Patrimonio costarricense
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MONETS Garten - Ausstellungserlebnis 2023,EINE GELUNGENE SYMBIOSE
DIE GROSSEN WERKE DES KÜNSTLERS IN EINER IMMERSIVEN ERLEBNISREIS
Um ganz in die Welt des französischen Malers eintauchen zu können, wird der Besucher durch drei Erlebnisräume geführt.
Inszeniert werden diese Erlebnisreise und das einzigartige Ausstellungskonzept mit modernster Multimedia-Technik – hier MONETS Garten - Ausstellungserlebnis 2023, tauchen Sie ganz in die Welt und die weltberühmten Kunstwerke des Malers Claude Monet (1840-1926) ein. Erleben Sie selbst, wie sich für Sie Illusion in Realität verwandelt. Aufwändige Installationen und Projektionen erzeugen in Verbindung mit Musik rauschende Farbwelten und lassen die Gemälde auf noch nie zuvor gesehenen Weisen lebendig und spürbar.werden
MONETS Garden - exhibition experience 2023, A SUCCESSFUL SYMBIOSIS THE ARTIST'S MAJOR WORKS IN AN IMMERSIVE JOURNEY OF EXPERIENCE In order to be able to fully immerse themselves in the world of the French painter, the visitor is guided through three experience rooms. This adventure trip and the unique exhibition concept are staged with the latest multimedia technology - here MONETS Garden - exhibition experience 2023, immerse yourself completely in the world and the world-famous works of art by the painter Claude Monet (1840-1926). Experience for yourself how illusion turns into reality for you. Elaborate installations and projections combined with music create roaring worlds of color and make the paintings come alive and tangible in ways that have never been seen before
Created for Kreative People Treat This 105 www.flickr.com/groups/1752359@N21/discuss/72157660111461498/
Source image provided by abstractartangel77: flic.kr/p/AzhS4b
Pose: [west end] poses - LILA - Single female pose pack
Includes: 5 Bento poses + mirrors; Pose hud; Pose stand; breathing animated versions, 3 different priority levels
мy мυѕιc "Inzo - Overthinker"
taken@.::Valmoor::.
"And all so-called civilized peoples
Have increasingly become crazy and self-destructive
Because, through excessive thinking
They have lost touch with reality
That's to say
We confuse signs
With the real world
This is the beginning of meditation
Most of us would have
Rather money than tangible wealth
And a great occasion is somehow spoiled for us unless photographed
And to read about it the next day in the newspaper
Is oddly more fun for us than the original event
This is a disaster
For as a result of confusing the real world of nature with mere signs
We are destroying nature
We are so tied up in our minds that we've lost our senses
Time to wake up
What is reality?
Obviously no one can say
Because it isn't words
It isn't material, that's just an idea"
“I have a lot of chameleon qualities, I get very absorbed in my surroundings.”
- River Phoenix
Soundtrack : www.youtube.com/watch?v=XTkUplF5VIE
AUTUMN LEAVES - Eva Cassidy & the London Symphony Orchestra
Now that Summer takes it's leave
and dragonflies fly off to places where I've never been
all that remains are faded remnants; leaves and weaves
of the empty spaces held fast between my dreams
The Autumn air smells cool and sweet
with rotten windfall apples and fruit
fly-blown and maggoty at my feet
intoxicating the air; stuck with prickly thistly hirsute
My eyes are drawn to narrow slits
peering between my lashes
the sentinels of pegs are pits
burned and coal-like; ombred ashes
The golden orb web spider's lacework
is spun and hanging out to dry
warm September sun a simmering perk
of the shimmering dream catcher that caught my eye
Sombre hues and orbs of light
fill the air with tangible tones
feelings are high; moods delight
a poet's dream felt deep in bones
Tread gently on the fallen leaves
make your footprint light
enrich the Earth will all it needs
go with the flow; embrace the endless night
For after Autumn, Winter follows
and the land falls asleep and hibernates
but Spring will come; fill up the hollows
and Summer will come to warm terracotta slates
The stillness of the evening; the peace and quiet
the quickening mood when Summer visitors flee
is felt very deeply in the fading riot
of flowers beneath the weeping willow tree
I shed not a tear at Summer's end
for every time comes and goes with reason
and I am a chameleon that twists and bends
and acclimatises to every season.
