View allAll Photos Tagged Textiles
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Here I am uploading couple of sets with more than 20 images each, that contain the work of some big team, each member has their introduction below! We are using some nice textile design works to create them!
Set 2 ©2012 textile design by Arina
(※whodidit登校後に追加→投稿ページのURL)
textile design : Arina Oda (オリジナルジャカードanuenue) |Website| Facebook|
photographer : Ilko Allexandroff |Website| Facebook|
fashion design : Akira Ito(plug-design-office) |Website|
hair&make-up : Rissa |Flickr|
model : Kinako Kocteau |Flickr|
cloth styling : Satoshi Shirakawa(Noel Graphic) |Website|
making video by Akira Ito(plug-designer): CLICK & CLICK
Some comments:
The whole photoshoot takes place in Kyoto, we have been using some restaurant for the indoor shots, and the area around Kamogawa for the shots outside! I am using Shoot-through umbrella as main light for the indoor shots!
Strobist info:
I will insert later the individual lighting information of each shot later, can't upload it as a batch! Also later this month after my new Wordpress based homepage is completed I will have an article about the photos there!
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Various asbestos textile material applications, showing: wire insulation, aluminized fabric, and other woven cloths.
Mercado de Semana Santa 2007
www.flickr.com/photos/planeta/sets/72157600041105548
Textiles y Manteleria La Greca
Cuitlahuac #100A, Oaxaca City
Textile Languages
With Caroline Achaintre, Joël Andrianomearisoa, Charlotte Beaudry, Hemali Bhuta, Alighiero Boetti, Baptist Coelho, Anita Dube, Meschac Gaba, André Guedes, Marie-Ange Guilleminot, Sheila Hicks, Ali Kazma, Erwan Mahéo, Jonathan Monk, Fay Nicolson, Prajakta Potnis, Jimmy Robert, Philippe Terrier-Hermann.
24.04 > 04.05.2014
Exhibition curated by Nathalie Guiot and coordinated by Julia Marchand
By appointment, from 12h to 18h. Guided tour at 15h00.
Email : reservation at thalieartproject dot org
The exhibition Textile Languages brings the rich visual vocabulary of textile textures and the poetic of material into a private space. Brought together in a modernist architectural setting, the artworks seem to embody the thoughts of Bauhaus teacher and textile art pioneer, Anni Albers "If the nature of architecture is the grounded, the fixed, the permanent, then textiles are its very antithesis’".
The exhibition showcases a selection of videos, photographs, installations and textiles works from around eighteen artists. With a special emphasis on the Indian art scene, the exhibition brings together practitioners from different cultural contexts and generations. It investigates the interwoven personal, historic and collective experiences that inform the works as well as repetitious processes and political concerns. Moving away from material fetichisation, the show highlights the inherent potential of textiles as a material language that goes beyond the purely aesthetic.
The exhibition also hints at the current trends in ‘neo-craft’, that challenge the traditionally marginalised role of the craft realm and instead place contemporary craft firmly at the center of contemporary creativity. The textile and garment works exhibited throughout the house unveil the extraordinary variety of modes of production as well as their rich historical legacies.
On occasion, the exhibition refers to works and methodologies of such eminent artists as Anni Albers, William Morris, Alighiero Boetti and Sheila Hicks to shine a light on their enduring influence. That diversity of approach and intention is illustrated by the enthusiasm of Sheila Hicks for Pre-Colombian textiles and the influence of her teacher Josef Albers. Her textile work Pinto (2004) is showcased in the exhibition. In the entrance, The World in Workwear (2011) of Jonathan Monk confronts the visitors with a work that takes its direct inspiration from the Mappa by the Italian artist Alighiero Boetti whose original works are shown in the show. The three bright colored Arazzi embroidered alphabet reference collective experiences and structural protocols conducive to the variation of their form, thus resolutely retain its connection to the colour sensibility of the Afghan women who made them.
By inviting Moroccan artisans to deconstruct and to re-weave a Jouy fabric, the work Fabric (2013) by Philippe Terrier-Hermann echoes some of the principles found in Boetti’s process. Contemporary works by artists Fay Nicolson A P E L (II) (2013) and André Guedes Les Nouveaux Rouges (II) (2013) are speculations on the forms and writings of their antecedents and not mere transcriptions of past works.
Works by Marie-Ange Guilleminot, Baptist Coelho and Joël Andrianomearisoa are imbued with troubling memories. In Kimono memories of Hiroshima (2005), Marie-Ange Guilleminot transposes onto traditional kimonos the patterns and shapes of the garments of the Hiroshima victims. The Hiroshima garments emerge as a delicate shadow against the backdrop of history and the literal backdrop of fabric. Baptist Coelho was similarly moved by the conditions of Indian soldiers in the white planes of Siachen Glacier, one of the most remote battlegrounds in the world. In "Beneath it all… I am human…" (2009), Coelho uses discarded uniforms to restore humanity to the soldiers. Coelho’s installation likewise bears the traces of a missing body, of abandoned garments and echoes other works installed in the show. The reference to garments in Charlotte Beaudry’s painting and Jimmy Robert’s performance confronts us with an absence, a solitary dance, the traces of an existence : such are the exhibited works connected by a thread that passes through and across cultures and time.
Cotton threads, fabrics and velvet are the primary materials in the sculptural works of Hemali Bhuta, Prajakta Potnis, Anita Dube and Caroline Achaintre. Textile is all about touching and interlacing threads with dancing fingers. The making process involves a direct contact with material by which to inscribe various references in its layers. Whereas Caroline Achaintre’s tapestries Roofos (2013) tread the line between the primitive and the carnavalesque, Hairarchy (2007) by Hemali Bhuta uses material that are wielded during rituals in India. The immersive installation by Prajakta Potnis turns the staircase into a surface on which delicate black threads run, giving the impression of a disintegrating system and a corrosive contamination from within. Also addressing the architectural space is the work of Erwan Maheo. Installed in the pool area, Maheo’s nomadic museum functions as a stage curtain that explores the internal and external boundaries of the house.
Artists selection : Nathalie Guiot
Research assistant and project coordinator : Julia Marchand
Thalie Art Project was created in Brussels, Belgium in 2013 by Nathalie Guiot, collector, art producer and author. Independant and ephemeral exhibitions platform, the association promotes emerging international artistic scene.
For information :
info@thalieartproject.org
Press :
Severine Piette
Sophie Carrée Press Office
+32 02 346 05 00
severine@sophiecarree.be
The floor during the final stages of making the suit was a complete mess but it looked good, which is more than can be said for the suit itself
This is a photo of a textile exhibit at the Vista Hermosa art center in San Agustin Etla, Oaxaca Mexico. These textiles were selected from the collection of Sr. Remigio Mestas of Oaxaca who owns an excellent shop in Oaxaca named Baules de Juana Cata.
(I happened to be in the shop last February when Sr. Mestas was in the process of choosing the pieces for this show and was very curious to see the finished installation. The majority of the textiles were all white or white and neutral colors.
... from one of my favorite interior design books, "textile style", by Carol Clifton-mogg. Out of print, but you can still snag used copies through Amazon. :)
Hercules labeled asbestos cloth sample comprised of high-percentage chrysotile asbestos fibers mixed with cotton to form thick yarn for woven asbestos textile cloth.