GRANDI VIAGGI
View allAll Photos Tagged TENET
Nous attachons nos regards sur les débris d’un arc de triomphe, d’un portique, d’une pyramide, d’un temple, d’un palais, et nous revenons surnous mêmes. Nous anticipons sur les ravages du temps, et notre imagination disperse sur la terre les édifices mêmes que nous habitons. A l’instant, la solitude et le silence règnent autour de nous. Nous restons seuls de toute une nation qui n’est plus; et voilà la première ligne de la poétique des ruines.
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Portiamo il nostro sguardo sui frammenti di un arco di trionfo, di un portico, di una piramide, di un tempio, di un palazzo e ritorniamo comunque sempre a noi stessi. Anticipiamo il flusso del tempo, e la nostra immaginazione si disperde sulla terra e sugli edifici stessi che abitiamo. Di colpo, la solitudine e il silenzio regnano intorno a noi. Siamo soli, orfani di tutta una generazione che non c’è più. Questo è il primo verso della poetica delle rovine
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Our glance lingers over the debris of a triumphal arch, a portico, a pyramid, a temple, a palace, and we retreat into ourselves; we contemplate the ravages of time, and in our imagination we scatter the rubble of the very buildings in which we live over the ground; in that moment solitude and silence prevail around us, we are the sole survivors of an entire nation that is no more. Such is the first tenet of the poetics of ruins.
(Denis Diderot, 1767)
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Tattoo: ONE 2K - Tattoo TENET - (MIXX WEEKEND Event) - New!
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Savannah's Oak Trees add to an already picturesque setting.
Live Oak Avenue - Savannah GA
The Wormsloe Historic Site, informally known as Wormsloe Plantation, is a state historic site near Savannah, Georgia, in the southeastern United States. The site consists of 822 acres (3.33 km2) protecting part of what was once the Wormsloe Plantation, a large estate established by one of Georgia's colonial founders, Noble Jones (c. 1700-1775). The site includes a picturesque 1.5 miles (2.4 km) oak avenue, the ruins of Jones' fortified house built of tabby,[2] a museum, and a demonstration area interpreting colonial daily life.
Savannah is a long-standing city is known throughout the country for its beautiful coastal landscapes, its well-preserved architecture and its rich, vibrant history. And while some tenets of Savannah's history are famous – like the life of Juliette Gordon Low and the famous Forrest Gump scene 198
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Manu
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♡ T-Shirt: Amnesia - Tenet -
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Theyyam consists of traditions, rituals and customs associated with temples and sacred groves of Malabar. It broadly encompasses Hindu ritualistic tenets. The people of the region consider Theyyam itself as a channel to a god and they thus seek blessings from Theyyam.
# AMNESIA - TENET T-Shirt in Main Store
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Cadriano, zona industriale. Dettaglio. Cadriano, industrial area .Detail. Cadriano. Bologna,Italia Dicembre 2020
Port Monte-Carlo, Upside-down...
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Film: Kodak Ektar 100
Developer: Tenetal Colortec C-41
Scanner: Nikon CoolScan LS-5000ED
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Theyyam, also called Theyyattam, are ritual dance forms performed in northern Kerala and few parts of Karnataka in India. Theyyam consists of traditions, rituals and customs associated with temples and sacred groves of Malabar. It broadly encompasses Hindu ritualistic tenets. The people of the region consider Theyyam itself as a channel to a god and they thus seek blessings from Theyyam.
Northern Italy
"Mantua me genuit
Calabri rapuere
tenet nunc Parthenope
cecini pascua rura duces"
Publius Vergilius Maro (Andes-Mantua, October 15, 70 B.C. – Brindisi, September 21, 19 B.C.)
Virgil, born in the village of Andes near Mantua, was an ancient Roman poet of the Augustan period. He is is traditionally ranked as Rome's greatest poets, well known for three major works of Latin literature, the Eclogues (or Bucolics), the Georgics, and the epic Aeneid. Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day.
iPhone 14 Pro-IMG_20230518_0013 Rocky Point State Park fishing pier
Varlens / Auto Mode / TENET filter
- Appelé le carré SATOR, il peut se lire dans tous les sens. Le mot TENET, tenir une charrue, forme une croix au centre du carré.
