View allAll Photos Tagged Transhumanism
Model & Makeup: Luck Spike
Photography: Kreepy
Makeup Stickers: Magic Markings
São Paulo, Brazil (2020)
18-11-2019 - Cuestiones complejas y apasionantes sobre las que tarde o temprano habrá que tomar decisiones: el final de la vida, el transhumanismo, la maternidad subrogada y la relación neurobiología y fe. Cuatro temas de la vida a los que el Instituto de Fe y Desarrollo de los jesuitas de Valladolid está dedicando el nuevo curso de Bioética ‘Discernir juntos en las fronteras de la vida’. Los cuatro lunes de noviembre -4,11,18 y 25- para cuatro cuestiones de actualidad sobre los que está profundizando el teólogo Roberto Noriega, profesor de Bioética en el Estudio Agustiniano de Valladolid y en la Facultad de Teología de la Universidad de Deusto (Bilbao) y en Salamanca.
Roberto Noriega propone una reflexión compartida sobre estas realidades, pensando juntos criterios de verdad y acción que puedan servir para guiar las decisiones propias, desde la razón y la fe. “Queremos pensar juntos sobre aquello que nos humaniza para afrontar la vida y discernir con libertad”.
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Model & Makeup: Luck Spike
Photography: Kreepy
Makeup Stickers: Magic Markings
São Paulo, Brazil (2020)
Everything that ends has a new beginning. Human rose, dominated planet Earth in less than 3000 years, managed to achieve the very peak of "matters" civilization, and ended up almost destroying everything that matters...
To better understand what went wrong, in order to re-establish what humanity is consist of (after all, what is human without humanity), the cyborg race post-human conducted a thorough examination of human history, their religions, politics, emotions, hope and fear, thinking mechanism, behavior patterns, belief systems... all of which are more mythology than science to the cyborgs, for when one has already acquired a close to perfect body, and almost immortality, moral has no meanings... until they realized something is missing, a purpose of existence...
From the examinations, the cyborgs discovered the duality in human design, like the "0" and "1" in human's ancient data processing machines, very much like the planet's habitat in the age of old, there was a moon in the night that echoes the sun in the day, there were femininity on the right side of human's brain, to balance the masculinity on the left, when they were in balance, human managed to achieve harmony, but something upset that duality and suppressed the right side of their brains, and it was a slow death of humanity, and that is why in the end the "Elders", last of mankind, and the very first post-human cyborgs decided to eliminate that duality all together, and merge everything into ONEness, without sides, there would not be needed for balance... so they thought...
Is an irony, human with all their imperfection and imbalance, they managed to convinced themselves the purpose of living in their every waking moments... cyborgs achieved perfection and eliminated all possibilities of imbalance, lost their purposes...
So, they look at this statue created and left behind by the "Elders", they called it "Caduceus", and it is said that whoever understood the encryption shall be set free... ...
Model & Makeup: Luck Spike
Photography: Kreepy
Makeup Stickers: Magic Markings
São Paulo, Brazil (2020)
Olea-2021 by Solimán Lópezis is part of the HYBRID TIMES – INTERDEPENDENCE Ars Electronica Garden Barcelona by Institut Ramon Llull (CAT), Hac Te – Barcelona Art Science and Technology Hub (CAT), UOC – Universitat Oberta de Catalunya (CAT), HANGAR – Center for Art Research and Production (CAT), NewArtFoundation (CAT), .BEEP { collection;} (CAT), ESPRONCEDA – Institute of Art & Culture (CAT), La Caldera – Center for the Ceation of Dance and Performing arts (CAT), Canòdrom – Digital and Democratic Innovation Centre (CAT).
The main challenge of the new digitality is to resist the transhuman capitalist dream of the digital as utopia so as to configure a hybrid problematic via metastable and interdependent approaches to digital media.The new digital deal for our hybrid times will be marked by a heterogeneity that is itself produced by a combination of distinct elements in mutual interdependence.
