View allAll Photos Tagged Tableware
Do they mean the rape from "rapeseed oil"? Either way, it doesn't make a good impression. Found in Shanghai.
File name: 10_03_001858a
Binder label: Home Furnishings
Title: Royal blue porcelain. International Pottery Co. Burgess & Campbell, Trenton, N. J. (front)
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 9 x 16 cm.
Genre: Advertising cards
Subject: Tableware
Notes: Title from item.
Statement of responsibility: International Pottery Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
File name: 10_03_001859a
Binder label: Home Furnishings
Title: Waldorf. Our new hotel pattern, golden green. J. & G. Meakin, Ltd., Hanley, England. (front)
Created/Published: Hanley, England : Wood, Mitchell & Co.
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 10 x 16 cm.
Genre: Advertising cards
Subject: Tableware
Notes: Title from item. Item verso is blank.
Statement of responsibility: French, Mitchell, Woodbury Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
© István Pénzes.
Please NOTE and RESPECT the copyright.
8th October 2011, Liege
Leica M9
Summicron 90mm
One photograph, fragmented with geometric precision, some parts discarded, some parts casually stripped of all sense of orientation - the remaining survivors try to huddle close (strength gained by foisting responsibility onto the others), but something is not right - barriers! The lines which bring to the fore the rectilinearity and symmetry that define the arrangement as a singular whole are the very same lines that lock the four partitions into four separate entities.
Another detail shot.
This was all natural light, and no flash. A bit of clarity added and highlights reduced in LR.
Arabia are perhaps the best known designer of tableware in Finland, and you really have to pay through the nose to get Arabia style.
So there I was in Anttila looking for some hinges when I came across some stylish white cups and tea pots. I was drawn to the severe clean lines and simplicity of the desgin.
Every single piece had some sort of flaw. It looked like small bits of green grass baked into the glaze. There was no rhyme or reason regarding the occurance of these delicate markings. I imagined a monk burning grass on a bronze platter and whill it was aflame blowing the ash and bits of grass over the unglazed plates and cups before they were fired in the oven. Each item was unique and idividual.
There was no label on the base of any of the items. I thoroughly liked the idea that they were not branded. Neither were they priced. There was a swarm of women picking up beautiful soup tureens, and enormous serving plates
And the price? Well let me just say everything was sold by kilo weight.
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