosa J. 1985; Evangelista V. y cols. 1991; Flores R. 1987; García I. 1984; García J. 1990; Gómez L. y Chong 1.1985; Hernández E. 1983; Instituto de Ecología 1991; López E. 1988; López R. e Hinojosa A. 1988; Martínez M. A. 1991 o s/a; Ortíz A. 1986 a; Ortiz G. 1990; Ramírez C. 1988; Romero C. 1984; Santos M. 1988; Soto J. 1987.
Antropología.. Mellado V. 1989; Wendell y Zinng 1935
Historia. Estrada E. 1989 (Códice florentino. 1548-1582); Martínez M-1969 (1934).
Química. AndhiwalC.K. 1982; Camp B. J. 1966; El-Negoumy S. I. l950; París R. A. 1953; Seneviratne A. S., Fowder L. 1968.
Farmacología. Chiappeta A. y De Mello J. 1984; Giral F. y cols. 19 Trivedi C. y cols. 1978, 1985 y 1986.
Toxicidad. Aguilar A. y Zolla C. 1982.
FUENTE: www.medicinatradicionalmexicana.unam.mx/monografia.php?l=...
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"Something that is supposed to appeal to the heart, has to come from the heart" Goethe's lovely words...
or did he say WITH hearts?! Yes, YES I am pretty sure it was WITH hearts, what has to come, to Appeal to hearts...
SO here is my newest photography-series WITH hopefully enough hearts to Appeal to your hearts <3
I always was a Latex-Baby and I am so happy I got this mere impossible Kombination of "sweet AND Latex", 'cause I never in my life wanted something so badly like this "lips"-Bikini,
although the Occasion to wear it nearly touch the zero-Point,
but men have control of everything except their hearts..an my heart wanted THIS drag...on MY Body!
Photography, model, Idea, Make up : Amely Rose
O.U.T.F.I.T:
lips Bikini: Kaori
wig: etsy-shop
sunglasses: Zero UV
heels: Vivienne Westwood
stockings: Beate Ushe
'Es muss von Herzen kommen, was auf Herzen wirken soll", sagte einst Goethe...
oder sollte es MIT Herzen kommen?! Ja, JA ich bin mir sicher es war MIT Herzen, was kommen sollte, um auf Herzen zu wirken...
Hier kommt also meine neue Foto Reihe MIT hoffentlich genug Herzen um auf eure Herzen zu wirken <3
Ich war schon immer ein Latex-Baby und freue mich umso mehr das mir diese schier unmögliche
Kombination von "süß UND Latex" gelungen ist, denn ich wollte nichts lieber haben als diesen
"lips"-Bikini, obwohl die Gelegenheiten ihn zu tragen dem Nullpunkt gefährlich nah kommen,
aber über alles hat der Mensch Gewalt, nur über sein Herz nicht!
und mein Herz wollte DIESEN Fummeln...an MEINEM Körper!
Foto, Model, Idea, Make up: Amely Rose
Фотографии, модель, идея, составляют: Амели Роуз
"Это должно исходить от сердца, что влияет сердца" цитату из Гете.
Вернее мы должны подходить с сердцем! Или то, что ласковая работы сердца?
Для Иоганн Вольфганг фон Гете, я решил пойти к Heartbreak Hotel и там выполнить эту серию фотографий. Теперь у вас есть свой новый skolekcję от сердца, от сердца к сердцу ... и я надеюсь, что ваше сердце будет работать <3
Я всегда был сумасшедшим ребенком, и я рад, что латекс особенно, что я был в состоянии казалось бы, невозможное сочетание "сладкий" и латекса "понимают!
Это работало, потому что я ничего больше, чем создать "рот-бикини", потому что немногие из них имеют возможность носить такую кусок одежды не хочу.
Но человек преимуществом только Manade не во всем своем сердце!
И мое сердце хотел обязательно этот кусок одежды для моего тела, чтобы чувствовать и больше ничего.
Мэрилин Монро в настоящее время, сказал: "Сегодня я был в постели носить только латекса сердце и ничего больше"
Foto, Model, Idea, Make up: Amely Rose
"To musi pochodzić z serca, co na serce wpływa" cytat od Goethe.
Czy raczej my powinniśmy z sercem podejść?! Albo co serdeczne to na serce działa?
Dla Johanna Wolfganga von Goethe postanowiłam pojechać do HeartBreak Hotel i tam tą serię zdjęć wykonać. Teraz macie moją nową skolekcję od serca, z sercem dla serca... i mam nadzieję że na wasze serca będą działać <3
Zawsze byłam zwariowanym dzieckiem lateks i cieszę się szczególnie że udało mi się pozornie niemożliwe połączenie "słodkiego" i lateks" zrealizować!