Ce carré-palindrome fut l’un des signes de reconnaissance des premiers chrétiens, le premier a été découvert sur le site de Pompéi.
Malgré les nombreuses traductions possibles, celle reprise le plus souvent serait :
Le semeur qui laboure et moissonne au cycle des saisons, c’est l’œuvre (de Dieu).
- Named the SATOR square, can be read in all directions. The word TENET, holding a plough, forms a cross in the center of the square.
This square-palindrome was one of the signs of recognition of the first Christians, the first one was discovered on the site of Pompeii.
Despite the many possible translations, the one most often used would be:
The sower who plough and harvests in the cycle of the seasons is the work of God.
The Gorges Du Verdon, France
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Film: Kodak Ektar 100 (OverExposed +1EV as ISO 50)
Developer: Tenetal Colortec C-41
Scanner: Nikon CoolScan LS-5000ED
A face in the wind and my skin comes alive,
The world spins around me and my heart quickens.
The sun shines down on me as leaves rustle,
And a smile graces my face once more.
Amor fati.
A quick shot done at Winter Moon
By the way, “Amor fati” literally means “love fate,” but within the tenets of stoicism it is generally accepted as “Embrace life.”
Messier 31 o La Galassia di Andromeda , e’ in rotta di collisione con la nostra galassia ,Via Lattea .. Tenetevi pronti !! Tranquilli mancano solo circa 4-5 miliardi di anni!! La galassia di Andromeda , lontana da noi 2,5 milioni di anni luce, si sta muovendo sempre più velocemente verso la Via Lattea grazie all’attrazione gravitazionale reciproca . Le due galassie si uniranno , miscelando stelle e , polveri e gas per dar origine ad una super galassia ….. La Galassia di Andromeda (nota talvolta anche con il vecchio nome Grande Nebulosa di Andromeda o con le sigle di catalogo M 31 e NGC 224) è una galassia a spirale gigante che dista circa 2,538 milioni di anni luce dalla Terra , visibile in direzione della costellazione di Andromeda, da cui prende il nome. Si tratta della galassia di grandi dimensioni più vicina alla nostra, la Via Lattea; è visibile anche a occhio nudo ed è tra gli oggetti più lontani visibili senza l'ausilio di strumenti.
La Galassia di Andromeda è la più grande del Gruppo Locale, un gruppo di galassie di cui fanno parte anche la Via Lattea e la Galassia del Triangolo, più circa cinquanta altre galassie minori, molte delle quali satelliti delle principali. Riprese effettuate dal Giardino di Casa Mògoro Sardegna Italia , del 20/08/2022 con Strumentazione. : Celestron C11 , Hyperstar Starizona V3 , cam Zwo Asi 2600 Mc , filtro optolong l-enhance , montatura equatoriale Eq6 R Pro , guida FS60Cb , Asi 120 mm mini .. Asi Air pro , Pixinsignt , Lightroom .. Light 36 x120” , dark 29 , Flat , 29 , dark Flat 29 Cieli Sereni
The Merry Cemetery (Romanian: Cimitirul Vesel pronounced [t͡ʃimiˈtirul ˈvesel]) is a cemetery in the village of Săpânța, Maramureş county, Romania. It is famous for its colourful tombstones with naïve paintings describing, in an original and poetic manner, the people who are buried there as well as scenes from their lives. The Merry Cemetery became an open-air museum and a national tourist attraction.
The unusual feature of this cemetery is that it diverges from the prevalent belief, culturally shared within European societies – a belief that views death as something indelibly solemn. Connections with the local Dacian culture have been made, a culture whose philosophical tenets presumably vouched for the immortality of the soul and the belief that death was a moment filled with joy and anticipation for a better life (see also Zalmoxianism).
In 2017 there was published the first book, which is a collection of the epithaps from the Merry Cemetery, by young author Roxana Mihalcea, who gathered the epithaps in the volume Crucile de la Săpânța [1] The indisputable merit of this work is the gathering of several hundred legible epitaphs from the Sapanta crosses. The author's texts enrich each chapter with in-depth commentary, accessible to the contemporary public, especially to the urban, less familiar with the rites of rural life in the past. So, the funerary lyrics from Sapanta get a sense beyond the disappeared world it evokes, giving readers valuable information about the everyday life of the village.
