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the courtyard of the Palazzo Medici Riccardi, Florence, Italy
(composite image, LE sky was shot separately)
It is a Renaissance palace built for Cosimo de' Medici, head of the Medici banking family, which today serves as the seat of the Metropolitan City of Florence.
The palace was designed by Michelozzo di Bartolomeo and was built between 1444 and 1484. The tripartite elevation of the building expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes the building seem lighter and taller as the eye moves upward to the massive cornice that caps and clearly defines the building's outline.
(from Wikipedia)
Jerash : The oval square of the Forum ,with the Ionic columns surmounted by an unbroken line of tripartite architraves .We also see the south Gate and the staircase leading up to the Temple of Zeus .
Fougères' most famous monument and attraction is the Château de Fougères, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
A view of the Madden Arts Center in downtown Decatur. Other than the windows being suggestive of the tripartite Chicago Commercial style, what is most intriguing about this building is that behind a facade accented with terra cotta, are three separate buildings constructed between 1910 and 1914. This a contributing building in the Decatur Downtown Historic District added to the National Register of Historic Places in 1985.
In 2000, the Decatur Arts Council purchased this then-empty, 14,000 square foot building. Four years later, following a successful $2 million Capitol Campaign for the arts center and endowment, the Decatur Arts Council moved into the now completed Madden Arts Center. Today the center is a full-time art facility with a gallery, events, classes, and programs.
Decatur is the seat of Macon County. The city was founded in 1829 and is situated along the Sangamon River and Lake Decatur in central Illinois. Decatur has an economy based on industrial and agricultural commodity processing and production. The city is home of private Millikin University and public Richland Community College.
Decatur's estimated population for 2019 was 70,746, making Decatur the thirteenth-most populous city in Illinois, and the state's sixth-most populous city outside the Chicago metropolitan area.
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
Written permission for use of this photograph must be obtained from the copyright holder !
The Borzou Fortress in Neyestanak
village stands like a silent cube upon the horizon of history. Today it is known as a three-story citadel, yet within its walls lie whispers of an earlier time—perhaps when it served as a Mithraic sanctuary in the Parthian age.
Its low entrances echo humility before the sacred, while the twelve enigmatic corridors recall the cosmic symbolism of Mithraic faith. The three-story design mirrors the tripartite vision of the universe in ancient worship.
Through the centuries, this sanctuary transformed, becoming a stronghold during the Islamic era. Still, its intricate and mysterious layers await the careful hands of archaeologists to unveil their hidden truths - Isfahan ostan (province) - Iran
قلعه برزو در روستای نیستانک، چونان مکعبی خاموش بر فراز تاریخ ایستاده است. هرچند امروزه آن را دژی سه طبقه میدانند، اما رازهایی در دل دارد که از روزگاری دورتر سخن میگویند؛ روزگاری که شاید این بنا نیایشگاهی مهری در عهد اشکانی بوده است.
ورودیهای کوتاهش، نشانی از فروتنی در برابر امر قدسی اند، و دوازده راهروی مرموزش پژواکی از باورهای کیهانی آیین مهر. سه طبقه بودن بنا نیز یادآور جهان سه گانه ای است که در مهرپرستی معنا داشت.
در گذر سده ها، کاربری این نیایشگاه تغییر یافت و در دوره های اسلامی به دژی استوار بدل شد. با این همه، لایه های پیچیده و رازآلود معماری آن همچنان چشم به پژوهش باستانشناسان دوخته است.
Built towards the end od the second century B.C. It is an imposing rectangular building , multi input ,preceded by a vestibule and tripartite column . I took place there commercial
affairs and civil cases .
On the short side ,on the right ,open three classrooms of municipal offices , on the long side in front of the basilica is the Comitium where elected Judges .
Costruita verso la fine del II secolo a.C.è un imponente edificio rettangolare ,a più ingressi ,preceduto da vestibolo e tripartito da colonne ; vi si svolgevano gli affari commerciali e le cause civili .Sul lato corto ,a destra ,si aprono le tre aule degli uffici municipali ; sul lato lungo di fronte alla basilica si trova il Comitium dove si eleggevano i magistrati .
