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This is a special section from a January 1964 TV Guide detailing the television watched during the four days around his death.
Beware that handsome and powerful one, who whispers in your ear, that you are beautiful. Get tickets today. It is the most fabulous production! Very creative, original lighting and costumes are wonderful as you can see. www.utahopera.org/concert-detail.php?id=26
view at 100%. both of these fine stars are with the Metropolitan Opera, New York.
see tags for more info.
Found the TV Guide with the recipes on eBay last week. I'm so excited to share them. Kraft was the sponsor for "A Christmas Toy" in 1986. Instead of running regular commercials, Kraft ran recipes during the breaks.
June Havoc Sets Herself on Fire in "Panic!" Episode
Expert Budgeteer Jeanne Baird Loves on $47 A Week
John Kerr Feels Like He's in a Rut
'What My Line's?' Attracts All Sorts of Zany Characters
Award-winner Steve Allen Sounds off Against Awards
Captain Kangaroo Explains Modern Art
March 7, 1981. Tom Wopat, John Schneider, Catherine Bach, and Sorrell Booke of CBS's "The Dukes of Hazzard."
October 31, 1964. "BING." stamp (for "Binghamton") added by local magazine distributor. John Astin and Carolyn Jones of ABC's "The Addams Family."
Articles:
Red Skelton: Right Up There On Top
Back to the Sundial! All is Confusion
Is it 'Goodbye,' Miss Brooks?
Prince Consort of 3000 Queens
Annie (Oakley) Puts Her Hair Up
The Ship That Sank Brooklyn
March 15, 1980. Meredith Baxter Birney, Kristy McNichol, James Broderick, Quinn Cummings, Sada Thompson, and Gary Frank of ABC's "Family."
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Gary Cooper ( Frank James Cooper ) 1901- 1961
Anna Sten (Anjuschka Stenski Sudakewitsch) Kiew 1908 - 1993
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THE WEDDING NIGHT (1935 )
• Actors: Gary Cooper, Anna Sten, Ralph Bellamy, Helen Vinson, Sig Ruman
• Directors: King Vidor
Cooper stars as a troubled writer (reportedly modeled after F. Scott Fitzgerald) whose latest manuscript fails to impress. On the advice of his publisher, he retreats to a Connecticut farmhouse with his devoted wife, Vinson, where he hopes to get back in touch with his roots as a writer. He soon meets a Polish farm girl, Sten, and is enthralled by her simple ways and philosophies. Their talks become more frequent, and, when Vinson complains of the confines of the country, Cooper suggests that she return home to New York City for a while. Cooper becomes increasingly interested in Sten and decides to use her and her heritage as the basis of his new novel. He then learns that she has been betrothed by her puritanical father, Rumann, to the rather drab Bellamy. Sten has no feelings of love for her betrothed, so she sets her sights on Cooper, spending time cleaning his house and listening to the drafts of his latest chapters. One day a particularly violent snowstorm brews; Sten is forced to spend the night with Cooper, who makes romantic advances but decides instead to retreat to his bedroom alone. Rumann, in a fit of rage, rushes through the snow to Cooper's and drags his daughter back. Convinced that she is up to no good, Rumann demands that she marry Bellamy within the next two days. Sten is determined to fight her father's wishes and returns to Cooper's farmhouse, where she finds that Vinson has also come back. After reading the draft of Cooper's novel, Vinson easily deduces that the lead character, "Sonya," is really Sten and convinces the farmgirl that she will not be able to lure Cooper away. Sten relents and marries Bellamy, but spurns his advances on their wedding night when he suggests that she has lost her virginity to Cooper. In a drunken rage, Bellamy heads for Cooper's. Sten goes along to warn Cooper. The confrontation comes to a head at Cooper's on a staircase. In the midst of the brawl between the two men, Sten falls down the stairs and dies as Cooper admits his love for her. A love triangle with a high tragedy ending, THE WEDDING NIGHT just didn't make much of an impression on the Depression-era audiences. Although the film has a great deal of artistic merit--Goldwyn's influence, Vidor's directorial skill, and Toland's sharp photography--it fell victim to indifference on the part of moviegoers. Goldwyn had been determined to make his Russian-born