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UNESCO World Heritage Site
Outstanding Universal Value
Brief synthesis
Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.
Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.
Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.
The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.
Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.
Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.
Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.
503CX, 4.0/50 FLE, Kodak Portra 400 VC, V600, Affinity Photo
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Portugal, Óbidos, St. Mary's church, Portal
Minolta Freedom Escort QD
Expired 1970's Kodak 5063 Tri-X
Shot at 100 asa.
Rodinal 1:25 for 9 Minutes
Epson F3200
During a cold night in March i decided to drive 170km from Amsterdam to Westerbork in the east of Holland to make pictures of this radio telescope. It was a very cold night but the sky was clear with no moon. Light pollution in Holland is quite intense and it is clearly visible in those pictures. The Westerbork Synthesis Radio Telescope consists of a linear array of 14 antennas with a diameter of 25 meters arranged on a 2.7 km East-West line. It is located next to the Westerbork concentration camp, using by Nazis in WW2 as a transit camp and nowadays a museum.
Dried hydrangea flowers photographed in my studio. Final image created by layering 9 frames in Photoshop.
SÍNTESE ASSIMÉTRICA DO SENSÍVEL
Asymmetric synthesis of the sensitive
[São Paulo, 2021]
[Street photography]
O teatro da vida é representar, e não repetir. Captamos apenas um “resto” da realidade, um reflexo, algo assimétrico, impreciso, sensível.
#sinteseassimetrica #yb_sas #deleuze #fotografiaderua #fotoderua #fotografiacallejera #streetphotography #streetphoto #streetlovers #SPinternational #porlacalle #SPicollective #allacalle_spc #urbanlife #saopaulo #saopaulocity #sampa #sampalovers #sp_streets #brcolor #colorstreets #mobgrafia #mobgraphy #metrosp #transportepublico
An abstract image created back in 2011.... revisited. Hmmm. You'd hope that things would kind of stay the same when it comes to your art. But it may not be the case. Programs change. Interpretations change. I've started recording earlier photo art on discs because I'm not enthralled with the versions enhanced software provide. Plus, Apple (Crapple) has folded on my photo-editor (Aperture) and who knows what joys face me ahead? Anyway, this is a simple abstract reinterpreted... I guess, as life must always be (reinterpreted... or is it re-interrupted?)...
Synthesis of photographic portrait with photo of portrait painting. Both photos are taken and edited by me. The painting is a work of Vangelis Gokas in the context of the exhibition “omnia caritatis”, in Athens, Greece.
The basilica is a synthesis of the various remaking and enlargements experienced by the church. Nowadays it stands on a site which during the 17th century was occupied by a rural chapel named after the Madonna delle Grazie, e later on dedicated to the Santi Cosma and Damiano, patrons of the town. The building works were run by the architect Antonio Curri of Alberobello between 1882 and 1885, and he took inspiration from the stylistic bearings of the Neoclassical.
The well thought interchange of empty and full spaces gives the façade a light and airy effect. The scan of the pilasters, of the columns and of the two bell towers ideally linked by a balustrade, gives a sense of verticality which is even more accentuated by the soaring spires. The two bell towers, one which hosts the Meridiana (sundial) and the other the clock, reproduce on scale the central part of the façade, but they also seem to be imprinted on the main lines of the trulli. The portal is well fitted in a very refined architectonic cornice and is also embellished by a noteworthy sculptural set. High up, on line with the two ends of the pediment, are located the statues of San Pietro on the right and of San Paolo on the left. Under the pronaos, on the lunette, there is a bas-relief by Alfonso Rollo dating back to 1973 depicting Jesus Christ among the Holy Mary, San Giovanni, San Pietro and the Santi Medici. By the same artist is also the bronze portal with the eight evangelical Beatitudes, realized in 1975. The interior of the basilica has a Latin cross shape and it was widened during the first half of the 20th century. Noteworthy is the left hand side niche with the wooden statues of the SS Medici and their precious relics: an arm of San Cosma and the skull of San Damiano.
In 1938 it was elevated to Sanctuary and in 2000 it was nominated Basilica minore.
Synthesis - Ample Projects.
Vivid Festival Sydney
Royal Botanical Gardens
The Vivid Festival is a annual festival of lights, music, and ideas, that runs for about 3 weeks each year in Sydney.
The main attraction is the light installations and light projections around Sydney.
Some of Sydney's most recognisable & iconic buildings are lit up by amazing light projections.
These include: Sydney Opera House, Sydney Harbour Bridge, Museum of Contemporary Art, Customs House, and Sydney Uni.
Vivid has grown to include several areas around Sydney including Circular Quay, Darling Harbour, The Rocks, Martin Place, and Chatswood.
In 2016 a few more areas were added to the festival including: The Royal Botanic Gardens, Taronga Park Zoo, and Central Park.
Also featured during the festival are concerts by local and international artists.
Thirdly, there is a series of lectures and talks on various topics.
It has become one of the biggest public events in Australia, and is recognised internationally as a major event.
Overseas & local tourists visit Sydney in numbers during the annual event.
Vivid now attracts a massive 1.5 million people each year.
As we evolve throughout the seasons of our lives, some of us, the best of us learn to blossom in between where we were and where we’re going. Orlando Florida June 14, 2020
Fluorescent: the visible or invisible radiation emitted by certain substances as a result of radiation of a shorter wavelength such as X-Rays
Synthesis: the combination of ideas to form a theory or system
Stralsund / Mecklenburg-Vorpommern / Germany
Album of Germany (the north): www.flickr.com/photos/tabliniumcarlson/albums/72157712098...
title creds to stevannn
so does anyone know where i can get film developed for reeeallly really cheap? anyone. anyone. anyone?!? kinda low on money...
