View allAll Photos Tagged Textiles
Mari, voilà, this is it
but I have to confess I made a mistake, the paper I used for the draft was in cm and before sewing I forgot to enlarge the motiv, so now it's only 10,75" square
stupid blond me, grrrr
shall I add something or can I leave it like this?
Hudson Holdings has purchased the historic Textile Building and plans to invest $70 million in a renovation.
Rosalina is a seamstress at the Turkmenbashi Tekstil Kompleksi - the biggest textile factory in Central Asia. The new technologies used at the facility are said to be environmentally friendly and constitute no danger to the health of the population. Over 3,000 people, 95% women, work in the textile factory.
Read more on:
.....somewhere in Saxony. The picture ist taken analogue, with my medium format camera on Kodak film.
Fuji GX 680 III // Kodak Ektar 100
The display of the Silk Road Bazaars at the Flower Dome, Gardens by the Bay during Tulipmania : Its Wild Origins Floral Display.
The challenge:
This week we’re going to look for inspiration in textiles. To be clear, I am using a very broad definition of textiles to include: fabric, yarn, thread and/or anything made with those three elements.
My process:
I had a hard time with this challenge theme because I had too many choices and couldn't decide what I wanted to shoot. An old, ragged quilt that I remember from my childhood? Any number of pieces of handiwork from indigenous tribes in Vietnam, Thailand or the Philippines? A more modern quilt made from my own fabric design? An abstract of a super snuggly fleece blanket that I love wrapping myself up in? A beautiful knitted-lace shawl gifted from a friend? The pile of fabric on my studio table for making face masks?
I hemmed (no pun intended) and I hawed and finally last night I decided to take a photo of the stacks of folded fabric in my quilting stash. And then I played around making kaleidoscopes from those images. I had a lot of fun with it, but then I didn't post last night because I didn't feel like I had put enough effort into it. (I know, I know... I'm still working on letting go of the belief that I have to work hard at something for it to have any value.)
But when I pulled up the image just now it popped out at me, so I was inspired to post it.
• Myanmar, Inle Lake: textiles' factory • ---------------———————-------------–––––––––- © 2014 Stefano Guadagni ----------------------------———————–––––––––-
0230p9h0238lr
Tirimbina - Sarapiqui (COSTA RICA 2019)
Website : www.fluidr.com/photos/pat21
picssr.com/photos/pat21?ref=user
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
This series of images was photographed at the exhibition "A Decade of Art Quilting" by Linden Lancaster at the G.R.A.I.N. Store, Nathalia Victoria from October 8 to November 18, 2017
Grade I listed historic main building.
"The Bowes Museum has a nationally renowned art collection and is situated in the town of Barnard Castle, Teesdale, County Durham, England.
The museum contains paintings by El Greco, Francisco Goya, Canaletto, Jean-Honoré Fragonard and François Boucher, together with a sizable collection of decorative art, ceramics, textiles, tapestries, clocks and costumes, as well as older items from local history. The early works of French glassmaker Émile Gallé were commissioned by Joséphine, wife of the founder John Bowes. A great attraction is the 18th-century Silver Swan automaton, which periodically preens itself, looks round and appears to catch and swallow a fish.
The Bowes Museum was purpose-built as a public art gallery for John Bowes and his wife Joséphine Benoîte Coffin-Chevallier, Countess of Montalbo, who both died before it opened in 1892. Bowes was the son of John Bowes, the 10th Earl of Strathmore and Kinghorne, although he did not inherit the title as he was deemed illegitimate under Scottish law.
It was designed with the collaboration of two architects, the French architect Jules Pellechet and John Edward Watson of Newcastle. The building is richly modelled, with large windows, engaged columns, projecting bays, and mansard roofs typical of the French Second Empire, set within landscaped gardens. An account in 1901 described it as "... some 500 feet in length by 50 feet high, and is designed in the French style of the First Empire. Its contents are priceless, consisting of unique Napoleon relics, splendid picture galleries, a collection of old china, not to be matched anywhere else in the world, jewels of incredible beauty and value; and, indeed, a wonderful and rare collection of art objects of every kind."
