View allAll Photos Tagged TK-I
Is the name of a unit of time, and is the International System of Units (SI) base unit of time. It may be measured using a clock.
SI prefixes are frequently combined with the word second to denote subdivisions of the second, e.g., the millisecond (one thousandth of a second) and nanosecond (one billionth of a second). Though SI prefixes may also be used to form multiples of the second (such as “kilosecond,” or one thousand seconds), such units are rarely used in practice. More commonly encountered, non-SI units of time such as the minute, hour, and day increase by multiples of 60 and 24 (rather than by powers of ten as in the SI system)
Camera: Canon EOS 50D
Aperture: f/8
Focal Length: 70 mm
ISO Speed: 100
P.S: the multiple golden lines are the movement of the SECONDS... btw its my first macro HDR........Enjoy ^^
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Takeoff moment and with a little luck I caught it on camera :)
Shot in #Majorna #Göteborg
#Sony #A99ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
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This little #Nuthatch took this unexpected pose in front of the autumn red trees that made the bokeh something out of the ordinary.
Shot in #Majorna #Göteborg
#Sony #A77ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
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I never thought of the #Magpie as a pretty bird but after editing this little #pica in Lightroom sitting in the tree full of #autumn #yellow #leaves behind I must admit it's look is growing on me :)
Shot in #Majorna #Göteborg
#Sony #A99ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
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All rights reserved
Shot in #Majorna #Göteborg
#Sony #A77ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
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Blue tit having a nutty snack :)
Shot in #Majorna #Göteborg
#Sony #A99ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
Fleet No.: 035
Reg. No.: KVU 438
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK1JMT
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
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My little favorite #Nuthatch did a little and very quick pose for me and I just barely found it in focus and off it went.
Shot in #Majorna #Göteborg
#Sony #A99ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
U betcha cutiepie! And you sure know how to shake your tailfeathers :)
Don't get mad, get even!
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Me and my friend the #Nuthatch aren't best friends every day ;)
Shot in #Majorna #Göteborg
#Sony #A99ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
No details were found for this Bedford TK, i think its probably a 60s Truck, it was signwritten too.
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#Blue #tits are as cute as they are quick. They don't spend much time in one place so you need some luck to get them in focus.
Shot in #Majorna #Göteborg
#Sony #A99ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
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Tried out my new Mantona TK-I Gimbal head and found this #Magpie sitting high up in a tree with a bunch of #autumn #yellow #leaves behind it to get a nice colored #bokeh.
Shot in #Majorna #Göteborg
#Sony #A99ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
Manufacturer: Pilipinas Hino Inc.
Model: Grandecho
Chassis: Hino RK1JST
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Suwari Ghat, Old Dhaka, Bangladesh, 2012
In life whoever is alive, has his own way of living.
No matter whats his job.
No matter what he does for living.
The principle of living is similar in everywhere.
A man walking on the top of a pile of drum. Each of this empty drum cost 1500-3000 tk.
Still getting used to seeing such buses on these routes...
Fleet No.: 688
Manufacturer: Pilipinas Hino Inc.
Model: Grand Metro
Chassis: Hino RK1JST
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Fleet No.: 47071
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK1JST
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Fleet No:. 101
Coachmaker:. Pilipinas Hino.,Inc
Model:. "Grandecho RK"
Chassis:. Hino RK1JMT
Engine:. Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Location:. New York St,Cubao,Quezon City
REMARKS: Kakagaling lang ito sa Cabanatuan City
MẮT BUỒN !~
Lớp d.nài nhìu chịn sải ra =)~ [ riếc chán học : )~ ]
haiz.. ước dì lớp vẫn kòn như trc =]z [ như đầu năm :d~ .. thà là nv kòn hơn bh hĩu wá rõ tíh nhao.. ]
- Nản - : )~
- Chơi đẹp t kòn nể - Chơi pể thì t khih :'j~
♥ Muốn wl. lúc trc.. kái tuổi kòn ngây thơ hồn nhin chưa píc iu là dì =))~
♥ Muốn kô bh lớn lên.. kàg lớn cs' càg fức tạp .. hỗn loạn .. :'j~
♥ Muốn đc b. yên pêg ng mìh iu ..
