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UK & International Landscape Photography Workshops & 1-2-1 Private Tuition Days
This image was captured this morning from Friar's Crag at Derwentwater while leading a 1-2-1 tuition day with David. It was just amazing to see the mist rolling along the surface of the water as the sun rose and illuminated the trees of Lord's Island just beautifully.
Autumn is definitely coming as the morning was a crisp 5°c. I cannot wait for the colours to change.
Canon EOS R
Canon EF 70-200mm f/4 @ 104mm
f/8
1/100
ISO100
Kase Polariser Filters
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Benro TMA48CXL Mach 3 Tripod
Arca Swiss D4 Geared Head
3 Legged Thing QR11-LC L Bracket
Mindshift Backlight 26L Bag
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UK & International Landscape Photography Workshops & 1-2-1 Private Tuition Days
A newly edited image not seen before. I remember this amazing display like it was yesterday but it was actually taken way back in March 2017 during my first week alone in Iceland.
I had just driven the short journey from the iconic black Budir Church nearby around midnight to capture the aurora over this wonderful emergency hut that is located by the roadside at the top of a mountain pass.
As beautiful as this scene is, being all alone at the top of a mountain pass at midnight is quite an eerie experience. While I was stood in this very spot capturing this particular scene, I swear that I could hear footprints in the snow behind me yet every time I turned around, I could see nothing there. It was quite unnerving I can tell you but just look at that view, it was enchanting.
Whenever I start seeing the aurora developing in the sky, I start feeling like a child on Christmas morning. There's an excitement that washes over me and I cannot help but feel mesmerised at the sheer beauty of one of the earth's most amazing wonders.
Canon 6D
Canon EF 24-70mm f4 @ 24mm
f4
30"
ISO800
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Official Kase Filters UK Sales Agent
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Benro TMA48CXL Mach 3 Tripod
Arca Swiss D4 Geared Head
3 Legged Thing QR11-LC L Bracket
Mindshift Backlight 26L Bag
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Captured en-route to Glencoe last November to run a workshop. I saw this beautiful boat just floating motionless and thought that I simply had to stop and photograph it. It wasn't until I looked at the image on my computer screen at home when I noticed the heron on the far right hand side. What a wonderful addition to an already stunning scene.
I hope you all like it.
Canon 5D MK4
Canon 100-400mm IS II @ 255mm
f8
1 sec
ISO100
Official Nisi Filter Promoter
Benro TMA48CXL Mach 3 Tripod
Benro GD3WH Geared Head
Mindshift Backlight 36L Bag
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UK & Iceland Landscape Photography Workshops, 1-2-1 Private Tuition, print sales and camera club lectures available
UK & Iceland Landscape Photography Workshops, 1-2-1 Private Tuition, print sales and camera club lectures available
website: www.melvinnicholson.co.uk
email: info@melvinnicholson.co.uk
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Well here's another image that features in my latest YouTube video that I shared with you all last night. If you have yet to watch it, simply click on the link below to see this image and many more as well as me rambling on in the falling snow. It really was a winter wonderland :D
www.youtube.com/watch?v=gN28MBP3V7Y
Have a great evening and please feel free to SUBSCRIBE and also leave a comment under the video on YouTube if you fancy.
Many thanks and enjoy.
Canon 5D MK4
Canon 70-200mm f4 @ 131mm
f11
1/100 sec
ISO100
Nisi 3 Stop Grad ND Medium filter
Gitzo GT3543XLS carbon fibre tripod
Gitzo GS3121LVL low profile levelling base
Manfrotto 405 geared tripod head
Mindshift Backlight 36L Bag
UK & Iceland Landscape Photography Workshops, 1-2-1 Private Tuition, print sales and camera club lectures available
website: www.melvinnicholson.co.uk
email: info@melvinnicholson.co.uk
facebook: www.facebook.com/melvinnicholsonphotography
Instagram www.instagram.com/melvinnicholsonphotography
Twitter www.twitter.com/MelvinNichPhoto
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A Timeline events photo shoot with the Ragged Victorians re-enactment group at Blists hill Victorian town living history Museum 14.04.2024
Black and white photography workshops, London, Iceland, Valencia, Venice, Frankfurt and Berlin
Please follow my work on my website www.vulturelabs.photography on my Instagram account
New B&W long exposure photography workshop in Venice during November, December and January. 3 days of BW Long Exposure photography tuition and BW post processing
www.vulturelabs.photography/product-page/venice-italy-nov...
www.vulturelabs.photography/product-page/venice-italy-dec...
www.vulturelabs.photography/product-page/venice-italy-jan...
