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Pre-colonial Maranao Royal House with Princess' Chamber - JBulaong 2020

#lamin #torogan #Maranaoroyalhouse #Mindanao #Precolonialhouse #PrecolonialPhilippines #Maharlika #Philippinearchitecture #JBulaong #oiloncanvas #painting #Islandsofgold #Ophir #utopia #ancientPhilippinegold #Filipinohouse #indigenousarchitecture

Maranao Royal House - (Philippine Ancestral House - Torogan) 16" x 24" oil on canvas by JBulaong 2015

#JBulaong #oiloncanvas #PhilippineAncestralHouse #PhilippineArchitecture #PilipinoArchitecture #FilipinoHouse #painting #ancestralhouse #tropicalhouse #MaranaoRoyalHouse #Torogan

Taken April 2019 Bagac Bataan

Torogans are traditional houses for Datus, sultans or local chieftains of Maranao people.

Marawi City, Lanao del Sur, Philippines

Bahay ng datu at pamilya nitó ang torógan sa Mëranaw. Ito ang pinakamalaki sa mga bahay na matatagpuan sa teritoryo ng isang sultanato sa ilalim ng datu, palatandaan ng rangya, dangal, at pagiging pinunò. Wala itong dibisyon at sáma-sámang naninirahan dito ang mga kasapi ng pamilya ng datu.

  

Nása dakong harapan ng torógan ang makipot na bintanang ang kuwadro’y nauukitan ng okir. Mababà nang kalahating metro ang bahaging kusina na lugar para sa pagluluto at pagkain. Patulís ang tuktok ng bubong at malapad sa bahaging ibabâ na tulad ng salakot. Yari sa tabla ang mga dingding at ang buong estruktura ay iniaangat ng mga haliging yari sa punongkahoy at mga dalawang metro ang taas. Nakausli ang ilang tabla ng sahig upang maging panólong na nása dakong harapan ng torogan. Napapalamutian ng ókir ang sahig, panolong, bintana, at iba pang bahagi nitó. Idinisenyo itong bahay para maging matatag laban sa lindol. Nakalitaw lámang at hindi nakabaón sa lupa ang mga haligi.

  

Bukod sa pagiging tirahan ng datu, ginagamit din sa pagtitipon ng komunidad ang torógan. Ginaganap dito ang mga kasalan, lamayan, pulong, at mga paglilitis. Dito rin pinatutuloy ang mga panauhin. (RPB) (ed VSA)

Salitâng Maranaw ang ókir (may varyant na ókkir) para sa úkit at tinatawag ding úkkil ng mga Tausug. Tinutukoy nitó ang makurba at malantik na mga disenyo sa paglilok ng kahoy, na binabarnisan o pinipintahan sa sari-saring kulay. Nililikha din ang naturang disenyo sa tanso.

 

Pangunahing mga disenyo ng ókir ang anyo ng sarimanók, nága, at páko rábong. Ang sarimanók ay estilisadong anyo ng isang ibon na may imahen ng isda sa tukâ. Ang nága ay estilisadong anyo ng mitikong ahas o dragon. Ang pako rabong ay tila abstraksiyon ng sumisibol na pakô. Ang mga naturang disenyo ay iniuukit sa panólong, ang nakaungos na tahilan ng sahig ng torógan, gayundin sa iba pang panloob na tahilan at poste. Ang naturang disenyo ng ókir ay ginagamit din sa paghabi ng tela, sa mga inukit na pantanda sa puntod, mga kahoy at tansong kahon, at sa puluhan ng mga patalim.(LJS) (ed VSA)

Marawi City, Lanao del Sur, Philippines

Marawi City, Lanao del Sur, Philippines

Part of a Torogan House native to the Maranaos

Old Maranaw royal house, the "torogan" in the Islamic City of Marawi, Lanao del Sur

Marawi City, Lanao del Sur, Philippines

Marawi City, Lanao del Sur, Philippines

Marawi City, Lanao del Sur, Philippines

Marawi City, Lanao del Sur, Philippines

Muslim house replica.. typical of the houses built in Mindanao, Philippines

Kadayawan Village.

Kadayawan Village.