- AP - Copyright © remains with and is the intellectual property of the author
Copyright © protected image please do not reproduce without permission
Thank you so much buddy, it's always a pleasure to take photos with you! Watch out for Edu's amazing version!
"A person who thinks all the time
Has nothing to think about except thoughts
So, he loses touch with reality
And lives in a world of illusions
By thoughts, I mean specifically, chatter in the skull
Perpetual and compulsive repetition of words
Of reckoning and calculating
I'm not saying that thinking is bad
Like everything else, It's useful in moderation
A good servant, but a bad master
And all so-called civilized peoples
Have increasingly become crazy and self-destructive
Because, through excessive thinking
They have lost touch with reality
That's to say
We confuse signs
With the real world
This is the beginning of meditation
Most of us would have
Rather money than tangible wealth
And a great occasion is somehow spoiled for us unless photographed
And to read about it the next day in the newspaper
Is oddly more fun for us than the original event
This is a disaster
For as a result of confusing the real world of nature with mere signs
We are destroying nature
We are so tied up in our minds that we've lost our senses
Time to wake up
What is reality?
Obviously no one can say
Because it isn't words
It isn't material, that's just an idea
Reality is
The point cannot be explained in words
I'm not trying to put you down
It's an expression of you as you are
One must live
We need to survive, to go on
We must go on!"
In the summer of 2011, archaeologists from the Norwegian Maritime Museum (formerly the Norwegian Maritime Museum) examined a wreck discovery in Ulvøysund west in Høvåg. Based on the C14 analysis of a reindeer animal, the ship turned out to be wrecked in the first half of the 1000s. Due to the cargo, which with the exception of the antler and a large stack of mill stones from Sogn og Fjordane, has decayed, it is clear that this was a merchant ship. Norrøn literature often writes that you sailed up and down the Norwegian coast (Nordvegen), here is tangible evidence that the trade route entered Ulvøysund and followed Blindleia eastwards.
This many years into SL, I didn't think I had the capacity to be surprised. But I apparently do. And I was surprised in the best way - in meeting someone awesome. Unreservedly open, direct, and honest. Generous with time and knowledge. Someone warm, encouraging, and above everything, that tangible, authentic brand of human.
Cerberus - to say it was a pleasure is an understatement. It didn't feel like meeting a stranger, and in a way that says everything. Thank you for the company, the trust, and the insight. And also, the laughter - the foot cramps continue to haunt!
Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life.
Rainer Maria Rilke
Lofoten Islands, Norway
Amidst the rain, driving winds and fog throughout the day, the mountains would often appear shrouded in the mist and occasionally vibrant rainbows dancing across the waters, so tangible, almost close enough to reach out and touch!
this is one of those memories that I could live in
one that will shine in my mind
and I know real life will start again in the morning
but, at least for now, we have tonight
and I finally know that you'll be there tomorrow
Yamada Ryokan (山田旅館) is a Japanese inn located in Otari Hotsprings (小谷温泉) on an isolated mountainside overlooking the Nakaya-gawa river.
Yamada Ryokan is the only accommodation currently operating in the hotsprings. Its main building was constructed in the Edo period (江戸時代, 1603 - 1868) probably in 19th century, and new buildings were added subsequently reflecting the changes in Japanese architectural styles. Six architectures in the site are registered to the Agency of Cultural Affairs (文化庁) as a Registered Tangible Cultural Heritage (登録有形文化財).
The house in the right is a Meiji era (明治時代, 1686-1912) construction. Another house in the front left is the main building that is an Edo period construction.
As I stand before my digitally created masterpiece, I am filled with a sense of accomplishment and pride. This painting represents a unique blend of traditional oil painting techniques and the modern medium of digital art. The canvas showcases a captivating scene—a diagonal arrangement of colorful boats moored in a marina, their vibrant hues contrasting against the peaceful waters.
