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Royal Tableware, glazed pottery, 8th-7th century BC, Nimrud, Iraq. From the exhibition Nineveh (in present Iraq) at the National Museum of Antiquities (RMO) in Leiden NL.
More of this nineveh exhibition at:
I lived in the UK and I couldn't resist bringing back some glasses from the Ravenhead Siesta collection.
Spoon resting on an iphone screen, reflecting the image displayed on the screen. As a further nod to the "Tableware" theme, the image is a semi-abstract photo of a stack of blue and white plates. Width of the spoon is 34mm. HMM!
Stone and metal plates, saucers, cups and tumbler displayed in Kamakhya Temple Museum in Guwahati, Assam, India.
4 tea spoons interlocking so that they will form a bridge between glasses.
Tableware for Macro Mondays
Lubitel 166+, Lomography Potsdam 100, 120 kino film, developed for 8 minutes, fomadon R09 1:40, fixed for 5 minutes. Scanned on Epson V600.
So proud of how these came out! The only thing that came out great this weekend!
Gloria tableware spray painted and inked.
This would be one heck of a spread for Valentine's day! This window display caught my eye while walking around before the last Stopdown club event.
Pentax MX, Pentax-M 50mm f/1.4
Ilford Delta 400 (ei 800 and +1 push)
FPP-110 (1+31) Dev
PlusTek Opticfilm 8200i scanner
This wonderful teapot, teacup, saucer and plate are painted in the Autumn Crocus pattern created by British ceramic industrial artist Clarice Cliff (1899 - 1972) as part of her everyday “Globe” shape tableware range produced by Wilkinson’s Pottery in Burslem, Newport in the late 1920s. Autumn Crocus is a simple, hand painted pattern of crocus flowers in orange, blue and purple, each flower being constructed with confident upward strokes. Then green leaves were added by holding the piece upside down and painting thin lines amongst the flowers. Being made from individual brushstrokes, the Autumn Crocus pattern was clearly completely hand-painted, and the vibrant colours instantly attracted large sales. With a back stamp from 1928, these items come from the Bizarre range. The teapot is in near mint condition and appears never to have been used as it has a spotless interior, has no cracks in the glazing and only a few paint chips. The trio is in equally good condition, with only a few paint chips and no crazing to the glaze.
Private collection.
Autumn Crocus is one of the most admired and collected Bizarre patterns designed by Clarice Cliff. Originally introduced in 1928, the pattern features two solid bands in brilliant orange, thought to represent the sun and earth. Hand-painted on glaze, Autumn Crocus was available in the standard colour mix of blue, orange and purple, but was also available in two other colourways; blue and purple. It was applied to every shape. Many variations of the Crocus pattern were introduced after its initial popularity including Spring Crocus (1933 – 1968), Peter Pan Crocus (1932) and Sungleam Crocus (1935). Clarice Cliff’s bright, Jazz Age pottery was inexpensive and intended for everyday use by the average middle-class family. Yet this accessibility is what has makes her work so very collectable and expensive today, as many pieces were used until they broke, and many surviving items have cracks, chips, repairs and signs of use or are missing lids or other pieces to make them complete.
Clarice Cliff was an English ceramic industrial artist active from 1922 to 1963.
Complete Re-ment Tea Time Collection, plus pink tableware set included with the Re-ment Brown Cabinet, just to even things up.
Dear friends,
I uploaded some images what are actually not very new but they have to do. I feel so sorry but I have no time to comment any of your photos. My job is keeping me very busy. When I thought it won’t keep me busy outside the working hours it actually does with some stuff I volunteered.
I hope you are all doing well and enjoying holiday season!
Tiina