One of two textiles

Karen skirt-cloth (ni), 1840s–60s

Cotton, Chinese silk

Karen regions or lower Myanmar

The majority of synthetic dyes and fibres were developed in the late 1850s, reaching Myanmar in the early 1860s. The exception is Chrome Yellow, which was produced as a dye from the 1820s. These new materials spread quickly along the trade routes that spanned the region, indicating that today’s remote areas were once closely connected with global trade. The British Museum’s Science Department analysed six Karen textiles in the collection, dating from the 1830s to about 1900, including the two here, to understand when synthetic materials were adopted.

This skirt is made entirely of natural dyes and fibres, but the tunic combines natural dyes with a synthetic one and uses materials pre-dyed in Europe.*

From the exhibition

Burma to Myanmar

(November 2023 – February 2024)

From influential superpower to repressive regime, Myanmar – also known as Burma – has seen dramatic fluctuations in fortune over the past 1,500 years.

Experiencing decades of civil war and now ruled again by a military dictatorship, Myanmar is an isolated figure on the world stage today, and its story is relatively little known in the West. However, the extraordinary artistic output of its peoples, over more than a millennium of cultural and political change, attests to its pivotal role at the crossroads of Asia.

Picking up the thread around AD 450, the exhibition explored how Myanmar's various peoples interacted with each other and the world around them, leading to new ideas and art forms. From the 14th century several kingdoms jostled for power and expanded important links with Thailand, China, Sri Lanka, and traders from the Middle East and Europe, creating a fertile ground for diverse cultures to flourish; a coin issued by King Dhammaraja Hussain (r. 1612–22) of the Arakan kingdom, inscribed in Arakanese, Bengali and Persian, shows the wide reach of his trade and political networks.

Rulers in central Myanmar came to dominate parts of the region between the 16th and 19th centuries, becoming the largest empire in mainland Southeast Asia. A stunning gold and ruby-studded letter sent by King Alaungpaya to George II in 1756 speaks to the empire's wealth and power.

Annexation by the British in the 19th century saw tremendous changes impacting art, culture and society – and contributed to the turmoil faced by Myanmar today. The show concluded by exploring how modern-day artists have defied state censors, marrying activism with artistic traditions in expressions of resistance and hope.

[*British Museum]

Taken in British Museum

One of two textiles

Karen tunic (hse), before 1863

Cotton, felted wool, Coix seed

Probably lower Myanmar

The majority of synthetic dyes and fibres were developed in the late 1850s, reaching Myanmar in the early 1860s. The exception is Chrome Yellow, which was produced as a dye from the 1820s. These new materials spread quickly along the trade routes that spanned the region, indicating that today’s remote areas were once closely connected with global trade. The British Museum’s Science Department analysed six Karen textiles in the collection, dating from the 1830s to about 1900, including the two here, to understand when synthetic materials were adopted.

This skirt is made entirely of natural dyes and fibres, but the tunic combines natural dyes with a synthetic one and uses materials pre-dyed in Europe.*

From the exhibition

Burma to Myanmar

(November 2023 – February 2024)

From influential superpower to repressive regime, Myanmar – also known as Burma – has seen dramatic fluctuations in fortune over the past 1,500 years.

Experiencing decades of civil war and now ruled again by a military dictatorship, Myanmar is an isolated figure on the world stage today, and its story is relatively little known in the West. However, the extraordinary artistic output of its peoples, over more than a millennium of cultural and political change, attests to its pivotal role at the crossroads of Asia.

Picking up the thread around AD 450, the exhibition explored how Myanmar's various peoples interacted with each other and the world around them, leading to new ideas and art forms. From the 14th century several kingdoms jostled for power and expanded important links with Thailand, China, Sri Lanka, and traders from the Middle East and Europe, creating a fertile ground for diverse cultures to flourish; a coin issued by King Dhammaraja Hussain (r. 1612–22) of the Arakan kingdom, inscribed in Arakanese, Bengali and Persian, shows the wide reach of his trade and political networks.