Among those with less favourable opinions was Nikolaus Pevsner, who considered it to be "... big, bold and incongruous, looking exactly like the town hall of a major provincial town in France. In scale it is just as gloriously inappropriate for the town to which it belongs (and to which it gives some international fame) as in style".
The building was begun in 1869 and was reputed to have cost £100,000 (equivalent to £9.3 million in 2019). Bowes and his wife left an endowment of £125,000 (£11.6 million in 2019) and a total of 800 paintings. Their collection of European fine and decorative arts amounted to 15,000 pieces.
A major redevelopment of the Bowes Museum began in 2005. To date, improvements have been made to visitor facilities (shop, cafe and toilets); galleries (new Fashion & Textile gallery, Silver gallery and English Interiors gallery); and study/learning facilities. The three art galleries, on the second floor of the museum, were updated at the same time.
The museum hosts an internationally significant programme of exhibitions, recently featuring works by Monet, Raphael, Turner, Sisley, Gallé, William Morris, and Toulouse-Lautrec.
The BBC announced in 2013 that a Portrait of Olivia Boteler Porter was a previously unknown Anthony van Dyck painting. It had been found in the Bowes Museum storeroom by art historian Dr. Bendor Grosvenor who had observed it on-line at the Your Paintings web site. The painting itself was covered in layers of varnish and dirt, and had not been renovated. It was originally thought to be a copy, and valued at between £3,000 to £5,000. Christopher Brown, director of the Ashmolean Museum, confirmed it was a van Dyck after it had been restored.
Barnard Castle (locally [ˈbɑːnəd ˈkæsəl], BAH-nəd KASS-əl) is a market town in Teesdale, County Durham, England. It is named after the castle around which it was built. It is the main settlement in the Teesdale area, and a popular tourist destination. The Bowes Museum has the best collection of European fine and decorative arts in the North of England, housed in a magnificent 19th-century French-style chateau. Its most famous exhibit is the 18th-century Silver Swan automaton, and its artworks include paintings by Goya and El Greco.
Barnard Castle sits on the north bank of the River Tees, opposite Startforth and 21 miles (34 km) south-west of the county town of Durham. Nearby towns include Bishop Auckland to the north-east, Darlington to the east and Richmond in North Yorkshire to the south-east.
Barnard Castle's largest single employer is GlaxoSmithKline, which has a manufacturing facility on the town outskirts.
Before the Norman conquest the upper half of Teesdale had been combined into an Anglo-Norse estate which was centred upon the ancient village of Gainford and mortgaged to the Earls of Northumberland. The first Norman Bishop of Durham, Bishop Walcher, was murdered in 1080. This led to the surrounding country being attacked and laid waste by the Norman overlords. Further rebellion in 1095 caused the king William II to break up the Earldom of Northumberland into smaller baronies. The Lordship of Gainford was given to Guy de Balliol.
The earthwork fortifications of the castle were rebuilt in stone by his successor, Bernard de Balliol I during the latter half of the 12th century, giving rise to the town's name. The castle passed down through the Balliol family (of which the Scottish king, John Balliol, was the most important member) and then into the possession of Richard Neville, Earl of Warwick. King Richard III inherited it through his wife, Anne Neville, but it fell into ruins in the century after his death.
The remains of the castle are a Grade I listed building, whilst the chapel in the outer ward is Grade II* listed. Both sets of remains are now in the care of English Heritage and open to the public.
John Bowes lived at nearby Streatlam Castle (now demolished). His Streatlam stud never had more than ten breeding mares at one time, but produced no fewer than four Derby winners in twenty years. The last of these, "West Australian", was the first racehorse to win the Triple Crown, in 1853.
Bowes and his wife Joséphine Benoîte Coffin-Chevallier founded the Bowes Museum, which is of national status. Housed in its own ornate building, the museum contains an El Greco, paintings by Goya, Canaletto, Boucher, Fragonard and a collection of decorative art. A great attraction is the 18th century silver swan automaton, which periodically preens itself, looks round and appears to catch and swallow a fish.
Although never a major manufacturing centre, in the 18th century industry centred on hand loom wool weaving, and in the early 19th century the principal industry was spinning and the manufacture of shoe thread." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Become a patron to my photography on Patreon.
This cloth appears to be part of a larger embroidered sampler. My guess if that it was made in central Mexico, possibly in Puebla state