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Icole WTA IKS TheOwners :) Rouen May 2014
With Character by Merlyn, background by Seter and other friends.
Dressed by
☼ Von Noir
• Audrae Dress
At @ Dark Style Fair
• Golgotha Earrings
At @ Mainstore
☼ SKN
• Avery Glasses
At @ TMD
☼ Black Lotus by Yannomi
• Clear glass heels v.1 *New Release
• Ayame tattoo
At @ Mainstore
tps on my blog
Essa é a dona-da-casa da casa da Margarida. Apesar da pose, é amorosa.
She is the true household chez Margarida. Although the pose, she is amorous.
(and, at this very moment, she is sleeping on my bed!) :))
is to have lunch with my family on the top of a mountain, while looking at the sea with the most awesome views.
is to eat the most delicious menu of grilled fish while drinking Txakoli, a special white wine made by theowners of the restaurant.
what is the good life for you? :D
Polaroid SX-70 (Mika)
600 film
The main building of Bennett College, Halcyon Hall, was built in 1893 by H. J. Davison Jr., a publisher from New York. The 200-room Queen Anne structure was designed by James E. Ware. It has five stories, a basement and sub-basement. Originally built as a luxury hotel, the building became home to Bennett College in 1907 after the hotel failed to catch on. The Bennett campus also included a chapel, stables, dormitories, an outdoor theater, and the Kettering Science Center, a state of the art building completed in late 1972. The cost of constructing the science building (needed to comply with new state science education requirements), along with other campus upgrades, contributed to the school's bankruptcy.
The abandoned location made news a year ago when theowner of the property began pressing charges against those caught on the fenced-in property and hit them woith charges such as third-degree trespass and fines
2210 Cornwall Street, Vancouver, BC.
Designed in 1932 by Townley and Matheson (the architects who brought you City Hall), this Kits Beach landmark was built at a time when period revivals were all the rage. This one may be the last surviving example of its kind in Vancouver.
Listed as a 'B' on the Vancouver Heritage Register, the building's neo-Spanish Colonial design, with arched windows and red-tiled roof, reflects a strong Californian influence still visible in some homes and storefronts.
In the late 1970s, Inperial Oil closed the station. The new owners addes a perpendicular wing abutting Cornwall to accommodate a 7-Eleven store, and the original building became a restaurant.
Over the years, various restaurants have occupied the entire building, the most recent being Malon'es Sports Bar, which now occupies only the 1970s wing. The original structure is vacant, and the current owner plans to demolish the entire site to throw up yet another mini mall.
We believe this would be tragic, as the layout of the existing building is well-suited to multiple tenants. With the aid of heritage incentives, theowners could achieve a win-win result: retention of a landmark building and a character development that would provide a superior return on investment.
The bus shelter project is my second intervention. The use of a common bus shelter onbus line No. 100 in front of Kurfürstenstraße 115/116 is to bring a forgotten place back to the present and maintain that memory for the future. It was clear to me from the start that my idea needed support.
First and foremost I had to win the assistance of Wall Ltd theowners of numerous public transport bus shelters in Berlin. Thecompany head, Hans Wall required just two days to give an 'okay'.A bus shelter was lacking at the bus stop on Kurfürstenstraße,so his company had to go through extensive planning and lengthyapplication procedure to finitely get building permission.
Research work on the written contents of the memorial posterswere catered for by Prof. Reinhard Rürup of Topography of Terrora public research centre and archive in Berlin dealing with aspectsof mass terror by Gestapo, SS and SA during the Third Reich.
What reasons lead me -by way of artistic means- to turn a tillthen non-existent site into a memorial?
First of all the feeling of personal commitment towards thosemembers of my family murdered by the Nazis. The fact that I livein Germany and Berlin furthers the desire to ensure that the crimesof the Third Reich be never forgotten. Finally, living as a Jewin Germany and Berlin means a permanent extra strain on day-to-daylife.
My lack of understanding why Berlin with its many Holocaust memorialhad not, up till then, pinpointed the site of Eichmann's so-calledJudenreferat.
The cultural office of the Borough of Berlin-Schöneberg informedmy that the owner of the property on which today an hotel standshad no interest what so ever, to allow a memorial plaque to beattached to wall of the existing building.
'Knowledgeable' and politically involved citizens in general visitmemorials and memorial sites. A memorial site positioned in themidst of day-to-day life could perhaps reach less interested citizens.
Bus stops are transit areas where people stand for shorter periodsof time. Bus schedules happen to interrupt the smooth flow ofdaily life. The most common thing people do in such a situationis either look at nearby shop windows or advertisements. My intentionwas to catch their attention unaware and tell them something aboutthe place where they're standing.
The bus shelter happens to be at a bus stop on the very popularBerlin bus line No. 100 that links Zoo Station in the centre offormer West Berlin with Alexander Platz Station in the centreof former East Berlin. On route the bus passes famous sites suchas the Reichstag, the Brandenburger Gate and the famous Unterden Linden Boulevard. From now on the route includes a dark aspectof Berlin and German history.
Marcel Duchamp's 'readymades' or 'objets trouvés' have alwaysmeant a lot to me. In the 20's the artist chose existing productssuch as a bike wheel and fork or a wine bottle rack and declaredthem works of art.
Another inspiration came from the project called 'Bus ShelterIV' by Dennis Adams from the USA. Adams was invited, to designa bus shelter for Cathedral Square in Münster in 1987. Apart fromdesigning the actual shelter, the artist also attached photosto it about recent German history.
In 1993, Renate Stir and Frieder Schnock won a Holocaust memorialcompetition in Berlin-Schöneberg by suggesting the use of 80 platescarrying icons and texts that were to be attached to lamppoststhroughout the former Jewish residential area around BavarianSquare. Each icon and text quoted law or regulation levied againstJews between 1933 and 1945 to exclude them step-by-step from normallife. The 80 plates confront unprepared passers-by with aspectsof the history of the area they are in.
In 1995, the same artists contributed to the competition for aNational Holocaust Memorial just south of the Brandenburg Gate.Their suggestion was an actual bus stop on the site instead ofa memorial. Scheduled buses where to leave the site for the actualareas of terror and mass murder throughout Europe. The long busstop shelter was to be used for giving information on the sitesof Nazi terror to be visited and show short videos about them.
My support for so-called 'conceptual art', where the artist developsa concept which is subsequently realised by the artist alone oralong with others.