View allAll Photos Tagged USCapitolBuilding
• Parts: 36,800+ (~1,130 unique)
• 📐 Scale: 1:650
• 📏 Dimensions: 32in x 51in (80cm x 130cm)
• 📚 Research, Design + Build Time: 4 months
• Photography: James Vitullo 📷
• ©️ MMXXIV - Rocco Buttliere, LLC
___________________________________
During a brief stint in Washington D.C. in 2023, I spent the better part of a summer evening exploring the grounds of Capitol Hill. Few landscapes invite as much inquiry along winding paths paired with plenty of moments for quiet introspection on marble benches; all in picturesque view of the Capitol dome. These on-site experiences are exactly the form of anecdotal justification I seek when considering whether to recreate such monumental places in the first place.
In tackling any work of such storied precedence as the US Capitol, I always seek to expand the conversation beyond existing works in the medium of plastic bricks. While the consistent 1:650 scale among my works has always ensured some level of originality, it is no guarantee of further insight that cannot already be gleaned from existing works by other artists. With this in mind, I set out to capture the full 100-acre site currently maintained by The Architect of the Capitol. What's more, the diorama depicts a particular time of year - specifically late March to early April - as illustrated by the iconic presence of hundreds of cherry blossoms rendered in two shades of light pink.
The diorama starts downhill at the trapezoidal Capitol Reflecting Pool, with the Grant Memorial taking pride of place along its eastern edge and the US Botanic Garden across the street to the south. The diorama expands from there, capturing the radiating pathways meandering uphill, as designed by Frederick Law Olmsted within the parcels laid out in the city plan by Pierre Charles L'Enfant. The piece culminates with the widely imitated US Capitol Building, perched atop a plinth projecting from the Capitol Visitor Center on the opposite side.
Topping everything off is a custom-made representation of the Statue of Freedom (as designed by Thomas Crawford), steadfastly overlooking the National Mall from atop the dome. The statue was designed in collaboration with BigKidBrix and was sized comparably to the minifigure statuette / trophy element.
The piece was designed over the course of about two months: first in December 2023 through January 2024, paused during the build-out of SPQR - Phase II, then resumed between March and April. The build-out lasted from July through August and was completed by September. The piece will soon be added to my personal gallery of works, now available for touring exhibitions.
#Artist #SupportArtists #FineArt #SmallBusiness #SmallBusinessOwner #ChicagoArtist #LEGO #LEGOArchitecture #LEGOArt #LEGOArtist #InstaLEGO #GoBricks #USCapitol #USCapitolBuilding #CapitolHill #WashingtonDC #ArchitectOfTheCapitol #America #USA #Diorama #AmericanHistory
View of Mall and the US Capitol Building in Washington, DC. Immediately behind the Capitol is the Supreme Court and the Library of Congress. RFK Stadium is in the distance.
Looking east from the Washington Monument in early 1989.
The United States Capitol building, as seen from Seventh Street NW, at the mid-point of the street's crossing or the National Mall. Taken by a Nikon D610 at ISO 400 with a Nikkor 35-105mm ƒ 3.5-4.5 AF lens (at 105) Geotag is location taken from.
US Capitol Complex North at Louisiana Avenue and D Street, NW, Washington DC on Monday afternoon, 18 January 2021 by Elvert Barnes Photography
US CAPITOL POLICE
Elvert Barnes COVID 19 Pandemic Part 5 New Year 2021 docu-project at elvertbarnes.com/CV19NewYear2021
Elvert Barnes Monday afternoon, 18 January 2021 In Preparation of 59th Presidential Inauguration US Capitol Complex docu-project at elvertbarnes.com/18January2021
Under the auspices of the US National Parks Service, one can ascend to the top of the Old Post Office building, which comprises a bell tower. This is separate from the rest of the building, which is now the Waldorf-Astoria Hotel. This is the view up Pennsylvania Avenue that leads to the Capitol Building.