Using digital tools, I meticulously recreated the texture and brushwork of an oil painting, giving the artwork a realistic and tangible feel. The boats are expertly rendered, each one possessing its own distinct character and charm. From the graceful lines of their hulls to the intricate details of the rigging, every element is carefully crafted to capture the essence of these vessels.
The color palette I chose brings life and vibrancy to the scene. The bold blues, fiery reds, radiant yellows, and soothing greens create a visual symphony that dances across the canvas. These colors not only highlight the beauty of the boats but also reflect the warm, golden light of the sunset, infusing the entire scene with a sense of tranquility and serenity.
The focal point of the painting, the diagonal arrangement of the boats, draws the viewer's gaze, guiding them through the composition. The calm waters of the marina reflect the colors and light with remarkable accuracy, creating a mesmerizing display of reflections that adds depth and dimension to the artwork.
Below the main composition, I have included a small version of the photograph that served as the reference for my digital painting. This serves as a testament to my dedication to capturing the essence of the scene while infusing it with my own artistic style and interpretation.
Overall, my digitally created oil painting of the colorful boats in a marina, with the beautiful reflections of warm sunset light on the calm waters, is a testament to my evolving creativity. It combines the traditional techniques of oil painting with the endless possibilities of the digital medium, resulting in a captivating and harmonious work of art. I hope you like it.
20150919_IMG_3229
In Canada this is our Thanksgiving weekend, so to everyone who does celebrate or are just enjoying the long weekend, have a great one! I am off to my cottage.....Just thought I would post before I go
:~)
This is Dordrecht's least tangible but perhaps most important monument. It is built entirely of Light, Air and Water. Here you experience the city on an island. In a grand gesture, the rivers Merwede, Noord and Oude Maas come together at the
Drierivierenpunt.
Poets, writers and painters came specially to this spot, and lost themselves in elation at the vast sight. They looked at a natural spectacle, praying for the famous Dutch light.
Foreign artists went in search of this dream scenery in the seventeenth-century city of the famous painter Aelbert Cuyp.
A very good 2025.
regard Jaap
The 1990 ship replica of the Amsterdam, proudly displayed in front of the Netherlands Maritime Museum in Amsterdam, is a captivating testament to maritime history and Dutch seafaring prowess. This life-sized replica pays homage to the original VOC (Dutch East India Company) ship called the Amsterdam, which was constructed in 1668.
Serving as a tangible link to the Golden Age of Dutch exploration and trade, the replica provides an immersive glimpse into the past. Visitors are transported back in time, experiencing the conditions and challenges faced by sailors during their voyages to distant lands. The ship's intricate design, faithful to historical records, showcases the craftsmanship and engineering of its era, offering an educational and awe-inspiring experience.
Set against the picturesque backdrop of Amsterdam, this replica stands as a striking visual landmark, inviting tourists and locals alike to appreciate the city's rich maritime heritage. The ship symbolizes the Netherlands' enduring relationship with the sea, highlighting its role as a global maritime powerhouse.
The 1990 ship replica of the Amsterdam stands as a compelling reminder of the nation's seafaring legacy, drawing visitors into the world of maritime exploration, trade, and adventure that once shaped the course of history.
It's a very different world up above on those granite peaks. Somehow that world seemed to be connected in a tangible way to the aspen forest below it, though, here.
Back in 2015 a feeling of young freedom and hope was tangible everywhere. My thoughts are with the lovely people in Myanmar, hope a peaceful return to democratic values happens soon.
☞ IG
☞ more from Myanmar
© All rights reserved. Please do not use my images and text without prior written permission.
One thing is clear and tangible to me in a way that it seldom has been: the world is full of God. From every pore, God rushes out to us, as it were. But we’re often blind. We remain stuck in the good times and the bad times and don’t experience them right up to the point where the spring flows from God.…
In everything, God wants to celebrate encounter and asks for the prayerful response of surrender. The trick and the duty is only this: to develop a lasting awareness and a lasting attitude out of these insights and graces—or rather, to allow them to develop. Then life becomes free, in that freedom which we have often looked for.