Rulers in central Myanmar came to dominate parts of the region between the 16th and 19th centuries, becoming the largest empire in mainland Southeast Asia. A stunning gold and ruby-studded letter sent by King Alaungpaya to George II in 1756 speaks to the empire's wealth and power.

Annexation by the British in the 19th century saw tremendous changes impacting art, culture and society – and contributed to the turmoil faced by Myanmar today. The show concluded by exploring how modern-day artists have defied state censors, marrying activism with artistic traditions in expressions of resistance and hope.

[*British Museum]

Taken in British Museum

One of two textiles

Karen tunic (hse), before 1863

Cotton, felted wool, Coix seed

Probably lower Myanmar

The majority of synthetic dyes and fibres were developed in the late 1850s, reaching Myanmar in the early 1860s. The exception is Chrome Yellow, which was produced as a dye from the 1820s. These new materials spread quickly along the trade routes that spanned the region, indicating that today’s remote areas were once closely connected with global trade. The British Museum’s Science Department analysed six Karen textiles in the collection, dating from the 1830s to about 1900, including the two here, to understand when synthetic materials were adopted.

This skirt is made entirely of natural dyes and fibres, but the tunic combines natural dyes with a synthetic one and uses materials pre-dyed in Europe.*

From the exhibition

Burma to Myanmar

(November 2023 – February 2024)

From influential superpower to repressive regime, Myanmar – also known as Burma – has seen dramatic fluctuations in fortune over the past 1,500 years.

Experiencing decades of civil war and now ruled again by a military dictatorship, Myanmar is an isolated figure on the world stage today, and its story is relatively little known in the West. However, the extraordinary artistic output of its peoples, over more than a millennium of cultural and political change, attests to its pivotal role at the crossroads of Asia.

Picking up the thread around AD 450, the exhibition explored how Myanmar's various peoples interacted with each other and the world around them, leading to new ideas and art forms. From the 14th century several kingdoms jostled for power and expanded important links with Thailand, China, Sri Lanka, and traders from the Middle East and Europe, creating a fertile ground for diverse cultures to flourish; a coin issued by King Dhammaraja Hussain (r. 1612–22) of the Arakan kingdom, inscribed in Arakanese, Bengali and Persian, shows the wide reach of his trade and political networks.

Rulers in central Myanmar came to dominate parts of the region between the 16th and 19th centuries, becoming the largest empire in mainland Southeast Asia. A stunning gold and ruby-studded letter sent by King Alaungpaya to George II in 1756 speaks to the empire's wealth and power.

Annexation by the British in the 19th century saw tremendous changes impacting art, culture and society – and contributed to the turmoil faced by Myanmar today. The show concluded by exploring how modern-day artists have defied state censors, marrying activism with artistic traditions in expressions of resistance and hope.

[*British Museum]

Taken in British Museum

Karen tunic (hse), before 1863

Cotton, felted wool, Coix seed

Probably lower Myanmar

Karen skirt-cloth (ni), 1840s–60s

Cotton, Chinese silk

Karen regions or lower Myanmar

The majority of synthetic dyes and fibres were developed in the late 1850s, reaching Myanmar in the early 1860s. The exception is Chrome Yellow, which was produced as a dye from the 1820s. These new materials spread quickly along the trade routes that spanned the region, indicating that today’s remote areas were once closely connected with global trade. The British Museum’s Science Department analysed six Karen textiles in the collection, dating from the 1830s to about 1900, including the two here, to understand when synthetic materials were adopted.

This skirt is made entirely of natural dyes and fibres, but the tunic combines natural dyes with a synthetic one and uses materials pre-dyed in Europe.*

From the exhibition

Burma to Myanmar

(November 2023 – February 2024)

From influential superpower to repressive regime, Myanmar – also known as Burma – has seen dramatic fluctuations in fortune over the past 1,500 years.

Experiencing decades of civil war and now ruled again by a military dictatorship, Myanmar is an isolated figure on the world stage today, and its story is relatively little known in the West. However, the extraordinary artistic output of its peoples, over more than a millennium of cultural and political change, attests to its pivotal role at the crossroads of Asia.

