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Visiting Naumburg Cathedral (Naumburger Dom), UNESCO World Heritage site since 2018 (ref. 1470).
Tiny little detail of a handrail decoration inside the church.
Wooden rack in the museum torture chamber of Spišský hrad (Spiš Castle, German: Zipser Burg), municipality Žehra, district Spišská Nová Ves, Košický kraj (Košice region), Slovakia.
Spiš Castle is inscribed in the World Heritage list of the UNESCO as part of the World Heritage Site Levoča, Spišský Hrad and the Associated Cultural Monuments.
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The ruins of Spiš Castle (Slovak: Spišský hrad; Hungarian: Szepesi vár; German: Zipser Burg) in eastern Slovakia form one of the largest castle sites in Central Europe. The castle is situated above the town of Spišské Podhradie and the village of Žehra, in the region known as Spiš (Hungarian: Szepes, German: Zips, Polish: Spisz, Latin: Scepusium). It was included in the UNESCO list of World Heritage Sites in 1993 (together with the adjacent locations of Spišská Kapitula, Spišské Podhradie and Žehra). This is one of the biggest European castles by area (41 426 m²).
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Slovakia holidays May 2016
Manueline portal of the Panteão de D. Duarte (pantheon of King Duarte), better known as Capelas Imperfeitas (Unfinished Chapels) of Mosteiro de Santa Maria da Vitória (Monastery of Saint Mary of Victory), better known as Mosteiro da Batalha (Monastery of Batalha, literally Monastery of the Battle), Batalha, Portugal.
Batalha monastery is inscribed in the World Heritage List of the UNESCO.
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The Monastery of the Dominicans of Batalha was built to commemorate the victory of the Portuguese over the Castilians at the battle of Aljubarrota in 1385. It was to be the Portuguese monarchy's main building project for the next two centuries. Here a highly original, national Gothic style evolved, profoundly influenced by Manueline art, as demonstrated by its masterpiece, the Royal Cloister.
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Unfinished Chapels (Capelas Imperfeitas)
As Capelas Imperfeitas (The Unfinished Chapels) remain as a testimony of the fact that the monastery was never actually finished. They form a separate octagonal structure tacked on the choir of the church (via a retrochoir) and only accessible from the outside. It was commissioned in 1437 by King Duarte I as a second royal mausoleum for himself and his descendants. But he and his queen Leonor of Aragon are the only ones buried here. The original design, begun by Huguet, was altered by successive architects, especially Mateus Fernandes (who is buried inside the church). The octagonal rotunda has seven radiating hexagonal chapels. In the corners of the chapels stand the massive unfinished buttresses, that were intended to support the vault. These pillars, designed by Diogo Boitac, are decorated with Manueline motives carved in stone.
The portal rises to a monumental fifteen metres. It was originally built in Gothic style, but was transformed beyond recognition by Mateus Fernandes into a masterpiece of Manueline style (completed in 1509). It is completely decorated into a lacework of sumptuous and stylized Manueline motives : armillary, spheres, winged angels, ropes, circles, tree stumps, clover-shaped arches and florid projections. This homage of King Manuel I to his predecessor King D. Duarte mentions his motto Leauté faray tam yaserei (I will always be loyal). This motto is then repeated more than two hundred times in the arches, vaults and pillars of the chapels.
The Renaissance loggia, added at about 1533, was probably meant for musicians. It is ascribed to the architect João de Castilho.
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-----citation from en.wikipedia.org about Manueline style-----
Several elements appear regularly in these intricately carved stoneworks:
- elements used on ships: the armillary sphere (a navigational instrument and the personal emblem of Manuel I and also symbol of the cosmos), spheres, anchors, anchor chains, ropes and cables.
- elements from the sea, such as shells, pearls and strings of seaweed.
- botanical motifs such as laurel branches, oak leaves, acorns, poppy capsules, corncobs, thistles.
- symbols of Christianity such as the cross of the Order of Christ (former Templar knights), the military order that played a prominent role and helped finance the first voyages of discovery. The cross of this order decorated the sails of the Portuguese ships.
- elements from newly discovered lands (such as the tracery in the Claustro Real in the Monastery of Batalha, suggesting Islamic filigree work, influenced by buildings in India)
- columns carved like twisted strands of rope
- semicircular arches (instead of Gothic pointed arches) of doors and windows, sometimes consisting of three or more convex curves
- multiple pillars
- eight-sided capitals
- lack of symmetry
- conical pinnacles
- bevelled crenellations
- ornate portals with niches or canopies.
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Natur und Kultur in Mittelportugal (Nature and Culture in Mid-Portugal), Wikinger-Reisen, September 2011
Café am Finkenherd, Finkenherd (Finch trapping place), Quedlinburg in the Harz mountains, Sachsen-Anhalt (Saxony-Anhalt), Germany.
According to legend, Finkenherd was the place where Heinrich I. (Henry the Fowler) was offered the royal crown in 919 while he was hunting finches.
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Henry the Fowler (German: Heinrich der Finkler or Heinrich der Vogler; Latin: Henricius Auceps) (876 – 2 July 936) was the Duke of Saxony from 912 and German king from 919 until his death. First of the Ottonian Dynasty of German kings and emperors, he is generally considered to be the founder and first king of the medieval German state, known until then as East Francia. An avid hunter, he obtained the epithet "the Fowler" because he was allegedly fixing his birding nets when messengers arrived to inform him that he was to be king.
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Quedlinburg is a beautiful medieval town in the north of the Harz mountains. With its many half-timbered houses, the Quedlinburg castle (which later became a house of secular canonesses) and the Romanesque Collegiate Church of St. Servatius it is inscribed in the World Heritage List of the UNESCO.
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Quedlinburg, in the Land of Sachsen-Anhalt, was a capital of the East Franconian German Empire at the time of the Saxonian-Ottonian ruling dynasty. It has been a prosperous trading town since the Middle Ages. The number and high quality of the timber-framed buildings make Quedlinburg an exceptional example of a medieval European town. The Collegiate Church of St Servatius is one of the masterpieces of Romanesque architecture. (...)
The importance of Quedlinburg rests on three main elements: the preservation of the medieval street pattern; the wealth of urban vernacular buildings, especially timber-framed houses of the 16th and 17th centuries, and the important Romanesque collegiate church of St Servatius. The original urban layout is remarkably well preserved: it is a classic example of the growth of European medieval towns. The history of the medieval and early modern town is perfectly illustrated by the street pattern of the present-day town. (...)
Situated in a hilly region to the north of the Harz Mountains, the villa Quitilingaburg is first mentioned in 922 in an official document of Henry I (the Fowler), who was elected German King in 919. He built a castle on what became known as the Castle Hill (Burgberg), one of the two sandstone hills that overlook the Harz valley, and this became one of his favourite residences. It became the capital of the East Franconian German Empire and was the place where many important political and religious assemblies and festivals took place. The town owes its wealth and importance during the Middle Ages to Henry I and his successors. German Kings are known to have stayed at Quedlinburg on 69 occasions between 922 and 1207.
On the death of Henry I in 936 his widow Mathilde remained in Quedlinburg at the collegiate church of St Servatius on the Castle Hill, founded by Henry's son and successor Otto I as a collegial establishment for unmarried daughters of the nobility. It was to become one of the most influential foundations of its type in the Holy Roman Empire. From 944 the abbesses (many of whom were members of the Imperial family and were buried in the crypt of the church) had the right to mint coins at Quedlinburg.
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Harz weekend June 2012
Siena è un comune di 54.391 abitanti della Toscana centrale, capoluogo dell'omonima provincia.
La città è universalmente conosciuta per il suo patrimonio artistico e per la sostanziale unità stilistica del suo arredo urbano medievale, nonché per il suo famoso Palio; il centro storico è stato infatti dichiarato dall'UNESCO patrimonio dell'umanità nel 1995.
Siena fu fondata come colonia romana al tempo dell'Imperatore Augusto e prese il nome di Saena Iulia.
All'interno del centro storico senese sono stati ritrovati dei siti di epoca etrusca, che possono far pensare alla fondazione della città da parte degli etruschi.
Il primo documento noto in cui viene citata la comunità senese risale al 70 e porta la firma di Tacito che, nel IV libro delle Historiae, riporta il seguente episodio: il senatore Manlio Patruito riferì a Roma di essere stato malmenato e ridicolizzato con un finto funerale durante la sua visita ufficiale a Saena Iulia, piccola colonia militare della Tuscia. Il Senato romano decise di punire i principali colpevoli e di richiamare severamente i senesi a un maggiore rispetto verso l'autorità.
Dell'alto Medioevo non si hanno documenti che possano illuminare intorno ai casi della vita civile a Siena. C'è qualche notizia relativa alla istituzione del vescovado e della diocesi, specialmente per le questioni sorte fra il Vescovo di Siena e quello di Arezzo, a causa dei confini della zona giurisdizionale di ciascuno: questioni nelle quali intervenne il re longobardo Liutprando, pronunziando sentenza a favore della diocesi aretina. Ma i senesi non furono soddisfatti e pertanto nell'anno 853, quando l'Italia passò dalla dominazione longobarda a quella franca, riuscirono ad ottenere l'annullamento della sentenza emanata dal re Liutprando. Pare, dunque, che al tempo dei Longobardi, Siena fosse governata da un gastaldo, rappresentante del re: Gastaldo che fu poi sostituito da un Conte imperiale dopo l'incoronazione di Carlo Magno. Il primo conte di cui si hanno notizie concrete fu Winigi, figlio di Ranieri, nel 867. Dopo il 900 regnava a Siena l'imperatore Ludovico III, il cui regno non durò così a lungo, dal momento che nel 903 le cronache raccontano di un ritorno dei conti al potere sotto il nuovo governo del re Berengario.
Siena si ritrova nel X secolo al centro di importanti vie commerciali che portavano a Roma e, grazie a ciò divenne un'importante città medievale. Nel XII secolo la città si dota di ordinamenti comunali di tipo consolare, comincia a espandere il proprio territorio e stringe le prime alleanze. Questa situazione di rilevanza sia politica che economica, portano Siena a combattere per i domini settentrionali della Toscana, contro Firenze. Dalla prima metà del XII secolo in poi Siena prospera e diventa un importante centro commerciale, tenendo buoni rapporti con lo Stato della Chiesa; i banchieri senesi erano un punto di riferimento per le autorità di Roma, ai quali si rivolgevano per prestiti o finanziamenti.
