View allAll Photos Tagged Temporary
Temporary Station Buffet, just off the waiting rooms, Platform 6.
Lovely contemporary awning. I hope this feature stays.
Sidewalk and the new bike lane is temporarily closed along Samish for construction of Commons.
At the meeting, I suggested my alternate route on residential streets around the backside of Commons, but later, I found that one of those streets is closed also. The alternate route is a bit farther around.
Eventually the routes will open again.
They say the city is waiting to repave Samish till most of the construction is done. There's some debris and rough spots now, but it's better than it was before the bike lane was put in.
TEMPORARY TEMPLE by TASMAN RICHARDSON & RKO (FR, CA)
v-atak.com
tasmanrichardson.com
Performing as «mediums» pulling from recorded media, the power of the dead. Clips are collected to form video «dictionaries » of primary symbols or universal archetypes. The performers will improvise a duet made entirely of the video clips. The sounds will come from the source videos. The performance will create a temporary temple for the audience. A focal point filled with celebrities, static and gods. Video content will be selected in a stream of consciousness style of editing, music concrete meets video cut ups inspired by Burroughs and Gysin.
Jouant comme des “mediums” puisant le pouvoir de la mort dans divers matériaux enregistrés. La performance est nourrie de «dictionnaires» vidéos composés de symboles primitifs et d’archétypes universaux. Les participants improvisent un duo entièrement composé de vidéo clips. Le son provient des sources vidéo.
La performance construit un temple éphémère à destination du public. Avec une prédominance de célébrités, parasites et dieux. Le contenu des vidéos est choisi dans un style de montage proche du flux de conscience, la musique concrète côtoie des cut-up vidéo inspirés de Burroughs et Gysin.
At Granville & Robson Street. Street closures due to ongoing Canada Line construction.
Last batch from my Ansco Pix Panorama toy camera. Better viewed at large.
I shot these interchangeably with the Nikon FE and the Pentax. I used both 50mm and 28mm lenses. I also used both Tri-X 400 and TMax 3200 film. Perhaps I'll revisit these and sort out specific details for each shot...
Thirteen photographs in one day. I wanted to both upload this series serially and in its entirety. In the end, I think it works best taken in all at once.
Two weeks ago I accompanied Dexter and Ashley one evening when they went off to dance. As they were warming up I saw an opportunity to take some very nice photographs (in my opinion) so I ran across campus and grabbed my cameras to shoot these. As far as I know, Dexter and Ashley coreographed this "for fun," but it looked great and was exciting to simultaneously shoot the dance and watch it improve with each runthrough.
Work has commenced on the Torquay Harbour Regeneration Project, and after Wednesday 8th November the time-honoured stops under the canopy outside Debenhams have been removed. Route 22 towards St Marychurch and Dawlish Warren now departs from this temporary stop outside the Co-op in Torwood Street.
Lightweight, intuitive, and efficiently assembled (or disassembled) without specialized tools, our modular wall system is made to respond to an evolving retail environment, business model, or changing workspace.
Available in 2-foot increments (up to 16ft) for standardized formatting, temporary walls can easily conform to the shape or design of your envisioned space. Made from durable material and with reusable application, our temporary partition walls are a viable and cost-effective alternative to soon-to-be discarded plywood or expensive and labor-intensive drywall. They are ideal for cordoning off construction, reimagining retail space or creating a more collaborative small business atmosphere, temporary walls can re-shape the interior of your business's office space.
Paneled with abrasion-resistive vinyl and framed with aluminum supports, our temporary wall systems are made to last and are simple to maintain. Maximize the surplus surface of these temporary wall panels by embellishing with striking branding or utilizing it as revenue generating ad-space. Rounded off with vibrant graphics and impactful messaging, the enclosure created will exude a professional permeance that other temporary wall solutions cannot replicate.
Converting any formless concourse into an organized interior with identity, let temporary walls create the space your business needs.