Minton Tiles
The richly patterned and colored Minton tile floors are one of the most striking features of the extensions of the United States Capitol. They were first installed in 1856, when Thomas U. Walter was engaged in the design and construction of vast additions to the Capitol (1851-1865). For the floors in his extensions, Walter chose encaustic tile for its beauty, durability and sophistication.
•Artist: Minton, Hollins and Company
•Date: Installed in 1856
One striking example of the contrast between the interiors of the Old Capitol (finished in 1826) and the extensions (begun in 1851) may be seen in the differences in flooring materials. In the Old Capitol, stone pavers were used in corridors and other public spaces, such as the Rotunda and Crypt, while brick was used to floor committee rooms and offices. These materials, although durable and fireproof, would have looked plain and old-fashioned to the Victorian eye. In the mid-19th century, encaustic tile flooring was considered the most suitable and beautiful material for high-traffic areas. Unlike ordinary glazed tile, the pattern in encaustic tile is made of colored clays inlaid or imbedded in the clay ground. Because the color is part of the fabric of the encaustic tile, it will retain its beauty after years of wear. One observer noted:
“The indestructibility of tiles may be judged from the fact that the excavations at Pompeii have unearthed apartments where painted tiles are just as beautiful, the colors as fresh and bright as... when the fated city was in all its glory.”
Two types of tile were used at the U.S. Capitol: plain and inlaid encaustic tiles in a range of colors. Plain tiles were used as borders for the elaborate inlaid designs or to pave large corridor areas. They were available in seven colors: buff, red, black, drab, chocolate, light blue and white. Additional colors, such as cobalt blue, blue-gray, and light and dark green, appear in the inlaid encaustic tiles that form the elaborate centerpieces and architectural borders. They were made by “filling indentations in the unburnt tile with the desired colors and burning the whole together.”
The patterns and designs formed in the inlaid tiles were limited only by taste and imagination. They include geometric patterns such as the Greek key, guilloche, and basket weave; floral designs such as the fleur-de-lis; and figures such as dolphins and classical heads. Few of the patterns are repeated. Although most of the tiles are six-by-six-inch squares, some are round, triangular or pie-shaped. Approximately 1,000 different tile patterns are used in the corridors of the Capitol alone, and up to 100 different tiles may be needed to create a single design.
The original encaustic tiles in the Capitol extensions were manufactured at Stoke-upon-Trent in Staffordshire, England, by Minton, Hollins and Company. The firm’s patented tiles had won numerous gold medals at international exhibitions and were considered the best tiles made. In 1876, having seen Minton’s large display at the Centennial Exhibition in Philadelphia, one critic wrote, “Messr. Minton shone superior to all exhibits of the sort… and may be cited as showing the highest results in tile-pottery achieved by modern skill and research.”
Beginning in 1856, and continuing for five years, the tile was installed by the import firm of Miller and Coates of New York City. For the journey from New York to Washington, the tiles were packed in wooden casks weighing about 1100 pounds; each cask contained enough tiles to pave about 100 square feet. The cost of the tile ranged from $0.68 to $2.03 per square foot.
Thomas U. Walter had every reason to believe that the encaustic tile floors would last as long as his extensions stood. One visitor noted in 1859 that the tile floors vied with the beauty of marble and surpassed it in durability. While perhaps valid for other installations, however, this prediction proved overly optimistic for the Capitol Building. By 1924, the Minton tile was removed from the corridors in the first and second floors of the House Wing and replaced by “marble tile in patterns of a simple order.” In that day, marble was selected for its superior durability and because suitable replacement tile was difficult to find.
In the 1970s, however, a similar condition prompted a very different response. In 1972, a search was undertaken to determine a source of similar tiles in order to restore the original appearance of the building. Inquiries were made of all major American tile manufacturers, the American Ceramic Tile Manufacturers Association, and even Mexican and Spanish tile suppliers. Although the colors and designs could be reproduced relatively easily, the patterns would quickly wear because they would be applied to the surface. The “inlaid” feature of the encaustic tiles, i.e., the approximately 1/8-inch thickness of the pattern and color, is the characteristic that enables the Minton tiles to be walked upon for over 100 years without signs of wear. It was this technique that formed the basic difficulty of manufacture.