The modern church was built in 1692 on the site of its predecessor. According to the plan is a typical Ukrainian tripartite temple with faceted Babintsev, nave and altar. Due to the lack of arches interior space is perceived as a whole. The temple is decorated with observance of the canons of the academic school. On the walls there are about 40 scenes in which dominates the biography of the Prophet Elijah. On the walls of the chapel, a plurality of ancient icons.
Сучасну церкву збудували у 1692 році на місці попередниці. За планом це типовий український тридільний храм з гранчастою бабинцем і вівтарем. Через відсутність арок внутрішній простір сприймається як єдине ціле. Храм оформлено з дотриманням канонів академічної школи. На стінах близько 40 сцен, в яких домінує життєпис пророка Іллі. На стінах безліч старовинних ікон.
У першій половині XVIII століття було збудовано двоярусну дзвіницю та встановлено церковну браму в стилі українського бароко, виготовлену київським архітектором Григоровичем-Барським. У 1755 році полковий осавул Павло Іванович Гудима провів реконструкцію храму, в процесі якої було добудовано Іоанно-Предтеченський боковий вівтар. А його брат Федір прийняв священний сан і служив в Іллінському храмі в 1740-х роках.
Geranium sanguineum (Geraniaceae) 126 22
Geranium sanguineum, common names bloody crane's-bill or bloody geranium, is a species of hardy flowering herbaceous perennial plant in the cranesbill family Geraniaceae.
Geranium sanguineum is native to Europe and temperate Asia. It is widespread in most of Europe up to the Caucasus.
The typical habitat of this species is grassland, dunes, and open woodland on calcareous soils, including rocky slopes. It prefers calcareous soils with neutral pH, with low nutritional value, at an altitude of 0–1,200 meters above sea level.
This plant reaches on average 30–50 centimeters in height. The petiolate leaves have five lobes, each segment is tripartite in large teeth. The flowers have a diameter of 2.5 to 4 cm. and are purple. The flowering period extends from May through October.
This Geranium is cultivated as a garden subject, and several different cultivars exist.
From Wikipedia.
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
Head (about 4 cm in all) of St John the Baptist (Joannes Prodromos, in Church-Slavonic), Russia, 18th century (bronze and enamel). Originally, this foldable pocket iconostasis was a tripartite depiction of the Deesis (showing Christ Pantokrator in the centre whilst St. John and the Virgin Mary asking God for mercy on behalf of humanity).
The object is as close to the camera (a bit more than one meter) as possible. The softness of the lens (mirror reflex) is matched by the soft condition of the bronze. Whether mercy happened or not, this iconostasis has been used a lot.
The Palazzo dei Priori is a historic building in Perugia, Umbria, central Italy.
As in other Italian medieval communes, it was the seat of the priori ("first citizens"). This magistrature was established in Perugia in 1303: the palazzo had been called the Palazzo Nuovo del Popolo ("New Palace of the People") to that point. During intractable civic quarrels, a podestà might be established, housed in a separate structure, the Palazzo del Podestà, of which only the Loggia added by Braccio da Montone flanking the Cathedral of San Lorenzo e San Ercolano remains. When the palazzo of this rival to the power of the Priori burned in 1534, significantly, it was not replaced, but fragments from it were incorporated into the archbishop's palace, also fronting the main piazza.
The Magistratura dei Priori that was housed in the structure consisted of ten representatives of each of Perugia's main guilds from among the forty-four that existed, permitted a tenure of only two months. The money-changers, who were housed in their own adjoining quarters in the fifteenth century, had the privilege of always being represented among the Priori, and the merchants' guild was represented by two members instead of one. After the Salt War of 1540 with Pope Paul III, the Priori were renamed “Conservatori dell’Ecclesiastica Obbedienza” ("Keepers of Ecclesiastical Obedience") and, the Palazzo del Podestà having been destroyed, the Palazzo dei Priori became the seat of the Papal Legate, the new governor of Perugia. When Pope Julius III restored the Priori, the grateful Perugini commemorated him with the bronze statue next to the Cathedral.