Alla fine del XII secolo Siena, sostenendo la causa ghibellina (anche se non mancavano, le famiglie senesi di parte guelfa, in sintonia con Firenze), si ritrovò nuovamente contro Firenze di parte guelfa: celebre è la vittoria sui toscani guelfi nella battaglia di Montaperti, del 1260, celebrata anche da Dante Alighieri. Ma dopo qualche anno i senesi ebbero la peggio nella battaglia di Colle Val d'Elsa, del 1269, che portò in seguito, nel 1287, alla ascesa del Governo
dei Nove, di parte guelfa. Sotto questo nuovo governo, Siena raggiunse il suo massimo splendore, sia economico che culturale.
Dopo la peste del 1348, cominciò la lenta decadenza della Repubblica di Siena, che comunque non precluse la strada all'espansione territoriale senese, che fino al giorno della caduta della Repubblica comprendeva un terzo della toscana. La fine della Repubblica Senese, forse l'unico Stato occidentale ad attuare una democrazia pura a favore del popolo, avvenne il 25 aprile 1555, quando la città, dopo un assedio di oltre un anno, dovette arrendersi stremata dalla fame, all'impero di Carlo V, spalleggiato dai fiorentini, che cedette in feudo il territorio della Repubblica ai Medici, Signori di Firenze, per ripagarli delle spese sostenute durante la guerra. Per l'ennesima volta i cittadini senesi riuscirono a tenere testa ad un imperatore, che solo grazie alle proprie smisurate risorse poté piegare la fiera resistenza di questa piccola Repubblica e dei suoi cittadini.
Dopo la caduta della Repubblica pochi senesi guidati peraltro dall'esule fiorentino Piero Strozzi, non volendo accettare la caduta della Repubblica, si rifugiarono in Montalcino, creando la Repubblica di Siena riparata in Montalcino, mantenendo l'alleanza con la Francia, che continuò ad esercitare il proprio potere sulla parte meridionale del territorio della Repubblica, creando notevoli problemi alle truppe degli odiati fiorentini. Essa visse fino al 31 maggio del 1559 quando fu tradita dagli alleati francesi, che Siena aveva sempre sostenuto, che concludendo la pace di Cateau-Cambrésis con l'imperatore Carlo V, cedettero di fatto la Repubblica ai fiorentini.
Lo stemma di Siena è detto "balzana". È uno scudo diviso in due porzioni orizzontali: quella superiore è bianca, quella inferiore nera,con la Lupa che allatta Senio e Ascanio. Secondo la leggenda, starebbe a simboleggiare il fumo nero e bianco scaturito dalla pira augurale che i leggendari fondatori della città, Senio e Ascanio, figli di Remo, avrebbero acceso per ringraziare gli dei dopo la fondazione della città di Siena. Un'altra leggenda riporta che la balzana derivi dai colori dei cavalli, uno bianco ed uno nero, che Senio e Ascanio usarono nella fuga dallo zio Romolo che li voleva uccidere e con i quali giunsero a Siena. Per il loro presunto carattere focoso che, si dice, rasenta la pazzia, anche i senesi sono definiti spesso "balzani".
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Siena (em português também conhecida como Sena) é uma cidade e sede de comuna italiana na região da Toscana, província do mesmo nome, com cerca de 52.775 (ISTAT 2003) habitantes. Estende-se por uma área de 118 km2, tendo uma densidade populacional de 447 hab/km2. Faz fronteira com Asciano, Castelnuovo Berardenga, Monteriggioni, Monteroni d'Arbia e Sovicille.
Siena é universalmente conhecida pelo seu património artístico e pela notável unidade estilística do seu centro histórico, classificado pela UNESCO como Património da Humanidade.
Segundo a mitologia romana, Siena foi fundada por Sénio, filho de Remo, e podem-se encontrar numerosas estátuas e obras de arte mostrando, tal como em Roma, os irmãos amamentados pela loba. Foi um povoamento etrusco e depois colónia romana (Saena Julia) refundada pelo imperador Augusto. Era, contudo, uma pequena povoação, longe das rotas principais do Império. No século V, torna-se sede de uma diocese cristã.
As antigas famílias aristocráticas de Siena reclamam origem nos Lombardos e à data da submissão da Lombardia a Carlos Magno (774). A grande influência da cidade como pólo cultural, artístico e político é iniciada no século XII, quando se converte num burgo autogovernado de cariz republicano, substituindo o esquema feudal.
Todavia, o esquema político conduziu sempre a lutas internas entre nobres e externas com a cidade rival de Florença. Data do século XIII a ruptura entre as facções rivais dos Guibelinos de Siena e dos Guelfos de Florença, que seria argumento para a Divina Comédia de Dante.
Em 4 de Setembro de 1260, os Guibelinos apoiaram as forças do rei Manfredo da Sicília e derrotaram os Guelfos em Montaperti, que tinham um exército muito superior em armas e homens. Antes da batalha, toda a cidade fora consagrada à Virgem Maria e confiada à sua protecção. Hoje, essa protecção é recordada e renovada, lembrando os sienenses da ameaça dos aliados da Segunda Guerra Mundial de bombardearam a cidade em 1944, o que felizmente não veio a acontecer.
Siena rivalizou no campo das artes durante o período medieval até o século XIV com as cidades vizinhas. Porém, devastada em 1348 pela Peste Negra, nunca recuperou o seu esplendor, perdendo também a sua rivalidade interurbana com Florença. A Siena actual tem um aspecto muito semelhante ao dos séculos XIII-XIV. Detém uma universidade fundada em 1203, famosa pelas faculdades de Direito e Medicina, e que é uma das mais prestigiadas universidades italianas.
Em 1557 perde a independência e é integrada nas formações políticas e administrativas da Toscana.
Siena também deu vários Papas, sendo eles: Alexandre III, Pio II, Pio III e Alexandre VII.
Os dois grandes santos de Siena são Santa Catarina (1347-1380) e São Bernardino (1380-1444). Catarina Benincasa, filha de um humilde tintureiro, fez-se irmã na Ordem Terceira dominicana (para leigos)e viveu como monja na casa dos pais. É famosa pelo intercâmbio interior com o próprio Cristo, que num êxtase lhe disse: "Eu sou aquele que é e tú és aquela que não é". Apesar da origem modesta, influenciou papas e príncipes com sua sabedoria e seu exemplo, conseguindo inclusive convencer o papa de então, contra a maioria dos cardeais, a regressar a Roma do exílio de Avinhon na França. Quanto ao franciscano São Bernardino, ele é célebre por ter sido o maior expoente, no Catolicismo, da via espiritual de invocação do Nome Divino, que encontra similares em todas as grandes religiões, do Budismo (nembutsu) ao Islã ([[dhikr]]) e ao Hinduísmo (mantra). Os sermões que Bernbardino fez na praça central de Siena provocaram tal fervor religioso e devoção ao nome de Jesus que o conselho municipal decidiu colocar o monograma do nome de Jesus (composto pelas letras IHS, significando "Jesus salvador dos homens")na fachada do prédio do governo. Do mesmo modo, muitos cidadãos o pintaram sobre as fachadas de suas casas, como até hoje se pode ver na cidade.
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Siena also widely spelled Sienna in English) is a city in Tuscany, Italy. It is the capital of the province of Siena.
The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008.[1] Siena is famous for its cuisine, art, museums, medieval cityscape and the palio.
Siena, like other Tuscan hill towns, was first settled in the time of the Etruscans (c. 900–400 BC) when it was inhabited by a tribe called the Saina. The Etruscans were an advanced people who changed the face of central Italy through their use of irrigation to reclaim previously unfarmable land, and their custom of building their settlements in well-defended hill-forts. A Roman town called Saena Julia was founded at the site in the time of the Emperor Augustus. The first document mentioning it dates from AD 70. Some archaeologists assert that Siena was controlled for a period by a Gaulish tribe called the Saenones.
The Roman origin accounts for the town's emblem: a she-wolf suckling infants Romulus and Remus. According to legend, Siena was founded by Senius, son of Remus, who was in turn the brother of Romulus, after whom Rome was named. Statues and other artwork depicting a she-wolf suckling the young twins Romulus and Remus can be seen all over the city of Siena. Other etymologies derive the name from the Etruscan family name "Saina," the Roman family name of the "Saenii," or the Latin word "senex" ("old") or the derived form "seneo", "to be old".
Siena did not prosper under Roman rule. It was not sited near any major roads and lacked opportunities for trade. Its insular status meant that Christianity did not penetrate until the 4th century AD, and it was not until the Lombards invaded Siena and the surrounding territory that it knew prosperity. After the Lombard occupation, the old Roman roads of Via Aurelia and the Via Cassia passed through areas exposed to Byzantine raids, so the Lombards rerouted much of their trade between the Lombards' northern possessions and Rome along a more secure road through Siena. Siena prospered as a trading post, and the constant streams of pilgrims passing to and from Rome provided a valuable source of income in the centuries to come.
The oldest aristocratic families in Siena date their line to the Lombards' surrender in 774 to Charlemagne. At this point, the city was inundated with a swarm of Frankish overseers who married into the existing Sienese nobility and left a legacy that can be seen in the abbeys they founded throughout Sienese territory. Feudal power waned however, and by the death of Countess Matilda in 1115 the border territory of the Mark of Tuscia which had been under the control of her family, the Canossa, broke up into several autonomous regions.
Siena prospered as a city-state, becoming a major centre of money lending and an important player in the wool trade. It was governed at first directly by its bishop, but episcopal power declined during the 12th century. The bishop was forced to concede a greater say in the running of the city to the nobility in exchange for their help during a territorial dispute with Arezzo, and this started a process which culminated in 1167 when the commune of Siena declared its independence from episcopal control. By 1179, it had a written constitution.
This period was also crucial in shaping the Siena we know today. It was during the early 13th century that the majority of the construction of the Siena Cathedral (Duomo) was completed. It was also during this period that the Piazza del Campo, now regarded as one of the most beautiful civic spaces in Europe, grew in importance as the centre of secular life. New streets were constructed leading to it, and it served as the site of the market and the location of various sporting events (perhaps better thought of as riots, in the fashion of the Florentine football matches that are still practised to this day). A wall was constructed in 1194 at the current site of the Palazzo Pubblico to stop soil erosion, an indication of how important the area was becoming as a civic space.
