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Image via "DSCF0006" by shumpei_sano_exp7 flickr.com/photos/129570852@N08/16093975116 is licensed under CC BY-NC
Quote via Tom Woodward ‘Critical Digital Fluency Revisited’ bionicteaching.com/critical-digital-fluency-revisited/
Featured in my post 'Hidden in the Code' readwriterespond.com/2018/01/hidden-code/
Follow me on Facebook : Samouche Photography
Site Web : samouchephotography.fr
Modèle : Jeanne
Make Up & coiffure : Margaux Careil Make Up
thank you so much jerome for the complete poem . i posted this so you could see the statue at the meeting of the water in the Vale of Avoca County Wicklow Ireland.
i just learned how to put one of them url links in so you can see the statue etc. many thanks
There is not in the wide world a valley so sweet
As that vale in whose bosom the bright waters meet
Oh the last rays of feeling and life must depart
Ere the bloom of that valley shall fade from my heart
Ere the bloom of that valley shall fade from my heart
Yet it was not that nature had shed o'er the scene
Her purest of crystal and brightest of green
'Twas not her soft magic of streamlet or hill
Oh No 'twas something more exquisite still
Oh No 'twas something more exquisite still
'Twas that friends, the belov'd of my bosom were near
Who made every scene of enchantment more dear
And who felt how the best charms of nature improve
When we see them reflected from looks that we love
When we see them reflected from looks that we love
Sweet vale of Avoca! How calm could I rest
In thy bosom of shade, with the friends I love best
Where the storms that we feel in this cold world should cease
And our hearts, like thy waters, be mingled in peace
And our hearts, like thy waters, be mingled in peace
i could not in all the world tell you how special this place and this poem is to me . i hope you all like it as much as i do . irene
farm4.static.flickr.com/3314/4586658058_ac3cb5558d.jpg
farm5.static.flickr.com/4048/4582138826_b1a111967b.jpg
for the tell it more group
where is this : county wicklow in the vale of avoca Ireland . when was it taken this picture was only taken a few week ago but has been printed on my mind ever since i was a very young child. i used to go here with my father who was the apple of my eye we used to sit in this spot and absorb the nature all around us. each year we would go and he would read this poem to me under the tree that Thomas Moore wrote this poem. Sadly the tree is gone this year when i went bac., only since i came flickr did a wonderfull contact give to me the whole poem i never heard the entire poem all my life and the last verse summed it all up for me. i used to sit here with my father who was a giant of a man well over 6foor 6 and we would sit and absorb all the nature around us and the only sound to be heard was the water and the birds . we used to sit and talk about life and dreams and just simply be nothing more nothing great or spectacular just us and nature. There is the avon mor the big river i used to consider to be him and the avon beag the small river was me and then they meet and flow away together just like us and our thoughts and dreams. it was my greatest joy to be his daughter and i loved him dearly and here we went every single year . i never tired of his lovely voice to read the part of the poem that was written on the monument . i was so proud of him and i will never ever forget him as long as i live or this special place. so i still go every year and now i have the whole poem i will read it all and he will know . you can buy anthing in life except that which is so presious and great a memory that will last forever in a tiny place most people would pass and not even notice . it does not have to be the most spectacular place in the world to be the most special . the end haah
Cleanup efforts following a historic flood are seen in Ellicott City, Md., on Sept. 9, 2016. Despite its relative youth at 15 years old compared to surrounding buildings dating back to the 1700s, the clock that was recovered from the Patapsco by kayaker Bobby Barker served as a point of hope for recovery after the July 30 flood. (Photo by Leslie Boorhem-Stephenson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Even though this statue of a king is uninscribed, its distinctive features identify it without any doubt as a portrait of Amenemhat III. The heavy brows, prominent cheekbones, hollow cheeks, jutting lower jaw, and tightly bunched muscles at the corners of the mouth make a strikingly realistic impression. Not realistic, however, are the king’s supersized ears. Instead, they symbolize the ruler’s willingness to hear the prayers of his people. If this image had been carved in relief, the king’s hands would have been uplifted in worship. Here, however, to prevent the breakage of projecting limbs, the ruler’s hands are pressed flat against the front his kilt, a portion of which is looped over his belt.
