View allAll Photos Tagged Textury
textury by JoesSistah and Flypaper..
we have no snow or winter so i must go back to the summer .
the title is for my daughter .
listening: www.youtube.com/watch?v=vilRUEgkHGI
♥ Styllus Store ♥
--- Set Meredith ---
Contets: Romper, Top & Hud ( 10 colors) Bodys: Reborn - Maitreya - Kupra - Legacy- Kups - Petite - Perky - Juicy. ♥
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{Fantasy world}
--- My cat - Holder ---
Legacy perky
Legacy
Maitreya Reborn
OnenCollar
100% original mesh and texturies
Flickr: www.flickr.com/photos/184714631@N02/
FB: www.facebook.com/Fantasy-world-Jewelry-121892719654791
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MacroFoto. Insecto que segrega líquido de una de sus antenas cómo autodefensa, es casi imperceptible al ojo humano, aquí se puede ver porque la foto es macro.
🇲🇽CDMX.
[Eternus] Firefly Set
Compatible:
☆Maitreya/ Petite
☆Legacy/ Perky
☆Reborn/ Juicy Boobs/ Rolls/ Waifu
☆HUD of Colors In Fatpack
☆Includes Glitter HUD
・☆・Store・☆・
Flickr
www.flickr.com/photos/eternal_shine_nebula
www.facebook.com/EternusStoreSL
Marketplace
marketplace.secondlife.com/es-ES/stores/213016
・☆・LM・☆・
maps.secondlife.com/secondlife/Stardust/77/108/30
Head Accessory
Fantasy World
{Fantasy world} Sunrise
Energy Weekend price
☆Shine Gems
☆5 Colors Metal
☆9 Colors Gems
☆100% Original Mesh and Texturies
・☆・Store・☆・
Flickr
www.flickr.com/photos/184714631@N02/
Marketplace:
marketplace.secondlife.com/stores/205
・☆・LM・☆・
maps.secondlife.com/secondlife/Wildcat%20Valley/230/60/1357
Head: Lelutka Avalon Evox
Skin: DeeTalez Snow Skin Evox Icy And Body Skin It Girls & VELOUR Picasso Babe Juicy Muce Icy
Hair: Stealthic Trace Hair
Body: EBODY Reborn/ Waifus
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holiK. - Milena Set -
Compatible:
☆Legacy
☆Maitreya
☆Reborn
☆11 Colors In The Fatpack
☆Hud Driven
・☆・Store・☆・
Flickr
www.flickr.com/photos/holik_sl/
Marketplace
marketplace.secondlife.com/pt-BR/stores/248163/
・☆・LM・☆・
maps.secondlife.com/secondlife/Hickory%20Hills/227/36/1502
GATERS
{Fantasy world} Chamomiles garters
Compatible:
☆Legacy
☆Maitreya
☆Reborn
☆Belleza Curvy
☆6 Colors Of Charmomiles
☆6 Colors Of Fabric
☆100% Original Mesh And Texturies
・☆・Store・☆・
Flickr
www.flickr.com/photos/184714631@N02/
Marketplace:
marketplace.secondlife.com/stores/205
・☆・LM・☆・
maps.secondlife.com/secondlife/Wildcat%20Valley/78/37/1338
Head: Lelutka Avalon Evox
Skin: DeeTalez Snow Skin Evox Icy And Body Skin It Girls & VELOUR Picasso Babe Juicy Muce Icy
Hair: WINGS ER0424 Hair
Body: EBODY-REBORN
☆☆☆My Instagram☆☆☆
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☆☆☆My Blog☆☆☆
'Toy-ronto Life' and 'Little Planets' series...
Casting my planetary-textury magic on blue hour winter wonderland of our miniature Toy-ronto :-)
Happy Miniature Sunday and Blue Monday!