In the early 12th century a self-governing commune replaced the earlier aristocratic government. The consuls who governed the republic slowly became more inclusive of the poblani, or common people, and the commune increased its territory as the surrounding feudal nobles in their fortified castles submitted to the urban power. Siena's republic, struggling internally between nobles and the popular party, usually worked in political opposition to its great rival, Florence, and was in the 13th century predominantly Ghibelline in opposition to Florence's Guelph position (this conflict formed the backdrop for some of Dante's Commedia).
On 4 September 1260 the Sienese Ghibellines, supported by the forces of King Manfred of Sicily, defeated the Florentine Guelphs in the Battle of Montaperti. Before the battle, the Sienese army of around 20,000 faced a much larger Florentine army of around 33,000. Prior to the battle, the entire city was dedicated to the Virgin Mary (this was done several times in the city's history, most recently in 1944 to guard the city from Allied bombs). The man given command of Siena for the duration of the war, Bonaguida Lucari, walked barefoot and bareheaded, a halter around his neck, to the Duomo. Leading a procession composed of all the city's residents, he was met by all the clergy. Lucari and the bishop embraced, to show the unity of church and state, then Lucari formally gave the city and contrade to the Virgin. Legend has it that a thick white cloud descended on the battlefield, giving the Sienese cover and aiding their attack. The reality was that the Florentine army launched several fruitless attacks against the Sienese army during the day, then when the Sienese army countered with their own offensive, traitors within the Florentine army killed the standard bearer and in the resulting chaos, the Florentine army broke up and fled the battlefield. Almost half the Florentine army (some 15,000 men) were killed as a result. So crushing was the defeat that even today if the two cities meet in any sporting event, the Sienese supporters are likely to exhort their Florentine counterparts to “Remember Montaperti!”.
The limits on the Roman town, were the earliest known walls to the city. During the 10th and 11th centuries, the town grew to the east and later to the north, in what is now the Camollia district. Walls were built to totally surround the city, and a second set was finished by the end of the 13th century. Much of these walls still exist today.[2]
Siena's university, founded in 1240 and famed for its faculties of law and medicine, is still among the most important Italian universities. Siena rivalled Florence in the arts throughout the 13th and 14th centuries: the important late medieval painter Duccio di Buoninsegna (1253–1319) was a Sienese, but worked across the peninsula, and the mural of "Good Government" by Ambrogio Lorenzetti in the Palazzo Pubblico, or town hall, is a magnificent example of late-Medieval/early Renaissance art as well as a representation of the utopia of urban society as conceived during that period. Siena was devastated by the Black Death of 1348, and also suffered from ill-fated financial enterprises. In 1355, with the arrival of Charles IV of Luxembourg in the city, the population rose and suppressed the government of the Nove (Nine), establishing that Dodici (Twelve) nobles assisted by a council with a popular majority. This was also short-lived, being replaced by the Quindici (Fifteen) reformers in 1385, the Dieci (Ten, 1386–1387), Undici (Eleven, 1388–1398) and Twelve Priors (1398–1399) who, in the end, gave the city's seigniory to Gian Galeazzo Visconti of Milan in order to defend it from the Florentine expansionism.
In 1404 the Visconti were expelled and a government of Ten Priors established, in alliance with Florence against King Ladislas of Naples. With the election of the Sienese Pius II as Pope, the Piccolomini and other noble families were allowed to return to the government, but after his death the control returned into popular hands. In 1472 the Republic founded the Monte dei Paschi, a bank that is still active today and is the oldest surviving bank in the world. The noble factions returned in the city under Pandolfo Petrucci in 1487, with the support of Florence and of Alfonso of Calabria; Petrucci exerted an effective rule on the city until his death in 1512, favouring arts and sciences, and defending it from Cesare Borgia. Pandolfo was succeeded by his son Borghese, who was ousted by his cousin Raffaello, helped by the Medici Pope Leo X. The last Petrucci was Fabio, exiled in 1523 by the Sienese people. Internal strife resumed, with the popular faction ousting the Noveschi party supported by Clement VII: the latter sent an army, but was defeated at Camollia in 1526. Emperor Charles V took advantage of the chaotic situation to put a Spanish garrison in Siena. The citizens expelled it in 1552, allying with France: this was unacceptable for Charles, who sent his general Gian Giacomo Medici to lay siege to it with a Florentine-Imperial army.
The Sienese government entrusted its defence to Piero Strozzi. When the latter was defeated at the Battle of Marciano (August 1554), any hope of relief was lost. After 18 months of resistance, it surrendered to Spain on 17 April 1555, marking the end of the Republic of Siena. The new Spanish King Philip, owing huge sums to the Medici, ceded it (apart a series of coastal fortress annexed to the State of Presidi) to the Grand Duchy of Tuscany, to which it belonged until the unification of Italy in the 19th century. A Republican government of 700 Sienese families in Montalcino resisted until 1559.
The picturesque city remains an important cultural centre, especially for humanist disciplines
Gable relief of a house on Wenceslas Square (Czech: Václavské náměstí), New Town (Nové Město), Prague (Praha), Czech Republic.
The Historic Centre of Prague is inscribed in the World Heritage List of the UNESCO.
Citation from whc.unesco.org/en/list/616
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Built between the 11th and 18th centuries, the Old Town, the Lesser Town and the New Town speak of the great architectural and cultural influence enjoyed by this city since the Middle Ages. The many magnificent monuments, such as Hradcani Castle, St Vitus Cathedral, Charles Bridge and numerous churches and palaces, built mostly in the 14th century under the Holy Roman Emperor, Charles IV.
Prague is one of the most beautiful cities in Europe in terms of its setting on both banks of the Vltava River, its townscape of burger houses and palaces punctuated by towers, and its individual buildings.
The Historic Centre represents a supreme manifestation of Medieval urbanism (the New Town of Emperor Charles IV built as the New Jerusalem). The Prague architectural works of the Gothic Period (14th and 15th centuries), of the High Baroque of the 1st half of the 18th century and of the rising modernism after the year 1900, influenced the development of Central Europe, perhaps even all European architecture. Prague represents one of the most prominent world centres of creative life in the field of urbanism and architecture across generations, human mentality and beliefs.
Prague belongs to the group of historic cities which have preserved the structure of their development until the present times. Within the core of Prague, successive stages of growth and changes have respected the original grand-scale urban structure of the Early Middle Ages. This structure was essentially and greatly enlarged with urban activities in the High Gothic period with more additions during the High Baroque period and in the 19th century. It has been saved from any large-scale urban renewal or massive demolitions and thus preserves its overall configuration, pattern and spatial composition.
In the course of the 1100 years of its existence, Prague’s development can be documented in the architectural expression of many historical periods and their styles. The city is rich in outstanding monuments from all periods of its history. Of particular importance are Prague Castle, the Cathedral of St Vitus, Hradćany Square in front of the Castle, the Valdgtejn Palace on the left bank of the river, the Gothic Charles Bridge, the Romanesque Rotunda of the Holy Rood, the Gothic arcaded houses round the Old Town Square, the High Gothic Minorite Church of St James in the Stark Mĕsto, the late 19th century buildings and town plan of the Nave Mĕsto.
As early as the Middle Ages, Prague became one of the leading cultural centres of Christian Europe. The Prague University, founded in 1348, is one of the earliest in Europe. The milieu of the University in the last quarter of the 14th century and the first years of the 15th century contributed among other things to the formation of ideas of the Hussite Movement which represented in fact the first steps of the European Reformation. As a metropolis of culture, Prague is connected with prominent names in art, science and politics, such as Charles IV, Petr Parléř, Jan Hus, Johannes Kepler, Wolfgang Amadeus Mozart, Franz Kafka, Antonín Dvořák, Albert Einstein, Edvard Beneš (co-founder of the League of Nations) and Václav Havel.
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Spišský hrad (Spiš Castle, German: Zipser Burg), municipality Žehra, district Spišská Nová Ves, Košický kraj (Košice region), Slovakia.
Spiš Castle is inscribed in the World Heritage list of the UNESCO as part of the World Heritage Site Levoča, Spišský Hrad and the Associated Cultural Monuments.
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The ruins of Spiš Castle (Slovak: Spišský hrad; Hungarian: Szepesi vár; German: Zipser Burg) in eastern Slovakia form one of the largest castle sites in Central Europe. The castle is situated above the town of Spišské Podhradie and the village of Žehra, in the region known as Spiš (Hungarian: Szepes, German: Zips, Polish: Spisz, Latin: Scepusium). It was included in the UNESCO list of World Heritage Sites in 1993 (together with the adjacent locations of Spišská Kapitula, Spišské Podhradie and Žehra). This is one of the biggest European castles by area (41 426 m²).
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Slovakia holidays May 2016
Door in Levoča, historical region Spiš, Prešovský kraj, Slovakia.
Levoča is a town in eastern Slovakia with a well preserved historical town center. Together with the nearby Spiš Castle, the church of Žehra and other associated monuments, Levoča is inscribed in the World Heritage List of the UNESCO.
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The old town is picturesquely sited and still surrounded by most of its ancient walls. In associating the town with Spiš Castle and Žehra in June 2009 as the renamed World Heritage Site of "Levoča, Spišský Hrad, and the Associated Cultural Monuments", UNESCO cites the town's historic center, its fortifications, and the works of Master Paul of Levoča preserved in the town.
The main entrance to the old town is via the monumental Košice Gate (15th century) behind which is located the ornate baroque Church of the Holy Spirit and the New Minorite Monastery (c. 1750).
The town square (Námestie Majstra Pavla - Master Paul’s Square) boasts three major monuments; the quaint Old Town Hall (15th-17th century) which now contains a museum, the domed Evangelical Lutheran Church (1837) and the 14th century Roman Catholic Church of St. James (in Slovak: Chrám svätého Jakuba, often mistakenly referred to in English as St. Jacob's). It houses a magnificently carved and painted wooden Gothic altar, the largest in Europe, (18.62 m (61.09 ft) in height), created by Master Paul around 1520. The square is very well preserved (despite one or two modern incursions) and contains a number of striking buildings which were the townhouses of the local nobility in the late Middle Ages. Also notable in the square is the wrought iron "Cage of Shame", dating back to the 17th century, used for public punishment of miscreants. A plaque on one of the houses records the printing and publication in the town of the most famous work of Comenius, the Orbis Pictus. Other buildings on the square house a historical museum and a museum dedicated to the work of Master Paul.