The structure commands the corner where the main artery of medieval Perugia, Corso Vannucci, enters the city's main square; a first section was constructed in 1293-97, at first as the Palatium Novum Populi, the "new Palace of the People", with ten bays along the Corso and three facing the piazza. Two more bays and a grand entrance portal were added to the piazza façade in 1333-37, together with the arcaded loggia, where decrees were publicly read. Later in the fourteenth century the palazzo was extended along the Corso, with six bays and a richly carved entrance doorway worthy of a cathedral. Rising above, a tower surmounts and controls the arched access to Via dei Priori, the ancient way that descends to the Etruscan gateway, the Roman Porta Trasimena, which was Christianized as the Arca di S. Luca. A further section down the Corso was built in 1429-43, still keeping to the Gothic tripartite fenestration, to house the Collegio del Cambio, the "money exchange" that was the financial center of Perugia.
The perimeter of the roof was originally crenellated all around, less for actual defensive purposes than as a symbol of Perugia's independence. Significantly, the crenellations were removed in 1610, when Perugia had submitted at last to papal armies. When Perugia was joined to a united Italy, the crenellations were triumphantly restored.
The grand portal in the Piazza is surmounted by the city's symbols, the griffin of Perugia and the Imperial Guelf lion, in bronze; the originals were probably cast in the Arsenal of Venice, in 1274, the first European bronze castings in the round achieved since Antiquity. Above the door, strung on a bar hanging from chains the keys to the gates of Siena were triumphantly displayed, following the victory of Perugia at the battle of Torrita, 1358.
The portal leads to an austere vaulted undercroft with the stairs leading to the vaulted frescoed Sala of the former council chamber of the Priori on the piano nobile; the Sala was allocated to the notaries guild in 1582, as the Sala dei Notari, when their former quarters, the Palazzetto dei Notari, on the opposite side of the Corso were partially demolished in a street widening. On the left is the entrance to the Galleria Nazionale dell'Umbria one of the most outstanding provincial Italian collections of art.
Geranium sanguineum (Geraniaceae) 115 21
Geranium sanguineum, common names bloody crane's-bill or bloody geranium, is a species of hardy flowering herbaceous perennial plant in the cranesbill family Geraniaceae.
Geranium sanguineum is native to Europe and temperate Asia. It is widespread in most of Europe up to the Caucasus.
The typical habitat of this species is grassland, sand dunes, and open woodland on calcareous soils, including rocky slopes. It prefers calcareous soils with neutral pH, with low nutritional value, at an altitude of 0–1,200 meters above sea level.
This plant reaches on average 30–50 centimeters in height. The petiolate leaves have five lobes, each segment is tripartite in large teeth. The flowers have a diameter of 2.5 to 4 cm. and are purple. The flowering period extends from May through October.
This Geranium is cultivated as a garden subject, and a number of different cultivars exist.
From Wikipedia.
Hulburt Building 1907 ~ Queen Architecture
A significant example of Beloit's turn-of-the-century commercial architecture, eclectic in design and constructed of stone and concrete, the Hulbert building of 1907 was designed by Beloit architect Irving hand. Rising three stories plus attic, the building is distinguished by a two-story projecting bay and by the classically detailed cornice which runs across the top of the third story. The cornice is supported by modillions, and the second and third story facade is divided by engaged fluted columns. In the panels between the floors are cement blocks upon which are inscribed the name of the building and the date of construction. But not all the detail is historical. The tripartite windows suggest Chicago-styled office building architecture, and even the projecting bay is designed to take advantage of the extra illumination afforded by such construction. The ground story has been altered. H.L. Hulbert, a tailor, built this building but apparently never occupied it himself. Over the years it has housed different business establishments. 439 East Grand
Houston Building ~ 1915
Three story commercial apartment structure with stuccoed facade. Ground floor storefront and windows have been altered; hipped roof over second story windows has been removed, but structure retains scale of district. 437 E Grand
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
18th century bronze and enamel iconostasis with inscriptions in Church-Slavonic (Russia) showing John the Baptist holding (and baptising) the Jesus child. The depiction of the Prodromos (forerunner) follows the Byzantine visual tradition and originally was part of a tripartite foldable and portable depiction of the Deesis (showing also Mary and Christ the Pantokrator). The theological point of this piece is the intervention of John and Mary on behalf of humanity.
