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Pre-colonial Maranao Royal House with Princess' Chamber - JBulaong 2020
#lamin #torogan #Maranaoroyalhouse #Mindanao #Precolonialhouse #PrecolonialPhilippines #Maharlika #Philippinearchitecture #JBulaong #oiloncanvas #painting #Islandsofgold #Ophir #utopia #ancientPhilippinegold #Filipinohouse #indigenousarchitecture
Maranao Royal House - (Philippine Ancestral House - Torogan) 16" x 24" oil on canvas by JBulaong 2015
#JBulaong #oiloncanvas #PhilippineAncestralHouse #PhilippineArchitecture #PilipinoArchitecture #FilipinoHouse #painting #ancestralhouse #tropicalhouse #MaranaoRoyalHouse #Torogan
Bahay ng datu at pamilya nitó ang torógan sa Mëranaw. Ito ang pinakamalaki sa mga bahay na matatagpuan sa teritoryo ng isang sultanato sa ilalim ng datu, palatandaan ng rangya, dangal, at pagiging pinunò. Wala itong dibisyon at sáma-sámang naninirahan dito ang mga kasapi ng pamilya ng datu.
Nása dakong harapan ng torógan ang makipot na bintanang ang kuwadro’y nauukitan ng okir. Mababà nang kalahating metro ang bahaging kusina na lugar para sa pagluluto at pagkain. Patulís ang tuktok ng bubong at malapad sa bahaging ibabâ na tulad ng salakot. Yari sa tabla ang mga dingding at ang buong estruktura ay iniaangat ng mga haliging yari sa punongkahoy at mga dalawang metro ang taas. Nakausli ang ilang tabla ng sahig upang maging panólong na nása dakong harapan ng torogan. Napapalamutian ng ókir ang sahig, panolong, bintana, at iba pang bahagi nitó. Idinisenyo itong bahay para maging matatag laban sa lindol. Nakalitaw lámang at hindi nakabaón sa lupa ang mga haligi.
Bukod sa pagiging tirahan ng datu, ginagamit din sa pagtitipon ng komunidad ang torógan. Ginaganap dito ang mga kasalan, lamayan, pulong, at mga paglilitis. Dito rin pinatutuloy ang mga panauhin. (RPB) (ed VSA)
Salitâng Maranaw ang ókir (may varyant na ókkir) para sa úkit at tinatawag ding úkkil ng mga Tausug. Tinutukoy nitó ang makurba at malantik na mga disenyo sa paglilok ng kahoy, na binabarnisan o pinipintahan sa sari-saring kulay. Nililikha din ang naturang disenyo sa tanso.
Pangunahing mga disenyo ng ókir ang anyo ng sarimanók, nága, at páko rábong. Ang sarimanók ay estilisadong anyo ng isang ibon na may imahen ng isda sa tukâ. Ang nága ay estilisadong anyo ng mitikong ahas o dragon. Ang pako rabong ay tila abstraksiyon ng sumisibol na pakô. Ang mga naturang disenyo ay iniuukit sa panólong, ang nakaungos na tahilan ng sahig ng torógan, gayundin sa iba pang panloob na tahilan at poste. Ang naturang disenyo ng ókir ay ginagamit din sa paghabi ng tela, sa mga inukit na pantanda sa puntod, mga kahoy at tansong kahon, at sa puluhan ng mga patalim.(LJS) (ed VSA)
Jose Tanig Joya
1931-1995
Philippine National Artist (Pambansang Alagad ng Sining ng Pilipinas) for Visual Arts (Painting)
Born June 3, 1931 in the Philippines
Joya was a mixed media artist, printmaker, multimedia artist, and a former dean of the University of the Philippines' College of Fine Arts. He pioneered abstract expressionism in the Philippines with paintings characterized by the vigorous and spontaneous strokes of action and gestural painting. He typically made use of impasto, sweeping brushstrokes and rice paper collage in his powerful and vibrant works.
The color schemes of his works were strongly influenced by the tropical landscapes of the Philippine Islands. Among his masterpieces are the Nanking (a collage rendered with Asian calligraphy and forms and patterns resembling rice paddies), the Granadean Arabesque (his large landmark work, 1958), Space Transfiguration, Hills of Nikko, Dimension of Fear, Torogan, Cityscape. He represented the Philippines in the 1964 Venice Biennial, a recognition which showed the high level of acceptance of Philippine modern art had by then attained.
Joya influenced younger artists in making use of multimedia in art. He also worked on ceramics and in printmaking and other graphic arts. His works, especially his mixed-media abstracts, continue to be known for their distinctive style and consistent excellence.
Education:
University's first Magna Cum Laude, Bachelor's Degree in Fine Art, University of the Philippines, 1953
Instituto de Cultura Hispanica, 1954
Master's Degree in Painting, Cranbrook School of Art in Michigan, 1956
Pratt Institute in New York, 1967-1969
First One-Man Show Exhibition
Philippine Art Gallery, 1954
Awards and Achievements:
First Prize, Gossips, Shell National Students Art Competition, 1952
First Prize, 11th Annual PAG Art Exhibition, 1958
The Ten Outstanding Young Men award for Painting, 1961
Republic Cultural Heritage Award, 1961
ASEAN Cultural Award,1970
Patnubay ng Sining at Kalinangan Award, City of Manila 1971
Gawad CCP para sa Sining, Cultural Center of the Philippines 1991
One of the Ten Outstanding ASEAN Artists, 1992
Philippine National Artist for Visual Arts (Painting), 2003
Affiliations:
Member, Saturday Group
President, Art Association of the Philippines, 1962-1965
Dean, College of Fine Arts, University of the Philippines,1970-78
Chairperson of Philippine Delegations to China, 1961 and 1972
Member, Order of Chevalier des Arts et Lettres, by the French government, 1987
Chairperson, National Committee on Visual Arts, National Commission on Culture and the Arts, 1987-1995
(www.geringerart.com/bios/joya.html)
(en.wikipilipinas.org/index.php?title=Jose_Joya)
(en.wikipedia.org/wiki/Jos%C3%A9_T._Joya)
To check out the available paintings from this Artist, please visit:
ECCA Gallery's One-stop Online Shop:
Torogan inspired condo unit mixed with the concept of pandora's box - both having same characteristics and traits! :)
The torogan bahay kubo at intramuros.
Inside you can find many artifacts such as musical
intruments, weapons, cooking tools, decorative silks & other things
that were used by our forfathers way back to the spanish era.
Almost 23 years I live in my hometown. But last year ago I discover my grandmother was the Municipality officer. I knew because when I capture the classic home of Maranao Torogan is called in Marawi ciy, Lanao del sur Phillipines and I saw my grandmother's name on the bulletin board hanging in the Torogan house.
Almost 23 years I live in my hometown. But last year ago I discover my grandmother was the Municipality officer. I knew because when I capture the classic home of Maranao Torogan is called in Marawi ciy, Lanao del sur Phillipines and I saw my grandmother's name on the bulletin board hanging in the Torogan house.