Easily refresh and customize your modular temporary walls with printed graphics.
britteninc.com/products/display-hardware/modular-temporar...
Lightweight, intuitive, and efficiently assembled (or disassembled) without specialized tools, our modular wall system is made to respond to an evolving retail environment, business model, or changing workspace.
Available in 2-foot increments (up to 16ft) for standardized formatting, temporary walls can easily conform to the shape or design of your envisioned space. Made from durable material and with reusable application, our temporary partition walls are a viable and cost-effective alternative to soon-to-be discarded plywood or expensive and labor-intensive drywall. They are ideal for cordoning off construction, reimagining retail space or creating a more collaborative small business atmosphere, temporary walls can re-shape the interior of your business's office space.
Paneled with abrasion-resistive vinyl and framed with aluminum supports, our temporary wall systems are made to last and are simple to maintain. Maximize the surplus surface of these temporary wall panels by embellishing with striking branding or utilizing it as revenue generating ad-space. Rounded off with vibrant graphics and impactful messaging, the enclosure created will exude a professional permeance that other temporary wall solutions cannot replicate.
Converting any formless concourse into an organized interior with identity, let temporary walls create the space your business needs.
Easily refresh and customize your modular temporary walls with printed graphics.
britteninc.com/products/display-hardware/modular-temporar...
This is my parts girl, Hope. I couldn't handle her to be in pieces so had to put her all together temporarily until it's her turn to have her faceplate customized.
Lightweight, intuitive, and efficiently assembled (or disassembled) without specialized tools, our modular wall system is made to respond to an evolving retail environment, business model, or changing workspace.
Available in 2-foot increments (up to 16ft) for standardized formatting, temporary walls can easily conform to the shape or design of your envisioned space. Made from durable material and with reusable application, our temporary partition walls are a viable and cost-effective alternative to soon-to-be discarded plywood or expensive and labor-intensive drywall. They are ideal for cordoning off construction, reimagining retail space or creating a more collaborative small business atmosphere, temporary walls can re-shape the interior of your business's office space.
Paneled with abrasion-resistive vinyl and framed with aluminum supports, our temporary wall systems are made to last and are simple to maintain. Maximize the surplus surface of these temporary wall panels by embellishing with striking branding or utilizing it as revenue generating ad-space. Rounded off with vibrant graphics and impactful messaging, the enclosure created will exude a professional permeance that other temporary wall solutions cannot replicate.
Converting any formless concourse into an organized interior with identity, let temporary walls create the space your business needs.
Easily refresh and customize your modular temporary walls with printed graphics.
britteninc.com/products/display-hardware/modular-temporar...
Built between 1937 and 1959, the Organic Modern-style Taliesin West was designed by Frank Lloyd Wright and constructed by his apprentices to serve as the winter home of Wright and his Taliesin Fellowship. The complex, which consists of many buildings, began as a set of temporary, tent-like structures in the late 1930s, before evolving into more permanent buildings over the course of the 1940s, reflecting the ever-experimenting nature of the Taliesin Fellowship and Frank Lloyd Wright, something also seen at the original Taliesin in Wisconsin. Wright developed an architecture at Taliesin West that reflected the surrounding desert environment, with long, low stone buildings featuring long and narrow expanses of glass, shed roofs, stone walls, and timber framing, with rooflines that reflected the surrounding mountains, small areas of non-desert plantings, and buildings that were, alternatively, reminiscent of tent pavilions and stone caves. The complex is clustered around the main building, with much of the site remaining an undisturbed natural desert landscape, an increasingly rare feature of the greater Phoenix Area, which was already beginning to disappear during Wright’s lifetime. The site is home to rocks with petroglyphs created by the indigenous Hohokam people, along with remnants of their habitation of the site prior to their migration out of the region during a period of climate change, which was accompanied by severe flooding that damaged their irrigation canal infrastructure, in the 14th and 15th Centuries. The buildings surround various courts, gardens, and natural areas, and many incorporate Chinese sculptures near their entrances, collected by Frank Lloyd Wright due to his lifelong fascination with East Asian art.