Behind the square on Kláštorská Street are the 14th-century church and remains of the old monastery of the Minorites, now incorporated into a Church grammar school. Nearby is the town's Polish Gate, a Gothic construction of the 15th century.
From the 16th century to the end of 1922, Levoca was the administrative center of the province of Szepes (Spiš). Between 1806 - 1826, the Hungarian architect from Eger Antal Povolny built a grandiose administration building, the Large Provincial House, as the seat of the town's administration. He adjusted its Classicist style to Levoca's Renaissance character by emphasizing the building's horizontal lines. The House is considered the most beautiful Provincial House in the former Kingdom of Hungary. Today, it is reconstructed and it is a seat of the administration.
The State Regional Archives (Štátny oblastný archív) are in a tan stone building on the north side of the square at nám. Majstra Pavla 60.
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Slovakia holidays May 2016.
Blick über die Ruinen der Lagerräume, Wirtschaftgebäude und die Aussenmauer aus ungebrannten Lehmziegel des eigentlichen Tempels von Ramesseum zu den Saff-Gräbern oberhalb von Scheich Abd el-Qurna.
Souvenir shop on the ground floor and crêperie on the first floor: Sign of "La sirène" in the island commune of Le Mont-Saint-Michel, Normandy, France
Some background information:
Crêperies can be found throughout France and in many other countries. They may be takeaway restaurants or stalls, serving crêpes as a form of fast food or street food, but in France they are often more formal sit-down restaurants or cafés.
Crêpes or crepes are a type of very thin pastries, usually made from wheat flour (crêpes de froment) or buckwheat flour (galettes). While crêpes are often associated with Brittany, a region in the northwest of France, their consumption is widespread in France, Belgium and Quebec. Crêpes are served with a variety of fillings, from the simplest with only sugar to flambéed crêpes Suzette or elaborate savoury galettes, filled with cheese, ham, fried egg, onions, tomatoes, chicken meat and/or slices of sausage.
Le Mont-Saint-Michel (in English: "Saint Michael's Mount") is an island commune in the Norman department of Manche. It is located about one kilometre (0.6 miles) off the country's northwestern coast, at the mouth of the Couesnon River near Avranches. The tidal island is 100 hectares (247 acres) in size and has a population of just 41 residents.
The tides can vary greatly, at roughly 14 metres (46 feet) between high and low water marks. Popularly nicknamed "St. Michael in peril of the sea" by medieval pilgrims making their way across the flats, the mount can still pose dangers for visitors who avoid the causeway and attempt the hazardous walk across the sands from the neighbouring coast.
The tidal causeway, that connected the island with the mainland for many centuries, was converted into a raised and therefore permanently dry causeway in 1879. In 2014, a new causeway was opened to the public by French president François Hollande, appearing as a light bridge, which allows the waters to flow freely around the island. The bridge improves the efficiency of the also new hydraulic dam, which uses the waters of the river Couesnon and the tides to help remove the accumulated silt. Futhermore a new carpark on the mainland was built, that is now located 2.5 kilometres (1.6 miles) from the island. Visitors can either walk or use shuttles to cross the causeway.
The island has held strategic fortifications since ancient times and since the 8th century has been the seat of the monastery from which it draws its name. The structural composition of the town exemplifies the feudal society that constructed it: on top, God, the abbey and monastery – below, the great halls – then stores and housing – and at the bottom, outside the walls, houses for fishermen and farmers. The commune's position – on an island just 600 metres from land – made it accessible at low tide to the many pilgrims to its abbey, but defensible as an incoming tide stranded, drove off, or drowned would-be assailants.
The original site was founded by an Irish hermit who gathered a following from the local community. Mont Saint-Michel was used in the sixth and seventh centuries as an Armorican stronghold of Gallo-Roman culture and power until it was ransacked by the Franks, thus ending the trans-channel culture that had stood since the departure of the Romans in 460. From roughly the fifth to the eighth century, Mont Saint-Michel belonged to the territory of Neustria, and in the early ninth century was an important place in the marches of Neustria.
Before the construction of the first monastic establishment in the 8th century, the island was called Mont Tombe. According to legend, the archangel Michael appeared in 708 to Aubert of Avranches, the bishop of Avranches, and instructed him to build a church on the rocky islet.
Unable to defend his kingdom against the assaults of the Vikings, the king of the Franks agreed to grant the Cotentin peninsula and the Avranchin, including Mont Saint-Michel, to the Bretons in the Treaty of Compiègne, in 867. This marked the beginning of the brief period of Breton possession of the Mont. In fact, these lands and Mont Saint-Michel were never really included in the duchy of Brittany and remained independent bishoprics from the newly created Breton archbishopric of Dol. When Rollo confirmed Franco as archbishop of Rouen, these traditional dependences of the Rouen archbishopric were retained in it.
The mount gained strategic significance again in 933 when William I Longsword annexed the Cotentin Peninsula from the weakened Duchy of Brittany. This made the mount definitively part of Normandy, and is depicted in the Bayeux Tapestry, which commemorates the 1066 Norman conquest of England. Harold Godwinson is pictured on the tapestry rescuing two Norman knights from the quicksand in the tidal flats during a battle with Conan II, Duke of Brittany. Norman ducal patronage financed the spectacular Norman architecture of the abbey in subsequent centuries.
In 1067, the monastery of Mont Saint-Michel gave its support to William the Conqueror in his claim to the throne of England. This he rewarded with properties and grounds on the English side of the Channel, including a small island off the southwestern coast of Cornwall which was modeled after the Mount and became a Norman priory named St Michael's Mount of Penzance.
During the Hundred Years' War, the Kingdom of England made repeated assaults on the island but were unable to seize it due to the abbey's improved fortifications. The English initially besieged the Mont from 1423 to 1424, and then again from 1433 to 1434 with English forces under the command of Thomas de Scales, 7th Baron Scales. Two wrought-iron bombards that Scales abandoned when he gave up his siege are still on site. They are known as les Michelettes. Mont Saint-Michel's resolute resistance inspired the French, especially Jeanne d’Arc (in English: "Joan of Arc").
The wealth and influence of the abbey extended to many daughter foundations, including St. Michael's Mount in Cornwall. However, its popularity and prestige as a centre of pilgrimage waned with the Reformation, and by the time of the French Revolution there were scarcely any monks in residence. The abbey was closed and converted into a prison, initially to hold clerical opponents of the republican regime. High-profile political prisoners followed, but by 1836, influential figures—including Victor Hugo—had launched a campaign to restore what was seen as a national architectural treasure. The prison was finally closed in 1863, and the mount was declared an historic monument in 1874.
In 1979, Le Mont Saint-Michel and its bay were added to the UNESCO list of World Heritage Sites. Furthermore France protects over 60 buildings within the commune as monuments historiques. Today, it is one of France’s most recognizable landmarks, visited by more than three million people each year.
Conwy Castle and the bridges crossing the mouth of the River Conwy, Conwy, Wales
Some background information:
Conwy is a walled market town on the north coast of Wales. It has more than 14,000 residents. The Welsh language can still be heard in widespread, casual and official usage. Conwy is a very popular tourist destination, not least because of its beautiful location at the mouth of the River Conwy and its massive medieval castle.
Conwy Castle and the town walls were built, on the instruction of Edward I of England, between 1283 and 1289, as part of his conquest of the principality of Wales. Conwy was the original site of Aberconwy Abbey, founded by Llywelyn the Great. Edward and his troops took over the abbey site and moved the monks down the Conwy valley to a new site at Maenan, establishing Maenan Abbey. The parish church still retains some parts of the original abbey church in the east and west walls. English settlers were given incentives to move to the walled garrison town, which for decades the Welsh were forbidden from entering. The combined defences of Conwy cost around £ 15,000, a huge sum for the period.
Over the next few centuries, the castle played an important part in several wars. It withstood the siege of Madog ap Llywelyn in the winter of 1294/95, acted as a temporary haven for Richard II in 1399 and was held for several months by forces loyal to Owain Glyndŵr in 1401.
Following the outbreak of the English Civil War in 1642, the castle was held by forces of Charles I, holding out until 1646 when it surrendered to the Parliamentary armies. In the aftermath the castle was partially slighted by Parliament to prevent it being used in any further revolt, and was finally completely ruined in 1665 when its remaining iron and lead was stripped and sold off.
Conwy Castle became an attractive destination for painters in the late 18th and early 19th centuries. Visitor numbers grew and initial restoration work was carried out in the second half of the 19th century. In the 21st century the ruined castle is managed by Cadw, the historic environment service of the Welsh Government, as a tourist attraction.
UNESCO considers Conwy to be one of "the finest examples of late 13th century and early 14th century military architecture in Europe", and therefore it is part of the World Heritage Site "Castles and Town Walls of King Edward in Gwynedd", which was classed in 1986. By many military historians the castles of Edward I, such as Conwy, Beaumaris, Caernarfon and Harlech, are considered the pinnacle of military architecture.
Conwy Castle hugs a rocky coastal ridge of grey sand- and limestone, and much of the stone from the castle is largely taken from the ridge itself, probably when the site was first cleared. The castle has a rectangular plan and is divided into an Inner and Outer Ward, with four tall towers on each side.
The main entrance to the castle is through the western barbican, an exterior defence in front of the main gate. The gate leads through to the Outer Ward which, when first built, would have been full of various administrative and service buildings. The Inner Ward was originally separated from the Outer Ward by an internal wall, a drawbridge and a gate, protected by a ditch cut into the rock. During the 16th century the ditch was filled in and the drawbridge removed. The Inner Ward contained the chambers for the royal household, their immediate staff and service facilities. Today, historian Jeremy Ashbee considers them to be the "best preserved suite of medieval private royal chambers in England and Wales". They were designed to form a royal palace in miniature, that could, if necessary, be sealed off from the rest of castle and supplied from the eastern gate by sea almost indefinitely.