Finally, as a result of the Capitol’s needs becoming generally known, the Architect of the Capitol was placed in contact with H & R Johnson Tiles Ltd., located at Stoke-on-Trent, England. It was discovered that that firm was a successor company to the Minton Tile Co. and had even retained many of the original hand tools and forms in a private museum at the company’s manufacturing site.
Contact was then made with Mr. James Ellis, the Directing Architect of Ancient Monuments and Historic Buildings for the Crown. He had been trying for many years to establish a program for the replacement of the worn Minton tiles at the Houses of Parliament but had more or less given up the attempt because of H & R Johnson’s continued unwillingness to revive the encaustic tile process. However, the restoration work at the Arts and Industries Building of the Smithsonian Institution was in process at about the time the needs of the Capitol became known; it thus appeared that a market for such tiles was developing to the degree that the manufacturer began to reconsider its prior position. The company thus began the experiments that finally led to the present availability, after many decades, of the original Minton-type tiles.
Because the tiles in the Capitol are more decorative and have more complicated designs and color combinations than those in either the Houses of Parliament or the Smithsonian, those institutions were able to obtain replacement tiles sooner than the Capitol. The lessons learned in the manufacture of the simpler tiles served as a basis for filling the later needs.
Color photographs and full-sized drawings of the many required patterns were made and recorded, and many developmental submissions were made as the hand-made manufacturing process was re-developed. Finally, in 1986, the first acceptable tiles were delivered. The installation process was accomplished with modern cement adhesives and has yielded excellent results.
The program enabled the original tiles to be replaced with exact replicas. This project began on the first floor of the Senate wing, where the effects of 130 years of wear and tear were most noticeable. Replacement tile was closely scrutinized to ensure fidelity to the nineteenth-century originals. While difficult and slow, this process is the only fitting response to the history of the Capitol extensions, not only to restore the original beauty and elegance of these unique floors, but also to provide for their continuing attractiveness for the foreseeable future.
In the middle of an area a bit hard to get to, in between the blue and purple sections, we had one of the best possible spots in the middle of the record crowd.
There was a temporary staircase that went up over the stone wall from First Street, and that's what I stepped up onto to take this shot, from just right of dead center.
(best viewed large)
Landing of Columbus
This painting depicts Christopher Columbus and members of his crew on a beach in the West Indies, newly landed from his flagship Santa Maria on October 12, 1492. The island landing was the first landfall of their expedition to find a westward route from Europe to China, Japan and perhaps unknown lands. American neoclassicist painter John Vanderlyn (1775-1852) was commissioned by Congress in June 1836 to paint the Landing of Columbus for the Capitol Rotunda. It was installed in the Rotunda by early January 1847.
•Artist: John Vanderlyn
•Medium: Oil on Canvas
•Dimensions: 12' × 18'
•Date: 1846; Placed in 1847
•Location: Rotunda, U.S. Capitol
In this painting, Christopher Columbus and members of his crew are shown on a beach in the West Indies, the first landfall of their expedition to find a westward route from Europe to China, Japan and perhaps unknown lands. On October 12, 1492, they reached this island, which the natives called Guanahani and Columbus named San Salvador.
The setting of the painting is a narrow beach at the edge of a wooded bay or inlet. Columbus, newly landed from his flagship Santa Maria, looks upward as if in reverent gratitude for the safe conclusion of his long voyage. With his left hand he raises the royal banner of Aragon and Castile, claiming the land for his Spanish patrons, and with his right he points his sword at the earth. He stands bareheaded, with his feathered hat at his feet, in an expression of humility.
The other Europeans grouped near Columbus represent various classes of society. Behind Columbus and to his right, the captains of the ships Niña and Pinta carry the banner of King Ferdinand and Queen Isabella, and a friar holds up a metal cross. To his left, a sailor kneels, gazing upward, and a soldier looks warily into the woods, where native West Indians watch the visitors from behind a tree. Farther behind Columbus, a cabin boy kneels and a mutineer bows in a penitant attitude. Throughout the central group soldiers carry spears, and the inspector of armament shoulders a musket. At the left side of the painting, more crew members land a small boat as their comrades display a range of reactions, some seeming jubilant at reaching the shore and others eagerly seeking to pluck gold from the sand.
