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Unrolling Tapestry's.
Категориальные импульсы устойчивые языки спящие птицы незначительные идеи конкретные суеверия письменные тексты бесконечное количество раз осуждающие словесные жесты,
puste riker kaste gjenstander grunnleggende følelser grunnleggende pantomimeteater essensiell natur alkymi transmutasjoner rensende fiender,
befehlende Korrespondenzen, die Stimmen absorbieren, die Seelen endliche Sphären zusammennähen Mechanische Rituale höherer Realität analoge Pfade, die Konfigurationen untersuchen,
priešybės priežastys nuolatinės pastangos absoliutūs taškai pagrindiniai burtai skverbiasi į blogus judesius mistika požiūris esminės mintys,
可追踪的攻擊惡性循環內向痙攣推動需要心理神經障礙可理解的問題誤解,
ユニークな事実汚い事件憤怒の講義散乱レッスン悲劇的な精神聴覚の燃焼詩心配について窒息クモ無力感悪夢閉じ込められたせん妄骨の機能指働く.
Steve.D.Hammond.
A&M staff photographer Jim McCrary took the cover photograph at King's Laurel Canyon home It shows her sitting in a window frame, holding a tapestry that she hand-stitched herself, with her cat, named after Telemachus, at her feet.
(I Wonder What happened to the Cat.....1971, The Cat would be over 50 Years old Now!
Abraham Ratter (American, 1893-1978)
The Bush Was Not Consumed, 1971
Wool, 61 ⅜ × 47 ⅛ in.
Leepa-Rattner Museum of Art, on loan from the St. Petersburg College Foundation
It was interesting and a surprise to see these tapestries hanging randomly in a exhibit of Florida crafts. I had never seen them unwrapped, they spent their time rolled and wrapped in brown paper on a upper shelf with tapestries by Shahn and Hirsch. I thought that like the other artists tapestries we carried they were woven in France but the reference I found on line said they were Israeli but I am not sure if that is a manufacturer or a geographic designation.
Title: Natures Tapestry
With Inspire Landscapes, Tom Putt
Year: 2015
Location: Wyndam Western Australia
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— in Western Australia, Australia.
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This wool and silk tapestry was originally one of nine allegorical tapestries on the life of Alexander the Great. Woven in Delft in 1619, the tapestry is inscribed “MANDER FECIT ANNO 1619.” Cornelius Vanderbilt II acquired the piece in 1880 at an auction in Florence.
This colourful school façade, located in the North of Amsterdam, was the starting point of my ongoing series "Urban Tapestries". The series consists of frontal façade views, mostly seen in a nearly two dimensional way. The main characteristics of these works are rhythm, colour and an almost abstract way of seeing, yet still recognisable as buildings inhabited by people. The school, the Bredero Beroepscollege, was designed by OeverZaaijer/Burton Hamfelt Architects and their patchwork of multi-coloured plexiglass panels, all over the façade, are the basis of this festive photographic composition.
I visited Tapestry Australia workshop recently where the highly skilled weavers are working on a huge Tapestry. The design can be seen at the end of the row of weavers and there are two huge looms with half the tapestry on each loom. The wool thread ( with some other fibres depending on the artwork needs) are made in house and the designs are from living artists. These huge tapestries may take a year or more to make and are done on commission by the weavers.
I loved the bright colours in this one.
"The Australian Tapestry Workshop (ATW) is an international leader in contemporary tapestry, collaborating with a diverse range of international and Australian artists to produce exceptional handwoven works of art. Established in 1976, we have created over 500 tapestries in creative collaborations for nearly 50 years, promoting innovation and excellence in tapestry weaving and textile art. Located in Melbourne, Australia, our open studio space, bespoke Dye Lab and galleries are a creative hub for engagement with tapestry, textiles and contemporary art."
© Darlene Bushue Photography 2021
A vibrant tapestry of fall colors unfolds in the San Juan Mountains, with a snow-dusted Engineer peak overlooking a forest ablaze with reds, oranges, and yellows. Somewhere along Hwy 550 (Oct 2021). Have a great weekend!!!
In a former life I was required to wear a tie (retail sales). The fun was in finding all kinds of flamboyant patterns.
Taken in the foyer of the magnificent Vineyard Hotel in Cape Town. I was there for the launch of a Festschrift for South Africa's preeminent economic demographer and welfare economist, Charles Simkins. I'd like to thank the staff of the Hotel for permitting me to take this photograph.
A digital Mona Lisa tapestry
Tapestry - Carole King
My life has been a tapestry of rich and royal hue
An everlasting vision of the ever-changing view
A wondrous, woven magic in bits of blue and gold
A tapestry to feel and see, impossible to hold
Once amid the soft silver sadness in the sky
There came a man of fortune, a drifter passing by
He wore a torn and tattered cloth around his leathered hide
And a coat of many colors, yellow-green on either side
He moved with some uncertainty, as if he didn't know
Just what he was there for, or where he ought to go
Once he reached for something golden hanging from a tree
And his hand came down empty
Soon within my tapestry along the rutted road
He sat down on a river rock and turned into a toad
It seemed that he had fallen into someone's wicked spell
And I wept to see him suffer, though I didn't know him well
As I watched in sorrow, there suddenly appeared
A figure gray and ghostly beneath a flowing beard
In times of deepest darkness, I've seen him dressed in black
Now my tapestry's unraveling - he's come to take me back
He's come to take me back
In the exhibion Extra Large Kunsthal Rotterdam is presenting a large-scale retrospective of imposing tapestries based on designs by renowned artists like Pablo Picasso, Le Corbusier, Miró, Vasarely and Louise Bourgeois.
Most of the works were produced at the historical institute ‘Manufacture des Gobelins’ in Paris.
More tapestries in XL:
A group of small orange flowers. They were aptured with an old Vivitar Series 1 105mm Macro lens that produces some interesting and, in my opinion, quite beautiful bokeh.