The buildings consist of a main building, with a stone vault at its northwest corner. Built in 1937 as the first structure at Taliesin West, the cave-like stone vault meant to protect drawings created by Wright and the Taliesin Fellowship in the event of a fire, influenced by the fires that had previously destroyed Taliesin in Wisconsin. From this initial structure extends, to the southeast, a drafting studio with a canvas roof, large roof beams, ribbon windows, stone walls, and a wooden pergola on its northern flank, which contained the main drafting studio of the Taliesin Fellowship, and has a large entrance terrace on its south facade, with steps leading down to the pool and the prow at the southwest corner of the complex. To the east of the drafting studio is the kitchen, which features an exterior bell tower that would signal members of the Taliesin Fellowship to come to the dining room for meals, and dining room, which served as a large communal space for the Taliesin Fellowship and Wright. These public and communal spaces sit west of a breezeway that connects the northern patio with the sunset terrace on the south side of the complex. On the southwest side of sunset terrace is the Garden Room, a large living room utilized by both the Taliesin Fellowship members, as well as Wright’s family, as a gathering space, which encloses a small walled garden and, along with the breezeway, marks the transition between the more communal, public spaces at the western end of the main building with the more private rooms to the east. The eastern portion of the main building contains bedrooms and bathrooms for the Wright family, and a weaving studio utilized by Olgivanna to create textiles, with a ventilation tower, the tallest section of the complex, being located on the north side of this wing.
To the east of the main building are various cottages and residences for the Taliesin Fellowship, as well as Sun Cottage, the former residence of Iovanna Wright, the daughter of Olgivanna and Frank Lloyd Wright, which are simpler versions of the main building, and remain private living quarters today, not open to visitors taking tours of the complex. At the southeast corner of these structures is the cave-like Kiva, originally constructed to serve as a theater for the Taliesin Fellowship, which features stone walls and a rooftop terrace, and is connected to the main building via a covered walkway. At the northern end of the original complex is Frank Lloyd Wright’s office, which is extremely similar to the drafting studio, but at a smaller scale, and features the same ribbon windows, canvas roof with large beams, and stone walls seen on the drafting studio. To the north of the office is the Cabaret Theatre, built in 1950, which replaced the Kiva as a performance space and meeting space for the Taliesin Fellowship, and consists of a long, low cave-like structure built of stone and concrete that is embedded into the surrounding landscape. On the east side of the theater is the music pavilion, originally built in 1957, which was destroyed by fire and rebuilt in 1963 according to the original plans, and rivals the main building in size. West of these structures is the Visitor’s Center and Maintenance Building, which was built in the early 2000s to allow for additional visitor capacity at Taliesin West. Following the design of the rest of the complex, the visitor center harmonizes with the rest of Taliesin West, feeling like a natural extension of the buildings constructed with oversight by Wright.
Taliesin West was listed on the National Register of Historic Places in 1974, and was designated a National Historic Landmark in 1982. The structure is also part of The 20th-Century Architecture of Frank Lloyd Wright UNESCO World Heritage Site, listed in 2019. Taliesin West is the final resting place of the remains of Frank Lloyd Wright and Olgivanna Wright, which, controversially, led to the exhumation of Frank Lloyd Wright from Unity Chapel Cemetery in Spring Green, Wisconsin following Olgivanna’s death in 1985. The complex remained in use by the Taliesin Fellowship until it became The School of Architecture in 1986, which remained in operation seasonally at both Taliesin and Taliesin West until moving its operations to another location in Scottsdale in 2020. Taliesin West today is owned and operated by the Frank Lloyd Wright Foundation, which continues conservation work on the buildings, including reconstruction of various wings that were built quickly with low-quality materials, ensuring that the buildings continue to stand and remain open to visitors in perpetuity.