This image: as before, but a close-up and trying to show the heavy usage of the piece.
Excerpt from holytrinitywelland.ca:
Holy Trinity was erected in 1877 and is the oldest active church in Welland. The church was designed in Gothic Revival style by architect J. Dunigan. The large tripartite memorial window and castellated tower in the Tudor style at the north end are part of a 1912 addition. The Guild Hall to the rear was constructed in 1909 and later enlarged.
The most visited attraction is the Château de Fougères, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
The Royal Oratory is a late Gothic gallery in St. Vitus Cathedral, built around 1490 for King Władysław Jagiellończyk to attend liturgy with his court. It connects the royal residence to the cathedral through a porch that still exists today, despite later reconstruction. Architecturally, it draws inspiration from Peter Parler's style and features a tripartite vault and a suspended keystone. The richly decorated balustrade includes twisting Gothic motifs, small figurines, and coats of arms representing the king’s territories. The oratory is attributed to the architect Benedikt Ried.
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
Built in 1883-1884, this Queen Anne-style townhouse was built for R. Philip Gormully, an owner of an architectural sheet metal manufacturing firm, and demonstrates some of the products that his company manufactured. Gormully also was a founder of the bicycle manufacturing firm known as Gormully & Jeffery, the second bicycle manufacturer to be incorporated in the United States in 1879. The house features a rusticated sandstone base with a large tripartite first floor picture window with transoms, a front door with a transom and sidelights, and a corner pilaster with a Corinthian column, a second-story oriel window clad in copper with curved corners and an iron railing on the roof, wooden shingle cladding not he second floor, decorative copper trim, decorative window surrounds, a front gable, clad-clad mansard roof, a copper railing on the roof, and a front-gable dormer. The house is a contributing structure in the Gold Coast Historic District, listed on the National Register of Historic Places in 1978.
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
A Mirror Image (in a plane mirror) is a reflected duplication of an object that appears almost identical, but is reversed in the direction perpendicular to the mirror surface. As an optical effect it results from reflection off from substances such as a mirror or water. It is also a concept in geometry and can be used as a conceptualization process for 3-D structures.
Two-dimensional mirror images can be seen in the reflections of mirrors or other reflecting surfaces, or on a printed surface seen inside-out. If we first look at an object that is effectively two-dimensional (such as the writing on a card) and then turn the card to face a mirror, the object turns through an angle of 180° and we see a left-right reversal in the mirror. In this example, it is the change in orientation rather than the mirror itself that causes the observed reversal.
Another example is when we stand with our backs to the mirror and face an object that's in front of the mirror. Then we compare the object with its reflection by turning ourselves 180°, towards the mirror. Again we perceive a left-right reversal due to a change in our orientation. So, in these examples the mirror does not actually cause the observed reversals.
The General Staff Building is an edifice with a 580 m long bow-shaped facade, situated on Palace Square in Saint Petersburg, Russia, in front of the Winter Palace.
The monumental Neoclassical building was designed by Carlo Rossi in the Empire style and built in 1819–1829. It consists of two wings, which are separated by a tripartite triumphal arch adorned by sculptors Stepan Pimenov and Vasily Demuth-Malinovsky and commemorating the Russian victory over Napoleonic France in the Patriotic War of 1812. The arch links Palace Square through Bolshaya Morskaya Street to Nevsky Prospekt.
Until the capital was transferred to Moscow in 1918, the building served as the headquarters of the General Staff (western wing), Foreign Ministry and Finance Ministry (eastern wing).
