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Use without permission is ILLEGAL.

Irton Road Station, Eskdale, Cumbria, UK.

The autocrat

is a helpless person.

Has no ability nor power

but his succours

Enemies of justice,

allies of oppression

  

(Al Kawakibi, Syrian author 1849 - 1902)

Making a bust stop better for disabled people in Darwen, causing traffic mayhem as usual!

Rajasthan, countries in the west have bus stop's but in pushkar camels are the way to go!!

a palm raised towards somebody means "stop".

... Lovin! Sign on the corner of 600 North and 400 East in Orem.

Light trails from the M5 UK looking North

Denver Buildings & Store Fronts

Spotted at the Mail Box Antiques & Gifts in Dime Box, TX

...the city belongs to it`s citizins

 

demonstration, berlin, kreuzberg, so 36

2012 june 9th

 

police and demonstrators clash after two of the latter were violently arrested

she needs some time to change herself

let the blue go away

 

no more grumble

Anthony in a tube in the Cant Stop video

Sign reads:

 

Community Watch Area

 

Trust, Respect, and Communication are essential to healthy community; Protect your friends and neighbors from uniformed gang members and other suspicious characters.

 

Police Not Welcome

  

My FIRST EVER stop motion! :):)

hope you like it :)

 

This song is My Rollercoaster by Kimya Dawson, it's used in the Juno soundtrack.

 

Do not use this photo without my permission © All rights reserved Goldfish

 

ho deciso di smettere di dar soldi allo stato per ammazzarmi...

i soldi mi serviranno per qualcosa di più utile...tipo un nuovo obbiettivo!!!

  

Sunset walk through the vineyards of Saint-Emilion

On the road from Kasese to Kampala.

Cycling home to Brighton along the seafront from Worthing

Crews from Glide, Steamboat and Prospect worked to clear OR 62, OR 138 and OR 230 following a snowstorm.

Kaho & edits: Me

Akizuki: Crimson Bionic Cosplay

Photographer: Foxbent

Anime: Blend-S

Taken at Louisianime

Stop, Look, Listen was created by two professional artists and a team of youth artists as part of the Groundswell Community Mural Project’s flagship Summer Leadership Institute (SLI). SLI teams spend seven weeks during working with artists and community-based organizations, learning job skills and creating public art throughout New York City. This mural, created at the request of Brooklyn Community Board 7, focuses on traffic and pedestrian safety education, as well as site-specific themes and cultural diversity. The mural’s bold colors and graphic design make it a welcome addition to the neighborhood. At over 200 feet in length, the SLI team’s quick, careful, and detailed execution of this mural was a great accomplishment!

 

The safety education focus of this mural was informed by workshops lead by NYCDOT Safety Education. The artists and youth artists researched safety issues near the mural site which influenced their final design. Speed of vehicular traffic, high levels of carbon dioxide in the air, and the need for all modes of transportation to respectfully share the streets are just a few of the themes beautifully integrated in to this mural.

 

NYCDOT Urban Art Program, Special Project

Stop, Look, Listen by Conor McGrady and Amy Mahnik

Presented with NYCDOT Safety Education and Groundswell Community Mural Project

7th Ave between 62nd and 64th St, Sunset Park, Brooklyn

www.nyc.gov/urbanart

www.conormcgrady.com/

 

This is my FIRST!

It is dumb.

I just wanted to make one! (:

  

My life has been having some twists lately. They really scare me. I don't really know what to do, what to say, who to talk to.

 

I wish you all the best! (:

With Performing Arts Centre (PAC) Director General Lina Attel and actors of the play 'Stop', following the theatrical performance, which was directed by Attel and produced by PAC and the National Theatre in Education and Troupe.

Amman, Jordan / May 16, 2006

 

مع فريق المسرحية المرورية "قف" التي تعتبر من فعاليات الحملة الوطنية للتوعية المرورية والتي تستهدف فئة الطلاب من خلال تركيزها على تعزيز الوعي المروري بتعليمات وإرشادات المرور

عمان، الاردن / 16 أيار 2006

 

© Royal Hashemite Court

Public art is successful if it makes people stop, look and think and on that basis this work by Rowan Gillespie is a huge success.

 

Today when I visited there was a large number of young American tourists there and their guide was telling them about the "Irish Potato Famine". Americans refer to it as the "Irish Potato Famine" while we in Ireland to it as the "Famine" or the "Great famine"

 

Rowan Fergus Meredith Gillespie (born 1953) is an Irish bronze casting sculptor of international renown. Born in Dublin to Irish parents, Gillespie spent his formative years in Cyprus.

 

The Irish Famine and subsequent catastrophic migration has motivated two major works by Gillespie, and so it must be said that the portrayal of Famine, is a major theme of the artist's work. In several of his site specific pieces, such as Famine (1997) on the Custom House Quay in Dublin, his life-sized human figures are emaciated and haunting.

 

In June 2007, a series of statues by Gillespie was unveiled by President Mary McAleese on the quayside in Toronto's Ireland Park.

  

In Ireland, the Great Famine was a period of mass starvation, disease and emigration between 1845 and 1852.

 

During the Famine approximately 1 million people died and a million more emigrated from Ireland, causing the country's population to fall by between 20% and 25%. The cause of famine was a potato disease commonly known as potato blight. Although blight ravaged potato crops throughout Europe during the 1840s, the impact and human cost in Ireland — where one-third of the population was entirely dependent on the potato for food—was exacerbated by a host of political, social and economic factors which remain the subject of historical debate.

 

The famine was a watershed in the history of Ireland. Its effects permanently changed the island's demographic, political and cultural landscape. For both the native Irish and those in the resulting diaspora, the famine entered folk memoryand became a rallying point for various nationalist movements. Modern historians regard it as a dividing line in the Irish historical narrative, referring to the preceding period of Irish history as "pre-Famine".

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