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Hi my flickr friends!!
Long time since my last post, and i had to come back with my dear mini Danbo. Just made a small break from studies and went to a beautifull park, since it was a beautifull morning Danbo went with me to try his new camera.
Hope everyone is fine and wish a beautifull weekend!
Can't wait to check your streams!! :D
GAS acting up again...the pills don't seem to work. 😄
Hard to find any info on this TLR. An interesting way of focusing with the lenses. Don't think it's in the same league as Rollei or Yashica (Made in Japan)
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Hit the L key for a better view. Thanks for the favs and comments. Much appreciated!
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
I didn't feel like going out, so I just made an image of my TLR;s.
Rolleiflex MX EVS 3.5B
Rolleiflex 2.8E2
Mamiiya C33
Mamiya C330 Pro S
Image shot with Mamiya RZ67 Pro 11
110mm Sekor f2.8 Lens
Kodak Tmax 400 film
The lower 'lens' is a pencil sharpener , the upper half with the white button on the side is a souvenir camera with small transparencies from 'La Palma' inside .
For "Looking close... on Friday!" - theme : "Orange".
Chained...
Rampside / Roe Island
Camera // Yashica Mat
Film // Ilford Delta 100 Pro
Developer // Kodak HC-110 (B)
Scan // Epson V850
These were shot with my new TLR. The film was already loaded in the camera when it arrived by mail. Only a few shots actually registered. I have no idea the age of the film. I don't have a proper case and I think some of these shots required a tripod. This was just a learning curve shoot for me, though. The dust on this one was physically on the print, not a result of scanning.
Rolleiflex 2.8F w/ 80mmf2.8 Xenotar / (Very) Expired Kodak Portra 400VC
Development by Labo-Argentique
Home scanned on Epson V550
Rolleiflex 2.8F w/ 80mmf2.8 Xenotar / (Very) Expired Kodak Portra 400VC
Development by Labo-Argentique
Home scanned on Epson V550
Anyone who don't know what to do with own Rolleiflex? Wanna swap my Mamiya TLR to your Rolleiflex for a month? let me know if you are in Tokyo or neighbor area and interested
I have been exploring film photography with this Yashica D TLR (Twin Lens Reflex) camera. It uses 120 film. No batteries. No light meter. Check my photo stream for some photos I have taken with this camera. Macro Mondays theme: "Photography Gear"
Rolleiflex, Rolleicord, Minolta Autocord, Eho Altissa Altiflex, Zeiss Ikon Ikoflex
photo made with a7rii + Minolta View Rokkor 1:3.2 f = 75mm (fixed viewing lens of Minolta Autocord TLR)
Sandy River
Troutdale, Oregon
June 2011
So, I'm doing Director of Photography work for 801 Series, 12 episode dramatic narrative series about the Utah counter-culture. I've never done any Director of Photography work before. If you have any advice, articles for me to read, movies for me to watch, want to chat about anything - anything at all - that will help me out, I'd appreciate it!!
Mamiya C330, single exposure back, Mamiya-Sekor 80mm 1:2.8 f2.8 1/60", paramender, Fujifilm UM-MA @ ISO 64, D76H 1:4 24ºC, development timed by observation under safe light.
TLR. What a unique way to take pictures. The tlr isn’t a camera I pick up as often as the others but every time I do I’m reminded that it’s an outstanding process that changes up the way I think about and take pictures. It’s both a great camera for candid shots and paradoxically draws attention from those who don’t know what the heck the thing is. I’ve seen many people try to hold the camera like an slr when I hand it to them but once I show them the correct way to hold it they inevitably gush over how cool it is. Everyone loves Rollei (deservedly) but these Yashica’s are right up there with them. They make a great introduction to medium format but also are perfect for a seasoned shooter. The real draw for these yashica’s is the price to quality ratio. These days camera prices are rising at an incredible rate but the yashica’s (not including the 124) have staid relatively affordable. The taking lens on almost all Yashica tlr’s is a 75mm f3.5 that is sharp with with great color rendition. The OOF is acceptable just don’t expect anything outstanding. Generally bokeh isn’t the main draw for a tlr and the uniqueness of the camera makes up for that. In summation of this over long explanation, tlr’s are great systems that help bring a new perspective to the act of capturing light. Give one a shot. Or 12.
Mamiya C330, single exposure back, Mamiya-Sekor 80mm 1:2.8 f2.8 1/60", paramender, Fujifilm UM-MA @ ISO 64, D76H 1:4 24ºC, development timed by observation under safe light.
I took out the outdated ILFORD XP2 400 Super from my 1956 AGFA ISOLETTE III and re-loaded it into my 'Gift' MAMIYA C330 F from a 92 year old Camera Club Member . I had 4 frames left. I used it in Weald Country Park near BRENTWOOD Town , metering by a WESTON MASTER V Incident Light Method . The negs were 'THIN' but scanned well. My Legs were sore after walking about 3 miles from home and around Park carrying heavy MAMIYA TLR's !!
80mm f2.8 'Blue Dot' Sekors This is the remains of a Bridge over the Bluebell Pond.