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After Compliments,
Dear Prospective Student,
Academy of Art & Design offers several professional courses in art, design and allied fields. We are committed to providing our students with quality & professional educational experience. Many opportunities to enhance your education are provided beyond the traditional classroom experience. You'll have the opportunity to participate in profession related organizations, specialized workshops, guest lectures, field trips, and study programs.
Selecting a career in ART & DESIGN can be the correct choice for you if you desire to be in a creative field that combines artistic abilities with technical knowledge and skills.
These are exhilarating times. Life moves fast and is ever-changing. Every day we are bombarded with information and images that stimulates and energizes our imagination. In this exciting climate, design professionals are being called upon to bring order to the environments that we experience daily-the places we live, work and play. Academy of Art & Design is devoted to preparing students and professionals to respond and compete in this expanding field. This is an exciting time.You are on the threshold of an important decision. Clearly one of the most important decisions that you'll ever have to make. Your "CAREER."
We have also started short-term professional courses, which may be of your interest. You can take admission in any of our professional course and avail the best education in the field. We recommend that you apply early no matter what course you are interested. Call on 0091 9987002023 / 2771 4343 to discuss getting started today or for further details, WhatsApp your name, course, location & email id on 00919987002023.
Our expert core faculties :
Ms. Shabnam Deshmukh, Director – Fashion Design & Technology –
Responsible for generating good clientele for our ever-growing business. She is a visiting faculty in many reputed colleges in Mumbai & Navi Mumbai.
Prof. Salam Khan, HOD - Interior Design & Space Management –
Responsible for achieving the set target and developing new designs & layouts. He is a visiting lecturer many reputed colleges in Mumbai & Navi Mumbai.
Kindly check our Academys details on :
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Sincerely,
Ms. S. Deshmukh. – 9987002023
(Director - Academy of Art & Design )
Creative Educational & Charitable Trust (Govt. Regd.)
Academy of Art & Design - Institute of Interior Design & Fashion Design
C-212, 2nd Floor, Nerul Railway Station Complex,
Near Mahesh Tutorials, Nerul (E), Navi Mumbai – 400706.
Tel. : +91 22 27714343 Cell. : +91 9987002023
Email : academyenquiry@gmail.com
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Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
A Memorial Flight and War Time Exhibition organised by Frinton & Walton Heritage Trust held on the greensward, Esplanade, Frinton-on-Sea .
A Spitfire from the RAF's Battle of Britain Memorial Flight was due to carry out a flypast to Pilot Officer Gerard Maffett , who was killed bailing out of his fighter aircraft in WWII at Walton on the Naze Essex.
Unfortunately, due to the weather conditions the Spitfire was grounded.
(cc) Kenneth Yeung - www.thelettertwo.com - Please feel free to use this picture in your blog, website or presentation and credit as shown. Thanks.
The visit to the National Trust property in Derbyshire, Kedleston Hall.
Kedleston Hall is a neo-classical manor house owned by the National Trust, and seat of the Curzon family, located in Kedleston, Derbyshire, approximately 4 miles (6 km) north-west of Derby. The medieval village of Kedleston was moved in 1759 by Nathaniel Curzon to make way for the manor. All that remains of the original village is the 12th century All Saints Church, Kedleston.
The current house was commissioned in 1759 by Nathaniel Curzon and designed by Robert Adam.
The Curzon family, whose name originates in Notre-Dame-de-Courson in Normandy, have been in Kedleston since at least 1297, and have lived in a succession of manor houses near to or on the site of the present Kedleston Hall. The present house was commissioned by Sir Nathaniel Curzon (later 1st Baron Scarsdale) in 1759. The house was designed by the Palladian architects James Paine and Matthew Brettingham and was loosely based on an original plan by Andrea Palladio for the never-built Villa Mocenigo.
At the time a relatively unknown architect, Robert Adam, was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with his designs that Adam was quickly put in charge of the construction of the new mansion.
On the death of Richard Curzon, 2nd Viscount Scarsdale in 1977, expenses compelled the heir, his cousin (Francis Curzon), to transfer the property to the care of the National Trust.