Picking up the thread around AD 450, the exhibition explored how Myanmar's various peoples interacted with each other and the world around them, leading to new ideas and art forms. From the 14th century several kingdoms jostled for power and expanded important links with Thailand, China, Sri Lanka, and traders from the Middle East and Europe, creating a fertile ground for diverse cultures to flourish; a coin issued by King Dhammaraja Hussain (r. 1612–22) of the Arakan kingdom, inscribed in Arakanese, Bengali and Persian, shows the wide reach of his trade and political networks.

Rulers in central Myanmar came to dominate parts of the region between the 16th and 19th centuries, becoming the largest empire in mainland Southeast Asia. A stunning gold and ruby-studded letter sent by King Alaungpaya to George II in 1756 speaks to the empire's wealth and power.

Annexation by the British in the 19th century saw tremendous changes impacting art, culture and society – and contributed to the turmoil faced by Myanmar today. The show concluded by exploring how modern-day artists have defied state censors, marrying activism with artistic traditions in expressions of resistance and hope.

[*British Museum]

Taken in British Museum

Karen tunic (hse), before 1863

Cotton, felted wool, Coix seed

Probably lower Myanmar

Karen skirt-cloth (ni), 1840s–60s

Cotton, Chinese silk

Karen regions or lower Myanmar

The majority of synthetic dyes and fibres were developed in the late 1850s, reaching Myanmar in the early 1860s. The exception is Chrome Yellow, which was produced as a dye from the 1820s. These new materials spread quickly along the trade routes that spanned the region, indicating that today’s remote areas were once closely connected with global trade. The British Museum’s Science Department analysed six Karen textiles in the collection, dating from the 1830s to about 1900, including the two here, to understand when synthetic materials were adopted.

This skirt is made entirely of natural dyes and fibres, but the tunic combines natural dyes with a synthetic one and uses materials pre-dyed in Europe.*

From the exhibition

Burma to Myanmar

(November 2023 – February 2024)

From influential superpower to repressive regime, Myanmar – also known as Burma – has seen dramatic fluctuations in fortune over the past 1,500 years.

Experiencing decades of civil war and now ruled again by a military dictatorship, Myanmar is an isolated figure on the world stage today, and its story is relatively little known in the West. However, the extraordinary artistic output of its peoples, over more than a millennium of cultural and political change, attests to its pivotal role at the crossroads of Asia.

Picking up the thread around AD 450, the exhibition explored how Myanmar's various peoples interacted with each other and the world around them, leading to new ideas and art forms. From the 14th century several kingdoms jostled for power and expanded important links with Thailand, China, Sri Lanka, and traders from the Middle East and Europe, creating a fertile ground for diverse cultures to flourish; a coin issued by King Dhammaraja Hussain (r. 1612–22) of the Arakan kingdom, inscribed in Arakanese, Bengali and Persian, shows the wide reach of his trade and political networks.

Rulers in central Myanmar came to dominate parts of the region between the 16th and 19th centuries, becoming the largest empire in mainland Southeast Asia. A stunning gold and ruby-studded letter sent by King Alaungpaya to George II in 1756 speaks to the empire's wealth and power.

Annexation by the British in the 19th century saw tremendous changes impacting art, culture and society – and contributed to the turmoil faced by Myanmar today. The show concluded by exploring how modern-day artists have defied state censors, marrying activism with artistic traditions in expressions of resistance and hope.

[*British Museum]

Taken in British Museum

✨ Crafting the Future of Textiles ✨

Where tradition meets innovation—STYLEM TAKISADA-OSAKA CO., LTD. brings a world of premium fabrics to Riyadh! 🌏 From refined textures to modern designs, explore the artistry that bridges Saudi and Japanese craftsmanship.