STUDENTS DayX3 NATIONAL DAY OF ACTION
Protest and march against University tuition fee increases, 09th Dec. 2010
Over 20,000 students from around the country converged on Central London today to march for a third time to protest against the coalition government's plans to massively increase University tuition fees, which will ultimately mean that far fewer students from poorer backgrounds will be able to even consider a University education because of the massive debts incurred which will follow them for the rest of their working lives.
I joined the days proceedings in the afternoon as they were assembling in Trafalgar Square. To throw the police off-guard they suddenly took off, en mass, through Admiralty Arch in a bid to get to Parliament Square, which had been forbidden. That evening the House of Commons was voting on the Education Funding Bill, and the students were determined to make sure that Parliament heard their protests.
The day started in a good mood, but by the time they reached Parliament pockets of disorder had started breaking out - Flares were lit and thrown, crush barriers and construction site fencing ripped up to be used as weapons against the massed ranks of riot police and later on the mounted police. I had to leave by around 3pm, and by the time I got home and turned on the BBC news all hell had broken loose outside Parliament. Protesters were pelting the police with lumps of masonry, metal poles and scaffolding. They lit large fires, broke down the doors to The Treasury and the new Ministry of Justice buildings, smashing many windows, daubing graffiti everywhere and generally smashing up the joint. Many people were arrested and many people hurt, some badly.
As the police gradually started releasing the by-now contained protesters in small numbers, several small groups headed up to Oxford Street, where they smashed the windows of the flagship TopShop store (owned by Sir Phillip Green who is being attacked for shovelling billions of pounds of what should be UK taxable income into tax haven accounts owned by his wife as part of a legal tax dodge), and in Regent Street they engulfed the Bentley containing Prince Charles and his horse-faced wife Camilla who were in the process of swanning orf the the Royal Variety Performance! The protesters started kicking the vehicle. They broke the windows and threw a tin of white paint over the car. One was not amused!
Needless to say the Bill was passed in Parliament tonight, and the students have vowed to continue their campaign of demonstration and civil disobedience...
All photos ⓒ 2010
Pete Riches
Please do not use my photos without my prior agreement.
Please do not re-blog my photos without my agreement.
Email: peteriches@gmail.com
Our next LondonPhotoWorkshops event is on Friday the 23rd of November and another on Saturday 1st December Come with us to photograph London's Christmas lights check details here www.eventbrite.co.uk/o/nigel-blake-16061853414
I was just going through my many photo albums on my hard drive from my time spent in Glencoe over the years. I was looking for a couple of 'yet to be edited' winter images to promote next year's workshop to Glencoe (Jan 2019, announced next week) when I came across this little gem.
It was taken way back in February 2015 and I remember that day so well. I was with a couple of clients, John and Gareth and we were so cold standing around waiting for the sun to hit the peaks of the Three Sisters. But when it eventually arrived and lit them up, all the waiting was worth it.
This is one of the most remarkable views I can think of in the UK. Standing on that rocky ridge, just a ten minute walk from the car affords you some spectacular scenes of the whole valley in front of you. Glencoe really is amazing.
I hope you like the photo. Feel free to share if you wish :D
Canon 5D MK3
Zeiss DISTAGON 21mm
f11
61 secs
ISO100
10 Stop ND filter
Polariser filter
Official Nisi Filter Promoter
Benro TMA48CXL Mach 3 Tripod
Benro GD3WH Geared Head
Mindshift Backlight 36L Bag
Official Nisi Filter Promoter
Benro TMA48CXL Mach 3 Tripod
Benro GD3WH Geared Head
Mindshift Backlight 36L Bag
.
.
.
.
UK & Iceland Landscape Photography Workshops, 1-2-1 Private Tuition, print sales and camera club lectures available
website: www.melvinnicholson.co.uk
email: info@melvinnicholson.co.uk
facebook: www.facebook.com/melvinnicholsonphotography
flickr: www.flickr.com/photos/melvin_nicholson
youtube: www.youtube.com/c/melvinnicholsonphotographycom
tripadvisor: Search for Melvin Nicholson Photography
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I don't love everything I paint, but I do love painting everything I paint. When I'm disappointed with the outcome, I focus on the fun I had, what I learned and know that I am one step closer to doing something I'll like better.
