View allAll Photos Tagged TRUST
This project was made possible by the Groundwork Trust and delivered by Ffotogallery, the national Agency for Photography in Wales. (www.ffotogallery.org).
The participants were 15 enthusiastic young people from Angel House youth centre in Pengam / Blackwood South Wales UK.
Arlington Court, near Barnstable, Devon, the home of the Chichester family from the 14th century until 1949, when it was bequeathed to the national Trust.
Cars around here (including mine) are always needing fix...and we got many "engineers" in the neighborhood.
Rotten timber and damaged fabric aplenty lurk inside, though nothing that Landmark can't tackle with their usual aplomb.
Made with Believing Is Seeing by Altered Amanda Studio availale at Go Digital Scrapbooking www.godigitalscrapbooking.com/shop/index.php?main_page=in...
TFL!
Bernie x
At From Now On, a two-day festival curated by Shape Records at Chapter Arts Centre, Cardiff, 14-15 February 2014
On the hill "Mam Tor" in Edale Civil Parish, High Peak Borough, Derbyshire, England, on August 12th, 2017, in the National Trust's "High Peak Estate" in the Peak District National Park.
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Getty Thesaurus of Geographic Names terms:
• Derbyshire (7008118)
• Peak District (7458045)
• Peak District National Park (1101783)
• Pennines, The (7457584)
Art & Architecture Thesaurus terms:
• hills (300008777)
• moors (landforms) (300386886)
Wikidata items:
• 12 August 2017 (Q37787876)
• August 12 (Q2777)
• August 2017 (Q23994854)
• Edale (Q796625)
• High Peak (Q1458060)
• High Peak Estate (Q5756062)
• Mam Tor (Q6745232)
• national park of England and Wales (Q485098)
• National Trust (Q333515)
• slope (Q944588)
Library of Congress Subject Headings:
• Moor plants (sh85087161)
27-09-10 pic: Sam Friedrich
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**FREE TO USE PUBLICITY PIC IF PROMOTING THE HEALTH HOTEL, IT'S MEMBERS AND THEIR ACTIVITIES**
Trust and Openness in the NHS: From Paternalism to Partnership
Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
Taken on a day trip on 10th October 2014. For more information about Mottisfont, Visit www.nationaltrust.org.uk/mottisfont/
These photos were all taken at Greys Court National Trust Garden.
An intimate family home and peaceful estate set in the rolling hills of the Chilterns.
This picturesque 16th-century mansion and tranquil gardens were home to the Brunner family until recent years. The house exudes a welcoming atmosphere with a well-stocked kitchen and homely living rooms. The series of walled gardens is a colourful patchwork of interest set amid medieval ruins.
Other buildings from earlier eras include the Great Tower from the 12th century and a rare Tudor donkey wheel, in use until the early 20th century.
Belton House, Lincolnshire, 1685-88.
The National Trust.
The Saloon.
Side Table, c1880.
One of a pair of giltwood and marble side tables, English, probably constructed late 19th century incorporating some earlier mid 18th century elements.
Each with a grey marble rectangular top above a Vitruvian scroll frieze and held by a central eagle with wings spread and flanked by double S scroll tapering brackets. The eagle standing on a spreading plinth with applied anthemion and leaf scroll decoration.
The Borghese Gladiator.
Bronze on black marble base.
French or Italian, late 18th or 19th century.
A bronze statuette of a warrior in combat, mounted on a rectangular black marble base. After The Borghese Gladiator, a Hellenistic sculpture formerly in the Borghese collection and later acquired for The Louvre. The figure lunges forward, with his left arm thrust in the air, raising a round shield embossed with the head of Medusa. His right arm, sword in hand, thrusts backwards. The blade of the sword is missing but its handle is rendered in the shape of an eagle’s head. The head, torso, arms and legs have been sleeve joined.
Copies of The Borghese Gladiator proliferated within twenty years of the Ephesus marble being discovered at Nettuno in 1611. Charles I acquired a mould of it and commissioned Hubert le Seur to cast a bronze in 1629-30. Placed in the Privy Garden at St James’ Palace, le Seur’s bronze raised the profile of the sculpture and soon after casts began to appear in country houses across the country. A plaster cast was also sent by Velázquez to Philip IV of Spain.
The brothers have returned to Fountains Abbey - or could it be a group of schoolchildren following their teacher over the mill bridge...
Kedleston Hall, Derbyshire, 1758-65.
The National Trust.
By Matthew Brettingham (1699-1769), James Paine (1717-1789) & Robert Adam (1728-1792).
Interiors complete by the 1780s.
For Nathaniel Curzon, 1st Baron Scarsdale (1726-1804).
Grade l listed.
Caesars' Hall.
The Doric style columns support the upper floor – the 16 thicker ones are the original supporting columns with the 12 thinner columns added in the 19th Century (these have cast iron cores).
This lower entrance hall was often used for estate staff parties, local people and tradesmen, as well as being the normal entrance for the family to get to their domestic wing of the property.
Kedleston Hall is an extravagant temple to the arts. Commissioned in the 1750s by Nathaniel Curzon whose ancestors had resided at Kedleston since the 12th century. The house is framed by historic parkland and boasts opulent interiors intended to impress.
Designed for lavish entertaining, Kedleston Hall displays an extensive collection of paintings, sculpture and original furnishings, reflecting both the tastes of its creators and their fascination with the classical world of the Roman Empire.
Inherited by George Nathaniel Curzon, Viceroy of India between 1899 and 1905, the hall also houses the many objects he amassed during his travels in South Asia and the Middle East, and in his role leading British rule in India.