holiK. - Nala Bodysuit -
Compatible:
☆Legacy
☆Maitreya
☆Reborn/ Juicy Boobs
☆Kupra
☆Perky
☆11 Colors In The Fatpack
☆Hud Driven
・☆・Store・☆・
Flickr
www.flickr.com/photos/holik_sl/
Marketplace
marketplace.secondlife.com/pt-BR/stores/248163/
・☆・LM・☆・
maps.secondlife.com/secondlife/Hickory%20Hills/226/40/1502
GATERS
{Fantasy world} Cat garters
Compatible:
☆Legacy
☆Maitreya
☆Reborn
☆Only MAZE.Mods - Soft Thighs
☆9 Colors Of Metal/ Beads /Fabric
☆100% Original Mesh And Texturies
・☆・Store・☆・
Flickr
www.flickr.com/photos/184714631@N02/
Marketplace:
marketplace.secondlife.com/stores/205
・☆・LM・☆・
maps.secondlife.com/.../Wildcat%20Valley/78/37/1338
POSE
dovely. - bunda -
☆5 Bento Poses + Mirrors
☆1 FP Exclusive
・☆・Store・☆・
Flickr
flickr.com/photos/165347756@N06/
www.facebook.com/dovelystarlight
MArketplace
marketplace.secondlife.com/stores/40546
・☆・LM・☆・
maps.secondlife.com/secondlife/Champ/223/38/15
Head: Lelutka Avalon Evox
Skin: DeeTalez Snow Skin Evox Icy And Body Skin It Girls & VELOUR Picasso Babe Juicy Muce Icy
Hair: TRUTH Truth Twisted Hair
Body: EBODY-REBORN/ Juicy Boobs
{Fantasy world} Sophia dress-top
Wonderful Wizard of Oz
Compatible:
☆Legacy/ Perky/ Petite
☆Reborn/ Juicy
☆Maitreya
☆Dress 19 Colors
☆Chamomille On/ Off
☆Top 19 Colors
☆19 Lace Colors
☆100% Original Mesh And Texturies
・☆・Store・☆・
Flickr
www.flickr.com/photos/184714631@N02/
Marketplace:
marketplace.secondlife.com/stores/205
・☆・LM・☆・
maps.secondlife.com/.../Wildcat%20Valley/230/60/1357
Event: Wonderful Wizard of Oz
maps.secondlife.com/secondlife/Nymphai/135/71/3116
Head: Lelutka Avalon Evox
Skin: DeeTalez Snow Skin Evox Icy And Body Skin It Girls & VELOUR Picasso Babe Juicy Muce Icy
Hair: VCO Army Hair
Body: EBODY-REBORN
☆☆☆My Instagram☆☆☆
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☆☆☆My Facebook☆☆☆
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☆☆☆My Blog☆☆☆
Qué significa; "lugar de los siete jaguares" Ex hacienda productora de azúcar, trigo y anís éstos productos se exportaban a la India en el siglo XVll.
Tlacotepec Morelos 🇲🇽México.
Everyone knows Greebles don't grow on trees, they're produced by textury secretions from the Greeble Bee!
--
Had fun at BrickCan on the weekend, where I was introduced the AFOB Life. The task at hand was to make _____ Bee. So I choose the humble Greeble Bee that makes us our Greebles.
The hardest part was actually making the greebles in orange to match the yellow/orange honey comb logo from the bee keeper CMF. Orange is not a good greeble colour :P
Fence rail.
Another monochrome, duly toned, for my 100x project - trying desperately to catch up :)
It's of the rusted joint in a iron tube fence in a local field. I just love rust - all textury and tactile. Processed into tone monochrome with a nice gritty dark look with burnt edges, just to emphasise the mystery... or so the song goes.
I thought T cells were kind of topical. And the 46-6? Well that's in the picture (can't work out the make though - can you?)
Thank you for taking the time to look. Enjoy the image! Happy 100xs everyone :)
[Handheld in daylight.
Developed in Photolab 3 for colour.
Processed in Affinity for lens distortion and sharpening (reduced Clarity though).
Into Nik Color Efex (a brill filter set!) for Dark Contrasts.
Then into Nik Silver Efex for the conversion using one of my old presets as a starting place. Selenium/Yellow toning, lots of fine structure, some film grain and dark edges...]
Love this picture? Check out my gallery at instacanv.as/efranz13
168 Likes on Instagram
21 Comments on Instagram:
efranz13: #Textury
shell_kr: Love it! And what a fabulous feed!
atmosfierce: #rustlord
littlemischief: Great gallery! Lots of very cool images. How about #peelingpaint & #wallfilth ?
Here is my version of the Blue bridge that lot of you would have seen in my downtown pics using Google Picnik Ripple Block effect. I just can't leave images alone, I have to mess with them, effects, filters etc..etc. Kind of hoping the ripple blocks gives it a textury effect.
