View allAll Photos Tagged Substrate
Bei der vorherigen Aufnahme des Judasohres legte ich Wert auf eine möglichst große Schärfentiefe um den Pilz und sein Substrat in allen Details darzustellen. Schärfe ist aber nicht alles. Bei diesem Bild der Bluthelmlinge war mir das Spiel mit Schärfe und Unschärfe und vor allem die Lichtsetzung wichtig. Zu diesem Zweck setzte ich einen stärkeren Lichtakzent von links und einen schwächeren von rechts, indem ich dort jeweils einen Litra Torch Lichtwürfel positionierte. Die Schärfenreihe wurde manuell mit dem Sigma 2,8/50 EX DG erstellt.
In the previous photo of the Judas ear, I placed emphasis on the greatest possible depth of field in order to show the mushroom and its substrate in all details. But sharpness isn't everything. In this picture of the Blood Helmets, the play with sharpness and blur and, above all, the lighting was important to me. For this purpose, I created a stronger light accent from the left and a weaker one from the right by positioning a Litra Torch light cube there. The focus series was created manually with the Sigma 2.8/50 EX DG
I loved this bleached marine algae in a rockpool on a beach in South East Scotland. The substrate was limestone. The algae was a brilliant green before it lost its chlorophyll (see adjacent shot).
A second drop collides with the so-called Worthington-jet produced by the impact of the initial drop with the water substrate. I'm novice at this technique - this is my first successful attempt.
Cultivated in SGK = substrate glass culture.
There will be eight blossoms.
The first flower has faded.
Came across a LOAD of these growing on substrate, various stages, and sizes. Can't trace them in any of the fungi books. Any ideas?
Seahorses are fish that don't use their tails to swim - instead, they use them to hang on to the substrate. They like well-attached algae, seagrass and human structures like nets. This seahorse is hanging on to some algae next to the holdfast of a kelp plant. Its relatively long filaments make it blend with its surroundings particularly well... it was a tough one to find on our survey. Hippocampus whitei is listed at threatened.
Mosses are real plants with their stems and leaves. But they have no roots: they attach themselves to the substrate with so-called rhizoids. That surface can be very diverse. There are moss species that live on stones or roofs, others live on trees, dead wood, clay, sand or even under water.
Mosses have important functions in nature. There are species that bind drifting sand or prevent erosion. Moss can be an ideal place for other plants to germinate because it is nice and moist. Tiny animals can find a hiding place there.
www.ivn.nl/department/de-ronde-venen-uithoorn/column-2018...
4x6 Inch pieces
2024
Acrylic on paper or loose canvas
Showing my favorite 20 out of about 50 pieces total made in the test.
This series was made in response to a friend who was looking for a small piece to fill a space on her wall. She set the size and made a verbal request for colors. It was kind of funny and taught me that people describe colors so very differently.
I was testing different papers to finalize one type that I would be using in the future and to see how the paint reacted with the different types of substrates.
Some of the pieces will end up mounted to be hung, but most will be turned into cards (because I didn't size them right when I cut them and they didn't fit). All of them will be used though.
Thank you für viewing, faving and commenting!
Most of the time the photographer is not on it´s photos excepted selfies, mirrors, may be some reflections...
I like to play with my shadow - depending on the substrate the result can be very interesting I think!
Yellow (or white, or pink) Pulsatilla, also commonly known as mountain anemone, is a herbaceous perennial plant belonging to the Ranunculaceae family. Its name derives from the Greek "anemone," meaning "wind," and the Latin "agitare," referring to the oscillating motion of its flowers in the wind. It grows wild in European alpine and subalpine pastures, especially on limestone or dolomitic substrates, at altitudes between 1,200 and 2,500 meters.
Thank you very much for the comments , favorites and views ❤️
Forgive me for repeating myself throughout each photograph but I'm not expecting you, the viewer, to look at each shot I have taken ... of course I would be delighted if you did.
I diagonally cut a small selection of white pieces of paper and fanned them out. What you see is the shots taken at various apertures, angles and direction of light. I found the simplicity effective and pleasing, I hope you do too? Thank you for taking the time to look at them.
Dactylorhiza maculata subs. fuchsii (Orchidaceae) 178 22
Dactylorhiza fuchsii is a widespread and abundant orchid with a distribution throughout temperate Europe, as far east as Siberia and is a member of the large Dactylorhiza maculata group of the genus Dactylorhiza. Dactylorhiza fuchsii and Dactylorhiza maculata share a close morphological resemblance but their differing habitat choice is a key differentiation, with the latter species exclusively a plant of acidic or neutral substrates and Dactylorhiza fuchsii an orchid of alkaline soils. There are also morphological features that serve to distinguish them, among them, the more slender, pointed leaves and less centralized, more discreet lip markings of Dactylorhiza maculata. These characteristics seem to be less apparent in the central and eastern parts of their range and this greater convergence leads some botanists not to recognize any species separation.
Dactylorhiza fuchsii although exclusively tied to non acidic soils, is nonetheless tolerant of a wide range of conditions from the driest chalk grassland to marshes and from full sun to shade. Its flowers are typically pale with bold markings and it's not uncommon to find completely white examples.
Source: Orchids of Britain and Europe.