View allAll Photos Tagged Tableware
Soup spoon with spiral reflection and blue and gold shadows.
This stainless steel soup spoon is placed on a textured cream tablecloth. The underside of the spoon reflects a spiral pattern woven into the texture of the fabric.
Two light sources, gold behind and white in front of the subject create the two shadows, one gold one blue.
GROUP: MACRO MONDAYS
THEME: TABLEWARE
SUBJECT: FORKS
(just a little over 2" horizontally)
HAPPY NEW WEEK, EVERYONE!
I lived in the UK and I couldn't resist bringing back some glasses from the Ravenhead Siesta collection.
Royal Tableware, glazed pottery, 8th-7th century BC, Nimrud, Iraq. From the exhibition Nineveh (in present Iraq) at the National Museum of Antiquities (RMO) in Leiden NL.
More of this nineveh exhibition at:
Spoon resting on an iphone screen, reflecting the image displayed on the screen. As a further nod to the "Tableware" theme, the image is a semi-abstract photo of a stack of blue and white plates. Width of the spoon is 34mm. HMM!
X unknown artist from Limoges (circle of Jean Pénicaud) (first half of the 16th century) - Descent of Christ into Limbo - Ala Ponzone Museum, Cremona
La tecnica dello smalto dipinto apparve durante la metà del XV secolo, forse prima nei Paesi Bassi, seguita presto da Limoges durante il regno di Luigi XI di Francia (1461-1483), dove fiorì in vari laboratori nel corso del XVI secolo, godendo dei privilegi del re che le garantì quasi un monopolio in Francia, e proprio al re spettava il diritto di concedere il titolo di maestro nella corporazione degli smaltatori, limitato ad alcune famiglie. Gli smalti venivano prodotti in laboratori che spesso persistevano nella stessa famiglia per diverse generazioni ed erano spesso firmati sull’oggetto, o identificabili, almeno per quanto riguarda la famiglia o il laboratorio, tramite segni di punzonatura sul retro dei pannelli, nonché dallo stile. Le botteghe di Limoges raggiunsero l'apice nel XVI secolo con una grande produzione di placche, piatti e stoviglie di smalto dipinte su rame, e tra esse le più note intorno alla metà del XVI secolo furono proprio quelle di Colin Nouailher, Pierre Reymond e Jean Pénicaud.
The technique of painted enamel appeared during the mid-fifteenth century, perhaps first in the Netherlands, soon followed by Limoges during the reign of Louis XI of France (1461-1483), where it flourished in various workshops during the sixteenth century, enjoying the privileges of the king who granted it almost a monopoly in France, and it was the king who had the right to grant the title of master in the guild of enamellers, limited to certain families. Enamels were produced in workshops that often persisted in the same family for several generations and were often signed on the object, or identifiable, at least as far as the family or workshop was concerned, by punching marks on the back of the panels, as well as by style. The Limoges workshops reached their peak in the sixteenth century with a large production of enamel plates, dishes and tableware painted on copper, and among them the best known around the middle of the sixteenth century were those of Colin Nouailher, Pierre Reymond and Jean Pénicaud.
This is a poorer that you put into an olive oil or vinegar bottle. It has a rubber stopper and a metallic silver top. Two LED video-lights are used for highlighting.
It's taken with my Nikon Z6ii with a Nikkor 105mm macro lens and 1.4x teleconverter. The stopper is less than 2 inches in length.
The term Tableware encompasses all of the dishes, utensils and vessels used when dining.
We use a variety of tableware and utensils when we dine. Such examples are knives, forks, spoons, chopsticks, skewers, tongs, and even cocktail sticks. Along with those we use plates and bowls. Not forgetting drinking vessels.
These items are made from many different materials such as stainless steel, plastic, wood, ceramic, and paper.
Stone and metal plates, saucers, cups and tumbler displayed in Kamakhya Temple Museum in Guwahati, Assam, India.
Lubitel 166+, Lomography Potsdam 100, 120 kino film, developed for 8 minutes, fomadon R09 1:40, fixed for 5 minutes. Scanned on Epson V600.
2023_12_04
Macro Mondays
Tableware : tiny coffee cup (height 5 cm)
Vaisselle : tasse pour expresso
Articoli per la tavola : tazzina per il caffè
4 tea spoons interlocking so that they will form a bridge between glasses.
Tableware for Macro Mondays