View allAll Photos Tagged Transparency
I took a roll of transparency film and processed it in c-41 chemicals and they results are amazing!
From Maddie and I's walk through the woods.
For comparison and to satisfy the "other" half that like it au natural ;)
Thanks for visiting one and all!
Made Flickrs interestingness pages for May 31st
+ Tranquility of the surface, transparency of the water, stones and the trunk are the peaceful elements of this lake ...
+ Location — National natural reserve of Néouvielle. French Pyrenees: Vallée d'Aure, at 2,141 m.
See the mountain pine (Pinus mugo) forest in the background.
+ Selected in the February 2015 top 20 photos of the group Rus, ruisseaux et rivières.
+ Photos taken the same week in the same geographic area: the Rioumajou torrent and the lakes of Sarrouyes.
+ This photo has been shared for the #TwitterTuesday #Peace [Jan. 13th, 2015].
Margolies, John,, photographer.
Martin County Courthouse, Fairmont, Minnesota
1988.
1 photograph : color transparency ; 35 mm (slide format).
Notes:
Title, date and keywords based on information provided by the photographer.
Margolies categories: Municipal courthouses; Main Street.
Purchase; John Margolies 2015 (DLC/PP-2015:142).
Credit line: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.
Please use digital image: original slide is kept in cold storage for preservation.
Forms part of: John Margolies Roadside America photograph archive (1972-2008).
Subjects:
Courthouses--1980-1990.
United States--Minnesota--Fairmont.
Format: Slides--1980-1990.--Color
Rights Info: No known restrictions on publication. For more information, see "John Margolies Roadside America Photograph Archive - Rights and Restrictions Information" www.loc.gov/rr/print/res/723_marg.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Margolies, John John Margolies Roadside America photograph archive (DLC) 2010650110
General information about the John Margolies Roadside America photograph archive is available at hdl.loc.gov/loc.pnp/pp.mrg
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/mrg.03897
Call Number: LC-MA05- 3897
Helios 44-2 vintage lens on Canon 700d digital. In camera monochrome with some highlight, shadow editing.
©all rights reserved.
Copyright ©Zino2009 (bob van den berg) . All my images are protected under international authors copyright laws and may not be downloaded, reproduced, kopie, transmitted or manipulated without my written explicit permission.
Pacaya is an active complex volcano in Guatemala. Pacaya rises to an elevation of 2,552 metres (8,373 ft).
The photo was taken in 1975 from the main peak. A strong cold wind was blowing the heat away from me, the only reason why it was possible to get so close to the vent. As the sunlight fades the lava starts to glow.
Scan from Ektachrome transparency.
Shot with Minolta SLR and 50mm lens.
Best viewed Original size.
20210 with brake van returns to the Rowntree's factory to collect its return load for Dringhouses Yard - 16/06/1982.
© 2016 - 53A Models of Hull Collection. Scanned from the original 35mm colour transparency; photographed by the late David R Vickers.
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Made in 2005, here's a cuff bracelet from my ‘transparency' series, one of several pieces I made for an ‘artist-of-the-month spotlight' in a fine craft gallery in Vancouver that same year. At the time I was really into Josef Alber’s book Interaction of Colour and his influence in the overlapping colour is apparent. But so much of what defined the design aesthetic of this series had nothing to do with Albers and more to do with life living on Canada’s rugged West Coast. These other influences were much more present and much more personal: the muted natural palette, the pentaradial geometry inspired by sand dollars and sea urchins, the loose organic shapes inspired by the beach pebbles found only a stone's throw (ahem) from our house, and the use of polymer ‘grains’ inspired by Tracy's innovative imitative pebble techniques that were also very prevalent in our studio during that time. I miss that coastal landscape.
Many of the techniques used in this bracelet are now a part of my Five Star Beads workshop. If you want to see some companion pieces from this series, you can find them on flickr, starting here:
Please don't use this image without my explicit permission.|| FreiRaum - My Blog || My most interestings ||