Queensland Rail locomotives 2158/2163 run light engine south through Sarina with L3T2 tuition train from Mackay to Rockhampton and return.
Tuition centre (Malay: Pusat Tuisyen) is a special term for private educational institutions; they are especially abundant and ubiquitous in Malaysia, India, The Middle East and Singapore. In Indonesia, they are known as Bimbingan Belajar or bimbel in short. Many school teachers earn their supplementary income through tuition centres and agencies. Some teachers 'advertise' their tuition classes and coach those who attend their classes on how to tackle examination questions. Their focus is primarily rote learning. Some teachers earn up to RM10,000 or S$8,000 by giving private tuition.
............................Wikipedia
A few weeks back, Glen Mulcahy shot this short film about my iPhone photography. You can watch the video here and read about it on my blog here.
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Blog | Twitter | Instagram | DSLR Flickr |
Leica M9 + Leica Summicron 50mm f2 v5
(M9 in camera B&W JPEG + LR3)
One from Saturday's London Photography Workshop where I was teaching portrait photography / model photography
Model - Trang
www.MrLeica.com - I still have some places for London for September and October so please get in touch if interested. Thanks
TWO DAY WORKSHOP
Sat 2nd - Sun 3rd December 2017 £295
www.melvinnicholsonphotography.co.uk/product/northumberla...
I captured this one morning while leading a workshop in September 2015. Everybody was set up and waiting for the sun to rise and this particular morning revealed one of the finest sunrises I can ever remember. The colours grew and grew and grew more intense with each passing minute and we all stood there so happy at what we were witnessing as well as capturing on camera.
For me, I love the reflections of those wonderful fiery colours in the water left behind on the beach as the tide went out. The two hundred and four-year old lighthouse you see in the distance shone its light every few seconds. Whenever I see a lit lighthouse before sunrise, it always makes me smile for some reason.
Camera Settings:
Canon 5D MK3
Canon 70-200 f4 @ 70mm
f14
3.6 secs
ISO100
LEE 105mm Landscape Polariser
LEE 0.9 ND Grad filter
Gitzo GT3542XLS Tripod
Manfrotto 410 Tripod Geared Head
UK & Iceland Landscape Photography Workshops, 1-2-1 Private Tuition, print sales and camera club lectures available
website: www.melvinnicholson.co.uk
email: info@melvinnicholson.co.uk
facebook: www.facebook.com/melvinnicholsonphotography
flickr: www.flickr.com/photos/melvin_nicholson
youtube: www.youtube.com/c/melvinnicholsonphotographycom
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From the Australian Dictionary of Biography.
Margaret Rose Preston (1875-1963), artist, was born on 29 April 1875 at Port Adelaide, elder daughter of David McPherson, marine engineer, and his wife Prudence Cleverdon (d.1903), née Lyle. By 1885 the family was living in Sydney where Rose about 1888 began training with Lister Lister. In Melbourne in 1893 she enrolled at the National Gallery's school of design under Frederick McCubbin.
Her father was admitted in February 1894 to Parkside Lunatic Asylum, Adelaide, where he died next year. In June 1894 she joined her sister and mother in Adelaide. She exhibited with the (Royal) South Australian Society of Arts (and continued to do so annually when in Adelaide). Returning to Melbourne in July 1896, she enrolled at the National Gallery's school of painting under Bernard Hall and with a painting, 'Still Life', won a year's free tuition. Returning to Adelaide, in 1898 she studied at the School of Design, Painting and Technical Arts under Harry Gill. She leased a studio next year and began teaching full time and painting at week-ends, chiefly still-life subjects.
Inheriting her mother's money in 1903, she moved to a new studio where one of her students was Bessie Davidson. 'Eggs' (1903), painted in an academic illusionist style, reveals her skill. After the selection committee of the Society of Arts rejected what she believed to be her 'best still life', she left Adelaide on 2 July 1904, bound for Europe with Davidson. In Munich they viewed an exhibition of the German Secessionists. Shocked by her first view of the European avant garde, Rose MacPherson took lessons at the Munich Government Art School for Women. She then went to Paris where she saw the work of Cézanne, Matisse, Kandinsky and Rouault. Still conservative, Rose was thrilled to have one of her traditional oils accepted by the Salon de la Société des Artistes Français. With renewed self-confidence she studied Japanese and Chinese art at the Musée Guimet, learning 'slowly that there is more than one vision in art'.