♥ Muốn đc nhìu thứ lám .. nhìu lám nkưg chắc bh thì KHÔNG THỂ
Nản qá ^^
XÓA IK
P/s: Chùa = tró :)~ - Đag buồn kô mún nói nhìu - tk =)~
The Jockey Club was supposed to be the point of interest, but that hasn't changed much so let's consider the vehicles instead....
The Avenger looks like it's in use as a taxi, not something I can recall being a common choice. If it's a local one it obviously pre-dates the time when they had to be painted black with a yellow bonnet and boot (see the next card along).
Escort Mk1 maybe a sporty model with its black rear panel? Likewise the yellow Mk3 Cortina across the road looks to be a 2-door with sport wheels and twin round lights, so maybe a GT?
DAF/Volvo estate behind the Renault 5?
I don't recognise the livery on the Bedford TK.
I was slightly puzzled by the grey pickup pulling out into the road, but I now think it's a Marina?
Streetview location here: goo.gl/maps/RBtRjb25U5VjWCRx6
Unsent card published by ETW Dennis & Sons Ltd, ref. N.3003.
Suwari Ghat, Dhaka, Bangladesh
In life whoever is alive, has his own way of living.
No matter whats his job.
No matter what he does for living.
The principle of living is similar in everywhere.
Each of this empty drum cost 1500-3000 tk.
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#Great #tit having a feast in the #berry #bush
Shot in #Majorna #Göteborg
#Sony #A99ii
#Tamron #150-600
#Genesis #Base Tripod with
#Mantona #TK-I #Gimbal tripod head
Fleet No.: 303
Reg. No.: CXK 971
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK1JMT
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Related Pictures: (also in my photostream)
Fleet No.: P-01
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK1JST
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Fleet No.: 908
Reg. No.: CXJ 250
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK1JMT
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Fleet No.: 47083
Reg. No.: TXN 574
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK1JST
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Fleet No.: 303
Reg. No.: CXK 971
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK1JMT
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
Related Pictures: (also in my photostream)
1967 Surrey registered Leyland Beaver Ergo in a Herefordshire field in 2003, still carrying it's former owner's name of Malcolm J Potter. The motor looks save-able here. Keeping it company is a 1973 'Coke bottle' Ford Cortina Mk.3 1600 and a Bedford TK. I don't know about the Leyland, but the Ford was last on the road in 1989, not bad for one of them.
Fleet No.: 214
Reg. No.: AVG 214
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
han pasado millones de cosas en mi vida estos ultimos meses... podria estar toda la noxe escribiendo pero en realidad creo k no es necesario!
solo agradecer a mi familia k las amo i k son lo mas importante en mi vida, a mi mejor amigo lito k lo amo y mi amigo jota k llego en el mejor momento! Gracias a todas la persona k me mandaron mail etc muxas gracias!
*saludos especial a ti k tambien llegaste en el mejor momento, tk i espero k jamas se termine esto :$
A 1978 Bedford TK Horsebox Camper W/ Vauxhall Badge/Emblem, In Light Blue. This Was Stored In The Yard For A Few Years And Possibly Stored Lots Of Good Car Parts Inside.
But The Real Gem In This Photo Is Behind The TK – I Wish I’d Taken A Better Photo Of This – There Is A Just-Visible Ford Truck – A 1961 Ford F-100 ½-Ton Pickup Truck, Which Was An Actual Ex-USAF Base Service Vehicle, In “Air Force Blue”, Code On The Side Of The Door Read ”USAF 61B”. That Truck Had Been In The Yard For A Very Long Time... One Of Many Interesting Ex-Military/Ex-USAF Vehicles The Woolhouse Family Owned.