Egypt, Middle Kingdom (2040–1648 BCE), Dynasty 12, reign of Amenemhat III (1860–1814 BCE)
granodiorite
Overall: 51.2 x 19.8 x 18.4 cm (20 3/16 x 7 13/16 x 7 1/4 in.)
Did you know...
The first pyramid Amenemhat III attempted to build, the so-called Black Pyramid, had major construction flaws and had to be abandoned when it started to collapse.
Purchase from the J. H. Wade Fund
Persistent URL: digital.lib.miamioh.edu/cdm/compoundobject/collection/pos...
Subject: Schools; Educational facilities; Childhood & Youth; Ohio--Hamilton; miami digital collections; bowden postcard collection
Federico Buffa, giornalista sportivo e abile narratore, guida gli spettatori dell’evento "Energia da url" a ripercorrere le tappe salienti che hanno condotto al lancio del nuovo eni.com. Regia di Maria Elisabetta Marelli, sound design di Matteo Milani, musiche originali a cura di Matteo Milani & Walter Marocchi, regia del suono di Massimo Marchi, visual di Mattia Galione & Massimiliano Meregalli.
www.eni.com/it_IT/media/dossier/esperienza-digitale-innov...
Federico Buffa, sports journalist and skillful narrator, leads the event viewer "Energia da url" to retrace the key stages that led to the new eni.com. Directed by Maria Elisabetta Marelli, sound design by Matteo Milani, original music by Matteo Milani & Walter Marocchi, directed by Massimo Marchi sound, visual Matthias Galione & Massimiliano Meregalli.
www.eni.com/en_IT/media/focus-on/innovative-digital-exper...
URL : www.gwizofficeproducts.com/low-back-swivel-tilt-chairs/ma...
Multi-curved backrest and sculpted seat provide ergonomic comfort and support. Waterfall seat edge helps relieve pressure points on the underside of your legs. Ratchet back height adjustment, dual-action tilt. Oversized, urethane, teardrop shaped armrests.
Original Caption: Photograph of the National Archives Building Pennsylvania Avenue Entrance during a Snow Storm, 01/02/1936
U.S. National Archives’ Local Identifier: 64-NA-50
From: Series : Historic Photograph File of National Archives Events and Personnel, compiled 1935 - 1975, documenting the period ca. 1928 - 1975
Created By: General Services Administration. National Archives and Records Service. Office of Educational Programs. Education Division. (? - 04/01/1985)
Production Date: 01/02/1936
Persistent URL: research.archives.gov/description/7820542
Repository: National Archives at College Park - Still Pictures (RD-DC-S), National Archives at College Park
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Bain News Service,, publisher.
Bedroom, Hughes House
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.22045
Call Number: LC-B2- 3890-9
Heidi Grace rub ons only 50 cents each. I have 4 of the mushrooms and none of the flowers.
Here's a video on this line www.google.com/url?sa=t&rct=j&q&esrc=s&so...
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Hardcore Till I Die music festival is making headlines for all the wrong reasons as a violent — and now viral — video clip from the event has surfaced of a dramatic arrest.
Footage shows a handful of officers holding down a man and one of them “booting” the “poor guy” while he’s down. The video has sparked much outrage on social media as potentially unwarranted police brutality. Of course, there’s much more to the story than this “harrowing” 30-second clip.
According to a report, Isoa Rabuatoka (18) allegedly punched a security guard in the face, spat on police officers, and threw a glass bottle at an 18-year-old girl. The bottle was apparently meant for a security guard, but it struck the attendee, leaving her with glass embedded in her face.
When police approached and confronted Rabuatoka about this series of incidents, he reportedly became violent. It’s also alleged by police that he had “an entire bottle of Jim Beam and MDMA in his system.”
Despite the reasoning, one police officer can clearly be seen viciously kneeing the suspect. Many people on social media are angered by the video and believe the police officer took this way too far.
“This makes me physically sick omg,” one comment reads.
“These dickheads [the police] need to be taught manners,” another says.
“The NSW Police Force, backed by the Lib government, has been given free reign to abuse their powers for far too long,” a share from anti-drug dog campaigners Sniff Off reads.
Watch below and sound off in the comments.