I wish you all the best, dear Elisabetta, on your Birthday!
I dedicate this photo to you because I know that you really like the headlights ... even if you can see this one from far away !
Cheers and a big hug!
en.wikipedia.org/wiki/Cape_Miseno
it.wikipedia.org/wiki/Capo_Miseno
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Cape Miseno is the headland that marks the northwestern limit of the Gulf of Naples as well as the Bay of Pozzuoli in southern Italy. The cape is directly across from the island of Procida and is named for Misenus, a character in Virgil's Aeneid.
Mythologically, important sections of the Aeneid play out in the Gulf of Naples: Cape Miseno is the place where Aeneas' comrade, Misenus, master of the sea-horn, the conch-shell, made "the waves ring" with his music and challenged the sea-god Triton to musical battle. He was dashed into the sea and killed by "jealous Triton". Then:
“Pius Aeneas ingenti mole sepulcrum
imponit suaque arma uiro remumque tubamque
monte sub aerio, qui nunc Misenus ab illo
dicitur aeternumque tenet per saecula nomen“
"Pious Aeneas sets up a mighty tomb above Misenus
bearing his arms, a trumpet, and an oar;
it stands beneath a lofty promontory,
now known as Cape Misenus after him:
it keeps a name that lasts through all the ages"
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Capo Miseno è il promontorio che segna il limite nord-occidentale del Golfo di Napoli e la baia di Pozzuoli nell'Italia meridionale. Il promontorio si trova direttamente di fronte all'isola di Procida e prende il nome da Miseno, un personaggio dell'Eneide di Virgilio.
Dal punto di vista mitologico, importanti sezioni dell'Eneide si svolgono nel Golfo di Napoli: Capo Miseno è il luogo dove il compagno di Enea, Miseno, maestro del corno marino, la conchiglia, fece "suonare le onde" con la sua musica e sfidò il dio del mare Tritone alla battaglia musicale. Fu gettato in mare e ucciso dal "geloso Tritone". Quindi:
“Pius Aeneas ingenti mole sepulcrum
imponit suaque arma uiro remumque tubamque
monte sub aerio, qui nunc Misenus ab illo
dicitur aeternumque tenet per saecula nomen“
“Il pio Enea sovrappone un sepolcro di mole imponente
all’eroe, con i suoi arnesi, il remo e la tromba,
sotto un areo monte che ora è chiamato Miseno,
dal suo nome, e in perpetuo ne serba il suo nome nei secoli"
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Adolph Gottlieb would utilize a minimal amount of elements thus allowing a palpable tension to develop between them.
Not shying away from my New topographics I adhere to the tenets Henry Wessel incorporated into his works; "allow the light of the scene to present itself naturally and be generous with the shadows to remain 'descriptive'".
So I would say the debate being how to structure such a simple shot.... Prescribed academic tenets would dictate to place it off from the center and apply the 1/3 principle.
However ask any New Topographics photographer and they would say take you artistry out of it and show it for what it is..
Just find a way that everything fits 'nicely' into the frame.
John Sarkowski did not rate photographic education very highly and in fact he thought it "could harm creativity, constraining one's personal visual exploration."
In nature, light creates the colour. In the picture, colour creates the light. Hans Hofmann.
Hans Hofmann (March 21, 1880 – February 17, 1966) was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstract Expressionism. Born and educated near Munich, he was active in the early twentieth-century European avant-garde and brought a deep understanding and synthesis of Symbolism, Neo-impressionism, Fauvism, and Cubism when he emigrated to the United States in 1932. Hofmann's painting is characterized by its rigorous concern with pictorial structure and unity, spatial illusionism, and use of bold color for expressive means.