I wasn't going to upload these photos until I'd uploaded everything from the "Scrapyard of dreams", but there is still some to go with that set of photos and I can't contain my excitement over this discovery (after several beers tonight). I'm sure this is the same TK I used to see in use with Potter Construction during the late 1980s/1990s, and I'd given up hope of ever seeing it again. Imagine my surprise when driving to work last week and seeing this in a farm property - I just had to check it out. It wasn't too bad, just had to get over a low barbed-wire fence in a field of sheep, and walk across to get my pictures - it was all good fun actually, if you like that sort of thing. In all seriousnes, I can't believe this TK still exists, I remember seeing it decades ago - I was sure it had been crushed!
My guess would be a Bedford TK.
I would have thought removing the cab without lifting the body would have caused a certain amount of cursing.
ex Pickfords OUU 15R. Fleet No N 9416
Severn Valley Railway
Kidderminster
Worcs
5 May 1986
Is it just me or does the Cab on this truck bear similarities to that of a Bedford TK. (I think this truck might actually be an International)
Fleet No.: 323A-2
Reg. No.: EVT 113
Manufacturer: Pilipinas Hino Inc.
Chassis: Hino RK
Engine: Hino J08C-TK
*Specifications are subjected for verification and may be changed without prior notice.
OLYMPUS DIGITAL CAMERA
Der U-Bahnhof Tierpark ist eine Station der Berliner U-Bahn-Linie U5 im Ortsteil Friedrichsfelde. Er befindet sich direkt vor den Toren des Berliner Tierparks und ist der einzige in der DDR erbaute unterirdische U-Bahnhof. Bei der BVG wird er unter dem Kürzel Tk geführt.
Nach fast vierjähriger Bauzeit wurde der Bahnhof am 25. Juni 1973 eröffnet. Die ca. 1,2 Kilometer lange Neubaustrecke verläuft ausschließlich unterirdisch und schwenkt kurz vor dem Endbahnhof nach Süden, wo sie parallel zur Straße Am Tierpark verläuft. Vor dem neuen Haupteingang des Tierparks befindet sich schließlich der Bahnhof.
Kunst im U-Bahnhof!
Bedford was a subsidiary of Vauxhall Motors, itself the British subsidiary of General Motors (GM), established in 1930 and constructing commercial vehicles.
The Bedford KM was a similar vehicle to the more widely used TK, using the same cab but with a slightly restyled front end and was marketed for heavier-duty applications than the TK, i.e. 16 tons and over. Many third world countries still use ageing Bedfords every day, their robust nature and simple engineering endearing them as highly useful vehicles in demanding terrain.
This one is seen parked at Manchester Airport, in use as a catering vehicle by Servisair, and although a reserve vehicle, used when the front line fleet was in for service, it, and the two others owned could still be seen regular moving around the airfield.
Below find a transcript of my time with Chef Thomas Keller. It is unedited and so I must ask for pardon if certain sections (likely mine) don't appear as refined as they could be. Short edited version here: www.torontolife.com/daily/daily-dish/aprons-icons/2009/12... A great image of Chef Keller by Taku Kumabe.
RS: Thank you for taking the time to speak with us Chef Keller. I heard that it is your first time in the city, and was wondering if you might be exploring much of Toronto’s culinary scene?
THOMAS KELLER: Unfortunately I got in late last night and am leaving early tomorrow morning, so I won’t really get to see much this time. The one restaurant that was on my list was The Black Hoof, which I hear is very good.
RS: How did you hear about The Black Hoof?
TK: A friend of mine told me, and it came across my desk, “if you’re going to Toronto, you have to try The Black Hoof, it’s a wonderful restaurant…”
RS: Chef (Grant) van Gameren will probably be pleased to hear that, not that long ago Chef Daniel Boulud was there…
TK: Ah right, maybe it was Daniel that told me. But tonight, by the time I’ll be finished with the lecture and the signing it’ll probably be too late, and then I’m up again tomorrow at 6am to fly to Chicago for another book signing, then Milwaukee the next day. So I’m trying to be respectful of my condition for people who are expecting me to be articulate and have conversations in an intelligent manner. (RS: (giggles)) I’ll probably be in bed by midnight. It’s a book tour and what I’ve learned is that you want to maximize the time to get the message out about the book.