-To Luise Oestreicher, November 17, 1944; cited in Ultimate Price: Testimonies of Christians Who Resisted the Third Reich, selected by Annemarie S. Kidder (Maryknoll, NY: Orbis, 2012), 65–66.
国登録有形文化財の「旧武藤山治邸」（きゅうむとうさんじてい）及び国指定重要文化財「移情閣」（いじょうかく）は明治時代に開設された初の兵庫県立公園「舞子公園」内にある近代建築。The Nationally Registered Tangible Cultural Property “Former Muto Sanji Residence” and the Nationally Designated Important Cultural Property “Ijokaku” are the first Hyogo Prefectural Park “Maiko” opened in the Meiji era. Modern architecture in the park
The house built in 1907 (Meiji 40), and an American owned the beginning of building.
The European-style building which is a registration tangible cultural property
“Enthusiasm is a telescope that yanks the misty, distant future into the radiant, tangible present.” ~Unknown
Taken on a misty morning at Nandi Hills near Bangalore.
Editing : Brightness , Contrast and Black adjustment.
As I turned, the world around me altered abruptly; vehicles, buildings and the people that operated and maintained them became transparent, and somehow time itself seemed to speed up. The ghostly remains of once tangible people flittered before my eyes, leaving behind them faint echoes that slowly faded into nothingness. That which was corporeal now appeared as if rendered in spirit. I thought at once of the charlatan, Crowley, and his Magick, but quickly dismissed the notion that such a man could bear any relationship with the truth now being revealed before my eyes: that reality was not as it seemed.
Turning further, my eyes alighted on the man. His left arm, raised in an almost defensive posture, was encased in some kind of satanic machine. I could see little wisps of steam rising from the elbow joint and a subtle orange glow that hinted at the incredible furnace that must lurk somewhere within. Only God knows what strange powers might be required to build such a device; as advanced as our science was at that time, it seemed to me inadequate for such artifice. I had, however, no doubt that this machine was the cause of my abstraction from the material plane and that this man must be confronted, before all that we held dear became lost.
I composed myself, stood tall, and approached the man.
“Hello,” he said. “My name’s Barry.”
Twelve hand-held exposures representing thirty seconds of March 26th, 2019. Shot at the Victorian Brickworks Museum, Bursledon.
NB. You’ll no doubt be pleased to learn that Barry holds no sinister plans concerning the ultimate fate of the universe; he is, in fact, a cake designer.
Usual caveats etc.
"If you want to express yourself you must present something tangible. But after a while this has only the function of a historic document. Objects aren't very important any more. I want to get to the origin of matter, to the thought behind it." Joseph Beuys, 1969. Ignore the Exif data, this shot was done with the Helios 44M-7 wide-open.
The past is tangible in Flanders. Proud bell towers bear witness to a time when cities were still independent powers. Churches and cathedrals are adorned with impressive art collections that attract tourists from all over the world. You can walk through winding streets of the six art cities and completely forget the present.
Antwerpen, Brugge, Brussel, Gent, Leuven and Mechelen proudly bear the title of Flemish art city. Many other Flemish cities have a rich patrimony: Lier is proud of its Zimmer Tower and charming city centre, Hasselt cherishes its traditions in the Genever Museum, and Tongeren, the oldest city in Flanders, interactively divulges our far past in the Gallo-Roman Museum.
In 2014 it will be exactly 100 years since World War I broke out. Dreadful battles were fought in the Westhoek, an area in the province of West Flanders. The names Passendale and Ieper are still engraved in the memories of the English, French, Germans and Belgians. Tourism in the Westhoek is often a trip filled with emotion. A penetrating image of daily life and dying on the front is presented in the museum In Flanders Fields, located in Ieper. The Last Post has been sounded at the Menin Gate in Ieper every night at 8 p.m. since 24 July 1927. The gate is a memorial to the numerous Commonwealth soldiers that died and whose bodies were never recovered.