In the foreground of the scene, a fallen tree and spiky, broad-leafed plants suggest that a new and unknown world begins only a few paces from the explorers’ feet. At the right edge of the painting, the natives blend into the forest of tall deciduous trees. Palm trees can be seen near the water’s edge in the middle distance and along the top of the hill at the horizon. Out on the ocean lie the expedition’s three ships, silhouetted against a rising sun.
American neoclassicist painter John Vanderlyn (1775-1852) was commissioned by Congress in June 1836 to paint the Landing of Columbus for the Capitol Rotunda. He worked on this canvas at his studio in Paris with the help of assistants. Upon its completion in the late summer of 1846 he reportedly hoped to exhibit the painting in various principal cities, but by October 3 he had arrived with it in New York, and it was installed in the Rotunda by early January 1847.
The painting has undergone various cleaning, revarnishing, relining, repair, and restoration treatments over a dozen times since its installation. In 1982 the painting was attached to an aluminum panel to help it resist the effects of changes in temperature and humidity. All of the Rotunda paintings were most recently cleaned in 2008.
This painting may be Vanderlyn’s most widely distributed work. In 1869 it appeared on a 15-cent stamp (which, with a brown frame and blue center vignette, was the first bi-color stamp issued by the United States), and in 1893 it was used on a 2-cent stamp among the nation’s first commemorative stamps, the Columbian Exposition Issue. It also appeared on the reverse of a 5-dollar bank note issued in the 1870s.
John Vanderlyn was born at Kingston, New York, on October 18, 1775. He studied under renowned portrait artist Gilbert Stuart and became a protegé of Aaron Burr, who in 1796 sent him for five years’ study in Paris—making him the first American painter to study there rather than in England. Returning to the United States in 1801, he painted portraits and landscapes. Two years later he traveled back to Europe and painted in England, Rome, and Paris, where his painting Marius amid the Ruins of Carthage was awarded a gold medal. In 1815 he resumed his work in America, exhibiting panoramas and painting portraits. His subjects were chiefly prominent Americans, including Robert R. Livingston, James Monroe, John C. Calhoun, George Clinton, Andrew Jackson, and Zachary Taylor; his 1834 full-length portrait of George Washington (after Gilbert Stuart) is displayed in the Hall of the House of Representatives in the U.S. Capitol. Landing of Columbus would be the last major work of his career, which fell into decline. He died in poverty in Kingston on September 23, 1852.
• Parts: 36,800+ (~1,130 unique)
• 📐 Scale: 1:650
• 📏 Dimensions: 32in x 51in (80cm x 130cm)
• 📚 Research, Design + Build Time: 4 months
• Photography: James Vitullo 📷
• ©️ MMXXIV - Rocco Buttliere, LLC
___________________________________
During a brief stint in Washington D.C. in 2023, I spent the better part of a summer evening exploring the grounds of Capitol Hill. Few landscapes invite as much inquiry along winding paths paired with plenty of moments for quiet introspection on marble benches; all in picturesque view of the Capitol dome. These on-site experiences are exactly the form of anecdotal justification I seek when considering whether to recreate such monumental places in the first place.
In tackling any work of such storied precedence as the US Capitol, I always seek to expand the conversation beyond existing works in the medium of plastic bricks. While the consistent 1:650 scale among my works has always ensured some level of originality, it is no guarantee of further insight that cannot already be gleaned from existing works by other artists. With this in mind, I set out to capture the full 100-acre site currently maintained by The Architect of the Capitol. What's more, the diorama depicts a particular time of year - specifically late March to early April - as illustrated by the iconic presence of hundreds of cherry blossoms rendered in two shades of light pink.