Tag us in your favorite finds! 👇

#SaudiJapanFashion #TextileInnovation #STYLEM #FashionMeetsCulture #LuxuryFabrics #GlobalTextiles #DesignInspired #ModernElegance #TextileCraftsmanship #FutureOfFashion

معرض وورشة العمل السعودي الياباني للموضة والمنسوجات يستعد للاحتفال بـ 70 عامًا من التعاون—محطة بارزة نسجت بالإرث والإبداع والتصميم المستقبلي.

انضموا إلينا في رحلة تجمع بين الثقافات عبر المنسوجات والحرفية والرؤية الفنية.

📅 18-20 فبراير 2025

📍 فيوتشر كرييتيف ريزيدنس، الرياض

كونوا جزءًا من هذا الحدث الاستثنائي الذي يجمع بين الأناقة والثقافة!

#معرض_السعودية_واليابان #ابتكار_المنسوجات #70عامًا_من_الأناقة #تصميم_عالمي #خيوط_ثقافية #موضة_الرياض #تعاون_في_الموضة #معرض_التصميم #من_الإرث_إلى_المستقبل #روابط_إبداعية

The Saudi-Japan Fashion & Textiles Exhibition & Workshop is set to celebrate 70 years of collaboration—a milestone woven with heritage, creativity, and future-forward design.

Join us as we bridge cultures through textiles, craftsmanship, and artistic vision.

📅 February 18-20, 2025

📍 Future Creative Residence, Riyadh

Be part of this extraordinary showcase of style and culture!

#SaudiJapanFashion #TextileInnovation #70YearsOfStyle #GlobalDesign #CulturalThreads #RiyadhFashion #FashionCollaboration #DesignExhibition #HeritageToFuture #CreativeConnections

إرث منسوج بالأناقة ✨

على مدى 70 عامًا، جمعت السعودية واليابان رابطة تتجاوز الدبلوماسية—رابطة تجمع بين التقاليد، الابتكار، والحرفية. انضموا إلينا ونحن نكرم هذا الإرث من خلال الموضة والمنسوجات، ونحتفي بالإبداع الذي يوحد الثقافات.

📍 فيوتشر كرييتيف ريزيدنس، الرياض

📅 19-20 فبراير 2025

كونوا جزءًا من لحظة يلتقي فيها الفن بالإرث. بدأ العد التنازلي! ⏳

#معرض_السعودية_واليابان #70عامًا_من_الأناقة #ربط_الثقافات #ابتكار_المنسوجات #الموضة_تجمعنا #إرث_متقن #تصميم_بلا_حدود #خيوط_الزمن #إرث_في_الموضة #إبداع_عالمي

A Legacy Woven in Style ✨

For 70 years, Saudi & Japan have shared a bond that transcends diplomacy—one that threads together tradition, innovation, and craftsmanship. Join us as we honor this legacy through fashion & textiles, celebrating creativity that connects cultures.

📍 Future Creative Residence, Riyadh

📅 February 19-20, 2025

Be part of a moment where artistry meets heritage. The countdown is on! ⏳

#SaudiJapanFashion #70YearsOfStyle #CulturalConnection #TextileInnovation #FashionUnites #CraftedWithHeritage #DesignWithoutBorders #ThreadsOfTime #HeritageInFashion #GlobalCreativity

Introducing Knitting Series 1, our latest collection designed to bring flexibility, breathability, and durability together in perfect harmony.

Crafted with precision and passion, this series is ideal for fashion, sportswear, and functional apparel, offering:

✅ Soft Touch & Great Stretch – Comfort that moves with you

✅ Excellent Recovery – Maintains shape after wear and wash

✅ Versatile Application – Suitable for linings, body fabrics, and performance wear

✅ Eco-friendly Options – Sustainable materials available on request

Whether you're designing for comfort, performance, or style, Knitting Series 1 delivers the foundation your garments need.

Explore the blend of innovation and texture – it’s not just fabric, it’s experience.

جوهر الحرفية اليابانية 👔🔵

مزيج مثالي من التقاليد والرقي، حيث تقدم MAKER'S SHIRT KAMAKURA قمصانًا تنبض بالأناقة والجودة. كل غرزة تحكي قصة من الدقة والالتزام.