The western wing now hosts the headquarters of the Western Military District. The eastern wing was given to the Hermitage Museum in 1993 and was extensively remodeled inside.
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
Spinner dolphins are small cetaceans with a slim build. Adults are typically 129–235 cm long and reach a body mass of 23–79 kg..
This species has an elongated rostrum and a triangular or subtriangular dorsal fin. Spinner dolphins generally have tripartite color patterns. The dorsal area is dark gray, the sides light grey, and the underside pale gray or white.
Also, a dark band runs from the eye to the flipper, bordered above by a thin, light line. However, the spinner dolphin has more geographic variation in form and coloration than other cetaceans. In the open waters of eastern Pacific, dolphins have relatively small skulls with short rostra.
This image was taken in Moorea, French Polynesia
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
Written permission for use of this photograph must be obtained from the copyright holder !
The basilica has two cross passages at ground level which, like the square arcades, accommodate stores and restaurants.
The Palladio motif (also known as the Venetian window or Serliana) seems to demand symmetry, which, fortunately, is not always present in reality. It is a variation of the triumphal arch scheme.
It is a portal or window opening surmounted by a round arch and flanked on either side by narrower and lower rectangular openings.
Such a combination of portal or window endings is also known as a Syrian arch. There may be small round windows (oculi) or fanlights above the side rectangular windows. With its tripartite division, it is also reminiscent of a triptych, a hinged altarpiece.
Deutsch
Die Basilica hat auf dem Grundniveau zwei Querdurchgänge, die wie die Platzarkaden, Geschäfte und Restaurants aufnehmen.
Das Palladio-Motiv (auch Venezianische Fenster oder Serliana) scheint Symmetrie zu fordern, die in der Wirklichkeit, zum Glück, nicht immer vorhanden ist. Es ist eine Abwandlung des Triumphbogenschemas.
Es handelt sich um eine mit einem Rundbogen überwölbte Portal- oder Fensteröffnung, die seitlich von schmaleren und niedrigeren Rechtecköffnungen flankiert ist.
Eine solche Kombination der Portal- oder Fensterabschlüsse wird auch als Syrischer Bogen bezeichnet.
Über den seitlichen Rechteckfenstern können sich kleine Rundfenster (Oculi) oder Oberlichter befinden. Mit seiner Dreiteilung erinnert es auch an ein Triptychon, ein klappbares Altarbild.
_NYC0635_pa_bw
OLD LOOSE HILL TQ 7552 LOOSE (West Side) 6/197 The Chequers Inn 25.7.52 GV II Inn. Early-to-mid C17 with late C18 or early C19 addition. Timber framed. Ground floor weatherboarded, first floor and attic rendered. Plain tile roof. 2 storeys and attic. Continuous jetty to first floor. Brick ridge stack to right of centre. 2 broad, jettied, gabled eaves dormers, each with plain bargeboards and one 3-light casement. Regular 3-window front of one canted 3-light oriel window on coved base under each dormer, and small 2-light casement to centre. 2 canted ground-floor bays on brick bases under jetty. Blocked doorway to left of centre. Half-glazed door to left end. Late C18 or early C19 addition to left. Rendered and weatherboarded. 2 storeys, with moulded wooden eaves cornice and hipped plain-tile roof. One tripartite and one 12-pane sash. Panelled door to left of centre under flat bracketed hood. Blocked carriage entrance to left end. Later lean-to to right of inn, with panelled door. Narrow 2-storey rear wing to right. Interior not inspected.
Spinner dolphins are small cetaceans with a slim build. Adults are typically 129–235 cm long and reach a body mass of 23–79 kg..
This species has an elongated rostrum and a triangular or subtriangular dorsal fin. Spinner dolphins generally have tripartite color patterns. The dorsal area is dark gray, the sides light grey, and the underside pale gray or white.
Also, a dark band runs from the eye to the flipper, bordered above by a thin, light line. However, the spinner dolphin has more geographic variation in form and coloration than other cetaceans. In the open waters of eastern Pacific, dolphins have relatively small skulls with short rostra.