The four towers that protected the Inner Ward contained service facilities, with the Chapel Tower containing the private royal chapel. Each tower has an additional watchtower turret, probably intended both for security and to allow the prominent display of the royal flag.
On the east side of the Inner Ward is another barbican, enclosing the castle garden. This was overlooked by the royal apartments, and changed in style over the years: In the early 14th century there was a lawn, in the late 14th century vines, in the 16th century crab-apple trees and a lawn and in the 17th century formal ornamental flowers. A postern gate originally led down to the river where a small dock was built, allowing key visitors to enter the castle in private and for the fortress to be resupplied by boat, although this gate is now concealed by the later bridges built on the site.
The architecture of Conwy has close to links to that found in the kingdom of Savoy in the same period. These include window styles, the type of crenellation used on the towers and positioning of putlog holes, and are usually ascribed to the influence of the Savoy architect Master James. However the links between Conwy and Savoy are not straightforward, as in some cases the relevant Savoy structures were built after James had left the region. The similarity in architectural details may, therefore, be the result of the wider role played by Savoy craftsmen and engineers on the Conwy project.
Window of Grand Hotel Europa, New Town (Nové Město), Prague (Praha), Czech Republic.
Grand Hotel Europa on Wenceslas Square (Czech: Václavské náměstí) is one of the many art nouveau buildings of Prague.
The Historic Centre of Prague is inscribed in the World Heritage List of the UNESCO.
Citation from whc.unesco.org/en/list/616
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Built between the 11th and 18th centuries, the Old Town, the Lesser Town and the New Town speak of the great architectural and cultural influence enjoyed by this city since the Middle Ages. The many magnificent monuments, such as Hradcani Castle, St Vitus Cathedral, Charles Bridge and numerous churches and palaces, built mostly in the 14th century under the Holy Roman Emperor, Charles IV.
Prague is one of the most beautiful cities in Europe in terms of its setting on both banks of the Vltava River, its townscape of burger houses and palaces punctuated by towers, and its individual buildings.
The Historic Centre represents a supreme manifestation of Medieval urbanism (the New Town of Emperor Charles IV built as the New Jerusalem). The Prague architectural works of the Gothic Period (14th and 15th centuries), of the High Baroque of the 1st half of the 18th century and of the rising modernism after the year 1900, influenced the development of Central Europe, perhaps even all European architecture. Prague represents one of the most prominent world centres of creative life in the field of urbanism and architecture across generations, human mentality and beliefs.
Prague belongs to the group of historic cities which have preserved the structure of their development until the present times. Within the core of Prague, successive stages of growth and changes have respected the original grand-scale urban structure of the Early Middle Ages. This structure was essentially and greatly enlarged with urban activities in the High Gothic period with more additions during the High Baroque period and in the 19th century. It has been saved from any large-scale urban renewal or massive demolitions and thus preserves its overall configuration, pattern and spatial composition.
In the course of the 1100 years of its existence, Prague’s development can be documented in the architectural expression of many historical periods and their styles. The city is rich in outstanding monuments from all periods of its history. Of particular importance are Prague Castle, the Cathedral of St Vitus, Hradćany Square in front of the Castle, the Valdgtejn Palace on the left bank of the river, the Gothic Charles Bridge, the Romanesque Rotunda of the Holy Rood, the Gothic arcaded houses round the Old Town Square, the High Gothic Minorite Church of St James in the Stark Mĕsto, the late 19th century buildings and town plan of the Nave Mĕsto.
As early as the Middle Ages, Prague became one of the leading cultural centres of Christian Europe. The Prague University, founded in 1348, is one of the earliest in Europe. The milieu of the University in the last quarter of the 14th century and the first years of the 15th century contributed among other things to the formation of ideas of the Hussite Movement which represented in fact the first steps of the European Reformation. As a metropolis of culture, Prague is connected with prominent names in art, science and politics, such as Charles IV, Petr Parléř, Jan Hus, Johannes Kepler, Wolfgang Amadeus Mozart, Franz Kafka, Antonín Dvořák, Albert Einstein, Edvard Beneš (co-founder of the League of Nations) and Václav Havel.
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A chocolatier's shop in the old town of Bruges, Belgium
Some background information:
The saleslady on my picture was filling a packet with a selection of dark chocolates resp. pralinés for my wife and me. Unfortunately they were eaten up much too fast. ;-)
Belgium is famous for its high quality chocolate and over 2,000 chocolatiers, both small and large. The country's association with chocolate goes back as far as 1635, when Belgium was under Spanish occupation. The Spaniards themselves learned about chocolate from the Aztecs during their first expeditions to what is now called Mexico.
In the early 20th century, the country was able to import cocoa from its colony, the Belgian Congo. Today, chocolate is very popular in Belgium, with 172,000 tons produced each year, which are widely exported.
What makes Belgian chocolate unique is the quality of ingredients and adherence to traditional manufacturing techniques. Many aspects of its composition are regulated by law. In particular, vegetable-base fats are not used. A lot of firms produce chocolates by hand, which is laborious and explains the prevalence of small, independent chocolate outlets, which are popular with tourists. But even famous large chocolate companies, like Neuhaus, Guylian and Callebaut strictly follow traditional (and sometimes secret) recipes for their products.
It was in 1912, when Jean Neuhaus fllled the first Belgian chocolate shell with cream and therefore created the first Belgian praliné. Nowadays in particular seafood pralinés (shaped like sea shells or fish) are popular with tourists and sold all over Belgium.
With a population of more than 117,000 Bruges is the capital and largest city of the province of West Flanders in the Flemish Region of Belgium. It is located in the northwest of the country. The historic city centre is a UNESCO World Heritage Site.
Along with a few other canal-based northern cities, such as Amsterdam, Bruges is sometimes referred to as "The Venice of the North" due to its many canals. The town still has a significant economic importance thanks to its port Zeebrugge. At one time, Bruges was the "chief commercial city" of the world.
Today Bruges is not only popular for its historic appearance and high-quality lace, but also for its delicacies, such as beer, waffles, chocolate, seafood and chips. Therefore a visit to Bruges can always be not only a cultural, but also a gastronomic experience.
Treasury of Atreus
Kuppelgrab
Archäologische Stätte Mykene.
Mykene auf den Peloponnes / GRIECHENLAND /
de.wikipedia.org/wiki/Schatzhaus_des_Atreus
Interior
The Treasury of Atreus, a tholos tomb at Mycenae, Greece (Panagitsa Hill) constructed around 1250 B.C.
Puebla - Mexico
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Unfortunately on my visit in 2005 it was quite impossible to take any good photos with an analog camera within this dimly lit but nevertheless very stunning villa which once belonged to Poppea, the wife of Emperor Nero. A good photo docmentation is available on the Spanish Wikipedia entry of Villa Poppea.
Fahrt von Trondheim nach Otta (Tag 14): Schlackenhalden der Olavs-Grube (Olavsgruva) in der Bergstadt Røros. Gesehen vermutlich von dem Harald Sohlbergs plass
Siena è un comune di 54.391 abitanti della Toscana centrale, capoluogo dell'omonima provincia.
La città è universalmente conosciuta per il suo patrimonio artistico e per la sostanziale unità stilistica del suo arredo urbano medievale, nonché per il suo famoso Palio; il centro storico è stato infatti dichiarato dall'UNESCO patrimonio dell'umanità nel 1995.
Siena fu fondata come colonia romana al tempo dell'Imperatore Augusto e prese il nome di Saena Iulia.
All'interno del centro storico senese sono stati ritrovati dei siti di epoca etrusca, che possono far pensare alla fondazione della città da parte degli etruschi.
Il primo documento noto in cui viene citata la comunità senese risale al 70 e porta la firma di Tacito che, nel IV libro delle Historiae, riporta il seguente episodio: il senatore Manlio Patruito riferì a Roma di essere stato malmenato e ridicolizzato con un finto funerale durante la sua visita ufficiale a Saena Iulia, piccola colonia militare della Tuscia. Il Senato romano decise di punire i principali colpevoli e di richiamare severamente i senesi a un maggiore rispetto verso l'autorità.
Dell'alto Medioevo non si hanno documenti che possano illuminare intorno ai casi della vita civile a Siena. C'è qualche notizia relativa alla istituzione del vescovado e della diocesi, specialmente per le questioni sorte fra il Vescovo di Siena e quello di Arezzo, a causa dei confini della zona giurisdizionale di ciascuno: questioni nelle quali intervenne il re longobardo Liutprando, pronunziando sentenza a favore della diocesi aretina. Ma i senesi non furono soddisfatti e pertanto nell'anno 853, quando l'Italia passò dalla dominazione longobarda a quella franca, riuscirono ad ottenere l'annullamento della sentenza emanata dal re Liutprando. Pare, dunque, che al tempo dei Longobardi, Siena fosse governata da un gastaldo, rappresentante del re: Gastaldo che fu poi sostituito da un Conte imperiale dopo l'incoronazione di Carlo Magno. Il primo conte di cui si hanno notizie concrete fu Winigi, figlio di Ranieri, nel 867. Dopo il 900 regnava a Siena l'imperatore Ludovico III, il cui regno non durò così a lungo, dal momento che nel 903 le cronache raccontano di un ritorno dei conti al potere sotto il nuovo governo del re Berengario.
Siena si ritrova nel X secolo al centro di importanti vie commerciali che portavano a Roma e, grazie a ciò divenne un'importante città medievale. Nel XII secolo la città si dota di ordinamenti comunali di tipo consolare, comincia a espandere il proprio territorio e stringe le prime alleanze. Questa situazione di rilevanza sia politica che economica, portano Siena a combattere per i domini settentrionali della Toscana, contro Firenze. Dalla prima metà del XII secolo in poi Siena prospera e diventa un importante centro commerciale, tenendo buoni rapporti con lo Stato della Chiesa; i banchieri senesi erano un punto di riferimento per le autorità di Roma, ai quali si rivolgevano per prestiti o finanziamenti.