اكتشفوا فنهم في معرض وورشة العمل السعودي الياباني (الموضة والمنسوجات).

#معرض_السعودية_واليابان #MakersShirtKamakura #الخياطة_اليابانية #أسلوب_راقي #قمصان_فاخرة #ابتكار_المنسوجات #أزياء_رجالية_كلاسيكية #اهتمام_بالتفاصيل #أساسيات_الأناقة #أناقة_عصرية

The Essence of Japanese Craftsmanship 👔🔵

A perfect blend of tradition and refinement, MAKER'S SHIRT KAMAKURA creates shirts that exude elegance and quality. Every stitch tells a story of precision and dedication.

Discover their artistry at the Saudi-Japan Exhibition & Workshop (Fashion & Textiles).

#SaudiJapanExpo #MakersShirtKamakura #JapaneseTailoring #RefinedStyle #LuxuryShirts #TextileInnovation #TimelessMenswear #AttentionToDetail #WardrobeEssentials #ModernElegance

تبقى 5 أيام فقط! 🎉

التحضيرات مكتملة لانطلاقة مذهلة تجمع بين التصميم السعودي والياباني.

📍 فيوتشر كرييتيف ريزيدنس، الرياض

📅 19-20 فبراير 2025

هل أنتم مستعدون لرؤية الحرفية في أبهى صورها؟ بدأ العد التنازلي! ⏳✨

#معرض_السعودية_واليابان #خيوط_ثقافية #اندماج_التصميم #ابتكار_المنسوجات #إرث_بأناقة #الموضة_بلا_حدود #حرفية_متفوقة #تقاليد_خالدة #جماليات_عصرية #تبادل_إبداعي

Just 5 Days to Go! 🎉

The stage is set for an extraordinary fusion of Saudi & Japanese design.

📍 Future Creative Residence, Riyadh

📅 February 19-20, 2025

Are you ready to witness craftsmanship redefined? Let the countdown begin! ⏳✨

#SaudiJapanFashion #CulturalThreads #DesignFusion #TextileInnovation #HeritageInStyle #FashionBeyondBorders #CraftsmanshipElevated #TimelessTradition #ModernAesthetic #CreativeExchange

فسيفساء من الابتكار ✨

الألوان والملمس والإبداع تنبض بالحياة مع تصاميم Curelabo النسيجية المتطورة. استكشفوا اندماج الفن والتكنولوجيا في معرض وورشة العمل السعودي الياباني (الموضة والمنسوجات).

#معرض_السعودية_واليابان #CurelaboDesign #ابتكار_المنسوجات #طيف_الأناقة #أقمشة_الجيل_القادم #جماليات_راقية #ثورة_المواد #نسج_المستقبل #الألوان_تلتقي_بالحرفية #خيوط_الإبداع

A Kaleidoscope of Innovation ✨

Color, texture, and creativity come alive with Curelabo’s cutting-edge textile designs. Experience the fusion of art and technology at the Saudi-Japan Exhibition & Workshop (Fashion & Textiles).

#SaudiJapanEvent #CurelaboDesign #TextileInnovation #SpectrumOfStyle #NextGenFabrics #ElevatedAesthetics #MaterialRevolution #WeavingTheFuture #ColorMeetsCraft #ThreadsOfCreativity

التعاون في حركة مستمرة

يجتمع المصممون والمبدعون وخبراء النسيج لاستكشاف الابتكار والتقاليد. تواصل شركة Uni Textile Co., Ltd. تشكيل مستقبل الموضة من خلال روابط ذات معنى.

انضموا إلى الحوار في معرض وورشة العمل السعودي الياباني (الموضة والمنسوجات).

#معرض_السعودية_واليابان #UniTextile #تبادل_إبداعي #ابتكار_المنسوجات #جسر_التقاليد #تعاون_في_الموضة #تصميم_المستقبل #استكشاف_المواد #خيوط_ثقافية #الابتكار_معًا

Collaboration in Motion

Designers, creators, and textile experts come together to explore innovation and tradition. Uni Textile Co., Ltd. continues to shape the future of fashion through meaningful connections.