The diorama starts downhill at the trapezoidal Capitol Reflecting Pool, with the Grant Memorial taking pride of place along its eastern edge and the US Botanic Garden across the street to the south. The diorama expands from there, capturing the radiating pathways meandering uphill, as designed by Frederick Law Olmsted within the parcels laid out in the city plan by Pierre Charles L'Enfant. The piece culminates with the widely imitated US Capitol Building, perched atop a plinth projecting from the Capitol Visitor Center on the opposite side.
Topping everything off is a custom-made representation of the Statue of Freedom (as designed by Thomas Crawford), steadfastly overlooking the National Mall from atop the dome. The statue was designed in collaboration with BigKidBrix and was sized comparably to the minifigure statuette / trophy element.
The piece was designed over the course of about two months: first in December 2023 through January 2024, paused during the build-out of SPQR - Phase II, then resumed between March and April. The build-out lasted from July through August and was completed by September. The piece will soon be added to my personal gallery of works, now available for touring exhibitions.
#Artist #SupportArtists #FineArt #SmallBusiness #SmallBusinessOwner #ChicagoArtist #LEGO #LEGOArchitecture #LEGOArt #LEGOArtist #InstaLEGO #GoBricks #USCapitol #USCapitolBuilding #CapitolHill #WashingtonDC #ArchitectOfTheCapitol #America #USA #Diorama #AmericanHistory
Anti-GOP (Impeach Trump) Demonstration before President Trump State of the Union Speech at US Capitol Building East Steps in NE Washington DC on Tuesday afternoon, 4 February 2020 by Elvert Barnes Photography
Elvert Barnes PROTEST PHOTOGRAPHY 2020 at elvertbarnes.com/protests2020.html
Trip to Washington DC for Catering / Before Work Series
Rosa Parks
Rosa Parks’ statue was unveiled in National Statuary Hall of the United States Capitol, approximately 100 years after her birth on February 4, 1913. This statue depicts Parks seated on a rock-like formation of which she seems almost a part, symbolizing her famous refusal to give up her bus seat in 1955.
•Artist: Daub and Firmin Studios, LLC
oSculptor: Eugene Daub
oCo-Designer: Dr. Rob Firmin
•Material: Bronze
•Year: 2013
•Location: National Statuary Hall, U.S. Capitol
Rosa Louise McCauley was born in Tuskegee, Alabama, on February 4, 1913. She was raised on a farm, attended rural schools, then took some vocational and academic courses at the Industrial School for Girls in Montgomery before leaving to care for her grandmother and mother during their illnesses. In 1932, she married barber Raymond Parks, who was working with the National Association for the Advancement of Colored People (NAACP). In 1933, she completed her high school studies. Ten years later, she joined the NAACP and was elected secretary. Her involvement with the organization heightened her awareness of the injustices imposed by Jim Crow laws in the former Confederate states, which mandated racial segregation in public facilities and retail establishments.
On December 1, 1955, while riding a bus home from her job as a department-store seamstress, she refused to obey the driver’s direction to move from her seat to make room for a newly boarded white passenger. She was arrested. On December 5, at her trial, she was found guilty of disorderly conduct and violating a local ordinance. That day was also the start of a bus boycott that would last more than a year and increase the prominence of many figures in the civil rights movement, including Dr. Martin Luther King, Jr. The boycott ended only after a separate Supreme Court decision held that segregation on public buses was unconstitutional.
After her conviction, Parks was fired from her job and she and her husband sought work, first in Virginia and then in Michigan. She worked as a seamstress until 1965, then served as secretary and receptionist to U.S. Representative John Conyers until her retirement in 1988. She co-founded the Rosa L. Parks Scholarship Foundation in 1980 and the Rosa and Raymond Parks Institute for Self-Development in 1987. She published her autobiography in 1992 and her memoirs in 1995.
Rosa Parks remained an icon of the civil rights movement to the end of her life. In 1999, the United States Congress honored her with a Congressional Gold Medal. Following her death on October 24, 2005, she was accorded the rare tribute of having her remains lie in honor in the Rotunda of the U.S. Capitol in recognition of her contribution to advancing civil and human rights.