Physalis is characterised by the small orange fruit similar in size, shape and structure to a small tomato, but partly or fully enclosed in a large papery husk derived from the calyx. The berry also goes by the names Golden Strawberry,Chinese Lantern and Cape gooseberry.
Not all Physalis species bear edible fruit. Select species are cultivated for their edible fruit, however; the typical Physalis fruit is similar to a firm tomato in texture, and like strawberries or pineapple in flavour, with a mild acidity.
Physalis fruit is a good source of vitamin C, beta-carotene, iron, calcium and trace amounts of B vitamins. These fruits contain 18 kinds of amino acids .
These berries are also abundant in polysaccharides, compounds that may help fortify the immune system.
Thanx, M, (~ _ *)
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Ozalj in Mist – Footsteps of an Old Tale
The morning above the Kupa River in Ozalj played its quiet magic once again — the mist drifted across the water like an old chronicle, hiding and revealing beauty within the same breath. Here, where river and shore meet softer than a passing thought, one feels as if walking beside a long-told chapter that still lives somewhere between the title and its final line.
In this mist, echoes of Ozalj’s old stories seem to return — tales of the Frankopan and Zrinski families who lived their courtly days here, shaping plans, building history, and guarding secrets. Legends speak of hidden whirlpools in the Kupa that protected unspoken truths for centuries, and of guards on the castle walls who listened to mornings just like this, half-awake, while the river whispered beneath them.
This morning, the Kupa was more than a river — it felt like a passage into a world between memory and the present, a place where silence becomes almost tangible. And the mist… once again it revealed how even the simplest scene can turn into a small, living fairytale.
Ozalj u magli – koraci neke stare priče
Jutro nad Kupom u Ozlju ponovno je odigralo svoju tihu čaroliju — magla je klizila preko rijeke kao stara kronika, skrivajući i otkrivajući ljepotu u istom dahu. Tu, gdje se voda i obala susreću mekše nego misao, čovjek ima osjećaj da hoda uz davno ispričano poglavlje koje još uvijek živi između naslova i zadnje rečenice.
U ovoj magli kao da odzvanjaju tragovi starog ozaljskog života — priče o Frankopanima i Zrinskima koji su ovdje vodili dvorske dane, stvarali planove, gradili povijest i čuvali tajne. Predaje govore o skrivenim virovima Kupe koji su stoljećima čuvali neizrečene istine, i o stražarima na zidinama koji su upravo ovakva jutra slušali u polusnu, dok je rijeka šaptala ispod njih.
Kupa jutros nije bila samo rijeka, nego prolaz u svijet između sjećanja i sadašnjosti — mjesto gdje se tišina može gotovo dotaknuti. A magla… ona je još jednom pokazala kako i najjednostavniji prizor može postati pozornica na kojoj se rađa mala bajka.
The Painted Hills in South Australia taken from the air. These remote amazing hills are surrounded by flat dry desert and lie in Anna Creek - the world's largest cattle station. The station is some 24,000 square kilometres (or bigger than Wales if you prefer a tangible scale).
Europe, The Netherlands, Nood Brabant, Eindhoven, Evoluon, Roof (uncut)
Inside the Evoluon museum, shot towards the structuralist reinforced concrete skeleton of the roof. The building, which looks like a UFO or flying saucer, was built as a showcase for technological progress, particularly those in which the originally Eindhoven-based company Philips was involved. It was designed by Louis Kalff and Leo de Bever and transferred to the municipality of Eindhoven in 1966 on Philips' 75th anniversary.
The building was an educational technology museum from 1966 to 1989 and attracted many visitors until the 1970s. This was partly because they were allowed to experiment and operate the showcased models themselves. This was new then and particularly attractive to schoolchildren and other young people. Many schools traditionally organised an 'Evoluon trip' once a year.
In 2022, the Evoluon reopened as a museum under the leadership of the Next Nature Foundation. This organisation focuses on researching the impact of technology on our lives and the planet. Next Nature makes future scenarios tangible for a wide audience in the Evoluon through exhibitions and educational programmes for schools and companies.
This is number 16 of the Eindhoven abum.