Philippine Torogan - Maranao House (Scale: 1-12) by Noel E. Escultura

A Torogan Cottage at the Marawi Resort Hotel in Marawi City, Lanao del Sur, Philippines

Jose Tanig Joya

1931-1995

Philippine National Artist (Pambansang Alagad ng Sining ng Pilipinas) for Visual Arts (Painting)

Born June 3, 1931 in the Philippines

 

Joya was a mixed media artist, printmaker, multimedia artist, and a former dean of the University of the Philippines' College of Fine Arts. He pioneered abstract expressionism in the Philippines with paintings characterized by the vigorous and spontaneous strokes of action and gestural painting. He typically made use of impasto, sweeping brushstrokes and rice paper collage in his powerful and vibrant works.

 

The color schemes of his works were strongly influenced by the tropical landscapes of the Philippine Islands. Among his masterpieces are the Nanking (a collage rendered with Asian calligraphy and forms and patterns resembling rice paddies), the Granadean Arabesque (his large landmark work, 1958), Space Transfiguration, Hills of Nikko, Dimension of Fear, Torogan, Cityscape. He represented the Philippines in the 1964 Venice Biennial, a recognition which showed the high level of acceptance of Philippine modern art had by then attained.

 

Joya influenced younger artists in making use of multimedia in art. He also worked on ceramics and in printmaking and other graphic arts. His works, especially his mixed-media abstracts, continue to be known for their distinctive style and consistent excellence.

 

Education:

University's first Magna Cum Laude, Bachelor's Degree in Fine Art, University of the Philippines, 1953

Instituto de Cultura Hispanica, 1954

Master's Degree in Painting, Cranbrook School of Art in Michigan, 1956

Pratt Institute in New York, 1967-1969

 

First One-Man Show Exhibition

Philippine Art Gallery, 1954

 

Awards and Achievements:

First Prize, Gossips, Shell National Students Art Competition, 1952

First Prize, 11th Annual PAG Art Exhibition, 1958

The Ten Outstanding Young Men award for Painting, 1961

Republic Cultural Heritage Award, 1961

ASEAN Cultural Award,1970

Patnubay ng Sining at Kalinangan Award, City of Manila 1971

Gawad CCP para sa Sining, Cultural Center of the Philippines 1991

One of the Ten Outstanding ASEAN Artists, 1992

Philippine National Artist for Visual Arts (Painting), 2003

 

Affiliations:

Member, Saturday Group

President, Art Association of the Philippines, 1962-1965

Dean, College of Fine Arts, University of the Philippines,1970-78

Chairperson of Philippine Delegations to China, 1961 and 1972

Member, Order of Chevalier des Arts et Lettres, by the French government, 1987

Chairperson, National Committee on Visual Arts, National Commission on Culture and the Arts, 1987-1995

 

(www.geringerart.com/bios/joya.html)

(en.wikipilipinas.org/index.php?title=Jose_Joya)

(en.wikipedia.org/wiki/Jos%C3%A9_T._Joya)

 

To check out the available paintings from this Artist, please visit:

ECCA Gallery's One-stop Online Shop:

myworld.ebay.ph/marilaburgos

Kadayawan Village during Kadayawan Festival 2017.

Philippine Torogan - Maranao House (Scale: 1-12) by Noel E. Escultura

Kadayawan Village during Kadayawan Festival 2017.

Torogan inspired condo unit mixed with the concept of pandora's box - both having same characteristics and traits! :)

The torogan bahay kubo at intramuros.

Inside you can find many artifacts such as musical

intruments, weapons, cooking tools, decorative silks & other things

that were used by our forfathers way back to the spanish era.

Phillipine Torogan Manarao House in the internation exhibits

Almost 23 years I live in my hometown. But last year ago I discover my grandmother was the Municipality officer. I knew because when I capture the classic home of Maranao Torogan is called in Marawi ciy, Lanao del sur Phillipines and I saw my grandmother's name on the bulletin board hanging in the Torogan house.

Almost 23 years I live in my hometown. But last year ago I discover my grandmother was the Municipality officer. I knew because when I capture the classic home of Maranao Torogan is called in Marawi ciy, Lanao del sur Phillipines and I saw my grandmother's name on the bulletin board hanging in the Torogan house.

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