View allAll Photos Tagged Substrate
The matched pen jigs help us print multi pens per time, even with different artworks. You can not only capture the small minimum to 1 piece, but also the large orders up to thousands of pens.
artisJet provides different pen printers: artis 3000U A3+ and artis 2100U A4 format LED UV printers which can print 16 to 32 pens per time, different for light pens printing and all colors pens printing.
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About two weeks ago, I cleaned the crabitat and replaced the substrate (shredded and ground coconut husks; it looks like dirt but isn't). Hank very quickly burrowed into the fresh, damp substrate and when I didn't see him for a few days thereafter, I suspected he might be molting. Still no signs of him after a week and I was certain a molt was underway. Then Saturday afternoon I noticed Doctor Orpheus had surfaced wearing Hank's shell. I surmised that Orpheus had dug down to the freshly-molted Hank and devoured him, then stole his shell (cannibalism isn't unknown among hermit crabs, though Hank and Dr. O are different species so it's not technically cannibalism, more akin to a human eating a chimp).
But I held out some hope that maybe just maybe Hank had been forced out of his shell and was still somewhere alive under the surface. The next day I very slowly and gently excavated the area where I thought he was and found Orpheus' previous shell, empty, and with no trace of Hank nearby. Nor did I find any dead remains of Hank, but I still had to conclude that he had most likely been killed and eaten while in his vulnerable post-molt state.
Imagine my surprise this evening when I passed by the tank and a scurry of movement caught my eye. There was Hank, naked and still quite pink, but very much alive and seemingly in good spirits. His color seems to indicate his exoskeleton hasn't fully hardened and he should probably still be underground, but having had his shell stolen I think perhaps he surfaced a bit soon. He quickly found another shell and moved right in and is presently scooting around the tank like nothing happened. I'll keep an eye on him and I've put a bit of honey and cuttlebone in (a popular prescription for newly-molted crabs), but so far it looks like a happy ending.
artisJet offers solutions that allows printing on any substrate, regardless the thickness. From extra-thin materials and up to 10 cm height, you can customize anything you can think of for your personalization printing business.
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Lecanora conizaeoides on Tsuga heterophylla
more frequently on old power poles in Seattle
see www.flickr.com/photos/29750062@N06/8632851563/
www.anbg.gov.au/lichen/ecology-polution.html:
Though sulphur dioxide is very damaging to many lichens some are highly tolerant. In the 19th century when coal was a common fuel the resulting smoke was rich in sulphur dioxide and lichen 'deserts' were typical around industrial centres, with very few species (or even none) to be found in such areas. The crustose lichen Lecanora conizaeoides tolerates high sulphur dioxide concentrations and during the later 19th and early 20th centuries was common in or near many of the major industrial cities of Europe. The later 20th century saw the reduction of coal fires as well as the implementation and enforcement of various clean air policies, all of which has led to a great decrease in sulphur dioxide levels in various cities. Such actions have led to an increase in the number of lichen species found in previously polluted urban centres, though in some cases the lichen 're-invasion' has been limited to nitrogen-tolerant species because of the high levels of nitrate or ammonium deposition. Another consequence of reduced sulphur dioxide levels has been the decline in abundance of Lecanora conizaeoides, since various other species easily out-compete it. During the many decades of higher levels of sulphur dioxide the competing species were kept at bay but now the once common Lecanora conizaeoides has become very rare in parts of Europe. Presumably this lichen is now present in levels closer to its levels before the industrial revolution. Lecanora conizaeoides grows naturally on acidic substrates, making it an acidophile. During the 19th and early 20th centuries the higher sulphur dioxide concentrations will have artificially acidified substrates that, otherwise, would not have hosted this lichen.
lichen photos arranged by genus - www.flickr.com/photos/29750062@N06/collections/7215762439...
my photos arranged by subject - www.flickr.com/photos/29750062@N06/collections/
Trying to achieve bright perfect colors? Printing on transparent or dark materials requires the usage of white ink layering which serves as an undercoat.