Alla fine del XII secolo Siena, sostenendo la causa ghibellina (anche se non mancavano, le famiglie senesi di parte guelfa, in sintonia con Firenze), si ritrovò nuovamente contro Firenze di parte guelfa: celebre è la vittoria sui toscani guelfi nella battaglia di Montaperti, del 1260, celebrata anche da Dante Alighieri. Ma dopo qualche anno i senesi ebbero la peggio nella battaglia di Colle Val d'Elsa, del 1269, che portò in seguito, nel 1287, alla ascesa del Governo
dei Nove, di parte guelfa. Sotto questo nuovo governo, Siena raggiunse il suo massimo splendore, sia economico che culturale.
Dopo la peste del 1348, cominciò la lenta decadenza della Repubblica di Siena, che comunque non precluse la strada all'espansione territoriale senese, che fino al giorno della caduta della Repubblica comprendeva un terzo della toscana. La fine della Repubblica Senese, forse l'unico Stato occidentale ad attuare una democrazia pura a favore del popolo, avvenne il 25 aprile 1555, quando la città, dopo un assedio di oltre un anno, dovette arrendersi stremata dalla fame, all'impero di Carlo V, spalleggiato dai fiorentini, che cedette in feudo il territorio della Repubblica ai Medici, Signori di Firenze, per ripagarli delle spese sostenute durante la guerra. Per l'ennesima volta i cittadini senesi riuscirono a tenere testa ad un imperatore, che solo grazie alle proprie smisurate risorse poté piegare la fiera resistenza di questa piccola Repubblica e dei suoi cittadini.
Dopo la caduta della Repubblica pochi senesi guidati peraltro dall'esule fiorentino Piero Strozzi, non volendo accettare la caduta della Repubblica, si rifugiarono in Montalcino, creando la Repubblica di Siena riparata in Montalcino, mantenendo l'alleanza con la Francia, che continuò ad esercitare il proprio potere sulla parte meridionale del territorio della Repubblica, creando notevoli problemi alle truppe degli odiati fiorentini. Essa visse fino al 31 maggio del 1559 quando fu tradita dagli alleati francesi, che Siena aveva sempre sostenuto, che concludendo la pace di Cateau-Cambrésis con l'imperatore Carlo V, cedettero di fatto la Repubblica ai fiorentini.
Lo stemma di Siena è detto "balzana". È uno scudo diviso in due porzioni orizzontali: quella superiore è bianca, quella inferiore nera,con la Lupa che allatta Senio e Ascanio. Secondo la leggenda, starebbe a simboleggiare il fumo nero e bianco scaturito dalla pira augurale che i leggendari fondatori della città, Senio e Ascanio, figli di Remo, avrebbero acceso per ringraziare gli dei dopo la fondazione della città di Siena. Un'altra leggenda riporta che la balzana derivi dai colori dei cavalli, uno bianco ed uno nero, che Senio e Ascanio usarono nella fuga dallo zio Romolo che li voleva uccidere e con i quali giunsero a Siena. Per il loro presunto carattere focoso che, si dice, rasenta la pazzia, anche i senesi sono definiti spesso "balzani".
Siena (em português também conhecida como Sena) é uma cidade e sede de comuna italiana na região da Toscana, província do mesmo nome, com cerca de 52.775 (ISTAT 2003) habitantes. Estende-se por uma área de 118 km2, tendo uma densidade populacional de 447 hab/km2. Faz fronteira com Asciano, Castelnuovo Berardenga, Monteriggioni, Monteroni d'Arbia e Sovicille.
Siena é universalmente conhecida pelo seu património artístico e pela notável unidade estilística do seu centro histórico, classificado pela UNESCO como Património da Humanidade.
Segundo a mitologia romana, Siena foi fundada por Sénio, filho de Remo, e podem-se encontrar numerosas estátuas e obras de arte mostrando, tal como em Roma, os irmãos amamentados pela loba. Foi um povoamento etrusco e depois colónia romana (Saena Julia) refundada pelo imperador Augusto. Era, contudo, uma pequena povoação, longe das rotas principais do Império. No século V, torna-se sede de uma diocese cristã.
As antigas famílias aristocráticas de Siena reclamam origem nos Lombardos e à data da submissão da Lombardia a Carlos Magno (774). A grande influência da cidade como pólo cultural, artístico e político é iniciada no século XII, quando se converte num burgo autogovernado de cariz republicano, substituindo o esquema feudal.
Todavia, o esquema político conduziu sempre a lutas internas entre nobres e externas com a cidade rival de Florença. Data do século XIII a ruptura entre as facções rivais dos Guibelinos de Siena e dos Guelfos de Florença, que seria argumento para a Divina Comédia de Dante.
Em 4 de Setembro de 1260, os Guibelinos apoiaram as forças do rei Manfredo da Sicília e derrotaram os Guelfos em Montaperti, que tinham um exército muito superior em armas e homens. Antes da batalha, toda a cidade fora consagrada à Virgem Maria e confiada à sua protecção. Hoje, essa protecção é recordada e renovada, lembrando os sienenses da ameaça dos aliados da Segunda Guerra Mundial de bombardearam a cidade em 1944, o que felizmente não veio a acontecer.
Siena rivalizou no campo das artes durante o período medieval até o século XIV com as cidades vizinhas. Porém, devastada em 1348 pela Peste Negra, nunca recuperou o seu esplendor, perdendo também a sua rivalidade interurbana com Florença. A Siena actual tem um aspecto muito semelhante ao dos séculos XIII-XIV. Detém uma universidade fundada em 1203, famosa pelas faculdades de Direito e Medicina, e que é uma das mais prestigiadas universidades italianas.
Em 1557 perde a independência e é integrada nas formações políticas e administrativas da Toscana.
Siena também deu vários Papas, sendo eles: Alexandre III, Pio II, Pio III e Alexandre VII.
Os dois grandes santos de Siena são Santa Catarina (1347-1380) e São Bernardino (1380-1444). Catarina Benincasa, filha de um humilde tintureiro, fez-se irmã na Ordem Terceira dominicana (para leigos)e viveu como monja na casa dos pais. É famosa pelo intercâmbio interior com o próprio Cristo, que num êxtase lhe disse: "Eu sou aquele que é e tú és aquela que não é". Apesar da origem modesta, influenciou papas e príncipes com sua sabedoria e seu exemplo, conseguindo inclusive convencer o papa de então, contra a maioria dos cardeais, a regressar a Roma do exílio de Avinhon na França. Quanto ao franciscano São Bernardino, ele é célebre por ter sido o maior expoente, no Catolicismo, da via espiritual de invocação do Nome Divino, que encontra similares em todas as grandes religiões, do Budismo (nembutsu) ao Islã ([[dhikr]]) e ao Hinduísmo (mantra). Os sermões que Bernbardino fez na praça central de Siena provocaram tal fervor religioso e devoção ao nome de Jesus que o conselho municipal decidiu colocar o monograma do nome de Jesus (composto pelas letras IHS, significando "Jesus salvador dos homens")na fachada do prédio do governo. Do mesmo modo, muitos cidadãos o pintaram sobre as fachadas de suas casas, como até hoje se pode ver na cidade.
Siena also widely spelled Sienna in English) is a city in Tuscany, Italy. It is the capital of the province of Siena.
The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008.[1] Siena is famous for its cuisine, art, museums, medieval cityscape and the palio.
Siena, like other Tuscan hill towns, was first settled in the time of the Etruscans (c. 900–400 BC) when it was inhabited by a tribe called the Saina. The Etruscans were an advanced people who changed the face of central Italy through their use of irrigation to reclaim previously unfarmable land, and their custom of building their settlements in well-defended hill-forts. A Roman town called Saena Julia was founded at the site in the time of the Emperor Augustus. The first document mentioning it dates from AD 70. Some archaeologists assert that Siena was controlled for a period by a Gaulish tribe called the Saenones.
The Roman origin accounts for the town's emblem: a she-wolf suckling infants Romulus and Remus. According to legend, Siena was founded by Senius, son of Remus, who was in turn the brother of Romulus, after whom Rome was named. Statues and other artwork depicting a she-wolf suckling the young twins Romulus and Remus can be seen all over the city of Siena. Other etymologies derive the name from the Etruscan family name "Saina," the Roman family name of the "Saenii," or the Latin word "senex" ("old") or the derived form "seneo", "to be old".
Siena did not prosper under Roman rule. It was not sited near any major roads and lacked opportunities for trade. Its insular status meant that Christianity did not penetrate until the 4th century AD, and it was not until the Lombards invaded Siena and the surrounding territory that it knew prosperity. After the Lombard occupation, the old Roman roads of Via Aurelia and the Via Cassia passed through areas exposed to Byzantine raids, so the Lombards rerouted much of their trade between the Lombards' northern possessions and Rome along a more secure road through Siena. Siena prospered as a trading post, and the constant streams of pilgrims passing to and from Rome provided a valuable source of income in the centuries to come.
The oldest aristocratic families in Siena date their line to the Lombards' surrender in 774 to Charlemagne. At this point, the city was inundated with a swarm of Frankish overseers who married into the existing Sienese nobility and left a legacy that can be seen in the abbeys they founded throughout Sienese territory. Feudal power waned however, and by the death of Countess Matilda in 1115 the border territory of the Mark of Tuscia which had been under the control of her family, the Canossa, broke up into several autonomous regions.
Siena prospered as a city-state, becoming a major centre of money lending and an important player in the wool trade. It was governed at first directly by its bishop, but episcopal power declined during the 12th century. The bishop was forced to concede a greater say in the running of the city to the nobility in exchange for their help during a territorial dispute with Arezzo, and this started a process which culminated in 1167 when the commune of Siena declared its independence from episcopal control. By 1179, it had a written constitution.
This period was also crucial in shaping the Siena we know today. It was during the early 13th century that the majority of the construction of the Siena Cathedral (Duomo) was completed. It was also during this period that the Piazza del Campo, now regarded as one of the most beautiful civic spaces in Europe, grew in importance as the centre of secular life. New streets were constructed leading to it, and it served as the site of the market and the location of various sporting events (perhaps better thought of as riots, in the fashion of the Florentine football matches that are still practised to this day). A wall was constructed in 1194 at the current site of the Palazzo Pubblico to stop soil erosion, an indication of how important the area was becoming as a civic space.