RS: And what is the message you want to convey through Ad Hoc at Home?
TK: Well I think the overreaching goal of the book is to teach people to be better cooks; to make them more aware of their environments, what they need to be able execute not just my, but any recipe. It’s also about enjoying the process in cooking and to make something achievable.
RS: You cookbooks are beautifully put together, (TK: Thank you) however Ad Hoc with its whimsical style is unlike The French Laundry Cookbook, Bouchon or Under Pressure, what influenced that change?
TK: I look at each book for what they are. With The French Laundry it was a snapshot of the restaurant in 1998. At most restaurants that are personality driven, it’s a snapshot at that moment and very specific to that restaurant at that time. Bouchon is a cookbook that was more historical, dealing with French bistro dishes and classics; respecting the flavor profiles. And with anything we do, it’s a sense of refinement, so with Bouchon, those historical recipes maintain the flavor profile of the recipes, but modernizing it and refining it in a way, using better products and techniques. Under Pressure was really written for the professional, to teach them how to use a specific technology and how we adapted that technology in restaurant cooking. Whereas Ad Hoc is about Ad Hoc, a restaurant that was defined in a brief moment about family and family style cooking, having that engagement with the table and the food, not about serving the food on plates but having people participate and serving food like you do at home – no pretense involved, and a collective collaborative memory about the dishes we do. My dishes are my memories, but there are the memories from many who are involved in Ad Hoc. I think that’s an important element, so that when we think about the dishes, i.e. fried chicken – and that being such an iconic American dish that straddles economic, social, and geographic boundaries and really is something that everyone can relate to, that becomes a collective memory and that brings it into the scope of Ad Hoc as a downstyle restaurant/recipe.
RS: Two questions: In what direction do you see yourself going? And what is your opinion of food trends?
TK: I don’t have anything planned on the horizon. We have a group of restaurants which are really very important to me and the group (The French Laundry, Per Se, Bouchon, Bouchon Bakery) and making sure that they have the support to maintain, continue to grow, be challenged and continue to meet the expectations of our guests. We just opened our third Bouchon in Beverly Hills, so the next year and half would be set to make sure that that gets the foundation it needs to thrive. So that’s what’s on the horizon for me, maintaining the quality of our restaurants and we’ll see if any other opportunities become apparent.
RS: How do you decide on which of these opportunities to pursue?
TK: Los Angeles made sense for Bouchon because so many Angelios come to Las Vegas and Yountville. In fact I’m from southern California, worked in southern California, I know people in southern California… it’s part of that foundation. Going into a new community, like we did in Las Vegas, it’s a little difficult, but Las Vegas itself allows outsiders many great opportunities. Going to, say Scottsdale is a different thing because I have no connection with Scottsdale.
When you think about what food or cooking is, it’s product and execution. Product is very simply defined by the food we get; execution is defined by a lot of different things – skill level of the chefs, quality of the equipment, quality of the facility – that define execution. When you go somewhere else that is not your own country where you can’t easily transfer products around or understand the products it’s hard to say. If I came to Toronto, I wouldn’t know because I don’t have any experience with it. So I’d really have to learn, first and foremost [about] where the food comes from, the quality of the food, and then be comfortable being able to open up a restaurant there. With that I can get half of the equation and feel confident that it’s going to be good.
It’s just not that easy opening up a restaurant. There are a lot of opportunities to open up a restaurant but it really comes down to knowing what the expectations are. If I came to Toronto, London or Singapore and I am not able to achieve that, then I diminish the quality of the experience – then you diminish the quality of your reputation. And the only thing a chef has is his reputation.
RS: So would that be what you would consider as your legacy, a sort of Thomas Keller branding if you will, where once you hear the name you know the association?