With works by Estampa, Andy Gracie, Óscar Martín, Esther Rodríguez-Barbero, Anaisa Franco, Stefan Tiefengraber, Solimán López, Mohsen Hazrati, Mónica Rikić, Gilles Jobin Cia, Pheel Concepts and Remix El Barrio among others, and with the participation of innovation platforms such as IMMENSIVA and Phygital.
Photo: Solimán Lópezis
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Model & Makeup: Luck Spike
Photography: Kreepy
Makeup Stickers: Magic Markings
São Paulo, Brazil (2020)
Planning to vend #iwillnotcomply necklaces, magnets, key chains & pins for $2 each and free jewelry if you are magnetic @, near or during Defeat the Mandates. An American Homecoming. Anti-Mandate March in Washington DC 1.23.22
Seen while vending Black Lives Matter jewelry @ @UnionSquareNY . There was an #FJB #LetsGoBrandon flag @ Union Square Park after a Bravest For Choice Ferry To Freedom Rally @ Union Square Park yesterday.
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His art focuses heavily on futurism and extending the capabilities of the human body, and as such, most of his pieces are centered around his concept that the human body is obsolete. From the article:
The body, however, has its ways of fighting back against the 5-year, or 500-year plans of its owners. Geneticists report that our own genes are still evolving, to what end, no one can guess. No supercomputer can yet predict from simply reading a sequence of A’s, C’s, T’s and G’s that make up a genetic code what creature will emerge.
The progression to postnatural history may be a painful birth if the experience of Stelarc, 62, who splits his time between Brunel University in West London and the University of Western Sydney in Australia, is any example. The body, he says, is obsolete and needs to map its “post-evolutionary strategies.”
To that end, Stelarc has outfitted himself at times with an extra hand (nonsurgically), swallowed a camera that would explore the sculpture of his stomach and hung himself in the air on hooks. For a show called “Fractal Flesh,” he wired half his body, in Luxembourg, up to muscle stimulation equipment that could be controlled by computers in Paris, Helsinki and Amsterdam. The result, he told an interviewer later, “was a split body experience.”
The ear on his arm, he said, is a work in progress that has required a couple of surgeries so far. It took him 12 years to find the doctors and the financing, which was provided by the Discovery Channel as part of a series in experimental surgery, to do the work.
Going back in time around March 5th. 2022. Vending #iwillnotcomply and #freedomconvoy2022 necklaces, magnets, key chains & pins for $2 each @ Hagerstown Speedway before Defeat The Mandates and The People's Convoy ditched American Freedom Convoy @ Hagerstown Speedway, took the money and ran and left them in search of another place to stay and American Freedom Convoy started following Defeat The Mandates and The People's Convoy policy in banning any flags other than American flags & making their convoys and rallies anti Trump and anti #FJB rallies and convoys.
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TORLEY ISLAND =^_^= OMG! CYBERSPACE! DIGITAL FRONTIER! lulz
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WHAT IS A TORLEY LINDEN? >> bit.ly/torsl ... ARBITRARY KEYWORDS: cyberpunk tron blade runner mass effect grid minimalist aesthetic techno futuristic scifi game retro transhumanism avatar
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From the series e-maGen.
“Every day, we create new identities on social media. Fragmentary and carefully chosen stories from our lives cross paths with staged photographs; that is, with different or optomized versions of ourselves. Again, and again, the question arises to what extent these artificial, digital identities are real, and whether reality depends on a tangible (human) corporeality.” (Steinek, S. 2018; 166)
e-maGen is a series of images which explores and comments on:
❀ The e-maGined world, the creation of a new identity, a 'virtual person'
❀ The culture of social media aesthetics and it's transience
❀ How people use online identities to portray different personas
❀ The question of the 'true self'
❀ The 'e-maGined identity' versus the real identity:
✧ Is it just a performance for an audience?