In the early 12th century a self-governing commune replaced the earlier aristocratic government. The consuls who governed the republic slowly became more inclusive of the poblani, or common people, and the commune increased its territory as the surrounding feudal nobles in their fortified castles submitted to the urban power. Siena's republic, struggling internally between nobles and the popular party, usually worked in political opposition to its great rival, Florence, and was in the 13th century predominantly Ghibelline in opposition to Florence's Guelph position (this conflict formed the backdrop for some of Dante's Commedia).
On 4 September 1260 the Sienese Ghibellines, supported by the forces of King Manfred of Sicily, defeated the Florentine Guelphs in the Battle of Montaperti. Before the battle, the Sienese army of around 20,000 faced a much larger Florentine army of around 33,000. Prior to the battle, the entire city was dedicated to the Virgin Mary (this was done several times in the city's history, most recently in 1944 to guard the city from Allied bombs). The man given command of Siena for the duration of the war, Bonaguida Lucari, walked barefoot and bareheaded, a halter around his neck, to the Duomo. Leading a procession composed of all the city's residents, he was met by all the clergy. Lucari and the bishop embraced, to show the unity of church and state, then Lucari formally gave the city and contrade to the Virgin. Legend has it that a thick white cloud descended on the battlefield, giving the Sienese cover and aiding their attack. The reality was that the Florentine army launched several fruitless attacks against the Sienese army during the day, then when the Sienese army countered with their own offensive, traitors within the Florentine army killed the standard bearer and in the resulting chaos, the Florentine army broke up and fled the battlefield. Almost half the Florentine army (some 15,000 men) were killed as a result. So crushing was the defeat that even today if the two cities meet in any sporting event, the Sienese supporters are likely to exhort their Florentine counterparts to “Remember Montaperti!”.
The limits on the Roman town, were the earliest known walls to the city. During the 10th and 11th centuries, the town grew to the east and later to the north, in what is now the Camollia district. Walls were built to totally surround the city, and a second set was finished by the end of the 13th century. Much of these walls still exist today.[2]
Siena's university, founded in 1240 and famed for its faculties of law and medicine, is still among the most important Italian universities. Siena rivalled Florence in the arts throughout the 13th and 14th centuries: the important late medieval painter Duccio di Buoninsegna (1253–1319) was a Sienese, but worked across the peninsula, and the mural of "Good Government" by Ambrogio Lorenzetti in the Palazzo Pubblico, or town hall, is a magnificent example of late-Medieval/early Renaissance art as well as a representation of the utopia of urban society as conceived during that period. Siena was devastated by the Black Death of 1348, and also suffered from ill-fated financial enterprises. In 1355, with the arrival of Charles IV of Luxembourg in the city, the population rose and suppressed the government of the Nove (Nine), establishing that Dodici (Twelve) nobles assisted by a council with a popular majority. This was also short-lived, being replaced by the Quindici (Fifteen) reformers in 1385, the Dieci (Ten, 1386–1387), Undici (Eleven, 1388–1398) and Twelve Priors (1398–1399) who, in the end, gave the city's seigniory to Gian Galeazzo Visconti of Milan in order to defend it from the Florentine expansionism.
In 1404 the Visconti were expelled and a government of Ten Priors established, in alliance with Florence against King Ladislas of Naples. With the election of the Sienese Pius II as Pope, the Piccolomini and other noble families were allowed to return to the government, but after his death the control returned into popular hands. In 1472 the Republic founded the Monte dei Paschi, a bank that is still active today and is the oldest surviving bank in the world. The noble factions returned in the city under Pandolfo Petrucci in 1487, with the support of Florence and of Alfonso of Calabria; Petrucci exerted an effective rule on the city until his death in 1512, favouring arts and sciences, and defending it from Cesare Borgia. Pandolfo was succeeded by his son Borghese, who was ousted by his cousin Raffaello, helped by the Medici Pope Leo X. The last Petrucci was Fabio, exiled in 1523 by the Sienese people. Internal strife resumed, with the popular faction ousting the Noveschi party supported by Clement VII: the latter sent an army, but was defeated at Camollia in 1526. Emperor Charles V took advantage of the chaotic situation to put a Spanish garrison in Siena. The citizens expelled it in 1552, allying with France: this was unacceptable for Charles, who sent his general Gian Giacomo Medici to lay siege to it with a Florentine-Imperial army.
The Sienese government entrusted its defence to Piero Strozzi. When the latter was defeated at the Battle of Marciano (August 1554), any hope of relief was lost. After 18 months of resistance, it surrendered to Spain on 17 April 1555, marking the end of the Republic of Siena. The new Spanish King Philip, owing huge sums to the Medici, ceded it (apart a series of coastal fortress annexed to the State of Presidi) to the Grand Duchy of Tuscany, to which it belonged until the unification of Italy in the 19th century. A Republican government of 700 Sienese families in Montalcino resisted until 1559.
The picturesque city remains an important cultural centre, especially for humanist disciplines
Prague Orloj, the Astronomical Clock at the gothic Old Town Hall (Staroměstská radnice) at Old Town Square (Staroměstské náměstí), Old Town (Staré Město), Prague (Praha), Czech Republic.
The clock was constructed in 1410 and is the third oldest astronomical clock in the world.
text from en.wikipedia.org/wiki/Prague_Astronomical_Clock
"The clock mechanism itself is composed of three main components: the astronomical dial, representing the position of the Sun and Moon in the sky and displaying various astronomical details; "The Walk of the Apostles", a clockwork hourly show of figures of the Apostles and other moving sculptures—notably a figure of Death (represented by a skeleton) striking the time; and a calendar dial with medallions representing the months."
The Historic Centre of Prague is inscribed in the World Heritage List of the UNESCO.
Citation from whc.unesco.org/en/list/616
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Built between the 11th and 18th centuries, the Old Town, the Lesser Town and the New Town speak of the great architectural and cultural influence enjoyed by this city since the Middle Ages. The many magnificent monuments, such as Hradcani Castle, St Vitus Cathedral, Charles Bridge and numerous churches and palaces, built mostly in the 14th century under the Holy Roman Emperor, Charles IV.
Prague is one of the most beautiful cities in Europe in terms of its setting on both banks of the Vltava River, its townscape of burger houses and palaces punctuated by towers, and its individual buildings.
The Historic Centre represents a supreme manifestation of Medieval urbanism (the New Town of Emperor Charles IV built as the New Jerusalem). The Prague architectural works of the Gothic Period (14th and 15th centuries), of the High Baroque of the 1st half of the 18th century and of the rising modernism after the year 1900, influenced the development of Central Europe, perhaps even all European architecture. Prague represents one of the most prominent world centres of creative life in the field of urbanism and architecture across generations, human mentality and beliefs.
Prague belongs to the group of historic cities which have preserved the structure of their development until the present times. Within the core of Prague, successive stages of growth and changes have respected the original grand-scale urban structure of the Early Middle Ages. This structure was essentially and greatly enlarged with urban activities in the High Gothic period with more additions during the High Baroque period and in the 19th century. It has been saved from any large-scale urban renewal or massive demolitions and thus preserves its overall configuration, pattern and spatial composition.
In the course of the 1100 years of its existence, Prague’s development can be documented in the architectural expression of many historical periods and their styles. The city is rich in outstanding monuments from all periods of its history. Of particular importance are Prague Castle, the Cathedral of St Vitus, Hradćany Square in front of the Castle, the Valdgtejn Palace on the left bank of the river, the Gothic Charles Bridge, the Romanesque Rotunda of the Holy Rood, the Gothic arcaded houses round the Old Town Square, the High Gothic Minorite Church of St James in the Stark Mĕsto, the late 19th century buildings and town plan of the Nave Mĕsto.
As early as the Middle Ages, Prague became one of the leading cultural centres of Christian Europe. The Prague University, founded in 1348, is one of the earliest in Europe. The milieu of the University in the last quarter of the 14th century and the first years of the 15th century contributed among other things to the formation of ideas of the Hussite Movement which represented in fact the first steps of the European Reformation. As a metropolis of culture, Prague is connected with prominent names in art, science and politics, such as Charles IV, Petr Parléř, Jan Hus, Johannes Kepler, Wolfgang Amadeus Mozart, Franz Kafka, Antonín Dvořák, Albert Einstein, Edvard Beneš (co-founder of the League of Nations) and Václav Havel.
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es.wikipedia.org/wiki/Castillo_de_Wartburg
de.wikipedia.org/wiki/Wartburg
en.wikipedia.org/wiki/Wartburg
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Eisenach, Thüringen
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es.wikipedia.org/wiki/Eisenach
de.wikipedia.org/wiki/Eisenach
en.wikipedia.org/wiki/Eisenach
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Blick entlang der Außenmauer und die Säulen des Großen Säulensaal (Hypostyl) des Tempels des Amun-Re zwischen 2, Pylonen (Hintergrund) und den 3. Pylonen (Standort).
Buchara wurde im 6. Jhdt v. chr. gegründet und profitierte durch seine Lage vom Handel an der Seidenstraße.
Buchara war die erste bedeutende Stadt in Zentralasien, wo sich der Islam durchsetzen konnte.
Buchara ist Weltkulturerbe der UNESCO.
Vizcaya transporter bridge by Alberto Palacio, between Portugalete and Las Arenas, Basque Country, Spain.
Unesco World Heritage Site.
Besuch der Pfahlbauten am Bodensee (Unteruhldingen), UNESCO-Weltkulturerbe
Visit to the Lake Dwelling Museum (reconstructed neolithic settlement), Lake Constance, Unteruhldingen,Germany.
UNESCO World Heritage since 2011 (ref. 1363),
Photos & Videos taken with a GoPro 3+
Registan, (Platz des sandigen Ortes‘) in der usbekischen Stadt Samarkand ist einer der bedeutendsten historischen Orte Mittelasiens. An ihm befinden sich die Ulugbek-Medrese, die Tillakori-Medrese und die Scherdor-Medrese, die zwischen dem 15. und dem 17. Jahrhundert errichtet wurden und zusammen ein herausragendes architektonisches Ensemble bilden.
Samarkand wurde etwa 750 v. Chr. gegründet. Der mongolische Herrscher Timur machte Samarkand zur 1369 zur Hauptstadt seines Großreichs und baute die Stadt zu einer der schönsten und bedeutendsten Metropolen seiner Zeit aus.
Die Altstadt von Samarkand ist Weltkulturerbe der UNESCO.