discovery, Sten, a star of the magnitude of Greta Garbo or Marlene Dietrich, and there was no real reason he shouldn't have succeeded. He commissioned his friend Knopf to write a scenario specifically for Sten, hoping to succeed where her previous vehicles--NANA and RESURRECTION--had failed. Goldwyn even found himself on the set to help pack a Cooper-Sten love scene with all the sexual energy he could muster. Stepping into Vidor's shoes for a while, Goldwyn began to coach the actors, exclaiming "If this scene isn't the greatest love scene ever put on film, then the whole goddamned picture will go right up out the sewer!" Well, it wasn't, and though the film didn't "go right up out the sewer," it did, unfortunately for Sten and Goldwyn, leave the audience unimpressed. Sten was soon gone from Hollywood, remembered only as "Goldwyn's Folly" or "The Edsel of the Movie Industry." THE WEDDING NIGHT did mark a momentous return for Cooper to Goldwyn's company, which 10 years previously let Cooper slip away to Paramount. In addition to dealing with Sten's thick accent (she received endless vocal coaching to subdue it), director Vidor had Cooper's laconic delivery to worry about. "I remember well the first day I directed him," Vidor recalled in his book King Vidor on Film Making. "He had difficulty remembering or speaking two or three sentences consecutively. We had to stop the camera again and again and put the scene together piecemeal. This was one of his early speaking parts: he had not needed words before to communicate." The Goldwyn-Cooper marriage was short-lived, however, as the actor returned to Paramount for his very next picture, THE LIVES OF A BENGAL LANCER. It would be another eight years before Cooper would return to Goldwyn in THE ADVENTURES OF MARCO POLO (opposite Goldwyn's next discovery, Sigrid Gurie) and 14 years before he would reunite with Vidor in THE FOUNTAINHEAD.
www.tvguide.com/movies/wedding-night/review/122504
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Frank James Cooper
Seu verdadeiro nome era Frank James Cooper. Gary Cooper interpretou um dos heróis cinematográficos mais conhecidos e queridos do público, lutando sempre pela justiça, no western intitulado Matar ou Morrer (1952), de Fred Zinnemann, por cujo desempenho foi premiado com um Oscar (o segundo, após ter recebido um por Sargento York, de 1941). Cooper personificou sempre, exceção feita a alguns papéis em comédias, o herói obstinado, de palavras simples, valente, lacônico e solitário, sobretudo em seus westerns, embora também em dramas de aventuras e comédias amorosas. Interpretou o papel principal em Ruas da Cidade (1931), Adeus à s Armas (1932), A Oitava Esposa de Barba Azul (1938), Por Quem os Sinos Dobram (1943, baseado no romance homônimo de Ernest Hemingway e no ambiente da Espanha da Guerra Civil), A Felicidade Bate à Sua Porta (1948), Sangue da Terra (1953), Vera Cruz (1954), e O Homem do Oeste (1958). Pouco antes de morrer, recebeu um Oscar honorÃfico pelo conjunto de sua carreira.
biografias.netsaber.com.br
( manipulated by me, using an original photo of my private colection)
"A pinch is all it takes!" Walt Garrison, rodeo star and former pro football player for the Dallas Cowboys, answers questions for you young'ins curious about smokeless tobacco.
"When you first try it, the tobacco may move around in your mouth more than it should, and your mouth may water a bit more than you're used to, but getting the hang of 'going smokeless' is all part of the fun. In a couple of weeks you'll be a 'pro.'" And addicted.
You can even send in for a free tin of "mild" Happy Days ("Offer not available to minors," nudge, wink.) Other brands are Copenhagen and wintergreen-flavored Skoal, products of U.S. Tobacco Company. They'd never get away with this today.
From TV Guide, November 1-7, 1980.
Featuring articles including:
New Movies in Store For You
Ed Sullivan Assembles a Show
Nanette Fabray is Grateful
The Hosts: Open House on TV
Leave it to the Girls
Fair and Wet.
Articles:
Ed Murrow Comes to Call, By Amy Vanderbilt
Mark Stevens: "Big Town's" Big Boss
How Gracie Allen Gets That Way
Pages from an October 1966 Minneapolis-St. Paul edition of TV Guide, featuring a Close Up for a Tony Bennett special on ABC-TV that night, adjacent to an ad for some recent Tony Bennett record albums on Columbia (ironically owned by CBS at the time).
