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Human aim to develop technologies, and as a result LIFE change us all.
One of the inventions of this era, is the internet. Indeed internet is a great progression of life.
Internet designed and developed to bring many people together from so many places, on this planet.
You can respect the other in the internet and receive respect back.
You can respect the other in internet and receive disrespect back.
I would prefer giving and receiving respect on a normal and natural level.
Some people unfortunately has the tendency to manipulate the other, since they have some "INTERESTS". Not all understand this phenomena.
This fact take the normality, and logical purpose of internet from it's primal purpose... The achievements of internet can take us forwards... But also back.
Due to my internet experience, I found myself asking a friend of mine a rhetoric question : Shall I go back 15-20 years ago ?
A very close person to me, said to me, 2 years ago.. "You should have lived 30 years ago."
Solutions of safety of privacy, due internet use, should be found immiditely.
Manipulative people, who try to control the other freedom of life, should be removed or sent away FAR.
I vote for safety, in internet of myself, mine and also of your safety..
Will you vote the same as me... ?
It's time to find REAL Solutions.
Be safe.. I hope you wish me the same.
Thanks for visiting.
May modernization bring truth our way, and mutual understanding of the right safety to all.
Copyrights (c) Nira Dabush.
Long time no seen... SO..
Art - sites celebrity, for sure.. :-)
Photos of myself taken yesterday, Nov, 12, 2011. Jerusalem.
Upper image is click-able for bigger scale.
Thanks for visiting... Have a delightful day!
Copyrights (c) Nira Dabush
Sharing my design "Lobster the Crusta Magnus" for the @spoonflower Crustacean Core Challenge I'm quite excited about this vibrant lobster illustration! 😆
And the whimsical Latin name was a creative impulse for this striking crustacean subject lol
Through layered patterns and many intricate details, I aimed to capture this remarkable creature's natural beauty. 🎨
Vote Here (if you feel like it, I appreciate it):
My various and many works are dedicated to the issue of human rights,
the right to privacy, and individual freedom. Without any discrimination.
While respecting every person, woman, everywhere and protecting their privacy, in all ways.
I say hello to my respected ones wherever they are.
Thank you for taking your time to appreciate my works, this is not taken for granted.
For maximum safety in every field.
Copyrights (c) Nira Dabush.
William Morris (English, 1834-1896)
Periods of wallpaper and printed textile design for William Morris and Morris & Co.:
1st – Morris produced 17 patterns between 1872-1876 after move to Kelmscott Manor
2nd – 1876-1882 Morris produced 16 patterns for wallpaper and 22 patterns for textiles
3rd – 1883-1890 influenced by WM research at the Victoria and Albert Museum
4th – 1890-1896+ final period of WM life, focused on Kelmscott Press; pattern design and/or execution increasingly delegated to Dearle
Printed Fabrics
Fruit (original name Pomegranate), 1864 – one of Morris’ first three designs for wallpaper (others were Daisy and Trellis), later adapted for block printing of fabrics; hand-printed with 12 blocks; motifs of ripe and opened pomegranates over a repeating pattern of blossoming branches; naïve, simple, stylized rather than naturalistic [parchment/bayleaf]
Vine, 1873-1874 [1st period] – original wallpaper design adapted for hand-printed fabrics; repeat pattern features clusters of grapes and grapevines against a foliage background [dark olive]
Tulip, 1875 [1st period] – designed for hand-printing of cotton fabric by Wardle using 12 carved blocks [bullrush/slate]
Acanthus, 1876 [1st period] – wallpaper design also later used for block-printed fabric (originally velveteen); hand-printed with 30 blocks, 15 separate colors; scrolling foliage with large-scale interlocking leaves create a pattern with a simulated 3-D effect [charcoal/gray; blue/thyme variants]
Little Chintz, ca. 1876 [2nd period] – from a group of patterns inspired by cotton and linen Indian textiles; design features stylized pomegranates and foliage; for printing by Thomas Wardle (1831-1909) at the Hencroft Dye Works, Leek, Staffordshire [teal/saffron]