Join the conversation at the Saudi-Japan Exhibition & Workshop (Fashion & Textiles).

#SaudiJapanExpo #UniTextile #CreativeExchange #TextileInnovation #BridgingTraditions #FashionCollaboration #DesigningTheFuture #MaterialExploration #CulturalThreads #InnovateTogether

Introducing our Towel Cloth Polyester Yarn Jacquard Fabric — the perfect blend of durability, absorbency, and elegant design.

Crafted from high-quality polyester yarns with intricate jacquard weaving, this fabric offers:

✅ Superior Absorbency & Quick Drying — Ideal for towels, bathrobes, and spa textiles

✅ Rich Texture & Beautiful Patterns — Woven-in jacquard designs that elevate any product

✅ Durable & Colorfast — Long-lasting softness and vibrant colors even after multiple washes

✅ Easy Care & Lightweight — Practical for everyday use with a premium feel

Perfect for home textiles, hospitality, and wellness industries looking for functional beauty.

إعادة تعريف الأناقة لعام 2025 ✨

برؤية تستشرف المستقبل، تقدم KUMAZAWA SHOJI CO., LTD مجموعة خريف/شتاء 2025—حيث يلتقي الابتكار بالحرفية والتصميم الجريء.

اكتشفوا الجيل القادم من الموضة في معرض وورشة العمل السعودي الياباني (الموضة والمنسوجات).

#معرض_السعودية_واليابان #KumazawaShoji #AW2025 #مستقبل_المنسوجات #أناقة_عصرية #ابتكار_المنسوجات #تصميم_للغد #أقمشة_فاخرة #الموضة_تلتقي_بالفن #تصميم_راقي

Redefining Elegance for 2025 ✨

With a vision for the future, KUMAZAWA SHOJI CO., LTD presents its Autumn/Winter 2025 collection—where innovation, craftsmanship, and bold design come together.

Experience the next era of fashion at the Saudi-Japan Exhibition & Workshop (Fashion & Textiles).

#SaudiJapanFashion #KumazawaShoji #AW2025 #FutureOfTextiles #ModernElegance #TextileInnovation #DesignedForTomorrow #LuxuryFabrics #FashionMeetsArt #ElevatedDesign

Medium: Upcycled print media, adhesives

Description:

Part of my ongoing exploration into wearable ephemera, RE/FLOW: Pressed to Bloom is a sculptural accessory constructed entirely from reclaimed newspaper print. This piece was created as a meditation on the saturation of media, information overload, and the way printed matter shapes and compresses identity—particularly in femme-presenting bodies.

Constructed with careful folds and loops, the flower-like form alludes to both fragility and force: a bloom under pressure. The structure, both soft and sharply graphic, speaks to the dualities of vulnerability and strength. As with many of my wearable works, this piece exists at the intersection of fashion, protest, and poetic objecthood.

Explore the future of color with Jagson Colorchem Limited — a global leader in innovative, sustainable, and performance-driven dyes for the next generation of textiles.

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إتقان خالد يلتقي بالابتكار ⏳✨

كل تفصيلة تصنع الفرق. تُعيد أحزمة النايلون المتقنة من SHINDO تعريف الإحساس والوظيفة في عالم الإكسسوارات، بمزيج من التراث والتصميم المتطور.

اكتشفوا براعتهم الحرفية عن قرب في معرض وورشة العمل السعودي الياباني (الموضة والمنسوجات).

#معرض_السعودية_واليابان #SHINDO #منسوجات_مبتكرة #تصميم_خالد #حرفية_متقنة #موضة_يابانية #إكسسوارات_فاخرة #أناقة_عصرية #ابتكار_المنسوجات #أبعد_من_الموضة

Timeless Craft Meets Innovation ⏳✨

Every detail matters. SHINDO’s precision-crafted nylon straps blend tradition with cutting-edge design, redefining how fashion accessories should feel and function. See their craftsmanship firsthand at the Saudi-Japan Exhibition & Workshop (Fashion & Textiles).

