View allAll Photos Tagged Substrate

Substrate: Populus tremula.

Määraja / Identified By Irja Saar.

Kantküla, Lääne-Virumaa.

Substrate: Picea abies.

Kantküla, Lääne-Virumaa.

Substrate: Picea abies.

Määraja / Identified By Irja Saar.

Lavi, Lääne-Virumaa.

Substrate: Quercus robur.

Eesti punase nimestiku liik, ohulähedane (NT).

Rakvere, Lääne-Virumaa.

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In woodland on ultramafic substrate, plaine des lacs.

Substrate: Populus tremula.

Mägede, Järvamaa.

Substrate: Picea abies.

Leppoja, Harjumaa.

Focus stacking.

 

Playground feature commission for the geoplay park in Paignton Devon. Lots of giant millipedes (arthropleura) and sculpted rocky substrate forming a 20 metre long by 3 metre wide interactive water feature with sluice gates.

Substrate: Populus tremula.

Kantküla, Lääne-Virumaa.

(3)

A printing press is a device for evenly printing ink onto a print medium (substrate) such as paper or cloth. The device applies pressure to a print medium that rests on an inked surface made of moveable type, thereby transferring the ink. Typically used for texts, the invention and spread of the printing press are widely regarded as among the most influential events in the second millennium[1] revolutionizing the way people conceive and describe the world they live in, and ushering in the period of modernity.[2]

The printing press was invented in the Holy Roman Empire by the German Johannes Gutenberg around 1440, based on existing screw presses. Gutenberg, a goldsmith by profession, developed a complete printing system, which perfected the printing process through all of its stages by adapting existing technologies to the printing purposes, as well as making groundbreaking inventions of his own. His newly devised hand mould made for the first time possible the precise and rapid creation of metal movable type in large quantities, a key element in the profitability of the whole printing enterprise.

Substrate: Quercus robur.

Pikametsa, Lääne-Virumaa.

Substrate: Picea abies, on fallen trunk.

Määraja / Identified By Irja Saar.

Mägede, Järvamaa.

Substrate: Populus tremula, on fallen trunk.

Määraja / Identified By Irja Saar.

Tsitre, Harjumaa.

Substrate: Flourite

Plants: Dwarf Hairgrass

Fish: 2 Otos, 2 Mickey Mouse platys, 1 red platy

 

15w "Daylight" CF bulb

DIY CO2

Minor dosing of Flourish every two weeks.

 

Hoping to carpet the tank with the hairgrass.

Uploaded with the Flock Browser

Substrate: Quercus robur.

Sõitme, Harjumaa.

Substrate: Picea abies.

Määraja / Identified By Irja Saar.

Maapaju, Harjumaa.

Substrate: Populus tremula.

Uljaste, Ida-Virumaa.

Substrate: Picea abies.

Kantküla, Lääne-Virumaa.

Substrate: Quercus robur.

Vinni, Lääne-Virumaa.

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Substrate: Sorbus aucuparia.

Määraja / Identified By Irja Saar.

Oru, Põhja-Kõrvemaa.

Substrate: Picea abies, on fallen trunk.

Määraja / Identified By Irja Saar.

Mõdriku, Lääne-Virumaa.

Substrate: Picea abies.

Eesti punase nimestiku liik, ohulähedane (NT).

Nelijärve, Harjumaa.

Focusing on my Orchids...

LightMirror 2011 © All Rights Reserved

Substrate: Populus tremula.

Määraja / Identified By Kadri Runnel.

Eesti punase nimestiku liik, ohustatud (EN).

Lüganuse vald, Ida-Virumaa.

I created this Whimsy gal on Wood. Never used wood before as a substrate. quite challenging.

I think the plastic is acrylic, and had a protective plastic film sheet on it when I obtained it. Thankfully, epoxy is able to glue acrylic to wood. Had it been polyethylene or polypropylene, the adhesive results would have been more problematic.

 

This impressioning tool created a dead-smooth (but flat) surface in the test substrate. Resulting test casts that exhibited spontaneous textures proved that such a process occurs. The limitation of this tool is that it doesn't create curves or sidewalls in the crater, so "ridge flow patterns" and other phenomena won't show up.

 

As Chilcutt mentioned to me, strong compaction of the substrate will often lead to flat ridge peaks. But this does not occur with all desiccation ridges, as is easily demonstrated by sectioning a cast made in a less compacted substrate.

 

There is a Bigfoot groupie from Texas who was unable to comprehend the sense in which I use the term "virgin". Ironically, she was involved in something of a "Sasquatch scandal" some time back, due to her loud, public sexual vocalizations at a family-oriented gathering.

Substrate: Picea abies.

Eesti punase nimestiku liik, äärmiselt ohustatud (CR). LK I.

Kuusalu vald, Harjumaa (Põhja-Kõrvemaa).

Substrate: Tilia cordata.

Kehala, Lääne-Virumaa.

Substrate: Picea abies.

Eesti punase nimestiku liik, ohualdis (VU).

Äntu, Lääne-Virumaa.

Substrate: Phellinus tremulae, Populus tremula.

Eesti punase nimestiku liik, ohualdis (VU). LK III.

Maapaju, Harjumaa.

Substrate: Corylus avellana.

Pikametsa, Lääne-Virumaa.

Substrate: Picea abies, on fallen trunk.

Määraja / Identified By Irja Saar.

Mähuste, Põhja-Kõrvemaa.

Substrate: Betula.

Mõdriku, Lääne-Virumaa.

Substrate: Picea abies.

Kantküla, Lääne-Virumaa.

Substrate: Pinus sylvestris.

Määraja / Identified By Irja Saar.

Männikvälja, Lääne-Virumaa.

Substrate: Populus tremula.

Kõrma, Lääne-Virumaa.

Substrate: Corylus avellana.

Koitjärve, Põhja-Kõrvemaa.

The pattern was made on fiberglass mesh using Weldbond as the adhesive. I drew a pattern first, taped it to my work surface, covered it with plastic sheeting so the glass would not stick to the design and finally covered this with the mesh. I could then begin gluing the tessarae to the mesh.

Substrate: Populus tremula.

Kantküla, Lääne-Virumaa.

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