✧ A filtered identity where features are manipulated?
✧ Can she escape being human to be non-human?
✧ Or does she still appear human, and can't escape being human?
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TORLEY ISLAND =^_^= OMG! CYBERSPACE! DIGITAL FRONTIER! lulz
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65536 m²
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location: Gashouder
Adri Schokker - Hsien-Yu Cheng - Sonja-Vanessa Schmitz - Virtual Worlds Pixelporn ( mannen denken altijd direct aan hele grote Pixels) - Danja Vasiliev - Via Oral - Paul Klotz - Jaap Mutter- Neverporn Community – Saygin Soher - Avik Kumar Maitra – Pasquale Direse - Arno Coenen: Eurotrash Beer / GOGBOT logo 2010 - Gottfried Haider - David Scheidler – Pyewacket - more pixelporn art via Second Life flickrshow.
PLANETART presents artistic research related to the concept of the Technological Singularity. This concept concerns the exponential growth of technology today and predicts an explosion of artificial intelligence within decades. The increasing impact of genetics, robotics and nano-technology will contribute to this development and will soon cause a breaking point in human history. PLANETART presents these artistic results in screenings and exhibitions in PLANETART Medialab Artspace in the former Volkskrantbuilding + Kunstvlaai/Artpie and finalizing in the GOGBOT festival Enschede Sept. 9-12 2010
www.kunstvlaai.nl www.planetart.nl
no copyright, just credits: Morten Årstad Foto
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WHAT IS A TORLEY LINDEN? >> bit.ly/torsl ... ARBITRARY KEYWORDS: cyberpunk tron blade runner mass effect grid minimalist aesthetic techno futuristic scifi game retro transhumanism avatar
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From the series e-maGen.
“Every day, we create new identities on social media. Fragmentary and carefully chosen stories from our lives cross paths with staged photographs; that is, with different or optomized versions of ourselves. Again, and again, the question arises to what extent these artificial, digital identities are real, and whether reality depends on a tangible (human) corporeality.” (Steinek, S. 2018; 166)
e-maGen is a series of images which explores and comments on:
❀ The e-maGined world, the creation of a new identity, a 'virtual person'
❀ The culture of social media aesthetics and it's transience
❀ How people use online identities to portray different personas
❀ The question of the 'true self'
❀ The 'e-maGined identity' versus the real identity:
✧ Is it just a performance for an audience?
✧ A filtered identity where features are manipulated?
✧ Can she escape being human to be non-human?
✧ Or does she still appear human, and can't escape being human?
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TORLEY ISLAND =^_^= OMG! CYBERSPACE! DIGITAL FRONTIER! lulz
~*~ PARCEL DESC ~*~
WHAT IS A TORLEY LINDEN? >> bit.ly/torsl ... ARBITRARY KEYWORDS: cyberpunk tron blade runner mass effect grid minimalist aesthetic techno futuristic scifi game retro transhumanism avatar
~*~ PARCEL OWNER ~*~
You are Here
~*~ PARCEL GROUP ~*~
You are Here
~*~ PARCEL AREA ~*~
65536 m²
~*~ PARCEL ID ~*~
44d2660e-e78b-e2eb-3263-9189496b7efa
~*~ PARCEL SLURL ~*~
~*~ PARCEL NAME ~*~
TORLEY ISLAND =^_^= OMG! CYBERSPACE! DIGITAL FRONTIER! lulz
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WHAT IS A TORLEY LINDEN? >> bit.ly/torsl ... ARBITRARY KEYWORDS: cyberpunk tron blade runner mass effect grid minimalist aesthetic techno futuristic scifi game retro transhumanism avatar
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You are Here
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65536 m²
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Npsgirl goes in search of magnetic meat! (PARODY) It's a parody of ourselves from sticking magnets to people's vaccination sites in previous videos.