TK: Well it is a brand, and I got comfortable with that about six years ago because people kept saying when started to do Bouchon, “oh, so you’re a brand.” “No, no, I don’t really have a brand.” And I didn’t realize what that really meant until you start to get comfortable with the fact that you really are a brand. Eventually you have to find what kind of brand you want to be. If you start to draw parallels to who you are – I always say that if I’m going to be a brand, using the analogy of fashion, I want to be Hermès – it’s a brand that has extraordinary integrity, that doesn’t compromise on quality, it really is respected for what they do, and they haven’t really diverged from their main source of business which is leather and scarves.
RS: Being an experienced hand in the kitchen, where have you been that has most impressed you?
TK: Everywhere I go I’m impressed with restaurants. I have great respect whether it’s the big named chefs like Grant Achatz of Chicago, Heston Blumenthal and Fergus Henderson in the UK… There are dozens and dozens around the world that are just extraordinary chefs that perform at a high level and there are those that you don’t really hear about that just do a really good job. You go to work everyday to do a good job.
RS: That’s highly respectful of you to have such quality words for even the most junior in the business.
TK: Everyone knows the personalities of chefs that are out there. Who knows why we became who we are. There’s no clear path set for us or education for what we do that are outside the scope of our main training: cooking. Like standing around taking photographs and doing interviews, a chef of the last generation may not do any of that.
The expectations have grown enormously with my generation of chefs, if you think about the last generation of chefs, they had one menu, one kitchen, one restaurant and they didn’t change it. They worked tirelessly everyday on refining and perfecting those dishes and they were respected for that. Everybody had the same dishes, but what made one restaurant better than the other was the quality of the product and the quality of their execution. Today it’s not about any specific dishes because it’s all personality driven – this is Thomas Keller’s food or Daniel Boulud’s food or Pierre Gagnaire’s food or Ferran Adria’s or Grant Achatz’s food – it’s all associated with the people, the person, the personality. Our dishes are evolved from flavor profiles or traditional recipes/components into something different. So why?
RS: So why for you then?
TK: I don’t know (laughs). That’s a good question. I don’t know. I don’t know why me and not the kid down the street who is as good a chef as I am. I don’t know.
RS: Do you think it’s because you work hard and you’re driven?
TK: I mean a lot of people work hard. Why does one person get to be this and not another person? There’s luck involved, a certain amount of effort, of course, I mean, how did it happen? I worked hard all of my life and I thought I had other restaurants that were going to be successful that weren’t successful. I ended up at The French Laundry at 39 and all of a sudden I had a hit. You just keep trying; you don’t stop. Perseverance, tenacity, luck, I mean there’s all different things involved in why one person gets to do something another person doesn’t.
RS: Although you are a top chef in the US and in the world, I don’t know if you could just attribute that to luck…
TK: (Laughing) No no, don’t get me wrong, I don’t mean it to diminish the importance of being talented or the importance of being focused or applying to have a common goal. There are so many things that create the foundation for everybody and I don’t mean to diminish those. But at the end of the day there’s a certain amount of opportunity that you see or somebody else sees in you… there’s a lot of stuff. It’s interesting, a philosophical question that there’s no answer to, it’s just a conversation that you have with people about why you are who you are and what happened with our industry which in the 60s was considered domestic help. It wasn’t even a profession – culinary profession only happened recently in our lifetime (or at least in my lifetime (laughs), I’m not sure how old you are).
RS: (laughs) In my lifetime as well, but now I’m sure we agree that culinary arts are glamourized, a highly respected profession, that not just anyone can do it.
TK: It is tough and that’s what it takes. When I started cooking there was no celebrity chefs. Today, young cooks are getting into the industry to become celebrities.
RS: Does that rub you the wrong way?
TK: I don’t necessarily think it’s a bad thing in and of itself, but at the base of it needs to be a strong culinary foundation.
RS: So as long as it doesn’t compromise the base…
TK: Right, right. So we talked about trends, and I’m only against trends because the true definition of a trend is something that has an end. So why would you want to be trendy? It doesn’t make sense to me. “I want to be trendy and then someday it’s going to be passé.” The other thing about trends: what is a food trend? This food is in this year and out next year. Why is arugula in this year and out next year? I mean arugula’s still arugula – it’s great! It’s been around forever. Why would it be trendy? I don’t understand. There’s no value sometimes. There are certain trends that are very important, don’t get me wrong, but the overreaching definition of trend is something, when you apply it to food, doesn’t make sense.