This image was taken in Moorea, French Polynesia
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
Fougéres' most famous monument and attraction is the Château de Fougéres, a medieval stronghold built atop a granite ledge, which was part of the Duchy of Brittany's ultimately unsuccessful defence against French aggression, and part of a tripartite with Vitré.
The castle is one of the most impressive French castles, occupying an area of 2 hectares (4.9 acres), or even for some "the largest medieval fortress of Europe." It consists of three enclosures whose walls are beautifully preserved. If the seigniorial is ruined, the thirteen towers still rise with majesty. Some can be visited (the Hallay Tower and Tower of the Hague (12th century), Raoul Tower (15th century) and the Mélusine Tower). At the entrance, is a triple watermill.
The castle and its surroundings has been classified as a historic monument by list of 1862, by order of 4 July 1928 and by order of 26 February 1953.
18th century bronze and enamel iconostasis with inscriptions in Church-Slavonic (Russia) showing John the Baptist holding (and baptising) the Jesus child. The depiction of the Prodromos (forerunner) follows the Byzantine visual tradition and originally was part of a tripartite foldable and portable depiction of the Deesis (showing also Mary and Christ the Pantokrator). The theological point of this piece is the intervention of John and Mary on behalf of humanity.
This image: as before, but taken with a different lens and focussing on details.
Diese Dreiteilung, die namensgebend für das System Trias war, ist aber nur im Bereich nördlich der Alpen ausgebildet (Germanische-Trias-Supergruppe).
Henning Larsen entschied sich für eine Fassade aus Muschelkalk (Trias), ein Gestein, das um Schwäbisch Hall ansteht.
Der Muschelkalt wirkt änhlich, wie das Nagelfluh-Gestein, von der Farbe und der Anmutung und vom Verwitterungsverhalten her ähnlich, wie ein künstlicher Betonstein.
Außer hier im Hof des Vorplatzes, ließ er die Steine grob anwinkeln, sodass sie aussehen, als hätten sie schräge Bruchkannten. Das Sägemuster ist am Rand noch erkennbar und wird sich in meinen anderen Aufnahmen deutlicher zeigen.
Er lies zudem das Rahmen-Muster der vollflächigen Verglasung zur Stadt hin, ohne Glas einfach im offenen Hofbereich durchlaufen und sorgt für einen gesiebten Blick auf die schöne, warm-pastellige Fachwerstadt. Das Panorama wirkt, wie ein gerastertes Museumsbild ...
English
The middle of the three lithostratigraphic groups . . .
However, this tripartite division, which gave the Triassic system its name, only occurs in the area north of the Alps (Germanic Triassic Supergroup).
Henning Larsen opted for a façade made of shell limestone (Triassic), a rock found around Schwäbisch Hall.
The shell limestone looks similar to Nagelfluh rock in terms of color and appearance, and in terms of weathering behavior, it is similar to an artificial concrete block.
Except here in the courtyard of the forecourt, he had the stones roughly angled so that they look as if they have sloping break edges. The saw pattern is still visible at the edge and will be more clearly visible in my other photos.
He also allowed the frame pattern of the full-surface glazing facing the city to continue without glass in the open courtyard area, providing a filtered view of the beautiful, warm pastel-colored half-timbered town.
The panorama looks like a grid-patterned museum picture ...
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Matera is a city and the capital of the Province of Matera in the region of Basilicata, in Southern Italy. With a history of continuous occupation dating back to the Palaeolithic, it is renowned for its rock-cut urban core, whose twin cliffside zones are known collectively as the Sassi.
Matera lies on the right bank of the Gravina river, whose canyon forms a geological boundary between the hill country of Basilicata (historic Lucania) to the south-west and the Murgia plateau of Apulia to the north-east. The city began as a complex of cave habitations excavated in the softer limestone on the gorge's western, Lucanian face. It took advantage of two streams which flow into the ravine from a spot near the Castello Tramontano, reducing the cliff's angle of drop and leaving a defensible narrow promontory in between. The central high ground, or acropolis, supporting the city's cathedral and administrative buildings, came to be known as Civita, and the settlement districts scaling down and burrowing into the sheer rock faces as the Sassi. Of the two streambeds, called the grabiglioni, the northern hosts Sasso Barisano and the southern Sasso Caveoso.