Hardcore Till I Die Viral Video
Source: news.com.au
This article was first published on Your EDM. Source: Hardcore Till I Die: Video Of Police Officer Beating Suspect During Arrest Sparks Debate
Hardcore Till I Die: Video Of Police Officer Beating Suspect During Arrest Sparks Debate published first on soundwizreview.tumblr.com/
The Mash Pit's moved to URL's for two days while we're moved from B2 to A2. :-) Some fun, this is.
Sent from my iPhone
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Keep Dave Gill Photography in mind for your event! It’s your moment, I won’t miss!
This is a photograph from the 4th Annual Meath Spring Half Marathon and 10KM Road Races hosted by Bohermeen AC on the 8th March 2015 at 12:00 at Bohermeen, Ardbraccan, Navan, Co. Meath, Ireland. A 10KM race was also held and started one hour before the half marathon. This event has grown quickly in popularity over the past few years with this year's entry of 1,168 with this being a record for both races. The half marathon had 843 entrants while the 10KM race had 325 entrants. This half marathon event is perfectly placed in the Irish running calendar as it provides runners of all levels and abilities an opportunity to test the half marathon distance in preparation for a Spring Marathon or as the first serious running goal in 2015. Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful.
Want to use this photograph or share it? Please read/scroll down a little further to find out how - it's very easy!
The weather was very suitable for road racing with the exception of a strong headwind at certain parts of the course. However the cool, dry sunny conditions were suitable for fast times and PB performances from runners.
Our full set of photographs from today's event are available on Flickr at the following link https://www.flickr.com/photos/peterm7/sets/72157648897769373/. This set of photographs is mostly of the Half Marathon race but there are some from the 10KM event.
Don't forget to scroll down to see more information about the race and these photographs!
Event Management and Timing was provided by PRECISION TIMING. The results from today's events can be found on Precision Timing's website at this URL [www.precisiontiming.net/result.aspx?v=2457]. You can checkout their facebook page at www.facebook.com/davidprecisiontiming?fref=ts
The Satellite Navigation Coordinates to Bohermeen are [53.650882,-6.77989] and is accessible using the M3, N2 and N52
Some useful links to other web-resources related to this race
Bohermeen AC Facebook Page: www.facebook.com/bohermeen.ac?fref=ts
2015 Spring Half Marathon Route: www.runningmap.com/?id=641747
2015 Spring Half Marathon 10KM Race Option Route: www.runningmap.com/?id=641752
Google Streetview of the Race Start: goo.gl/maps/rtj1X
Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR
Internet Homepage for the Spring Half Marathon [www.meathspringhalfmarathon.com/]
Results from 2014 from Precision Timing: www.precisiontiming.net/result.aspx?v=1684
Results from 2013 from Precision Timing: www.precisiontiming.net/result.aspx?v=1115
Photographs from previous events
Our Flickr Photograph set from the 3rd Spring Marathon 2014: www.flickr.com/photos/peterm7/sets/72157641717197563
Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/
Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/with...
Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]
USING OUR PHOTOGRAPHS - A QUICK GUIDE
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
URL www.photo.rmn.fr/cf/htm/CSearchZ.aspx?o=&Total=41&...
Crédit photographique : (C) RMN-Grand Palais (musée du Louvre) / René-Gabriel Ojéda
This drawing records a grand procession through Venice's Piazza San Marco on the penultimate day of the 1782 celebrations for the visit of the Russian Grand Duke Paul (Pavel) Petrovitch and his wife Maria Feodorovna. Francesco Guardi was likely commissioned by the Venetian state to document the ducal visit. Drawing from the vantage point of the Procuratie Nuove (a palace on one side of the piazza), Guardi sketched five carriages festooned with allegories, which were meant to celebrate the governments of Catherine the Great and Venice. In order to include as much of the procession as possible, he manipulated the perspective of the buildings on the right side of the square.The loose handling and lively immediacy of the pen work suggests he executed it on the spot. One drawing (Museen Preußischer Kulturbesitz, Berlin) and two oil paintings (private collections, Venice and Milan) of the same scene survive. Cleveland’s sheet likely preceded these more detailed and polished compositions.
Italy, Venice, 18th century
pen and brown ink
Sheet: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.)
Did you know...
Before entering the museum's collection, this sheet may have been cut on the left, possibly to eliminate a sixth carriage that does not appear in Guardi’s other representations of the procession.
John L. Severance Fund
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Bain News Service,, publisher.
A. Megerlin
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.24227
Call Number: LC-B2- 4186-13