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I found these two headstones interesting as it's not often I see tile work incorporated into the memorials.
I found this and another bathroom photo on a real estate site and loved them so much I had to post them. It was a lovely Spanish house in L.A. (Silverlake), and the bathrooms were the best part. I admit, I don't think this particular pinkish lavender goes very well with this particular aqua, but the tiled arches are divine.
Plaza España, Managua, Nicaragua.
These 1970s tiles are part of the stairs going up to a supermarket on Plaza España in Managua, Nicaragua. For more photos from this place, constructed just before the devastating earthquake of 1972 and largely intact from it, please see my plaza españa set.
set of digital tiles for your use. The set was created from an original image by innac: created for kplay December 2010 from this great image by innac:
www.flickr.com/photos/30383287@N03/5015201932/
Please feel free to use these for your art or craft work but I ask that you respect the original artist's work (innac's and mine) and not claim these as your own or try to sell them.
This sheet is an experiment for me so I'd love to hear your feedback.
Tile wall of restaurant "Lendav Taldrik" / "Flying Saucer" at Telliskivi Creative Campus.
Artist: Hopare (France)
Abstract tile water theme for the bath in the studio built several years ago.
(All images copyrighted. Copying my photos is not ok w/out permission. LINKING to this page via Flickr "share" functionality is ok. See my Profile for queries regarding any other usage.)
Three tiles from Marsden. George Marsden patented a technique for incorporating coloured slip into the front of a tile as it was pressed, and these are good examples of this work, with some subsequent hand embellishing. A year or two either side of 1900.
If you are interested in this sort of thing, perhaps the Tiles & Architectural Ceramics Society is up your street - take a look at tilesoc.org.uk/tacs/
A series of press-moulded decorative tiles were designed by Harold Stabler and manufactured by Poole Pottery to adorn the walls of several stations built or refurbished as part of the New Works Programme in the 1930s.
Tiles were produced for Aldgate East, Bethnal Green, St John's Wood, St Paul's and Swiss Cottage. There are a total of eighteen different tile designs, but only Swiss Cottage has examples of the whole set. Four examples from Swiss Cottage are depicted here.
3-9 maart EXEMPLA 2010 Munchen
Das Ceramic Work Centre .ekwc, s’Hertogenbosch, Niederlanden
Ein fünf Jahre dauerndes Projekt zum Thema Ceramics & Architecture stellte beispielsweise den Künstlern die Aufgabe, einen neuen Ziegeltypus zu entwickeln oder ein neues Einsatzgebiet für bereits existierende Ziegel zu finden. Eine der Teilnehmerinnen am Projekt war die Amsterdamer Textilkünstlerin Marian Bijlenga. Sie schuf basierend auf ihrer textilen Ästhetik einen neuen, sehr unkonventionellen Ziegeltypus. Alle 160 dieser neuen „Ziegel“ werden in der Exempla 2010 ausgestellt.
Pécs - Zsolnay Cultural Quarter
www.iranypecs.hu/en/info/attractions/zsolnay-tradition/zs...
Lisbon, Mar. 3, 2014.
After I shot this photo, I realized that I had shot a repetitive pattern of life, not just of tiles. On Mar. 7, I went back with a print an offered it to the gentleman, Carlos Pedrosa. I hope to see him there for a long time.
One of my favourite places in Istanbul is the Archaeological Museum... Which is really three museums in one! What a bonus... This is the entrance to the Tiled Kiosk, which I love and not just because its blue
This company operated out of the Bridge Tile Works, Tunstall, from around 1897 to 1912, making a large number of tiles, especially moulded designs. Many of the designs were unremarkable, though the peacock feather bottom left corner was better and popular. Centre left is part of the 'Rosebud' series, after book illustrations by Randolph Caldecott, it is just possible a Corn Bros blank was decorated by another company.
The Corn family were involved in several different companies at the time in Stoke. Edward Corn bought a pottery works in 1837, he retired around 1850 and the company was run by his sons, William (d.1885) and Edward (d.1891). The sons of the younger Edward, Alfred Henry Corn (d.1916) and Edmund Richards Corn (d.1945) ran the business W&E Corn, which became Henry Richards in 1903. An R Corn, registered a tile design in 1898, giving an address of the Bridge Tile Works, Longport. This seems to have been Reginald Corn, who had worked with Alfred and Edmund but split away and used the Bridge Tile Works. Perhaps he established the company Corn Brothers (or there was an agreement with his brothers that he could use the name Corn Brothers while the others used W&E Corn). However, the story is still not 100% clear, the history of Richards Tiles says three companies in Stoke were using the name 'Corn' at the same time, which is why their name was switched to 'Henry Richards', and I don't know whether the family of William Corn (d.1885) worked in the industry.
If you are interested in this sort of thing, perhaps the Tiles & Architectural Ceramics Society is up your street - take a look at tilesoc.org.uk/tacs/
I love blue tile, and really tried to find an area of the yard where I could incorporate this look, it will happen someday!
The Sydney Opera House's sails are covered in 1,056,000 specially designed tiles of two varieties: ice and snow. The arrangements of the two tile types on chevrons are such that the sunlight reflects the sails variably based on their position, angle and timing. Two years of design work were poured into the tiles to ensure a perfect pattern such that the Sydney Opera House is consequently a living, breathing building, changing its appearance with time.
While walking through a Buddhist temple I noticed that all the walls were covered in tiles I went in closer and shot this photo.
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