DTS UV LED white ink offers high-density white which enables rich and vibrant colors on transparent and dark substrates. The DTS3 LED UV inks are developed to offer an excellent adhesion and scratch resistance.
Suitable for Leather, Timber, Glass, Tiles, Metals, Wood, Density boards, Plastic boards to Aluminum.
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You may use this photograph for educational, non-commercial purposes. Credit "Dave Brenner, Michigan Sea Grant"
Please email msgpubs@umich.edu with the following information:
- Photo title, or photo ID
- Your Name
- Name of the publication
- URL for publication (if online)
Substrate: Populus tremula.
Eesti punase nimestiku liik, äärmiselt ohustatud (CR).
Rehessaare, Kõrvemaa.
The glossy varnish offers a smooth, shiny and glossy surface of the printed substrate. In the sunshine, the surface reflects light and that is why the printed media has the very bright and lustrous color.
www.artisjet.com/index.php/en/en-applications/varnish-uv-...
Regardless the substrate’s color, with artisJet printers you can perform bright colorful logo print jobs to stand for brand awareness. With the 3D embossed capability and consistent crisp and detailed text and graphics, you can be sure that you’ll impress the customers.
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Regardless the substrate’s color, with artisJet printers you can perform bright colorful logo print jobs to stand for brand awareness. With the 3D embossed capability and consistent crisp and detailed text and graphics, you can be sure that you’ll impress the customers.
info@artisjet.com
Substrate: Picea abies; Phellinidium ferrugineofuscum, on old fruitbody.
Määraja / Identified By Irja Saar.
Mõdriku, Lääne-Virumaa.
Nickel-tungsten substrates like this shown by Amit Goyal of Oak Ridge National Laboratory's Materials Science and Technology Division are rolled to make a roadbed for high-temperature superconducting wire.
For more information or additional images, please contact 202-586-5251.
You may use this photograph for educational, non-commercial purposes. Credit "Todd Marsee, Michigan Sea Grant"
Please email msgpubs@umich.edu with the following information:
- Photo title, or photo ID
- Your Name
- Name of the publication
- URL for publication (if online)
Substrate: Populus tremula.
Eesti punase nimestiku liik, ohualdis (VU).
Kantküla, Lääne-Virumaa.
(2)
Photos from substrate placement at the Fort Wayne reef restoration site on the Detroit River, 2018. Photo credit: Joseph G. Bailey Great Lakes Dock and Materials; L.L.C.
We still lack a proper definition of energy, but we know that energy causes motion. The smallest particle that we know is moving because of the energy that makes it move in the same way the galaxies are moving because of energy. The energy not only causes movement in things, but all matter is made up of energy, all visible and invisible universe consists of energy. Energy is pure potentiality, the substrate shape.
Things and moving things are the result of energy, however this energy is directed to materialize into things and get things moving. We can not think of energy without an underlying cause that route. The direction of energy is due to the activity level of awareness in your macro, meso and micro. We do not have a definition for consciousness, but we think of consciousness as the "interior" of energy and energy as the "outside" of consciousness. Conscience is the inner, subjective aspect of energy and that energy, be it in physical form or non-physical aspect is the objective or outward expression of consciousness and, therefore, consciousness exists independent of energy. Power is handled by an awareness that energy in the form organizes the material and gives it meaning.
When scoring consciousness must make the distinction between reality and actuality. Reality is consciousness itself, is the subject. Today is the predicate of the subject, are all manifestations of visible and invisible work of the consciousness that focuses on energy. Today is the whole field of manifestation of the work of the consciousness that uses energy to produce and print a form motion to that form. The reality is eternal and the current is changing, and passing on. Consciousness is the reality, the creative element and today is the creation of the creator.
In addition to distinguishing the reality of today must make the distinction between consciousness and awareness. Consciousness is the fundamental core of all existence and awareness is the perception of conscience of any predicate, ie the perception that the creator has in its creation.