[Bonduaries]
During the winter months in the Po Valley , the fog is a part of the landscape, cold, dump, almost tangible.
Fog is moisture in the nostrils, is a limited landscapes. You feel isolated, almost blinded by the white. The gaze is limited and the fog tracks the boundaries.
There are places you always pass by, common places that turn invisible, canceled by the chaos of buildings and constructions.
The fog, greedy of space, grants you the crumbs of what encompasses, defines the boundaries forcibly, giving back, sarcastically, the most common details.
These details turn unique, eye-catching, aesthetically ready for photographic consecration.
The streets, the buildings and the fields are transformed into landscapes that you can only imagine. A pole, the wires of the light, a gasoline station is all that you can see.
They are the boundaries the fog gives you.”
CONFINI
"La nebbia in pianura padana, nei mesi invernali, è parte integrante del paesaggio, fredda, umida, quasi tangibile.
La nebbia è il freddo, l'umidità nelle narici, lo sguardo che fatica, il paesaggio che si chiude per isolare e delimitare lo sguardo, tracciare i Confini.
Ci sono luoghi davanti ai quali si passa spesso, luoghi talmente presenti da diventare anonimi immersi come sono nel caos dei fitti fabbricati dalla pianura.
La nebbia ne riscatta il loro valore; isolati dal resto del paesaggio, assurgono a linee di confine oltre le quali tutto è celato, misterioso: il paesaggio padano diventa metafisico, non più fisico. Lo senti, lo percepisci ma non lo vedi.
La nebbia è avida di spazio. Ti concede briciole di quello che ingloba, delimita forzatamente i confini, valorizza i dettagli, concedendoti sarcasticamente quelli che più vendono trascurati.
Li rende unici, accattivanti, esteticamente pronti alla consacrazione fotografica.
Le strade, gli edifici e i campi si trasformano in paesaggi che puoi solo immaginare. Un palo, i fili della luce, una stazione della benzina è tutto quello che ti viene concesso. Sono i confini forzati che la nebbia, avida, ti restituisce."
[Boundaries]
During the winter months in the Po Valley , the fog is a part of the landscape, cold, dump, almost tangible.
Fog is moisture in the nostrils, is a limited landscapes. You feel isolated, almost blinded by the white. The gaze is limited and the fog tracks the boundaries.
There are places you always pass by, common places that turn invisible, canceled by the chaos of buildings and constructions.
The fog, greedy of space, grants you the crumbs of what encompasses, defines the boundaries forcibly, giving back, sarcastically, the most common details.
These details turn unique, eye-catching, aesthetically ready for photographic consecration.
The streets, the buildings and the fields are transformed into landscapes that you can only imagine. A pole, the wires of the light, a gasoline station is all that you can see.
They are the boundaries the fog gives you.”
CONFINI
"La nebbia in pianura padana, nei mesi invernali, è parte integrante del paesaggio, fredda, umida, quasi tangibile.
La nebbia è il freddo, l'umidità nelle narici, lo sguardo che fatica, il paesaggio che si chiude per isolare e delimitare lo sguardo, tracciare i Confini.
Ci sono luoghi davanti ai quali si passa spesso, luoghi talmente presenti da diventare anonimi immersi come sono nel caos dei fitti fabbricati dalla pianura.
La nebbia ne riscatta il loro valore; isolati dal resto del paesaggio, assurgono a linee di confine oltre le quali tutto è celato, misterioso: il paesaggio padano diventa metafisico, non più fisico. Lo senti, lo percepisci ma non lo vedi.
La nebbia è avida di spazio. Ti concede briciole di quello che ingloba, delimita forzatamente i confini, valorizza i dettagli, concedendoti sarcasticamente quelli che più vendono trascurati.
Li rende unici, accattivanti, esteticamente pronti alla consacrazione fotografica.
Le strade, gli edifici e i campi si trasformano in paesaggi che puoi solo immaginare. Un palo, i fili della luce, una stazione della benzina è tutto quello che ti viene concesso. Sono i confini forzati che la nebbia, avida, ti restituisce."