#SaudiJapanExpo #SHINDO #InnovativeTextiles #TimelessDesign #PrecisionCraft #JapaneseFashion #LuxuryAccessories #ModernElegance #TextileInnovation #BeyondFashion

حيث يلتقي الابتكار بالتقاليد ✨

لمحة عن التبادل الديناميكي للخبرات والإبداع في جناح ITOCHU. من الأقمشة الفاخرة إلى الحلول المستدامة، يتشكل مستقبل الموضة من خلال التعاون.

📍 معرض وورشة العمل السعودي الياباني (الموضة والمنسوجات)

📅 18-20 فبراير 2025

#معرض_السعودية_واليابان ‪#ITOCHU‬ #ابتكار_المنسوجات #حرفية_عالمية #شبكات_الموضة #تصميم_بلا_حدود #منسوجات_مستدامة #أقمشة_فاخرة #تبادل_ثقافي #موضة_المستقبل

A glimpse into the dynamic exchange of expertise and creativity at the ITOCHU booth. From premium textiles to sustainable solutions, the future of fashion is being shaped through collaboration.

📍 Saudi-Japan Exhibition & Workshop (Fashion & Textiles)

📅 February 18-20, 2025

#SaudiJapanFashion #ITOCHU #TextileInnovation #GlobalCraftsmanship #FashionNetworking #DesignWithoutBorders #SustainableTextiles #LuxuryFabrics #CulturalExchange #fashionforward

Discover how Tech Weave transforms raw polymers into high-performance technical textiles. This infographic takes you through our end-to-end process—from high-tech tape extrusion and precision weaving to specialized coating, fabrication, and customization. Learn how our products, including geotextiles, synthetic roof underlayment, ground covers, and durable packaging fabrics, deliver sustainability, scalability, and engineered reliability to industries worldwide.

At Jagson Colorchem Limited, we deliver a complete range of world-class dyes trusted by textile manufacturers across the globe. From Reactive, Direct, Acid, Disperse, Vat Dyes to Napthols, Salts & Bases, our innovative color solutions ensure brilliance, consistency, and eco-friendly compliance. 🌍✨

Choose Jagson for vibrant colors, sustainable processes, and certified quality that redefine the textile industry.

#JagsonColorchem #TextileInnovation #ReactiveDyes #DirectDyes #AcidDyes #DisperseDyes #VatDyes #Napthols #EcoFriendlyColors #SustainableTextiles #GlobalTextileSolutions #DycroColors #TextileManufacturing #ColorYourWorld #FabricDyes #OekoTexCertified #TextileIndustry #GOTS #RoadmapToZero #ColorChemistry #FashionAndTextiles

انتهى الانتظار—انطلاق فعالية الموضة السعودية اليابانية اليوم! 🎉

انضموا إلينا حيث ننسج معًا التراث والحداثة، مسلطين الضوء على أرقى المنسوجات السعودية واليابانية.

📅 19-20 فبراير 2025

📍 فيوتشر كرييتيف ريزيدنس، الرياض

#معرض_السعودية_واليابان #اندماج_ثقافي #ابتكار_المنسوجات #تصميم_عالمي #تعاون_في_الموضة #الإرث_يلتقي_بالحداثة #حرفية_بشغف #تصميم_بلا_حدود #موضة_الرياض_2025 #أناقة_وتقاليد

The Wait is Over—The Saudi-Japan Fashion Event Begins Today! 🎉

Join us as we weave together heritage and modernity, bringing the best of Saudi and Japanese textiles into the spotlight.

📅 February 19-20, 2025

📍 Future Creative Residence, Riyadh

#SaudiJapanFashion #CulturalFusion #TextileInnovation #GlobalDesign #FashionCollaboration #HeritageMeetsModern #CraftedWithPassion #DesignWithoutBorders #RiyadhFashion2025 #StyleAndTradition