Had a horrible time cropping this image and figuring out the perfect crop etc. etc. Finally settled for this.
IMAGE:
Body: eBODY - REBORN
Head: LeLUTKA Lilly Head 3.1
♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥
♛Sponsor: Fantasy world
{Fantasy world} Candy dress-fatpack
Legacy/Perky/Petite/Reborn/Maitreya
Bow-10 colors/Lace-10colors
Shirt- 10 colors/Skirt-11colors
Flowers-4 colors on/off-flowers
100%original mesh and texturies
{Fantasy world} My time
MP: marketplace.secondlife.com/stores/205208
LM: maps.secondlife.com/secondlife/Jersey%20Shore/91/104/1625
Flickr:
www.flickr.com/photos/184714631@N02/
HAIR:
TRUTH Collective / Shadow - Brunette
March 14 ( 73/365 )
you know how much I adore rust, and textury goodness.. i needed some last night.
You ever have a conversation and feel like you just can't get your point across, or its misunderstood or not taken in the context you would like . . hate that.
As i was processing this image I was thinking about that about being exposed,, and about having my layers peeled apart. . Maybe thats why I like rust so, i see the beauty in all the flaws and different aspects.. the image to me represents something a bit beaten and worn but still has some character. I guess thats what im shooting for..
uh oh... I think I'm slipping into a streak of very textury, pattern repetitious images! ..... This one has a nice tonal range (check out the histogram)
When Capt. George Vancouver explored the area in 1794, Glacier Bay didn't exist: the Grand Pacific Glacier filled it almost all the way out to its mouth at Icy Strait. But when John Muir visited in 1879, the ice had retreated 30 miles, leaving behind the steep-sided fjord known as Glacier Bay. By 1916 the ice had retreated the full 60-mile length of the bay, & the massive Grand Pacific ended at the head of Tarr Inlet.
This is the smaller(!) LaPerouse Glacier on the ocean side of Glacier Bay National Park. The bay itself runs inland on the far side of that mountain range. It's hard to get a true sense of the scale here, but those little textury green things are mature spruce trees, & the visible peak is 7588 ft; Mt. La Perouse beyond rises to 10,728 ft (3270 meters).
Interestingness: #10 on 19 March 2005
Mort Boots by Madame Noir @Cosmopolitan
100% Original Mesh
Materials enabled
Rigged for: Legacy F, Reborn, Lara X, Khara & Kupra
10 colors sold separately
Each single pack has a metal hud
3 excusive texturies + customizable hud on Fatpack
Pic: shorturl.at/aRSE7
Taxi: maps.secondlife.com/secondlife/No%20Comment/128/128/39
Love this picture? Check out my gallery at instacanv.as/efranz13
154 Likes on Instagram
11 Comments on Instagram:
this_cool_chick_: New tag 👉 #muahfrom ... And then add where it's from - any and all interpretations of a kiss 😘 and thanks for tagging #collectivecomprehension ❤
himbeere_88: Amazing pic! Congrats 👏👏👏
efranz13: #Textury
matsgunnar: #peelypaint
Ghosts are real --Ask May. She whimpers and whispers- here every day. As night comes Silence prevails until another part of the house comes crashing -breaking the silence of the night !!
This photo was shot using my DIY ring light, off to the side of my face, the light barely visible on the other side is from the kitchen window. I just ran through the sliders on photoshop to bring our more detail in my face.
The ocean side of Glacier Bay National Park. The bay itself runs inland on the far side of that mountain range.
It's hard to get a true sense of the scale here, but those little textury green things are mature spruce trees, & the visible peaks are >7800'.
Converse high-tops made out of tennis ball material that I saw at Journeys. They were nice, but I decided to buy the black ones made out of hemp. Tres textury.
Flyer design: Sharon West
photo: joey kennedy
Interview by: Mark Nobil
Featured photographer: Marc Rettig
Let’s start with the basics. What are you doing here? Why are you taking all these pictures?
Heh. Well, I think you’re asking about my background and how I got into photography.
I came to Pittsburgh about five years ago. I grew up in Montana, lived in New York City twelve years, breezed through Dallas, lived in Chicago ten years, then came here. I was a visiting professor in the School of Design at CMU, and when that was over I decided I liked Pittsburgh and wanted to stay.