Grade I listed building
Details
SK 34 SW PARISH OF KEDLESTON KEDLESTON PARK 3/41 Kedleston Hall 25.9.51 GV I Large country house, set in large landscape park. 1758-65 by Matthew Brettingham, James Paine and Robert Adam. Interiors complete by the 1780s. Red brick faced in ashlar and render. Hipped Welsh slate roofs. Various brick stacks largely hidden within the roof wells. Main rectangular block with quadrant colonnades and rectangular pavilions following Palladio's Villa Mocenigo. Rusticated basement, piano nobile and attic storeys. Principal north front: Centre block of eleven bays. Hexastyle, giant Corinthian portico over a basement of five round arches. Three statues on the pediment. Double staircase. In the portico, central doorway flanked by niches with statues. Medallions above depicting vintage, pasturage, ploughing, and bear hunting, 1769 by William Collins. Dentilled cornice and blocking course. Three bays on either side of the portico with square sash windows to the basement, glazing bar sashes in pedimented aedicules above and rectangular attic windows with moulded surrounds. Quandrants on either side without an attic storey. The basement continues the round-arched arcade, with windows set in. Glazing bar sashes above, with balustrading below the sills as on the main block. The bays divided by Tuscan pilasters. Tripartite windows to the return walls. Linked to identical pavilions, lower than the main block but still with basement, piano nobile and attic storeys. The upper storeys are cement rendered. Five bays, with four attached Ionic columns supporting a pediment. Similar fenestration to main block but with plain surrounds. South front of 3-3-3 bays. The centre piece derived from the Arch of Constantine. Four detached Corinthian columns standing close to the antae and pilasters against the wall. Each column carrying its own piece of entablature with statues above, in front of an attic with the date 1765 inscribed. Shallow lead dome above. Double staircase with sharply curved flights. Central door- way with pedimented Corinthian aedicule, set within a blind round arch, and flanked by niches with statues and medallions above, as on the north front. Frieze of swags and medallions above. The outer bays are given similar but less grand treatment, to those on the main north front. The east and west elevations of 2-3-2 bays are treated more simply, with the central feature of a Venetian window. That on the west side was at an early date blocked. The south elevations of the pavilions are likewise treated in a plainer manner, the three centre bays advanced beneath a pediment. Interior: The main entrance is into the magnificent Marble Hall, about 67ft by 37ft, and 40ft high (taking in the attic storey). Two rows of giant Corinthian columns of pink Nottinghamshire alabaster. They were fluted in 1775, against the advice of Robert Adam. Frieze and coved ceiling with delicate stucco decoration by Joseph Rose to a design by George Richardson. Hoptonwood stone floor with inlay, designed by Adam. Around the walls are niches with casts of antique sculpture. Above are grisaille panels of Homeric subjects. Chimneypieces with elaborate over- mantles by Rose, incorporating painted roundels. Beyond, in the relationship of 'atrium' and 'Vestibulum', is the saloon, a full-height domed rotunda. Apsed niches in the corners filling the square outer walls. Coffered dome and central skylight. Pedimented doorcases with pilasters of blue scagliola. Frieze of anthemion and palmette. Painted panels of ruins, by Gavin Hamilton, and grisaille panels of scenes of British Worthies by J B Rebecca. In the niches are four cast iron vases on pedestals. Two of them are stoves. The Music Room has Ionic doorcases and delicate plaster ceiling designed by Adam. Marble chimneypiece inlaid with Blue John. The State Drawing Room, lit by a Venetian window to east. Corinthian order for the alabaster window and door surrounds. Chimneypiece with scene of virtue rewarded by honour and riches, by Spang. The Library with severe Roman Doric doorcase. Bookcases designed by Adam. Plaster ceiling divided into octagonal patterns. Triglyph frieze. Beyond the Saloon is the principal Dressing Room (also called the State Boudoir), preceeded by an anteroom, and the two divided by a tripartite screen with pierced segmental arch above the entablature. More delicate plaster ceiling. Chimneypiece brought from elsewhere c1908. Similar decoration in the State Bedroom with fine chimney- piece. Beyond is the Wardrobe (also called the Dressing Room) which communicates with the Dining Room. Apse at the west end, flanked by stucco medallions by William Collins. Ceiling with painted panels by Zucchi (continents), Hamilton (seasons) and Moorland (centre). Chimneypiece with termini caryatids by Spang. The Main Staircase is off the Marble Hall. Cantilvered stone staircase around a rectangular well. Carved tread ends, wrought iron balusters, delicate wreathed and ramped handrial. Stucco panels of 1924. The staircase leads up to the semi-state bedrooms with plain coved ceilings, dentil cornicing and plain marble chimneypieces. Some of the doors may be re-used from the earlier Hall. Three other staircases, of stone, cantilvered with stick balusters. Beneath the Marble Hall a low hall with two rows of stone columns, and two rows of iron columns inserted in 1806. The north west pavilion houses the kitchens and service rooms. The north east pavilion houses the family apartments.
The Library
It dates to the 18th century, designed by Adam in a more sober restrained scheme for this room. Stone colour for the walls and plain white for Joseph Rowe's plasterwork ceiling.
Clock
Our rental Forrester. By the end of the trip, I'd be sad to let it go. We only traveled around about 1/3 of the circumference of the island, but some of the conditions were insane - think "whiteout" and 60+ mph winds in some spots.
Shown here pulled over to shoot some Icelandic horse portraiture.
Steven J. Gayle and Sha Agate are from Magicus Quest, an online Gothic Fantasy graphic novel by Celestial Time Miracles Studios.
Trust in succes, trust in us !
We are market entry specialists and we help EU and non-EU companies or other people businesses committed to doing business with or in Romania. We assist, support and encourage international companies to look at Romania as an excellent growing market with a great potential, to expand or set up their business here into South- East Europe.
For our most recent uni project on physiognomy (basically portrait really)
I ended up approaching strangers on the street I felt looked untrustworthy and may normally avoid. I asked them if I could take a photo and took 1 shot of each.
I wanted to see if my assumption was changed in any way and similarities between each person.
[Location] Songshan Cultural and Creative Park, Taipei, Taiwan.
[Comment] 半年之前，他還在街頭流浪，甚至因為流浪讓一隻眼睛受了傷，但現在他有著信任的眼神，只要給他們滿滿的愛，他永遠是你最好的朋友。
Here are some of my designs for the Onesie. The trust picked one of my original designs that I created for a dance project for "The Nutcracker" and I had to develop that into a fashionable wearable Onesie for a man. I will then finalise my designs and make them for the trust to copyright and sell my Onesie designs. Also inspired by my observational drawing of a cabbage leaf, also looking at the drape.