The Sassi consist of around twelve levels spanning the height of 380 m, connected by a network of paths, stairways, and courtyards. The medieval city clinging on to the edge of the canyon for its defence is invisible from the western approach. The tripartite urban structure of Civita and the two Sassi, relatively isolated from each other, survived until the 16th century, when the centre of public life moved outside the walls to the Piazza Sedile in the open plain (the Piano) to the west, followed by the shift of the elite residences to the Piano from the 17th century onwards. By the end of the 18th century, a physical class boundary separated the overcrowded Sassi of the peasants from the new spatial order of their social superiors in the Piano, and geographical elevation came to coincide with status more overtly than before, to the point where the two communities no longer interacted socially.
Yet it was only at the turn of the 20th century that the Sassi were declared unfit for modern habitation, and the government relocation of all their inhabitants to new housing in the Piano followed between 1952 and the 1970s. A new law in 1986 opened the path to restoration and reoccupation of the Sassi, this time – as noted by the architectural historian Anne Toxey – for the benefit of the wealthy middle class. The recognition of the Sassi, labelled la città sotterranea ("the underground city"), together with the rupestrian churches across the Gravina as a UNESCO World Heritage Site in December 1993 has assisted in attracting tourism and accelerated the reclaiming of the site. In 2019, Matera was declared a European Capital of Culture.
Matera is a city and the capital of the Province of Matera in the region of Basilicata, in Southern Italy. With a history of continuous occupation dating back to the Palaeolithic (10th millennium BC), it is renowned for its rock-cut urban core, whose twin cliffside zones are known collectively as the Sassi.
Matera lies on the right bank of the Gravina river, whose canyon forms a geological boundary between the hill country of Basilicata (historic Lucania) to the south-west and the Murgia plateau of Apulia to the north-east. The city began as a complex of cave habitations excavated in the softer limestone on the gorge's western, Lucanian face. It took advantage of two streams which flow into the ravine from a spot near the Castello Tramontano, reducing the cliff's angle of drop and leaving a defensible narrow promontory in between. The central high ground, or acropolis, supporting the city's cathedral and administrative buildings, came to be known as Civita, and the settlement districts scaling down and burrowing into the sheer rock faces as the Sassi. Of the two streambeds, called the grabiglioni, the northern hosts Sasso Barisano (facing Bari) and the southern Sasso Caveoso (facing Montescaglioso).
The Sassi consist of around twelve levels spanning the height of 380 m, connected by a network of paths, stairways, and courtyards (vicinati). The medieval city clinging on to the edge of the canyon for its defence is invisible from the western approach. The tripartite urban structure of Civita and the two Sassi, relatively isolated from each other, survived until the 16th century, when the centre of public life moved outside the walls to the Piazza Sedile in the open plain (the Piano) to the west, followed by the shift of the elite residences to the Piano from the 17th century onwards. By the end of the 18th century, a physical class boundary separated the overcrowded Sassi of the peasants from the new spatial order of their social superiors in the Piano, and geographical elevation came to coincide with status more overtly than before, to the point where the two communities no longer interacted socially.
Yet it was only at the turn of the 20th century that the Sassi were declared unfit for modern habitation, and the government relocation of all their inhabitants to new housing in the Piano followed between 1952 and the 1970s. A new law in 1986 opened the path to restoration and reoccupation of the Sassi, this time – as noted by the architectural historian Anne Toxey – for the benefit of the wealthy middle class. The recognition of the Sassi, labelled la città sotterranea ("the underground city"), together with the rupestrian churches across the Gravina as a UNESCO World Heritage Site in December 1993 has assisted in attracting tourism and accelerated the reclaiming of the site. In 2019, Matera was declared a European Capital of Culture.