Spiral stairs at Spišský hrad (Spiš Castle, German: Zipser Burg), municipality Žehra, district Spišská Nová Ves, Košický kraj (Košice region), Slovakia.
Spiš Castle is inscribed in the World Heritage list of the UNESCO as part of the World Heritage Site Levoča, Spišský Hrad and the Associated Cultural Monuments.
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The ruins of Spiš Castle (Slovak: Spišský hrad; Hungarian: Szepesi vár; German: Zipser Burg) in eastern Slovakia form one of the largest castle sites in Central Europe. The castle is situated above the town of Spišské Podhradie and the village of Žehra, in the region known as Spiš (Hungarian: Szepes, German: Zips, Polish: Spisz, Latin: Scepusium). It was included in the UNESCO list of World Heritage Sites in 1993 (together with the adjacent locations of Spišská Kapitula, Spišské Podhradie and Žehra). This is one of the biggest European castles by area (41 426 m²).
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Slovakia holidays May 2016
Uttar Pradesh - India
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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
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All rights reserved - Copyright © Joerg Reichel
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
Candle holder inside Heiligen-Geist-Hospital (Hospital of the Holy Spirit) in Hanseatic City of Lübeck, Schleswig-Holstein, Germany.
Heiligen-Geist-Hospital is one of the oldest and best preserved civil hospitals of the Middle Age. It is furthermore one of the earliest institutions of social welfare in Europe and belongs to the most significant monumental architecture of the Middle Age.
It was a combination of wealth and piety that brought the mercantile patricians and other wealthy citizens of Lübeck to establish a lot of foundations and institutions for social welfare.
The building of the Heiligen-Geist-Hospital began in 1280, 4 years after the great fire of Lübeck, and was ready in 1286. It has been modified later several times.
The complex consists of a hospital church, an elongate hospital hall (called long house), some auxiliary buildings around a small courtyard and two citizens’ houses.
In the beginning, the patients / residents only had one bed each, and the beds simply were laid out in 4 lines across the long house of the hospital.
Not before 1820 there were built really small cabins of about 4 m² for the residents. These cabins were made out of wood and were open at the top. They are called “Kabäuschen” in German. The last residents moved out of the “Kabäuschen” not before 1970, and they did it only reluctantly.
From 1973 to 1976 a part of the complex was converted into a modern old people’s home for 85 people. The church hall has been restored from 1977-1984. Today, the historic rooms of the church hall and the long house are regularly used for a very famous artisan market in Christmas time, and for other exhibitions and touristic activities.
The church hall of Heiligen-Geist-Hospital is filled with precious artwork. Vaults and walls are covered with frescoes, the windows are made of stained glass. There are two altarpieces, a pulpit, many wooden sculptures of Saints and a richly decorated rood screen, its balustrade showing in 23 painted wooden panels the legend of Saint Elisabeth of Hungary.
The old city center of Lübeck is in great parts inscribed in the World Heritage List of the UNESCO. A plan of the inscribed zones can be found here: whc.unesco.org/download.cfm?id_document=102311
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Lübeck – the former capital and Queen City of the Hanseatic League – was founded in the 12th century and prospered until the 16th century as the major trading centre for northern Europe. It has remained a centre for maritime commerce to this day, particularly with the Nordic countries. Despite the damage it suffered during the Second World War, the basic structure of the old city, consisting mainly of 15th- and 16th-century patrician residences, public monuments (the famous Holstentor brick gate), churches and salt storehouses, remains unaltered.
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July 2009.
Der 2563 m hohe Schlern ist ein Berg in den Südtiroler Dolomiten in Italien. Trotz seiner verhältnismäßig geringen Höhe gilt der stockartige Westpfeiler der Dolomiten aufgrund seiner charakteristischen Form als Wahrzeichen Südtirols. Der Berg ist der Namensgeber der umliegenden Gebirgsgruppe, der Schlerngruppe.
Timur plante 1399 den Bau der größten Freitagsmoschee der islamischen Welt. Doch Erdbeben und die Gesetze der Statik machten diesen Plan zunichte. Umbauten und Verstärkungen sollten die Moschee retten. Jedoch schon nach wenigen Jahren fielen erste Ziegel aus der Kuppel über dem Mihrab. Möglicherweise waren auf Timurs Betreiben die bautechnischen Grenzen überschritten worden. Danach verfiel die Moschee und wurde zur Ruine, an der Wind, Wetter und Erdbeben weiter nagten. Der innere Bogen des Portalbaus brach 1897 in sich zusammen. Jahrhundertelang plünderten die Bewohner Samarkands die Ruine auf der Suche nach Baumaterial. Ende des 20. Jahrhunderts begann die usbekische Regierung mit der Wiederherstellung der drei Kuppelbauwerke und des Paradeportals.
Samarkand wurde etwa 750 v. Chr. gegründet. Der mongolische Herrscher Timur machte Samarkand zur 1369 zur Hauptstadt seines Großreichs und baute die Stadt zu einer der schönsten und bedeutendsten Metropolen seiner Zeit aus.
Die Altstadt von Samarkand ist Weltkulturerbe der UNESCO.
my last Prague-Pictures. :o)
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Die letzten ihrer Art.....
Stained glass window by Lothar Quinte from 1963/6 inside Dom zu Lübeck (Lübeck Cathedral), Hanseatic City of Lübeck, Schleswig-Holstein, Germany.
---quotation from en.wikipedia.org:---
The Lübeck Cathedral (German: Dom zu Lübeck, or colloquially Lübecker Dom) is a large brick Lutheran cathedral in Lübeck, Germany and part of Lübeck's world heritage. It was started in 1173 by Henry the Lion as a cathedral for the Bishop of Lübeck. It was partly destroyed in a bombing raid in World War II (1942), and later reconstructed. The organ by Arp Schnitger was lost in the fire. The current church was finished in 1982.
It is also famous for works of Bernt Notke and Thomas Quellinus, which survived the bombing raid in 1942. The famous altar by Hans Memling is now in Lübeck's St. Annen Museum.
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The old city center of Lübeck is in great parts inscribed in the World Heritage List of the UNESCO. A plan of the inscribed zones can be found here: whc.unesco.org/download.cfm?id_document=102311
---quotation from whc.unesco.org:---
Lübeck – the former capital and Queen City of the Hanseatic League – was founded in the 12th century and prospered until the 16th century as the major trading centre for northern Europe. It has remained a centre for maritime commerce to this day, particularly with the Nordic countries. Despite the damage it suffered during the Second World War, the basic structure of the old city, consisting mainly of 15th- and 16th-century patrician residences, public monuments (the famous Holstentor brick gate), churches and salt storehouses, remains unaltered.
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Sightseeing tour with Seppo and Merja on 15 September 2013.
Half-timbered houses of Heilgeistkloster (Monastery of the Holy Spirit), Hanseatic Town of Stralsund, district of Vorpommern-Rügen, Mecklenburg-Vorpommern (Mecklenburg-Western Pomerania), Germany.
Along with the Heiligen-Geist-Hospital in Lübeck, the Heilgeisthospital (Hospital of the Holy Spirit) of Stralsund is one of the best-preserved of its kind in the southern Baltic region. Although mostly called "Heilgeistkloster" (Monastery of the Holy Spirit) today, it never was a monastery in the true sense of the meaning. It had always been municipal property, and its purpose was to be a hospital, an old people's home, almshouse and poorhouse.
The Heilgeistkirche (Church of the Holy Spirit) is the oldest part of the hospital. The surrounding walls were built around 1650, on top of remains dating from the 14th century.
The small four-bayed and three-naved hall church has a straight apsis and is equipped with a baroque retable from around 1770. In addition to the main portal on the west facade, the church has another portal and two doors at the east gallery which lead to the so-called "Kirchgang" (church passageway). This passage is framed by two parallel two-storey buildings which used to accomodate ill and old people. The direct connection to the church ensured that the inhabitants not only received physical care but - according to medieval belief - in the first place got care for their souls.
A door at the east of the passageway seperated it from the other buildings of the hospital complex which were reserved for strangers in need (Fremdenhaus/Elendenhaus - house of the strangers/house of the miserables).
Today, after being restored in the 1990s, the buildings of the church passageway and the other hospital buildings are fitted with apartments, and the church is used for service by the parish of Heilgeist-Jakobi.
----quotation from en.wikipedia.org:----
The town of Stralsund lies in Northeast Germany in the region of Western Pomerania in the state of Mecklenburg-Vorpommern.
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The town lies on the sound of Strelasund, a strait of the Baltic Sea. Its geographic proximity to the island of Rügen, whose only fixed link to the mainland, the Strelasund Crossing, runs between Stralsund and the village of Altefähr, has given Stralsund the sobriquet "Gateway to the Island of Rügen" (Tor zur Insel Rügen). Stralsund lies close to the Western Pomerania Lagoon Area National Park.
A municipal forest and three municipal ponds (the Knieperteich, Frankenteich and Moorteich) belong to the Stralsund's town borough . The three ponds and the Strelasund lend the Old Town, the original settlement site and historic centre of the town, a protected island location.
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The centre of Stralsund has a wealth of historic buildings. Since 1990, large parts of the historic old town have been renovated with private and public capital, and with the support of foundations. As a result of the contempt for historic buildings in East Germany many houses were threatened by ruin. The Old Town in particular, offers a rich variety of historic buildings, with many former merchants' houses, churches, streets and squares. Of more than 800 listed buildings in Stralsund, more than 500 are designated as individual monuments in the Old Town. In twenty years, from the Wende in 1990 to November 2010, 588 of the more than 1,000 old buildings were completely refurbished, including 363 individual monuments. Because of its historical and architectural significance, in 2002 Stralsund's old town together with the old town of Wismar were added to entitled the UNESCO World Cultural Heritage list as the "Historic Centres of Stralsund and Wismar".
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The medieval towns of Wismar and Stralsund, on the Baltic coast of northern Germany, were major trading centres of the Hanseatic League in the 14th and 15th centuries. In the 17th and 18th centuries they became Swedish administrative and defensive centres for the German territories. They contributed to the development of the characteristic building types and techniques of Brick Gothic in the Baltic region, as exemplified in several important brick cathedrals, the Town Hall of Stralsund, and the series of houses for residential, commercial and crafts use, representing its evolution over several centuries.
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Stralsund short trip October 2012