Inspirandome en los grandes maestros de la fotografìa.
Frances Català Roca. ( Vals,1922 Barcelona 1998)
La mirada selectiva:
Hacer sencillo y directo el impulso de fotografiar,en restar en vez de sumar,en mirar de frente,encuadrar desde la cintura y disparar desde el corazòn,en estar dotado de curiosidad y empatia por todo lo humano.
El Testigo Silencioso.
No he tenido nunca problemas con la gente que fotografiaba,he tenido la intuiciòn,sabìa cuando pedirlo y cuando no.
Saber respetar la distancia exacta para narrar desde la posiciòn de testigo,como fotògrafo ausente,y acierta en la sintesis de convertir en fotografìa un hecho banal.
Las imàgenes de este persistente y entregado fotògrafo,dignificaròn todo lo que tocaròn.
Inspired by the great masters of photography.
Frances Català Roca. (Waltz, 1922, Barcelona 1998)
The look selective:
Make straightforward impulse to photograph, to subtract rather than add, to look from the front frame from the waist and shoot from the heart, be endowed with curiosity and empathy for all humanity.
The Silent Witness.
I've never had problems with people taking pictures, I had the intuition, knew when to ask and when.
Knowing the exact distance respect to tell from the position of a witness and a photographer away, and hits in the synthesis of making photography a banal fact.
The images of this persistent and dedicated photographer, dignify everything they touched.
Name Artwork: Synthesis.
Made by Bier & Brood.
Bier & Brood, the Rotterdam artists Koen Harmsma and Jelmer Noordeman, can do anything with black and white. Inspired by machines, nature and architecture, they possess a unique style that outlines a dark, apocalyptic or ghastly reality. This is expressed in surrealist or psychedelic images. They enjoy working in black and white to give the viewer the feeling of being able to get lost within the work, with an occasional hidden joke as a reward. The title ‘Synthesis’ refers to the digitisation of society. Hands and ears are knotted together with the telephone, faces with screens. The work questions whether we are sinking into an Internet world, a phenomenon that is only 25 years old.
Text from www.heerlenmurals.nl .
More StreetArt/Murals at www.streetartheerlen.nl or www.heerlenmurals.nl .
2010
Acrylic on unstretched, cut canvas
54 1/2 inches square
I came up with this drawing by first drawing a Grateful Dead bear in blackface. The synthesis of oppressive cultural imagery with an icon of an ostensibly harmonious, peaceful cultural movement was amusing in a twisted way, so I started brainstorming of what other kinds of symbols to pervert the bear with. The end product ends up resembling Buer, and I'm okay with that. It's an extra layer of hilarity.
The title was somewhat determined by the [America] theme of the show I made this piece for. Given the context of the show, the piece's reference to nazism(an oft-quoted quality of our political system according to some), nazism's concept of the Übermensch, and a shared last name, I got the random idea to reference Laurie Anderson's "United States". Specifically, I borrowed the titles from two songs from Anderson's work, "O Superman" and "Language is a Virus (from Outer Space)".
No real intended meaning aside from the humor that results from combining two extremes and then kinda cherrypicking references as they occur to me to add more layers to the initial gag. This was for art-nerd fun.
©Ashley Anderson
We need a new world-culture, a global synthesis of interconnectedness and global consciousness. We need a global citizenship movement that will promote social justice and social transformation. We must fight for fundamental human rights, over all national law and cultural identity—there must be equality for everyone! Global citizens are not born; they are created through social engineering. Children, you lack a global perspective on shared humanity, but we will indoctrinate you over time. Since you are part of this cult, you must help bridge the gap and rectify all misinformation. Remember, we global citizens are New World Order ambassadors. We must not only reflect on the virtues of globalism, but we must also act on them. As we reeducate the sheep, we must live a lifestyle of activism. True leaders are global citizens, whether they are CEOs, prime ministers, or just like you: Children of the Corn (Children of the Beast).
The number one (propaganda) issue that underscores our interconnectedness is climate change. The earth depends on our collective stewardship, which transcends all geopolitical borders and economies. One of our most important duties is to protect and enforce our global(ist) compacts. The health of the planet and society depends on useful idiots like us to lead the charge.
Smart cities are the engines of global control. They are full of opportunities, which we’ll exploit. This is a classic case of global multidimensionalism, which not only involves all facets of life, but is also omnipresent (The internet is borderless, and so is globalization). The most successful city is a smart city, because it’s interconnected globally. It reaches to the corners of the earth through smart technologies like the Internet of things, Artificial Intelligence, and Machine Learning. Now we are faced with a secular humanist phenomenology and a new age cosmology in which we must develop new and efficient methodologies. This paradigm shift is in perfect alignment with the values of global citizenship.
Take the jab, take the Mark. Be a sheep, awaken the dark. Bow the knee, bow in submission. Worship the Beast, son of perdition.
Children of the Corn—deeply rooted, widespread. Children of the Beast—tares uprooted, twice dead.
Matthew 24:4 “Then Jesus replied to them: ‘Watch out that no one deceives you.’”
Synthesis between ancient and modern.
The people who built the city wall would certainly be very surprised by the blue ARAL SuperWash.
Synthese zwischen alt und Moderne.
Die Menschen, die die Stadtmauer erbaut haben, würden sich über den blauen ARAL SuperWash sicherlich sehr wundern.
Shot at Holi, 2013.
My camera getting sprayed with color by this little girl from a 2nd floor balcony in Shakharibazar.
Visit my photoblog: Photo Synthesis
Copyright 2013 Aneek Mustafa Anwar
Contact: labouffon@gmail.com