Udało się, bo nie chciałam niczego więcej niż założenia "Usta-bikini" bo tak mało ma się okazji do noszenia takiego ciucha.
Ale człowiek manad wszystkim przewagę tylko nie nad swoim sercem!
A moje serce chciało koniecznie tego ciucha na moim ciele odczuwać i nic innego.
Marilyn Monroe by teraz powiedziała: "dzisiaj w łóżku miałam na sobie tylko serca z latexu i nic innego
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The most inspiring women I have met through my travels are with no doubt Indian women. Even though most stay in the background, their beautiful clothes, their care for their children but above all their stunning beauty is truly remarkable. And while most indian men ushed me away or ignored me speaking, these lovely ladies always looked at me from equal to equal, with the greatest kindness. To all of you, I hope equality arrives to you very, very soon.
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Onoe Matsusuke I as Matsushita Mikinojō in the Play Katackiuchi Noriaibanashi
Tōshūsai Sharaku (act. 1794-95)
Edo period (1615-1868), 1794
Polychrome woodblock print; ink, color, white mica on paper
This pair of portraits demonstrate the range of personalities and emotions encompassed by Kabuki oyama, or actors impersonating female characters.
Shigenoi is the mother of an illegitimate son. Kabuki audiences had a special weakness for the drama of kowakare, or scenes of the painful separation of mother and child. Thus Sharaku depicts Shigenoi at the moment of her tragic meeting with her long-lost son, who was born out of an affair forbidden by law because the father was of higher rank. The small silk sack containing an amulet is the token she gave her son at the time of their separation as evidence of his identity. Here she thrusts the amulet sack aside to deny her criminal past as well as her son's identity.
These pictures demonstrate the masterful composition of eyes and hands that characterize Sharaku's portrait style. For example, Shingenoi's hands and eyes are emphasized, but they are designed as opposing forces; she peers off to the left at her unseen son while her hand ushes to the right, creating a tension that illustrates the emotional conflict in which she finds herself.
Nothing is known of the life of Tōshūsai Sharaku before or after the ten short months in 1794 and 1795 when he produced all of his known work. Yet in this brief period, the mysterious artist created a unique and unforgettable portrait style. His talent can best be seen in his portraits of Kabuki actors. Sharaku's best portraits are nearly all busts; he eschews the full-length figure to focus instead on the most essential communicative tools of the Kabuki actor--his eyes and hands. With tremendous economy of line, Sharaku captures the darting glance or insistent gaze of an actor's eyes and the vigorous or tremulous gesture of his hands to give keen insight into the psychological state of the character depicted. Furthermore, for his masterful exaggeration and distortion, Sharaku can be counted among the world's greatest caricaturists.
Harris Brisbane Dick Fund and Rogers Fund, 1949 (JP3116)
**
The Metropolitan Museum of Art's permanent collection contains more than two million works of art from around the world. It opened its doors on February 20, 1872, housed in a building located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met's holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met's purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary; after negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies more than two million square feet, more than 20 times the size of the original 1880 building.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America's Favorite Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556
As per ushe, I took a swing by the ICE yard after work. I found the 475 piloted by couple of nice old EMDs and on the rear of the train was this neat old American Crane. I guess it has a speed restriction in tow of 25 MPH. A UP motor peeks over the flatcar, as it airs up the first cut of cars for train 474.
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"Something that is supposed to appeal to the heart, has to come from the heart" Goethe's lovely words...
or did he say WITH hearts?! Yes, YES I am pretty sure it was WITH hearts, what has to come, to Appeal to hearts...
SO here is my newest photography-series WITH hopefully enough hearts to Appeal to your hearts <3
I always was a Latex-Baby and I am so happy I got this mere impossible Kombination of "sweet AND Latex", 'cause I never in my life wanted something so badly like this "lips"-Bikini,
although the Occasion to wear it nearly touch the zero-Point,
but men have control of everything except their hearts..an my heart wanted THIS drag...on MY Body!
Photography, model, Idea, Make up : Amely Rose
O.U.T.F.I.T:
lips Bikini: Kaori
wig: etsy-shop
sunglasses: Zero UV
heels: Vivienne Westwood
stockings: Beate Ushe
'Es muss von Herzen kommen, was auf Herzen wirken soll", sagte einst Goethe...
oder sollte es MIT Herzen kommen?! Ja, JA ich bin mir sicher es war MIT Herzen, was kommen sollte, um auf Herzen zu wirken...