Statue
The statue of Rosa Parks authorized by the Congress in 2005 is historically significant as being the first full-length statue of an African American person in the U.S. Capitol. It is also the first statue commissioned by the Congress since 1873. It follows the bust of Martin Luther King, Jr., also commissioned by the Congress, that was unveiled in 1986 and the bust of Sojourner Truth placed in 2009.
The statue depicts Rosa Parks wearing the same clothes she wore on the day she was arrested. Based on photographic research into what she was wearing the day on the bus, she is shown wearing a round brimless hat, glasses, a cloth coat over her dress, laced shoes and she holds the handle of her purse. She is seated on a rock-like formation of which she seems almost a part, symbolizing her famous refusal to give up her bus seat. Her upper body is slightly turned to the right. Her head is erect, her back is straight and both her hands and her ankles are crossed; this posture, along with the expression on her face, suggests inner strength, dignity, resolve and determination, all characteristic of her long-time commitment to working for civil rights.
The statue is close to nine feet tall including its pedestal. The bronze statue weighs 600 pounds and the granite pedestal, partially hollowed out inside, weighs 2,100 pounds. The pedestal is made of Raven Black granite and inscribed simply with her name and life dates, “Rosa Parks/1913-2005.”
The Sculptor
A national competition was managed by the National Endowment for the Arts in partnership with the Architect of the Capitol to select the statue’s design. Artists’ proposals were reviewed by a panel of experts and judged on artistic excellence and artistic merit. Ten semifinalists were selected by the panel to produce a maquette, or small-scale model, of the proposed sculpture. Several entries were then selected by the panel for the review and final selection by the Joint Committee on the Library.
The commission was awarded in November 2009, to Daub and Firmin Studios, LLC, which is based in Kensington, and San Pedro, California.
Eugene E. Daub, a sculptor with more than 30 years of experience, was the master artist and sculptor. He studied at the University of Pittsburgh, the Pennsylvania Academy for the Fine Arts, and Alfred University in New York. He is a Fellow of the National Sculpture Society. Dr. Rob Firmin, partner at Daub and Firmin Studios, provided research for this project and worked with Daub on the concept and design of the statue. Dr. Firmin, earned degrees in history and art history, an MBA from Columbia University and a Ph.D. from the University of Chicago. Partnering with Eugene Daub since 2005, he has contributed to 40 public art sculptures in addition to his own work. Together they created a unique design for the statue of Rosa Parks that captures her dignity, determination and resolve.
US Capitol Building Washington DC - Washington DC Stock Photography
The United States Capitol Building is located on Capitol Hill at the east end of the National Mall in Washington DC. The US Capitol is among the most symbollically important and architecturally impressive buildings in the United States. It has housed the meeting chambers of the US House of Representatives and US Senate for two centuries. An example of 19 century neo-claccical architecture. Architectural details include columns, porticos, arches, steps, the US Capitol dome and rotunda. A washington D.C. landmark and national icon it is a popular tourist attraction and travel destination in Washington DC.
All images on this site copyright Randy Santos 2007 - 2010
No unauthorized use of any image without written permission
All images are very high quality image files available for license in various media. Please contact for license or visit:
Part II of Capitol Hill Design Insights are now available, exclusively on Patreon! 🇺🇲
Link to Patreon below ➡️🔗⤵️
www.patreon.com/posts/106089094?utm_campaign=postshare_cr...
#Artist #SupportArtists #SupportOnPatreon #FineArt #SmallBusiness #SmallBusinessOwner #ChicagoArtist #LEGO #LEGOArchitecture #LEGOArt #LEGOArtist #InstaLEGO #GoBricks #WeBrick #USCapitol #USCapitolBuilding #CapitolHill #WashingtonDC #ArchitectOfTheCapitol
Traffic creates light trails and motion blurs leading to the US Capitol Building on Pennsylvania Avenue in Washington, DC.
Image © 2017 Clarence Holmes / Clarence Holmes Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to use this image for any purpose, please see the available licensing and/or print options for this image on my website or contact me with any questions that you may have.