Snakeshead, 1876-1877 [2nd period] –Morris’ personal favorites among his wallpaper/fabric designs; hand-printed on cotton by Wardle using 4 carved blocks; design features clusters of snakeshead fritillaries against a complex foliage ground [black/bullrush]
Peacock and Dragon, 1878 [2nd period] – originally designed by Morris to be jacquard woven in wool twill on hand looms; large scale repeat pattern possibly inspired by phoenix motifs in Chinese textiles [black/bullrush]
Strawberry Thief, 1883 [3rd period] – among the most popular of Morris’ designs; inspired by WM observation of thrushes in the garden trellis at Kelmscott Manor; Philip Webb contributed the refined bird drawings; originally intended for woven wool double cloth, later adapted for wallpaper and hand-printing of cotton fabric at Merton Abbey using 24 carved blocks
[crimson/slate; indigo/mineral]
Cray, 1884 [3rd period] – design for block-printed cotton and linen fabrics, hand-printed with 34 blocks (regarded as the most complex of Morris’ fabric patterns); printed at Merton Abbey; design inspired by a 17th century pattern Morris had studied at the Victoria and Albert Museum [biscuit/brick]
Wandle, 1884 [3rd period] – one of Morris’ “river chintzes” inspired by his study of historic precedents displayed in the Victoria and Albert Museum; hand-printed in cotton at Merton Abbey using 32 carved blocks (also used for wallpaper); design features flowers emerging from continuous meandering diagonal stems with offshoots; named for the Wandle River, location of Merton Abbey [indigo/carmine]
Compton, 1896 [4th period] – design by John Henry Dearle based on preliminary sketches by William Morris; originally a wallpaper design also later used for block-printed cotton fabric primarily for use in upholstery; name for Compton Hall, Wolverhampton, West Midlands; hand-printed with 34 blocks at Merton Abbey [terracotta/multi variant]
LC – Morris, William, 1834-1896.
LC – Textile design – England – History – 19th century.
LC – Arts and crafts movement – Great Britain.
This beautiful blue and white rose pattern is my entry for the spoonflower designchallenge Chinoiserie on @spoonflower @spoonflowerde
Please give me your vote and like <3 !
www.spoonflower.com/design-challenge/chinoiserie
My design you will find here: www.spoonflower.com/designs/8145654-chinoiserie-blue-rose...
A more detailed view of my design I missed to post.
See it applied on a tee here: www.flickr.com/photos/7443763@N03/4113005345/
T-Shirt design for WILOH - Ecosocial Apparel, USA
Each animal depicted represents one letter of the company name (walrus-iguana-lion-owl-hippo)
Available through www.wiloh.com
[Copyright: WILOH - Ecosocial Apparel]
T-Shirt design for WILOH - Ecosocial Apparel, USA
Each animal depicted represents one letter of the company name (walrus-iguana-lion-owl-hippo)
Available through www.wiloh.com
[Copyright: WILOH - Ecosocial Apparel]
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Featured on:
Weekly Vector Inspiration #45
For Design Challenge @Spoonflower "Desert Modernism" - www.spoonflower.com/designs/8444801-desert-world-by-julia...
Rays of love for likes and voices 💖 🌟🌞
This was the first design I created for my degree show, using crystals became a major influence in my later designs.
Spoonflower's new Grasscloth wallpaper has a natural feel and provides a touch of elegance to any room— perfect to display a wall full of neutral-toned botanicals. Here is my entry to this week's challenge for the grass cloth wallpaper @spoonflower
Thank you for an amazing mock-up:
Gold Polyester Coated Cloth is a fabric that captures the imagination of fashion designers and textile lovers alike. With its shimmering sheen, it exudes luxury and sophistication. The magic of gold is undeniable, and this fabric shows that in a beautiful way. Whether used for apparel or home decor, the Gold Polyester Coated Cloth is sure to add a touch of charm to any project. With its versatility and aesthetics, it's no surprise that it's a favorite of designers and creatives alike. So why not add a little magic to your next project and incorporate this stunning fabric into your designs?