Full video: www.bitchute.com/video/a3TfNnJ2rrRZ/
location: Gashouder
Adri Schokker - Hsien-Yu Cheng - Sonja-Vanessa Schmitz - Virtual Worlds Pixelporn ( mannen denken altijd direct aan hele grote Pixels) - Danja Vasiliev - Via Oral - Paul Klotz - Jaap Mutter- Neverporn Community – Saygin Soher - Avik Kumar Maitra – Pasquale Direse - Arno Coenen: Eurotrash Beer / GOGBOT logo 2010 - Gottfried Haider - David Scheidler – Pyewacket - more pixelporn art via Second Life flickrshow.
PLANETART presents artistic research related to the concept of the Technological Singularity. This concept concerns the exponential growth of technology today and predicts an explosion of artificial intelligence within decades. The increasing impact of genetics, robotics and nano-technology will contribute to this development and will soon cause a breaking point in human history. PLANETART presents these artistic results in screenings and exhibitions in PLANETART Medialab Artspace in the former Volkskrantbuilding + Kunstvlaai/Artpie and finalizing in the GOGBOT festival Enschede Sept. 9-12 2010
www.kunstvlaai.nl www.planetart.nl
no copyright, just credits: Morten Årstad Foto
A living Biopunk sculpture, integrating growing and manipulated plants as internal organs in to an android female form
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WHAT IS A TORLEY LINDEN? >> bit.ly/torsl ... ARBITRARY KEYWORDS: cyberpunk tron blade runner mass effect grid minimalist aesthetic techno futuristic scifi game retro transhumanism avatar
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65536 m²
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From the series e-maGen.
“Every day, we create new identities on social media. Fragmentary and carefully chosen stories from our lives cross paths with staged photographs; that is, with different or optomized versions of ourselves. Again, and again, the question arises to what extent these artificial, digital identities are real, and whether reality depends on a tangible (human) corporeality.” (Steinek, S. 2018; 166)
e-maGen is a series of images which explores and comments on:
❀ The e-maGined world, the creation of a new identity, a 'virtual person'
❀ The culture of social media aesthetics and it's transience
❀ How people use online identities to portray different personas
❀ The question of the 'true self'
❀ The 'e-maGined identity' versus the real identity:
✧ Is it just a performance for an audience?
✧ A filtered identity where features are manipulated?
✧ Can she escape being human to be non-human?
✧ Or does she still appear human, and can't escape being human?
Historical Diagrams, 29.7 x 42cm, Cybernetic Séance, 21 x 29.7cm. Archival giclée prints on Hahnemuhle Bamboo paper. All works courtesy the artist and Annely Juda Fine Art, London
The works Historical Diagrams and Cybernetic Séance are part of the larger project HEXEN 2.0, which looks into histories of scientific research behind government programmes of mass control, investigating parallel histories of countercultural and grass roots movements. HEXEN 2.0 charts, within a framework of post-WWII U.S. governmental and military imperatives, the coming together of scientific and social sciences through the development of cybernetics, the history of the internet, the rise of Web 2.0 and increased intelligence gathering, and implications for the future of new systems of societal manipulation towards a control society. HEXEN 2.0 specifically investigates the participants of the seminal Macy Conferences (1946-1953), whose primary goal was to set the foundations for a general science of the workings of the human mind. The project simultaneously looks at diverse philosophical, literary and political responses to advances in technology including the claims of Anarcho-Primitivism and Post Leftism, Theodore Kaczynski/The Unabomber, Technogaianism and Transhumanism, and traces precursory ideas such as those of Thoreau, Warren, Heidegger and Adorno in relation to visions of utopic and dystopic futures from science-fiction literature and film.
