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By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
My strobist lightbox test shots. The color temperature is off because I could only dig up dissimilar bulbs.
{What tools do you use and appreciate on a daily basis? Make an interesting photo of one such tool today. (@koocbor)}
This photo represents three of my most treasured tools during the spring and summer seasons...My Garden Hat, my gloves and my garden shears which I use everyday! Love my garden Y'all!
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A sold-out gathering of over 140 attendees representing the full range of the fresh floral supply chain from six countries attended Fresh Connections: Floral in Miami. “[The event was] an invaluable tool to network, and also a great forum to learn what is happening in floral and elevate yourself on topics you may not be knowledgeable about,” one participant said after the event.
The tool shed is located off the screened patio and under the deck. The wall has plenty of hooks to organize tools. It's a great place to store firewood as the room is weather tight and right next to the family room containing a wood stove.
www.1001gardens.org/2013/07/garden-tools-rack-in-case-of-...
We never know what's happening and should always be prepared ! :-)
Tool bench from sculpture class. Shot on Ektacolor 160, Developed in Tetenal Colortech, then converted to B&W in Lightroom.
Aric got a tool bench from Santa this year. If there was one thing that Aric told everyone that he was getting from Santa this year, it was "tools like my daddy". He would tell anyone that would listen. Santa was good and followed suit and got him a really cool tool bench.
My new miniature block plane with thicknessing skids.
I like the simple mechanism of the mouth adjustment, but the adjustment plate might be a tad wider to leave no gaps with the sole recess.
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7 days of shooting. Traditional Thursday. Red lines. Traditional tools.
Not a particularly good shot but it's all I've got today.
This tool roll is the prototype, but there are some things I'd like to change already: 1. hand sewn edging is impractical. 2. I'm not so sure about waxing the canvas. The waxy outer layer grabs dirt.
#1 Is a specialty plier for making & using lead pencil weights. (it is for cutting the lead making a flat spot and poking a hole for the line, it also has a tip for opening split rings.)
3,4&5 are round tipped pliers(specificly for bending wire into loops etc)
6,7&8 are Gate shears(like regular wire cutters but make a flush cut, typically for soft wire)
9&10 are regular needle nose pliers
11&12 are heavy grooming clippers(used like gate shears)
2 are regular slip joint pliers w/lead padded jaws