RS: But if you were to open a menu…. What one item/ingredient would turn you off? Something that you wish you could phase out altogether?
TK: Bad Food! Ha ha.
RS: How about a favourite?
TK: I’m always compelled to order a roast chicken, an omelet or a great steak. All those things I think resonate with most people. The idea of a beautifully roasted chicken – the aroma, the flavours… I mean who doesn’t love roast chicken when it’s done really really well? It’s compelling. So sometimes looking at menus there’s great anxiety when you see a great steak, roast chicken, tripe, you know, what am I going to order? There are so many good things on the menu; I don’t know what to choose. So it’s almost better not to have any choices when I order.
RS: Is that the premise behind the chef’s tasting menu?
TK: Sure. When you think about luxury, what is the true definition of luxury? In the Western culture, and in the Eastern now as well, it’s all about choices. You have the choice of 15 car models, they’re all great cars, but what car do I buy? Then you start looking at that, your friend has this, you see that… Matt Damon’s driving this, I mean, which one do I choose? So the anxiety is to make the choice. Luxury to me is about not having to make the choice.
Going to a restaurant, just sitting down and having the chef cook for you, is great. When I go out to dinner [at] any of my colleagues’ restaurants, I never see the menu nor wine list and it’s just a wonderful experience. So if you can replicate that in a restaurant, substituting for allergies or intense likes/dislikes (those things are easy to accomplish), basically this is what was chosen because it was in the market/garden, the compositions, it’s all good. Sit down and enjoy your food.
RS: I like the way you think. I’m labeling this the Thomas Keller philosophy.
TK: The kind that you don’t have a choice!
RS: Now we’re going to make you choose. If you had to create one ultimate meal at any point in time with anyone in history, who would be there and what would be on the menu?
TK: That’s hard. Well, I think the time would be now. I think that we have extraordinary products, certainly what I see in America from my personal history. We have amazing facilities, technology and understanding about food. So I think cooking today would be ideal.
The people I’d like to have around would be my parents; someone like Fernand Point – he was an icon not only in our industry but somebody who really inspires me through his book – he’s been dead since I was born but somebody who has continued to inspire me through my career. Someone like Harry Truman, who to me was our last great president, there were great presidents before him and Clinton was pretty great, but somebody who I really respect. Somebody like Audrey Hepburn, who to me was an extraordinary woman in so many ways, not just in her beauty but in her thoughtfulness and compassion.
What I’d serve is simple food, probably a great soup something like garbure (a rustic thick French winter soup), which I really love right out of the garden, a great salad, roast chicken – of course, whatever vegetables were in the earth, then something lemon and something chocolate. Separate, not lemon and chocolate together.
RS: Ha, ha. I will attest that your lemon tart is fantastic.
TK: (Smiles) Thank you.
RS: Last question, what is your non-food related hobby?
TK: Golf! I don’t get to do it very often. I just love the idea of totally committed to something, it takes all your attention and it lasts for 4 hours. You’re walking around an amazing park, if you want to call a golf course that. Some golf courses are the most majestic geographic locations in the world: you think about Pebble Beach, New South Wales in Australia – beautiful lawn, throwing a little white ball all around.
RS: Will you be taking a break after the book tour to get in some rounds of golf?
TK: Yeah, I think I’m going to try to spend two days in Palm Springs between Christmas and New Years. I haven’t golfed for months. For me it’s not about the good game but more about the experience.
RS: Well thank you for this experience it was wonderful to have had the chance to speak with you.
TK: Hopefully I got the message across and that I answered all your questions.
RS: If it doesn’t sound too awkward, you have made yourself even more likeable than is possible. It’s truly an honour to know that you are as genuine as your brand is (TK: Thank you) and that I’ve perceived you to be. Thank you for your time.
TK: Thank you.
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