Hier kommt also meine neue Foto Reihe MIT hoffentlich genug Herzen um auf eure Herzen zu wirken <3
Ich war schon immer ein Latex-Baby und freue mich umso mehr das mir diese schier unmögliche
Kombination von "süß UND Latex" gelungen ist, denn ich wollte nichts lieber haben als diesen
"lips"-Bikini, obwohl die Gelegenheiten ihn zu tragen dem Nullpunkt gefährlich nah kommen,
aber über alles hat der Mensch Gewalt, nur über sein Herz nicht!
und mein Herz wollte DIESEN Fummeln...an MEINEM Körper!
Foto, Model, Idea, Make up: Amely Rose
Фотографии, модель, идея, составляют: Амели Роуз
"Это должно исходить от сердца, что влияет сердца" цитату из Гете.
Вернее мы должны подходить с сердцем! Или то, что ласковая работы сердца?
Для Иоганн Вольфганг фон Гете, я решил пойти к Heartbreak Hotel и там выполнить эту серию фотографий. Теперь у вас есть свой новый skolekcję от сердца, от сердца к сердцу ... и я надеюсь, что ваше сердце будет работать <3
Я всегда был сумасшедшим ребенком, и я рад, что латекс особенно, что я был в состоянии казалось бы, невозможное сочетание "сладкий" и латекса "понимают!
Это работало, потому что я ничего больше, чем создать "рот-бикини", потому что немногие из них имеют возможность носить такую кусок одежды не хочу.
Но человек преимуществом только Manade не во всем своем сердце!
И мое сердце хотел обязательно этот кусок одежды для моего тела, чтобы чувствовать и больше ничего.
Мэрилин Монро в настоящее время, сказал: "Сегодня я был в постели носить только латекса сердце и ничего больше"
Foto, Model, Idea, Make up: Amely Rose
"To musi pochodzić z serca, co na serce wpływa" cytat od Goethe.
Czy raczej my powinniśmy z sercem podejść?! Albo co serdeczne to na serce działa?
Dla Johanna Wolfganga von Goethe postanowiłam pojechać do HeartBreak Hotel i tam tą serię zdjęć wykonać. Teraz macie moją nową skolekcję od serca, z sercem dla serca... i mam nadzieję że na wasze serca będą działać <3
Zawsze byłam zwariowanym dzieckiem lateks i cieszę się szczególnie że udało mi się pozornie niemożliwe połączenie "słodkiego" i lateks" zrealizować!
Udało się, bo nie chciałam niczego więcej niż założenia "Usta-bikini" bo tak mało ma się okazji do noszenia takiego ciucha.
Ale człowiek manad wszystkim przewagę tylko nie nad swoim sercem!
A moje serce chciało koniecznie tego ciucha na moim ciele odczuwać i nic innego.
Marilyn Monroe by teraz powiedziała: "dzisiaj w łóżku miałam na sobie tylko serca z latexu i nic innego
"Something that is supposed to appeal to the heart, has to come from the heart" Goethe's lovely words...
or did he say WITH hearts?! Yes, YES I am pretty sure it was WITH hearts, what has to come, to Appeal to hearts...
SO here is my newest photography-series WITH hopefully enough hearts to Appeal to your hearts <3
I always was a Latex-Baby and I am so happy I got this mere impossible Kombination of "sweet AND Latex", 'cause I never in my life wanted something so badly like this "lips"-Bikini,
although the Occasion to wear it nearly touch the zero-Point,
but men have control of everything except their hearts..an my heart wanted THIS drag...on MY Body!
Photography, model, Idea, Make up : Amely Rose
O.U.T.F.I.T:
lips Bikini: Kaori
wig: etsy-shop
sunglasses: Zero UV
heels: Vivienne Westwood
stockings: Beate Ushe
'Es muss von Herzen kommen, was auf Herzen wirken soll", sagte einst Goethe...
oder sollte es MIT Herzen kommen?! Ja, JA ich bin mir sicher es war MIT Herzen, was kommen sollte, um auf Herzen zu wirken...
Hier kommt also meine neue Foto Reihe MIT hoffentlich genug Herzen um auf eure Herzen zu wirken <3
Ich war schon immer ein Latex-Baby und freue mich umso mehr das mir diese schier unmögliche
Kombination von "süß UND Latex" gelungen ist, denn ich wollte nichts lieber haben als diesen
"lips"-Bikini, obwohl die Gelegenheiten ihn zu tragen dem Nullpunkt gefährlich nah kommen,
aber über alles hat der Mensch Gewalt, nur über sein Herz nicht!
und mein Herz wollte DIESEN Fummeln...an MEINEM Körper!