Maybe three years ago I realized I was so caught up in work that I had no creative outlet. This was making me unhappy. So I bought a D70 and a week-long class at the Maine Photographic Workshops. And here we are.
(By the way, I can’t recommend the Maine Workshops highly enough. www.theworkshops.com. Go there.)
I’d like to hear a little more about Montana. Here’s your first hard question of the interview. How did your early life in Montana influence your visual sense?
I don’t think I’ve thought about that before. You think growing up in Montana effected my visual sense?
Yeah, I do. Sky, dirt, open spaces, manure, those smells, your hands in the dirt,…
Huh. Well I think you might be right. But there wasn’t much manure on our farm. Wheat doesn’t poop – a fact which made me thankful every winter morning as I got to school all rested while my rancher classmates came in red-eyed and shit-smelling from having to feed cattle before catching the bus.
Anyway, you’re probably on to something. “Big Sky Country” is not marketing for tourism, it’s real. We could see a hilltop sixty miles away from our front porch, and we had crop land at the bottom of that hill. My family would sometimes drag chairs out onto the road to watch storms in the distance. We would stop the Frisbee game to line up and watch the sun set. Different places had these great smells: steel, ozone, decaying plants, diesel, soil, that slow river smell, ever-varying combinations of tools meeting earth. And so on. I grew up outdoors.
It didn’t seem romantic at the time, but I do romanticize it now. And yes I think this does effect what I point my lens at, and how I compose before I shoot. Lower that horizon! More sky! When you’re in the city, it’s hard to remember it’s just this little patch of human density parked on the surface of the big world. The sky can be a reminder of that.
Also I think there might be something about the way people treat one another in Montana that makes me uh, sometimes a little shy at first but basically ready to like and find beauty in anybody. In time I think this will effect the way I photograph people. Maybe it already has.
But since then you’ve traveled quite a bit. Besides those very un-Montana places you’ve lived, where else have you been?
My work sometimes creates opportunities to travel, and I’ve done some traveling just because. So let’s see. Most of Eastern Europe back in the Soviet Bloc days, and a fair amount of Western Europe since.
More recently I’ve fallen in love with Asia, but have barely put my toe in it. Japan a couple of times, Malaysia, Singapore. And a week in India, partially hosted by Indians, which was humbling. Going back to Japan would be fun. Going back to India would be… important, but I would only go under non-tourist circumstances.
Since this is supposed to be an interview about photography, I’ll say that traveling with a camera has opened new doors. I can gain tacit permission to go places – a back alley in Singapore, for example – that wouldn’t have been comfortable for me or them if I was just this wandering outsider. Suddenly it’s, “Oh, he’s a photographer. No wonder he’s back here. Hey, take a picture of my friend!”
You have this weird job. Could you explain what it is you do? Don’t you use photography as part of it?
I started a consulting company here in Pittsburgh called Fit Associates. Our clients are mostly product teams in large companies. They’re busy trying to figure out what to make, or how to make their product more desirable. We do something called “design ethnography,” or “design research.” We go out and immerse ourselves in whatever slice of life they’re trying to address with a product or service. We observe, interview, video, photograph, sketch, record, follow, do, experience, whatever it takes to develop an accurate empathy for those people in that situation. Then we take off our anthropologist’s hat, put on our design hats, and do whatever it takes to transfer that same sense of empathy into our client’s work culture and eventually into the products themselves. The goal is for them to make things that fit life. Hence our company name.
We’ve done this for laundry in middle American homes, high-end urban cooking, MRI scanning in hospitals, families communicating with their network of friends, people who spend time in hotel lobbies and bars, people who sell million-dollar corporate software, and kids trying to decide whether to join the Army.
It’s great because it’s this giant excuse to observe the world, and there’s some hope of making a little difference in how The Corporate Machine changes our lives. We get to be “the voice of the people” in rooms where previously there were only the voices of Marketing and Engineering. If we do our job right, over time their culture changes so that they are no longer comfortable working without involving “real people.” The value for clients is a reduced risk that they’ll make something people don’t want or can’t understand, and an increased chance that they’ll make something that gets real Market Love.
So yeah. Photography is key. But there’s lots of shooting from the hip, and I’m not thinking about art or expression when I’m doing it. I’m capturing data. As an example, for our current project I’m shooting a collection of what table tops in public places look like after people have been using them for a while.