Hofmann is also regarded as one of the most influential art teachers of the 20th century. He established an art school in Munich in 1915 that built on the ideas and work of Cézanne, the Cubists and Kandinsky; some art historians suggest it was the first modern school of art anywhere. After relocating to the United States, he reopened the school in both New York City and Provincetown, Massachusetts until he retired from teaching in 1958 to paint full-time. His teaching had a significant influence on post-war American avant-garde artists—including Helen Frankenthaler, Nell Blaine, Lee Krasner, Joan Mitchell, Louise Nevelson, and Larry Rivers, among many—as well as on the theories of Greenberg, in his emphasis on the medium, picture plane, and unity of the work. Some of Hofmann's other key tenets include his push/pull spatial theories, his insistence that abstract art has its origin in nature, and his belief in the spiritual value of art. Source Wikipedia.
Eberhard Weber - Colours Quartet Live 1976
TD : 1/160 f/8 ISO 400 @100 mm
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Linnahall. Tallinn City Hall
(mostly abandoned). Some episodes of Christopher Nolan's film Tenet were taken here.
As photography enthusiasts we are each drawn to a specific genre. Granted we admire all sorts of pictures, but there is a certain class of images we particularly are drawn to. Some like portraiture, some still-life, others formal landscape photography, and some street...
It was a while before I found myself admiring New Topographics photos. I found my admiration was in their honesty and utilization of space. I found that I related to their aesthetic because I was immersed in that type of scenario all around me. Intentionally regular and bland and not necessarily "pretty" I found them quite worthy of my attention.
I found myself being a more honest photographer when I adapted the New Topographics style and followed their tenets. Then one day I went back through my SD cards and found that I had been taking such pictures on many occasions without knowing it.
There is quite some overlap between New Topographics and Uncommon Places picture making, but at their cores they are very distinct.
With this particular scene I tried to push the envelope and present a landscape far beyond the aesthetics of 'calendar' pictures.
New topographics images can be quite challenging to comprehend, but taken in context to the groups tenets brings some degree of appreciation.
Inspired by Joe Deal book 'Between nature and culture'. I wanted this electric box in the middle of nowhere to blend into the landscape.
Olympus sure shot WP-1
ILford Delta 100
The Gorges Du Verdon in south-eastern France (Alpes-de-Haute-Provence), is a river canyon that is often considered to be one of Europe's most beautiful. It is about 25 kilometres long and up to 700 metres deep.
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Film: Kodak Porta 160 (OverExposed +1EV as ISO 80)
Developer: Tenetal Colortec C-41
Scanner: Nikon CoolScan LS-5000ED
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(Misterio templario a medio resolver)
A working tenet in New topographics is that "within each picture all elements have equal value" -- New Topographics: Photographs of a Man-Altered Landscape, pg 42
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Ricoh Auto 35
An important tenet in New Topographic image making is to give the scene as much 'space' as it requires and embrace the brightness of the inherent existing sunlight.
I could have moved in closer making the shot about the booth, but by allowing for 'space' the image is about the landscape.
I applied a border around this image to attempt to quell it's immediacy and foreboding presence.
In my pursuit of this movement's basic tenets I want to also adhere to the photography adage, "be yourself".
The direct lighting and urbanism were there, but missing was simple elegance.
These towers were just to overbearing to allow for any poetics.
The Wall Says It All...
The Distillery district is a group of historic buildings re-purposed to attract the younger generation. amidst all the concrete and red sand brick i found this shot of the old sand brick wall with the small beer keg door really caught my eye.. our walk through the distillery district was full of surprises as the artwork is very unique and well worth the trip downtown.
This scrawled sign on the wall details my tenet for photography... "see beauty in everything"
Thank you for visiting for marking my photo as a favourite and for the kind comments,
Please do not copy my image or use it on websites, blogs or other media without my express permission.
© NICK MUNROE (MUNROE PHOTOGRAPHY)
You can contact me
by email @
karenick23@yahoo.ca
munroephotographic@gmail.com
munroedesignsphotography@gmail.com
or on Facebook @
www.facebook.com/MunroePhotography/
On Instagram
Trying to follow the tenets of the New Topographics in photographing structure and form rather than subject matter.
My handy dandy little aluminum step ladder would have proven a benefit in elevating me about 3 feet and separating those middle ground elements.
Ricoh FF-90
Rikenon f/35mm - f 2.8
Fujifilm 200