Foto, Model, Idea, Make up: Amely Rose
Фотографии, модель, идея, составляют: Амели Роуз
"Это должно исходить от сердца, что влияет сердца" цитату из Гете.
Вернее мы должны подходить с сердцем! Или то, что ласковая работы сердца?
Для Иоганн Вольфганг фон Гете, я решил пойти к Heartbreak Hotel и там выполнить эту серию фотографий. Теперь у вас есть свой новый skolekcję от сердца, от сердца к сердцу ... и я надеюсь, что ваше сердце будет работать <3
Я всегда был сумасшедшим ребенком, и я рад, что латекс особенно, что я был в состоянии казалось бы, невозможное сочетание "сладкий" и латекса "понимают!
Это работало, потому что я ничего больше, чем создать "рот-бикини", потому что немногие из них имеют возможность носить такую кусок одежды не хочу.
Но человек преимуществом только Manade не во всем своем сердце!
И мое сердце хотел обязательно этот кусок одежды для моего тела, чтобы чувствовать и больше ничего.
Мэрилин Монро в настоящее время, сказал: "Сегодня я был в постели носить только латекса сердце и ничего больше"
Foto, Model, Idea, Make up: Amely Rose
"To musi pochodzić z serca, co na serce wpływa" cytat od Goethe.
Czy raczej my powinniśmy z sercem podejść?! Albo co serdeczne to na serce działa?
Dla Johanna Wolfganga von Goethe postanowiłam pojechać do HeartBreak Hotel i tam tą serię zdjęć wykonać. Teraz macie moją nową skolekcję od serca, z sercem dla serca... i mam nadzieję że na wasze serca będą działać <3
Zawsze byłam zwariowanym dzieckiem lateks i cieszę się szczególnie że udało mi się pozornie niemożliwe połączenie "słodkiego" i lateks" zrealizować!
Udało się, bo nie chciałam niczego więcej niż założenia "Usta-bikini" bo tak mało ma się okazji do noszenia takiego ciucha.
Ale człowiek manad wszystkim przewagę tylko nie nad swoim sercem!
A moje serce chciało koniecznie tego ciucha na moim ciele odczuwać i nic innego.
Marilyn Monroe by teraz powiedziała: "dzisiaj w łóżku miałam na sobie tylko serca z latexu i nic innego
For the latex girls school called shiny-high theres a magazine that comes out every month at the end of the month. in the shiny high magazine is all about all the things the students have done and achievements. It talks about the skills of students like art they done or modeling.
One of the top models within shiny high is Sayuri Sato who has a modeling page also dose cosplaying. last month Sayuri Sato was on the Shiny-high magazine front cover of issue 919. She has been on the front covers of other magazines before.
But this month issue for 920 she was not happy as the girl she hates and the most spoiled brat even was on the front cover named Veronica Salt who has become a queen and is super rich. all in Shiny-high see Veronica as a very bad girl. Also on page 3 was Sasha Satiny another mean girl in Shiny-high whos best friends with Veronica. So Shiny Sayuri was ushed to page 5. with a poster of her for her fans.
More about Sayuri
Name: Sayuri Sato
Nickname: Shiny Sayuri, sexy Sayuri, and Miss Sato
Multiverse: 0019
Planet: Variclex
Older sister: Yumiko and Erika
Height : 5,0
Age: 16
Hair colour: white blonde
Eye colour: blue-Purple
School: Shiny high
Best friend in school: Moni and Aihan
Favourite colours: red, black, and pink
Sexually: autosexual bisexual
Personality: bubbley, hyper, sassy, sexy, cute, sometimes a dopey.
Favourite fashion: Sexy shiny latex clothing,
Favourite clothing, short-skirts, blouses, jackets, stockings, and high-heels
hobbies: modeling, dancing, Camming for L-chat, and shopping
Wish in life: to be seen as a super sexy cute super famous latex model. and tells her friends that she maybe become latex pornstar.
Obsessions: shiny things, very hot and cute latex outfits. sexy cosplay
Online: Have over 4 million fans on her social media page.
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Beto Gudino
Love & Noise TV
P.O.D.
Sonny Sandoval
loveandnoise.com
Beto Gudino
Love & Noise TV
P.O.D.
Sonny Sandoval
loveandnoise.com
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