Without trying to complicate matters further we must also distinguish itself from the meaning significantly. The meaning is the concept that consciousness produces in its realizations. The meanings exist only in consciousness is also a predicate of consciences and the forms are significant updates and the realizations of consciousness.
We emphasize that consciousness is the subject and the predicate awareness is responsible for perception and for the donation of meaning constructed by consciousness. The energy consciousness works by giving it a shape and movement then takes awareness developed and elaborate than one meaning for their preparation. Awareness is the foundation of everything that exists. We do not live in a universe of objects, but in a universe of experiences of consciousness.
Consciousness develops, realizes and gives meaning to his creation, but has no awareness of it. The subject itself is excluded, is unconscious of itself. When the subject is to exclude only the construction and meaning that becomes a reality independent of the manufacturer, a world of meaning and object. Consciousness loses consciousness of itself and focuses awareness on their representations. The comptroller is that consciousness itself is always present, but as blind spot, in short, consciousness is unconscious of itself. All facts are holographic, or images produced by reconstruction of the energy field by Subject. There is no fact that is not built by consciousness. Oblivious to reality that is totally different from today and the meanings of significant ways. The reality is the field of consciousness macro, meso and micro. The micro consciousness is our own consciousness.
I hope it has become clear that the reality or the natural world is the world of consciousness and all that exists and all mean the world is today. The world of awareness is not the world of consciousness. The development of consciousness is to nullify the entire universe of consciousness and awareness of meaning and consciousness itself. From this moment the subject is in the real world or natural.
In today's world consciousness works giving you the energy forms and meanings in this world and the awareness builds everything that exists including genetic devises ways. The magician in the unnatural world is one that has the technique to prepare forms and meanings. The technique is so accurate that we read in the Srimad Bhagavatam that the wise Kardama exercised its power instantaneously and produced an aerial mansion that raised eyebrows by itself Kardama Muni. Jesus Christ turned water into wine, multiplied loaves and fishes to feed the hunger of many people who heard him. Sathya Sai Baba as a child arrived at school earlier and used to gather the children, was riding an altar with an image or table, with flowers he was carrying, was conducting a ceremony and distributed 'prasad' (food that was offered to God on the altar and then shared among participants). The food offering on the altar were pulled out of his bag when empty and asked him where he came from the food he explained that nature obeyed his will and gave him everything he wanted. Turn Baba that turns the air into food and drink just living in the air he breathes. Swami Pranabananda which comprises the physical body anywhere you want regardless of space and time.
The magician in the natural world detached from any awareness of consciousness to experience itself and all the consciousness of consciousness included macro that is the divine consciousness. Development of consciousness is experiencing reality and not the present. Development means letting go of today.
Should you paint brick?
Occasionally
People are inclined to paint a house exterior to pay for the brick
siding. This is usually because it has become weathered or stained and the expense of a brick restoration is out of the question.
Painting brick is not usually advisable, because this substrate is very
porous and absorbent of moisture, therefore making painting difficult.
If you are set on it, there are some important things to consider.
Firstly,
know that painting brick isn’t reversible. You may repaint it to change the colour however you won’t ever be able to come back to the look that is vulnerable. You must consider if a cleaning or power-washing, or even a sandblasting can achieves instead an look. Some Toronto painting companies are capable of such
work, and likewise should be provided in different cities. You may be amazed by the way in which the pricing contrasts to exterior painting’s alternate option. Some people’s main concern is that there is paint splatter in their brick home, and think hiring painters to
cover it up is your only solution.
If you go ahead with painting,
you require to learn whether your brick has a sealer on it. Some sealers are
almost invisible to the eye, and can be tested by spraying water onto it.