On her return to Adelaide in 1907 she leased a studio with Bessie Davidson and they held a combined exhibition in March. 'Onions' (1905) was purchased by the National Gallery of South Australia. Gladys Reynell and Stella Bowen joined her classes in 1908. She also taught at the Collegiate School of St Peter and Presbyterian Ladies' College. A citizens' committee in 1911 commissioned her to paint a posthumous portrait of Catherine Spence for the gallery.
In 1912 Rose and her now intimate friend Gladys Reynell arrived in London to see the Second Post Impressionist Exhibition, organized by Roger Fry, in which Matisse and Picasso were well represented. They lived in Paris and Brittany in 1913-14 before moving to London on the outbreak of war; Rose now admired Gauguin's colour. She exhibited her first woodcuts with the Society of Women Artists, studied pottery at the Camberwell School of Arts and Crafts and became familiar with the designs of Fry and the Bloomsbury group. Her paintings, 'November on the Balcony' and 'Still-Life Sunshine Indoors' were exhibited at the New Salon, Paris, and the Royal Academy of Arts, London. She also studied under the Scot A. E. H. Miller, and exhibited with the New English Art Club; 'Anemones' (1916) marks her final rejection of academic realism and the emergence of her new style based on colour theory.
From August 1918 MacPherson and Reynell taught shell-shocked soldiers ceramics, basketmaking and printmaking at Seale Hayne Neurological Hospital, Devon. The task required great ingenuity because traditional materials were unavailable. Next year Rose was invited to exhibit at the Carnegie Institute, Pittsburg, United States of America. On the voyage home she met her future husband, William George Preston (1881-1978), a gunner returning after serving with the Australian Imperial Force. She and Reynell held a joint exhibition in Adelaide in September 1919 and made some of the first pottery at Reynella. There Margaret (as she was henceforth known) married Preston on 31 December.
Trent Barton 9310, has recently been converted for use as a driver tuition vehicle. Previously, the vehicle had been numbered 665 in the fleet and worked the Skylink services to East Midlands Airport. Finally ousted by an intake of new vehicles, the bus enjoys a more leisurely life these days.
While on late afternoon driver training duties, the bus is captured climbing Willey Lane towards Selston, Notts. Here the road makes a steady climb away from Moorgreen Reservoir and on towards Underwood in North East, Nottinghamshire.
Tuesday 17th July 2018
PHOTOSHOP ONE ON ONE TUITION WITH ME. My house, your house or online over Skype!! After the great response I had when I opened my calendar in April and May to my Photoshop One on One Tuition Sessions I have been asked to hold them again to suit those who couldn't make it earlier this year. So if you're a complete beginner or seasoned pro looking to learn more why not book yourself a day with me this September/October only for personalised tuition on how I create my images so you can start creating your very own. EMAIL ME FOR THE DETAILS!! ellenmcdermott1@gmail.com
Two early morning seascape workshops at Taylors Mistake this weekend, 4am startsm two great groups of 5 each morning, enthusiastic new seascape shooters!
Please Checkout my Facebook Page and www.rjd.co.nz
Large group of studhttps://www.slideshare.net/KarthickHari4/engineering-tuitions-230834629ents writing.
Charley: *props her elbow on the counter, leaning her head against her palm* “Sounds good. I was looking at a microwave dinner, otherwise. And thanks for sharing that about your mom with me.”
Yuri: “You are welcome. As for the favor you wish to ask of me, did you hope your gift of mint would soften me up?”
Charley: “Something like that. What I need to ask is kind of a whopper, and I know you’re always really busy as it is, so…*shrugs* I figured a bribe, albeit a modest one, could only help my case.”
Yuri: “Bend my ear, then, and we shall see.”
Charley: “The school where I teach is a pretty special place. Classes are small and interactive, and we offer specialized courses that you don’t normally find outside of college. We have particularly good fine arts and science curriculums.”
Yuri: “From Lizzy’s and Hermione’s chattering, I have gleaned as much. Georgie is especially thrilled that Lizzy was able to gain admittance, since she is a gifted artist and the school cultivates that gift in a manner more traditional schools would not.”
Charley: “Yeah, the only drawback, in my opinion, is our school is tuition-based, and the tuition is not cheap. Most students are from families that can afford it, but roughly one-third of the students are there on scholarship.”
Yuri: *noise of agreement* “Georgie has mentioned she would not be able to afford the tuition, if not for the school’s scholarship program. It is something for which she is profoundly grateful.”