Les pièces Historical Diagrams et Cybernetic Séance sont issues du projet HEXEN 2.0 qui traite des histoires relatives à la recherche scientifique dissimulée dans les programmes gouvernementaux de contrôle de masse. Ce projet enquête les histoires parallèles liées aux mouvements de contre culture populaires. Dans le contexte de l'histoire américaine d'après guerre, HEXEN 2.0 dresse une cartographie de l'avènement des sciences sociales et scientifiques à travers le développement de la cybernétique, l'histoire de l'Internet, la montée de Web 2.0, des services de renseignements et les implications liées aux futur des nouveaux systèmes de manipulation et de contrôle de la société. HEXEN 2.0 enquête spécifiquement sur les participants des Conférences Macy (1946-1953) dont le but premier était de mettre en place les fondations des sciences générales pour le fonctionnement de l'esprit humain. Ce projet examine simultanément diverses pensées précurseurs telles que Thoreau, Warren, Heidegger et Adorno en relation aux visions utopiques et dystopiques du futur, issues de cinema et de littérature de science-fiction.
1646, Den Haag 2014
1646 Introduces for the first time in the Netherlands the work of the Swedish artist and musician Matti Kallioinen (Uppsala 1974). Kallioinen transforms the exhibition space into his own aesthetical universe in which large sculptural volumes linger between dead objects and living entities, creating a feeling of an eerie unknown living, breathing presence. It is hard to see where one shape ends and where the next one starts. Certain organic movements come with a strong sense of autonomy, as if they have their own nervous systems with thoughts and agendas, even sense of humour.
Synthesized music guides their presence, bright colours are heightened by the intense use of lights. Creating an intense sensory experience using sound, visuals, lights and large inflatable sculptural entities Kallioinen combines his experience as an artist, electronic musician and performer with a fascination of cognitive science and transhumanism.
Borrowing aesthetics from the old-fashioned futuristic sci-fi movies with references to popular depictions of extreme religious cults, decor and costumes reminiscent of those of children’s theatre plays, Kallioinen creates a world like no other. Despite the occasional concrete pieces of visual language that suggest some sort of allegorical meaning, it is impossible get a complete overview or to grasp what is approaching one through all the senses. The experience seems to hypnotize the viewer who is unable to get a rational understanding of this experience.
From the series e-maGen.
“Every day, we create new identities on social media. Fragmentary and carefully chosen stories from our lives cross paths with staged photographs; that is, with different or optomized versions of ourselves. Again, and again, the question arises to what extent these artificial, digital identities are real, and whether reality depends on a tangible (human) corporeality.” (Steinek, S. 2018; 166)
e-maGen is a series of images which explores and comments on:
❀ The e-maGined world, the creation of a new identity, a 'virtual person'
❀ The culture of social media aesthetics and it's transience
❀ How people use online identities to portray different personas
❀ The question of the 'true self'
❀ The 'e-maGined identity' versus the real identity:
✧ Is it just a performance for an audience?
✧ A filtered identity where features are manipulated?
✧ Can she escape being human to be non-human?
✧ Or does she still appear human, and can't escape being human?
The U.S. Defense Department is reportedly looking to develop autonomous armed robots that will eventually be able to find and destroy targets on their own. Instead of being controlled remotely, unmanned drones will have on-board computer programs that can decide whether they should fire their weapons.
"The trend is clear: Warfare will continue and autonomous robots will ultimately be deployed in its conduct," writes Ronald Arkin, a robotics expert at the Georgia Institute of Technology in Atlanta. "The pressure of an increasing battlefield tempo is forcing autonomy further and further toward the point of robots making that final, lethal decision," he predicted. "The time available to make the decision to shoot or not to shoot is becoming too short for remote humans to make intelligent informed decisions."
According to John Pike, an an expert on defense and intelligence matters, autonomous armed robotic systems probably will be operating by 2020.
But many fear that these robots will be unable to distinguish between legitimate targets and civilians in a war zone.
"We are sleepwalking into a brave new world where robots decide who, where and when to kill," said Noel Sharkey, an expert on robotics and artificial intelligence at the University of Sheffield, England.
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