US Capitol Building Washington DC - Washington DC Stock Photography
The United States Capitol Building is located on Capitol Hill at the east end of the National Mall in Washington DC. The US Capitol is among the most symbollically important and architecturally impressive buildings in the United States. It has housed the meeting chambers of the US House of Representatives and US Senate for two centuries. An example of 19 century neo-claccical architecture. Architectural details include columns, porticos, arches, steps, the US Capitol dome and rotunda. A washington D.C. landmark and national icon it is a popular tourist attraction and travel destination in Washington DC.
All images on this site copyright Randy Santos 2007 - 2010
No unauthorized use of any image without written permission
All images are very high quality image files available for license in various media. Please contact for license or visit:
US Capitol Building Washington DC - Washington DC Stock Photography
The United States Capitol Building is located on Capitol Hill at the east end of the National Mall in Washington DC. The US Capitol is among the most symbollically important and architecturally impressive buildings in the United States. It has housed the meeting chambers of the US House of Representatives and US Senate for two centuries. An example of 19 century neo-claccical architecture. Architectural details include columns, porticos, arches, steps, the US Capitol dome and rotunda. A washington D.C. landmark and national icon it is a popular tourist attraction and travel destination in Washington DC.
All images on this site copyright Randy Santos 2007 - 2010
No unauthorized use of any image without written permission
All images are very high quality image files available for license in various media. Please contact for license or visit:
US Capitol Building Washington DC - Washington DC Stock Photography
The United States Capitol Building is located on Capitol Hill at the east end of the National Mall in Washington DC. The US Capitol is among the most symbollically important and architecturally impressive buildings in the United States. It has housed the meeting chambers of the US House of Representatives and US Senate for two centuries. An example of 19 century neo-claccical architecture. Architectural details include columns, porticos, arches, steps, the US Capitol dome and rotunda. A washington D.C. landmark and national icon it is a popular tourist attraction and travel destination in Washington DC.
All images on this site copyright Randy Santos 2007 - 2010
No unauthorized use of any image without written permission
All images are very high quality image files available for license in various media. Please contact for license or visit:
Rosa Parks
Rosa Parks’ statue was unveiled in National Statuary Hall of the United States Capitol, approximately 100 years after her birth on February 4, 1913. This statue depicts Parks seated on a rock-like formation of which she seems almost a part, symbolizing her famous refusal to give up her bus seat in 1955.
•Artist: Daub and Firmin Studios, LLC
oSculptor: Eugene Daub
oCo-Designer: Dr. Rob Firmin
•Material: Bronze
•Year: 2013
•Location: National Statuary Hall, U.S. Capitol
Rosa Louise McCauley was born in Tuskegee, Alabama, on February 4, 1913. She was raised on a farm, attended rural schools, then took some vocational and academic courses at the Industrial School for Girls in Montgomery before leaving to care for her grandmother and mother during their illnesses. In 1932, she married barber Raymond Parks, who was working with the National Association for the Advancement of Colored People (NAACP). In 1933, she completed her high school studies. Ten years later, she joined the NAACP and was elected secretary. Her involvement with the organization heightened her awareness of the injustices imposed by Jim Crow laws in the former Confederate states, which mandated racial segregation in public facilities and retail establishments.
On December 1, 1955, while riding a bus home from her job as a department-store seamstress, she refused to obey the driver’s direction to move from her seat to make room for a newly boarded white passenger. She was arrested. On December 5, at her trial, she was found guilty of disorderly conduct and violating a local ordinance. That day was also the start of a bus boycott that would last more than a year and increase the prominence of many figures in the civil rights movement, including Dr. Martin Luther King, Jr. The boycott ended only after a separate Supreme Court decision held that segregation on public buses was unconstitutional.
After her conviction, Parks was fired from her job and she and her husband sought work, first in Virginia and then in Michigan. She worked as a seamstress until 1965, then served as secretary and receptionist to U.S. Representative John Conyers until her retirement in 1988. She co-founded the Rosa L. Parks Scholarship Foundation in 1980 and the Rosa and Raymond Parks Institute for Self-Development in 1987. She published her autobiography in 1992 and her memoirs in 1995.