Charley: *nods* “Education is the only way out for some of these kids. Without it, their futures are bleak, and I know what that’s like firsthand. I lived that reality. *emphasizes words by striking the counter with her fist* As long as a kid shows promise and initiative, he or she should be afforded equal access to resources that nurture their talents. I’m not naïve. I know that’s not going to happen for every kid, but I’ve made it my mission to make it happen for as many kids as possible.”
Yuri: *replaces the lid on the pot, lowers the heat, and gives Charley her full attention* “I could not agree more. Tell me what I can do to help.”
Charley: “The money for the scholarship students come from several different places—the federal and state governments, private benefactors, school-held fundraisers, etc. I am in charge of one of the fundraisers this year. The one no one ever wants, since it’s our lowest earning moneymaker, not to mention a lot of work: the bake sale.”
Yuri: *cocks her head to the side, smug smile spreading across her face* “A bake sale. You need my help with a bake sale?”
Charley: “Yes.”
Yuri: *purrs* “Oh, you clever girl. You have come to the right person, and that is a fact. *holds up a hand, silencing Charley’s response* However, you need to understand something from the beginning. If you court my help in this matter, I will run roughshod over you or anyone else who impedes our goal of accruing as much money as possible. I am unswerving, uncompromising, and unrelenting when I set my mind to a task’s success. Do you understand me, and if so, do you accept my terms?”
Charley: *holds out her hand* “Absolutely. Piss off as many people as you want. It’s for the kids. Just, um, y’know, don’t get me fired…please.”
Fashion Credits
***Any doll enhancements (i.e. freckles, piercings, eye color changes, haircuts) were done by me unless otherwise stated.***
Yuri
Skirt: IT – NuFace – Lady in Red Erin
Shirt: Mattel – Barbie Collectible – Coach Barbie
Headscarf: Mattel – Barbie Collectible – Joan Jett Barbie
Shoes: IT – Fashion Royalty – Paparazzi Bait Adele
Necklace: IT – Model Behavior – Y.R.B. Erin
Doll is Nu.Fantasy Little Red Riding Hood Yuri transplanted to a NuFace body.
Charley
Shorts: SL Doll
Shirt: Project MC2 – McKeyla McAlister
Sweater: IT – FR2 – Only Natural Fashion (I added the buttons and removed the pockets.)
Shoes: Sekiguchi Momoko – Ethic Flower
Necklace: Me
Doll is a Morning Dew Giselle transplanted to a Poppy body, re-rooted by the terrific valmaxi(!!!)
Please refrain from self-promotion (and flashy icons)...
Today in London. Yesterday was too dismal to properly celebrate the New Year, so I did it today... by taking a leisure trip to London ;-).
Single exposure, naturally.
'Like' my FB page for background stories on images, info on workshops and digital imaging tuition, photo tips and suchlike trivia. The next available group workshop: Houghton, W.Sussex, late January 2012.
Namaste wings to fly charitable society, Vellanad, Kerala, India, 2015. Visitando questo doposcuola io e Claudine siamo riusciti a far piangere questi due bambini solo grazie alla nostra presenza. Quando dopo un po' hanno visto che non eravamo cattivi hanno voluto posare per una foto.
Namaste Wings to Fly Charitable Society, Kerala, India, 2015. Quando mi chiedono di verificare la situazione di un progetto, di una famiglia, di un asilo o come in questo caso di un doposcuola, di fare un report come si dice in gergo, anche se so che la strada sarà lunga, piena di buche e con le curve che io vomito, che poi bisogna camminare un bel po' a piedi, con i sandali e le formiche rosse che ti mangiano i piedi, che fa caldo e l'umidità è al 100%, anche se so tutto questo, io sono semplicemente felice.
East Midlands Ambulance Service training vehicle in action.
Here it was driven through the clear right filter lane, then it indicated left and back onto the carriageway to continue its route. It made good progress and was clear in its intention - all good text book stuff.
From here: www.emas.nhs.uk/join-the-team/working-for-emas/vacancies/
Roles which involve driving
If you wish to apply for an operational post which will require you to drive an accident and emergency vehicle, then there are a series of regulations (under the Road Traffic Act) that you must meet:
- You must have at least two years driving experience and no more than three points on your licence.
- If you passed your test after 1996, you will need an extra driving qualification to drive larger vehicles and carry passengers. For Accident and Emergency work, you must have at least a C1 provisional licence. Please state this clearly on your application form. To add C1 provisional to your licence you will need to contact the DVLA.
- Good eyesight is essential for any roles where driving is concerned.