The Adult Peanut! No one under age 21 may purchase or consume this peanut! You can fight and die in Vietnam, but you can't have this peanut! From TV Guide, October 22-28, 1966.
Articles:
Who's The Boss of Your TV Set?
TV Helps Park Your Car
Edith Adams: Laughing Lady
TV's Silent Songbird Sings
These Animals Aren't So Dumb
Gleason Faces The Music
Players at Play
Red Skelton's Five-Way Shave
March 16, 1974. Carol Burnett and Vicki Lawrence of CBS's "The Carol Burnett Show" (illus. by Richard Amsel).
On March 6, 1966 Green Giant sponsored an NBC Children's Theatre presentation of E.B. White's "Stuart Little," narrated by Johnny Carson, of all people. In conjunction with the TV special they offered a Green Giant rag doll in exchange for 50 cents and three Green Giant labels. Offer expired June 30, 1966.
William Shatner and Leonard Nimoy in a picture from the original Star Trek series, on the TV Guide cover in 2006, for the 40th anniversary of Star Trek.
July 24-30, 2006
August 1, 1987. Melody Thomas Scott, Eric Braeden, and Eileen Davidson of CBS's "The Young and the Restless."
Like most kids of the day I was a Star Wars nut. I still have the Star Wars carrying case and just about all the action figures from when I was a kid. Note the ESB pajamas (that's Empire Strikes Back for those not fluent in geek). I wasn't sure if this was 1980 or 1981 as the photo wasn't dated but my Google-Fu is mighty. The TV Guide cover in the background is partially visible so I searched it out. The Internet is marvelous.
Michael Jackson said in a 2002 will filed Wednesday that he wanted his mother, Katherine, to care for his three children in the event of his death — and that he wanted Diana Ross to raise them if his mother could not.
The will, filed in a Los Angeles court, leaves his estate to the Michael Jackson Family Trust, the details of which were not made public. But TVGuide.com has learned it includes Jackson's children, members of his family, and charities. It does not include his father, Joseph Jackson, with whom Jackson had a strained and tumultuous relationship.
The will excludes Deborah Rowe, who bore Jackson's two older children. Her attorney, Marta Almli, said Rowe had no comment.
The will's executors, attorney John Branca and Jackson family friend and music executive John McClain, said in court documents they were "not certain of the value of the estate" but estimated it at more than $500 million.
"The most important element of Michael's will is his unwavering desire that his mother, Katherine, become the legal guardian for his three children," Branca and McClain said in a statement. "As we work to carry out Michael's instructions to safeguard both the future of his children as well as the remarkable legacy he left us as an artist we ask that all matters involving his estate be handled with the dignity and the respect that Michael and his family deserve."
Branca brokered some of Michael Jackson's most lucrative deals, including his 1985 purchase of the Beatles publishing catalogue for $47.5 million. Jackson's company, ATV, merged with Sony in 1995 to create a massive publishing catalogue that now includes songs by Elvis Presley, Bob Dylan, and Eminem. Michael Jackson's stake has been estimated at about $1 billion.
Branca represented Jackson from 1980 to 2006, and the singer rehired him just weeks before his death.
Editorial illustration about the future of TV, commissioned by TV Guide Magazine for their 60th anniversary issue.
February 16, 1985. Joanna Cassidy, Mary Crosby, Candice Bergen, Suzanne Somers, Angie Dickinson, Stefanie Powers, Frances Bergen, and Catherine Mary Stewart of the ABC miniseries "Jackie Collins' Hollywood Wives."
I ripped this out of TV guide when I was a kid 'cause it was just so ridiculous, and held onto it cause I knew with time it would get even more so.
Of couse this is best viewed full size
Found it in a box this morning while cleaning / packing / organizing.
May 17, 1997. Foldout cover (pieced together from two scans). Gillian Anderson, David Duchovny, Nicholas Lea, Mitch Pileggi, William B. Davis, Dean Haglund, Bruce Harwood, Chris Carter, and Tom Braldwood of Fox's "The X-Files."