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On the hill "Mam Tor" in Edale Civil Parish, High Peak Borough, Derbyshire, England, on August 12th, 2017, in the National Trust's "High Peak Estate" in the Peak District National Park.
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Getty Thesaurus of Geographic Names terms:
• Derbyshire (7008118)
• Peak District (7458045)
• Peak District National Park (1101783)
• Pennines, The (7457584)
Art & Architecture Thesaurus terms:
• hills (300008777)
• moors (landforms) (300386886)
Wikidata items:
• 12 August 2017 (Q37787876)
• August 12 (Q2777)
• August 2017 (Q23994854)
• Edale (Q796625)
• High Peak (Q1458060)
• High Peak Estate (Q5756062)
• Mam Tor (Q6745232)
• national park of England and Wales (Q485098)
• National Trust (Q333515)
• slope (Q944588)
Library of Congress Subject Headings:
• Moor plants (sh85087161)
The official opening of Dean Trust Ardwick’s new changing pavilion, by Andy Burnham.
Picture by Daniel Hambury/@stellapicsltd 07813022858
24/01/2018
27-09-10 pic: Sam Friedrich
tel: 07977 482 272
**FREE TO USE PUBLICITY PIC IF PROMOTING THE HEALTH HOTEL, IT'S MEMBERS AND THEIR ACTIVITIES**
Trust and Openness in the NHS: From Paternalism to Partnership
Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
Taken on a day trip on 10th October 2014. For more information about Mottisfont, Visit www.nationaltrust.org.uk/mottisfont/
Belton House, Lincolnshire, 1685-88.
The National Trust.
The Saloon.
Side Table, c1880.
One of a pair of giltwood and marble side tables, English, probably constructed late 19th century incorporating some earlier mid 18th century elements.
Each with a grey marble rectangular top above a Vitruvian scroll frieze and held by a central eagle with wings spread and flanked by double S scroll tapering brackets. The eagle standing on a spreading plinth with applied anthemion and leaf scroll decoration.
The Borghese Gladiator.
Bronze on black marble base.
French or Italian, late 18th or 19th century.
A bronze statuette of a warrior in combat, mounted on a rectangular black marble base. After The Borghese Gladiator, a Hellenistic sculpture formerly in the Borghese collection and later acquired for The Louvre. The figure lunges forward, with his left arm thrust in the air, raising a round shield embossed with the head of Medusa. His right arm, sword in hand, thrusts backwards. The blade of the sword is missing but its handle is rendered in the shape of an eagle’s head. The head, torso, arms and legs have been sleeve joined.
Copies of The Borghese Gladiator proliferated within twenty years of the Ephesus marble being discovered at Nettuno in 1611. Charles I acquired a mould of it and commissioned Hubert le Seur to cast a bronze in 1629-30. Placed in the Privy Garden at St James’ Palace, le Seur’s bronze raised the profile of the sculpture and soon after casts began to appear in country houses across the country. A plaster cast was also sent by Velázquez to Philip IV of Spain.
Rhossili Bay on the Gower peninsula. The white building is called "The Old Rectory", it's a Nat. Trust cottage (complete with average view!).
There's still a chance to join us on our Land Army trip to Glebelands City Growers this Friday. Homemade lunch, teas, coffees, biscuits and transport all included! For more information or to book your place email corrina@kindling.org.uk
www.mosquedirectory.co.uk/mosques/england/london/waltham-...
Address: 324 Cann Hall Road, Cann Hall, Leytonstone, Waltham Forest, London, E11 3NW
Former: Colgrave Arms public house.
History
The pub has been around since 1860 which shows records from many government consensus, below shows an old picture taken in 1930 and the last one was taken in 2011
The National Trust is a heritage and nature conservation charity and membership organisation in England, Wales and Northern Ireland.
The Trust was founded in 1895 by Octavia Hill, Sir Robert Hunter and Hardwicke Rawnsley to "promote the permanent preservation for the benefit of the Nation of lands and tenements (including buildings) of beauty or historic interest". It has since been given statutory powers, starting with the National Trust Act 1907. Historically, the Trust acquired land by gift and sometimes by public subscription and appeal, but after World War II the loss of country houses resulted in many such properties being acquired either by gift from the former owners or through the National Land Fund.
One of the largest landowners in the United Kingdom, the Trust owns almost 250,000 hectares (620,000 acres; 2,500 km2; 970 sq mi) of land and 780 miles (1,260 km) of coast. Its properties include more than 500 historic houses, castles, archaeological and industrial monuments, gardens, parks, and nature reserves. Most properties are open to the public for a charge (members have free entry), while open spaces are free to all. The Trust had an annual income of nearly £724 million in 2023/24, largely from membership subscriptions, donations and legacies, direct property income, profits from its shops and restaurants, and investments. It also receives grants from a variety of organisations including other charities, government departments, local authorities, and the National Lottery Heritage Fund.
Treasurer's House, Minster Yard, York, c14-c18.
The National Trust.
Restored 1898-1900 by Temple Moore for Frank Green of Wakefield.
Side Cabinet - one of a pair.
Ebony, tortoiseshell, brass, gilt bronze.
France, c1860.
One of a pair of ebony, brass inlaid tortoiseshell and gilt brass mounted 'Boulle' side cabinets. Late 17th / early 18th century style, inlaid with première and contra partie 'Boulle' work, each cabinet with a pair of panelled cupboard doors, raised on a shaped plinth and turned feet, with arabesque scroll work and cast mounts.
This house was the residence of the treasurers of York Minster from 1100 until the office was abolished by Henry VIII. It belonged to 3 post-Reformation Archbishops of York, the last of whom, Thomas Young, rebuilt it. Further alterations were made in the early 17th century; the building fell into decline during the 19th century by which time Young’s mansion had been split into at least five separate properties. The present garden front with its classical central entrance bay dates from c.1630. It now contains the furniture collection of the wealthy industrialist and aesthete Frank Green, who restored and remodelled the building after acquiring it in 1897. Inside, Green’s architect, Temple Moore, created a huge hall out of the 2-storey central block with a half-timbered gallery supported by classical columns. There is an early 18th-century staircase that has been attributed to the joiner-architect William Thornton, who worked at Beningbrough.
For our most recent uni project on physiognomy (basically portrait really)
I ended up approaching strangers on the street I felt looked untrustworthy and may normally avoid. I asked them if I could take a photo and took 1 shot of each.
I wanted to see if my assumption was changed in any way and similarities between each person.
My heart has told your heart,
I have fallen in love with you.
My life, my love, trust me,
As restless as I am, make yourself restless,
Understand my heartbeat, please love me also.
My heart has told your heart
I have fallen in love with you.
If you say so, I'll tear down the moon and stars,
This wind, this earth, I'll turn them back.
What sight is in my eyes, what experience is this?
The river is close, the desert is far, why is there still thirst?
I'll leave the world at your feet, meet my eyes,
As restless as I am, make yourself restless.
Understand my heartbeat, please love me also.
My heart has told your heart
I have fallen in love with you.
In my memories, in my dreams you come everyday.
Why do you afflict me this way, my life?
From your heart, from your way I won't leave like that.
This is a vow, this is my promise, I'll come back,
I'll steal you from the world, just wait a little.
As restless as I am, make yourself restless.
Understand my heartbeat, please love me also.
My heart has told your heart
I have fallen in love with you.
My life, my love, trust me.
As restless as I am, make yourself restless.
Understand my heartbeat, please love me also.
-- Jid Thobhani