Then you have a sealer present if water beads on the outside. You find that your brick is raw, or if this is the case, surface
preparation must be done to achieve a solid and clean surface. Cleaning
or power-washing is crucial to remove grime and dirt, as well as
removing any loose mortar and debris that may have collected in the
joints or near soffits, etc.. It’s absolutely essential to allow
brick to wash later for 3-4 days minimal. This enables the
brick as moisture can be held by it for a while to dry out. Since you do not want any material when there is any dust or masonry it should be scraped with wire brushes. Gaps in the joints should be re-pointed, or filled up
properly, because deep holes will not get painted properly and enable
moisture to penetrate the wall, leading to problems later on.
Peeling paint on improperly prepared bricks… prevent this!
Can it right now – less headaches later…
Decided to do a little painting and #fall #decorating ift.tt/2xSAQMy
— Jennifer Friddell (@JenniferFridde5) September 26, 2017
platform.twitter.com/widgets.jshttp://www.youtube.com/wat...
If
Your brick was sealed, you have to consider whether it’s paintable
directly or needs an extra primer. You can simply attempt an adhesion
test, which means trying to rub it off and allowing it to cure for a couple hours, and painting some of the finish paint on. If it can’t be
removed together with your fingernail, then you’ll be OK, and you just require a
premium quality paint. For unsealed surfaces, you need to use amasonry primer. You will find that a primer will cut back the
amount of paint required since it seals and prevents absorption that is unnecessary. More importantly, the primer allows for great adhesion.
Its also extremely
important to make sure all regions are sealed well with primer and paint,
because if water may get from the paint and to the brick, likethrough cracks, the moisture may lead to peeling and de-lamination of the
paint. The best deterrent to this is a high quality masonry primer,
because it’s designed to fight the natural chemistry of masonry
products when exposed to moisture, such as the occurrence of
efflorescence. Where paint just peeled off with no effort my Toronto painting firm has consulted with a customer regarding such a problem with brick. The place in question was located near the floor. The fact is that if you follow all
needed steps to painting brick, premature failure can be caused by an inherent moisture problem. Paint can only do but preparing and priming
properly are your best tools in the direction of a long lasting paint job.
Source
The Essential Prep Checklist
www.youtube.com/watch?v=2heF-ZmdOag
Making
Your brick wall look as good as possible before painting guarantees a paint job, and will enable it to last. Do not forget these crucial
steps:
repointing the brick in which mortar has dropped out, worn out, or
is simply too heavy. This can be labor intensive depending on the age and
condition of a brick wall, but well worthwhile.
Fill any openings from old house fixtures where screws and bolts were attached. As for pointing use the identical mortar.
Clean mildew and dry thoroughly before painting. This is normally an
issue near the ground or at regions where rain runoff accumulates. alextrendpainters
If your brick is fairly porous, make certain that you apply a fantastic amount of
primer, 2 coats if essential, so that you build up the coat, and this
will provide a smoother finish.
You want to pick a finish paint which is going to look
Great when. A premium latex exterior paint in a
Finish is excellent upgrade to an eggshell or satin for a, or looking
Additional shine and durability.
From ift.tt/2g0546b
source ift.tt/2xRL6EI
No matter the type of the material, dark or white substrate, artisJet has the solution: LED UV printers, ECO solvent printers, inks, software and accessories for you to develop your business.
A member of the space crop production team pours substrate and controlled release fertilizer into a Veggie plant pillow on Thursday, May 29, 2025, inside the Space Systems Processing Facility at NASA’s Kennedy Space Center in Florida. The plant pillows, along with Veg-03 MNO seed films, which will carry seeds of Red Russian kale, Wasabi mustard greens, and Dragoon lettuce, are set to fly aboard NASA’s SpaceX Crew-11 mission to the International Space Station to grow in the space environment to study how microgravity impacts crop development compared to ground-grown plants. Seed films enable seed handling and planting of seeds into plant pillows allowing for astronaut choice of crops to grow. Plants can provide whole food nutrition, improve menu variety, and positively impact behavioral health of astronauts on long duration missions to the Moon and Mars and space crop research aboard the orbiting laboratory is enabled by NASA’s Biological and Physical Sciences Division and the International Space Station Program. Photo credit: NASA/Cory Huston
NASA image use policy.