Joey told me to ask you who your influences are. Whose work do you like, who are you looking at on Flickr?
Hi Joey. Here’s a little snapshot of who I’ve been looking at lately.
*Becky: www.flickr.com/photos/idio/
becky’s work is full of humor and nutty, textury goodness. And romance. I’m a sucker for that if it’s not smarmy, not contrived, not Hallmark. I like the kind of romance that’s there because the photographer is in love with what she’s shooting.
Cathzilla: www.flickr.com/photos/cathzilla/
Same goes for Cathzilla. Equally yummy, but with more caramel, less nuts.
Antimethod: www.flickr.com/photos/antimethod/
Antimethod makes me argue with myself. It helps if I call his work “image-making” instead of “photography,” because for him more happens in post-editing as in the camera. But he’s definitely communicating, and I find many of his images beautiful. Think what you want of the ones where he’s floating around in the air. There’s those others….
b/w: www.flickr.com/photos/79776216@N00/
Black and white mastery
Franz Peter Verheyen: www.flickr.com/photos/frans-peter-verheyen/
I admire his eye, and feel some kinship to it
Da: www.flickr.com/photos/73607408@N00/
Blurry dreams. Some night when we’re done with beers and starting bourbon, we can have the discussion about whether our aim is to Capture What Is, express ourselves, or evoke emotion, or what. And I think I’d want to have Da’s stream open while we talk about that.
Then there’s books. Constantine Manos, Andre Kertesz, Imogen Cunningham, Doisneau, Cartier-Bresson,… the stuff you’d be assigned in a Photo 1 course in school.
Okay. One last question, and it’s your second hard question of the interview. What do you hate about flickr?
You’re a provocative bugger, aren’t you.
Mostly I love Flickr, but I’ll answer your question. It’s less a case of “hate” than “worry about.”
Flickr effects your idea of “good.” The popularity and interestingness game is so seductive. It feels good to get feedback, and since we aren’t in photography school we only have Flickr and our friends as a source of feedback. But what kind of feedback do you get? Views, favorites, positive comments, or silence. Zero well-informed constructive criticism.
Contrast this with a good studio course, the tried-and-true way to nurture someone in the arts. In a studio course you are under the care of a master and a group of peers, and there is a carefully nurtured culture of critique. On Flickr there is no culture of critique, only an audience.
I try to compensate by looking at books, especially those about “old masters,” and enjoying occasional look-at-photos sessions with friends. I’d love to go back to Maine once a year. So far I haven’t been able to make that happen.
But it’s *great* to have an audience. As I’ve heard you say, it’s “someone to get better for.” This is especially true in Pittsburgh, where we have this treasure, this gem of a supportive local community. That’s why I LOVE Flickr. It creates a community where there would otherwise be none. It’s a forum for show-and-tell where there would otherwise be none. And it is the same for everyone, regardless of how accomplished they are.
Anything else? We’re out of wine. That means we have to stop talking.
Well, just one more thing. Before the interview started we were talking about choosing pictures to show, and I realized I’m torn between images I like because they remind me of the things I’ve been admiring lately (mostly black and whites), and images that touch me personally (mostly Montana pictures).
Young photographers (that’s me, not even four years old yet) often suffer from the same syndrome as young writers. They read Twain, and start using homey metaphors. They read Vonnegut, and their sentences get shorter and they start using more colons.
David Lyman, the founder of the Maine Photographic Workshops, says something I find very comforting, because it tells me I’m on track. I’ll find it and paste it into our interview by way of wrapping up.
From “The Eight Keys to Success”
digitaljournalist.org/issue0410/lyman.html
“I have asked hundreds of accomplished photographers, writers, filmmakers, painters and musician how long it took before they felt they were able to speak from a source within. Ten years has been their unanimous answer.”
“If it takes 10 years, then how do you spend the time wisely? It will take at least two years to acquire 70 percent of the craft you will need to work in your medium. It will take another eight years to acquire the next 20 percent of your craft. At 90 percent, you will have mastered your craft, but there is that 10 percent that will take a lifetime to acquire. In the meantime, while working to master your craft (the technical skills and processes for working in your medium) you will also be learning and acquiring a personal vision, your ability to see, to observe, to create and discover things. This is difficult at first, but the older you get the wiser and more aware you become.”
Cheers.
Cheers.
Wait, my glass is empty.