Rosa Parks remained an icon of the civil rights movement to the end of her life. In 1999, the United States Congress honored her with a Congressional Gold Medal. Following her death on October 24, 2005, she was accorded the rare tribute of having her remains lie in honor in the Rotunda of the U.S. Capitol in recognition of her contribution to advancing civil and human rights.
Statue
The statue of Rosa Parks authorized by the Congress in 2005 is historically significant as being the first full-length statue of an African American person in the U.S. Capitol. It is also the first statue commissioned by the Congress since 1873. It follows the bust of Martin Luther King, Jr., also commissioned by the Congress, that was unveiled in 1986 and the bust of Sojourner Truth placed in 2009.
The statue depicts Rosa Parks wearing the same clothes she wore on the day she was arrested. Based on photographic research into what she was wearing the day on the bus, she is shown wearing a round brimless hat, glasses, a cloth coat over her dress, laced shoes and she holds the handle of her purse. She is seated on a rock-like formation of which she seems almost a part, symbolizing her famous refusal to give up her bus seat. Her upper body is slightly turned to the right. Her head is erect, her back is straight and both her hands and her ankles are crossed; this posture, along with the expression on her face, suggests inner strength, dignity, resolve and determination, all characteristic of her long-time commitment to working for civil rights.
The statue is close to nine feet tall including its pedestal. The bronze statue weighs 600 pounds and the granite pedestal, partially hollowed out inside, weighs 2,100 pounds. The pedestal is made of Raven Black granite and inscribed simply with her name and life dates, “Rosa Parks/1913-2005.”
The Sculptor
A national competition was managed by the National Endowment for the Arts in partnership with the Architect of the Capitol to select the statue’s design. Artists’ proposals were reviewed by a panel of experts and judged on artistic excellence and artistic merit. Ten semifinalists were selected by the panel to produce a maquette, or small-scale model, of the proposed sculpture. Several entries were then selected by the panel for the review and final selection by the Joint Committee on the Library.
The commission was awarded in November 2009, to Daub and Firmin Studios, LLC, which is based in Kensington, and San Pedro, California.
Eugene E. Daub, a sculptor with more than 30 years of experience, was the master artist and sculptor. He studied at the University of Pittsburgh, the Pennsylvania Academy for the Fine Arts, and Alfred University in New York. He is a Fellow of the National Sculpture Society. Dr. Rob Firmin, partner at Daub and Firmin Studios, provided research for this project and worked with Daub on the concept and design of the statue. Dr. Firmin, earned degrees in history and art history, an MBA from Columbia University and a Ph.D. from the University of Chicago. Partnering with Eugene Daub since 2005, he has contributed to 40 public art sculptures in addition to his own work. Together they created a unique design for the statue of Rosa Parks that captures her dignity, determination and resolve.
Vintage Postcard
Caption on back:
"THE UNITED STATES CAPITOL, one of the largest and stateliest buildings in the world, sets on a height overlooking the ampitheatre of the Potomac. It is 751 feet long, 350 feet wide, and covers three and a half acres. The statue of Freedom on the dome towers 397 feet above the esplanade. The cornerstone of the main building was laid by President Washington in 1793; the central building was finished in 1797, and the extensions were occupied by Congress in 1857 and 1859."
Postmarked: Apr 15, 1936
US Capitol Building Washington DC - Washington DC Stock Photography
The United States Capitol Building is located on Capitol Hill at the east end of the National Mall in Washington DC. The US Capitol is among the most symbollically important and architecturally impressive buildings in the United States. It has housed the meeting chambers of the US House of Representatives and US Senate for two centuries. An example of 19 century neo-claccical architecture. Architectural details include columns, porticos, arches, steps, the US Capitol dome and rotunda. A washington D.C. landmark and national icon it is a popular tourist attraction and travel destination in Washington DC.
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The US Marine Corps War Memorial is silhouetted against an orange sky at sunrise, with Washington landmarks in the background in Arlington, Virginia.
Image © 2017 Clarence Holmes / Clarence Holmes Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
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Sun was hitting just about right on the west face of the Capitol Building.
Taken from the roof of the Newseum during a reception.