View allAll Photos Tagged TimelessStreets
The Hive Project, created for the education of our children in the future bee's conservation. The lights you see and the sounds you hear inside the Hive are triggered by bee activity in a real beehive at Kew Gardens. It enables our kids to explore and engage with the pollinators’ key role and become better defenders of the planet. This is the views from the ground to the glass ceiling, with all the kids emulating the bees in exploration of their habitat inside the sculpture
Die Nacht legt sich über Dresden – doch die Stadt schläft nicht. In diesem Bild verschmelzen Bewegung und Architektur zu einem flüchtigen Gemälde aus Licht.
Ein vorbeiziehendes Schiff hinterlässt eine leuchtende Spur auf der Elbe, eingefangen durch eine lange Belichtungszeit. Die majestätische Kulisse aus Brücke, Hofkirche und Altstadt bleibt dabei ruhig und kraftvoll – ein Kontrast zur Dynamik des Moments.
„Painted by Light“ beschreibt genau das, was hier sichtbar wird: Licht als Pinsel, Zeit als Leinwand. Ein kurzer Augenblick, eingefangen in einem Bild, das mehr zeigt als nur Realität – es erzählt Stimmung.
Ich freue mich auf eure Eindrücke und Gedanken zu diesem nächtlichen Blick auf meine Stadt.
Night falls over Dresden – but the city remains alive. In this image, motion and architecture blend into a fleeting painting made of light.
A passing ship leaves a glowing trail across the Elbe, captured through long exposure. The majestic backdrop of the bridge, the cathedral, and the historic city remains still and powerful – forming a striking contrast to the motion in front.
“Painted by Light” perfectly describes what this photo reveals: light as a brush, time as a canvas. A brief moment turned into an image that captures more than reality – it reflects mood, motion, and memory.
I’d love to hear your impressions and thoughts on this nighttime perspective of my city.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
A moment of direction and doubt beneath the gray skies of Cambridge. One woman points, another scrolls, while behind them—half-sheltered beneath an umbrella—a third looked on as though she’d just stepped into an unexpected story. The rain, the wood, the whisper of travel—all caught between motion and wonder.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
Another wor(l)d
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
stone outlives footsteps. the man walks beneath time-worn convent walls in palma, his shadow crossing painted words: bus, taxi â none his. there's something cinematic in the emptiness, in the hush of sandstone and asphalt, in the quiet determination of one figure moving forward.
The cobblestone streets of Brussels hold the quiet charm of a city that breathes history. Every corner reveals a piece of the past, with buildings that have witnessed centuries of change but remain as pillars of tradition and culture. Walking through these streets is like stepping into a time where architecture speaks, and the ground tells stories of old markets, artists, and gatherings that shaped Belgian identity.
Brussels, known for its blend of French and Flemish influences, preserves this essence in its alleys and hidden squares. The glow of cobblestones after a rainy night or the soft sound of footsteps echoing at dusk creates a unique atmosphere – melancholic yet warm.
These streets are not just pathways; they are living memories intertwined with the present. In Brussels, even the smallest alleyway seems to whisper that the past is never as far away as it seems.
***
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This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
the façades of lisbon echo with light – in the late afternoon, the city turns into a theater of warm stone and whispered shadows. in this quiet stretch of rua dos douradores, laundry, iron balconies and shuttered windows hold stories from a hundred evenings past.
i stood in palma, in front of a government building with no name, no flag, no people. just light cutting across its silent wall. then this rider came. no sound, no hesitation, just the silhouette slipping exactly into the shadow’s edge. the city didn’t notice. but it was perfect. like geometry delivering a message no one had written.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.
This series is the third part of a set of photographs taken in Albania during a trip in October 2024.
Less pessimistic than "The Last Paradise before the end of the world", which draws a post-apocalyptic portrait of the city of Vlorë, more nostalgic than "Nothing to see" which focuses on forging identity signs in cities that have few, she speaks with another voice to tell Durrès, the country's first port and popular seaside resort in the Adriatic, like a bittersweet comedy, a bit like in Eric Rohmer's famous tales. The voice continues its story to Tirana, for a more frantic street photography, but always full of indulgence.
Same decorations, different writing, hence the play on words of the title which unfortunately only finds its meaning in English.