View allAll Photos Tagged SteelFramework
I captured this scene from an overpass near Bologna Centrale station, across from the signal house with its steel framework spanning the tracks. In the center of the structure a large clock was mounted, clearly visible above the converging rails and electrical lines.
The design of the signal house itself stood out to me, its elevated form and intricate framework contrasting with the dense infrastructure of tracks, wiring, and surrounding urban buildings.
Cogitur (Latin): "It is assembled / compelled into shape")
(EN) Steel meets sky over Ibi. A tower crane sweeps its diagonal ambition across a cotton-wool afternoon while workers on a cherry picker attend to the emerging skeleton of what will become an extension to AIJU — the toy and childhood innovation centre, part-funded by the European Commission.
The rebar stubs reach upward like unfinished sentences; the structural steel frames an architecture that exists, for now, only as geometry and intention. Cumulus clouds oblige with the drama.
Thank you to everyone who takes a moment to comment, and especially to those who award one of their favourites — I see every one and appreciate your support, feedback and insights enormously. I visit profiles and reply to genuine comments – and return favourites as often as free time allows.
_
(ES) Gracias a todos los que se toman un momento para comentar, y especialmente a quienes otorgan uno de sus favoritos — veo cada uno y agradezco enormemente vuestro apoyo, comentarios e ideas. Visito perfiles y respondo a los comentarios sinceros — y devuelvo los «me gusta» tan a menudo como mi tiempo libre me lo permite.
Acero y cielo sobre Ibi. Una grúa torre traza su diagonal ambiciosa sobre una tarde de nubes de algodón, mientras operarios en plataforma elevadora atienden el esqueleto emergente de la futura ampliación del AIJU — el centro de innovación del juguete y la infancia, cofinanciado por la Comisión Europea.
Los espigos de armadura apuntan hacia arriba como frases inacabadas; la estructura metálica perfila una arquitectura que existe, por ahora, sólo como geometría e intención. Los cúmulos hacen lo propio con su dramatismo.
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Lines, patterns and vanishing points converge into a tunnel of steel reaching for the open sky. A place where engineering becomes art, and where the idea of “sky is the limit” feels almost literal.
Fun fact: Telecom towers in Norway are engineered to withstand extreme wind loads — in coastal areas like Agder, some structures are certified to tolerate gusts exceeding 40–50 m/s. Many towers also serve multiple purposes: mobile networks, emergency services, maritime communication and broadcast signals often coexist on the same structure.
A low-angle vintage-style photograph captures La Grande Roue Ferris wheel towering against a bright blue sky with wispy clouds at La Ronde on Saint Helen's Island in Montreal.
An industrial facility with white storage tanks and complex piping stands behind railway tracks under a clear blue sky.
The sun rises over San Francisco Bay, painting the sky in gradients of orange, pink, and deepening blue while the iconic shipyard cranes of Pier 70 stand in silhouette. This is the view that greeted generations of maritime workers arriving for early shifts—the industrial skyline that built America's Pacific naval power now transformed into one of the city's most evocative historic landmarks. Those gantry cranes marching across the horizon are among the most recognizable structures at Pier 70. Their skeletal steel frameworks, designed for lifting massive ship components and machinery, create a rhythmic pattern against the colorful dawn sky. During World War II, cranes like these operated around the clock, hoisting steel plates, engines, and armaments onto vessels destined for the Pacific theater. The distinctive A-frame shape allowed them to straddle railway tracks that once crisscrossed the shipyard, moving materials from fabrication shops to drydocks with industrial efficiency. The water catches and reflects the warm sunrise colors, creating a mirror image that doubles the visual impact. San Francisco Bay has always been central to the city's identity and economy—first as a Gold Rush gateway, then as a maritime and naval powerhouse, and now as a contested space where public access, environmental restoration, and development pressures collide. This particular stretch of waterfront, once closed to civilians for security and operational reasons, has gradually opened to public use as the shipyard's industrial functions wound down. Sailboat masts visible on the left frame the scene, reminding us how this working waterfront has transitioned. Where cargo ships and naval vessels once dominated, recreational sailors now navigate these waters. It's a shift repeated across San Francisco's waterfront—from commercial and industrial uses toward residential, recreational, and mixed-use development. The tension between honoring maritime heritage and accommodating contemporary urban needs defines much of the conversation around places like Pier 70. The composition itself emphasizes the scale and drama of industrial infrastructure. Silhouetting the cranes against the saturated sky transforms functional machinery into sculpture, their geometric forms creating visual interest through repetition and variation. The foreground remains in deep shadow, focusing attention on that brilliant horizon where industrial history meets natural beauty. This is the kind of view that makes San Francisco special—a city where working landscapes and stunning natural settings coexist, where you can witness both human ambition and environmental grandeur in a single frame. For decades, these cranes represented economic vitality and American industrial might. Now they stand as monuments to a bygone era, preserved not for their utility but for their historical and aesthetic value. Their presence reminds us that San Francisco wasn't always a tech hub—it was a city built by people who worked with their hands, who built ships and loaded cargo, who operated cranes and welded steel. As the city transforms, these structures anchor us to that history.
The Thames Iron Works, Shipbuilding & Engineering Company, Limited.
It once had 3,000 full time employees and built warships for the Royal Navy.
Started 1837- Defunct 1912.
LR3793 © Joe O'Malley 2020
Christmas in the bin, .. in fact bins in this case !.
The rotating anti-trespass spikes look like Christmas decorations ...
LR2684
Beautiful sunset as seen from the grounds of the Rixos Konya hotel in Konya, Turkey
Click here to see more of my sunset images:
The Selfridges Building, a landmark building in Birmingham, West Midlands.
The building is part of the Bullring Shopping Centre and houses Selfridges Department Store. The building was completed in 2003 at a cost of £60 million and designed by architecture firm Future Systems. It has a steel framework with sprayed concrete façade and aluminium disc cladding. Since its construction the building has become an iconic architectural landmark and seen as a major contribution to the regeneration of Birmingham
The architecture firm Future Systems were appointed by Selfridge's then chief executive, Vittorio Radice, to design only the third store outside London. Although Selfridges was physically integrated with the Bullring Shopping Centre the client wanted a distinct design approach which would set the store apart from the rest of the development and become an instantly recognisable signpost for the brand. The building's facade is curved, wrapping around the corner of Moor Street and Park Street. The facade comprises 15,000 anodised aluminium discs mounted on a blue background.
After construction the building won a number of awards including:-
RIBA Award for Architecture 2004
Concrete Society Awards, Overall Winner 2004
Structural Steel Awards 2004
Royal Fine Art Commission Trust, Retail Innovation 2004
Institution of Civil Engineers, Project Award Winner 2004
Civic Trust Award 2004
Retail Week Awards, Retail Destination of the Year 2004
The Selfridges Building, a landmark building in Birmingham, West Midlands.
The building is part of the Bullring Shopping Centre and houses Selfridges Department Store. The building was completed in 2003 at a cost of £60 million and designed by architecture firm Future Systems. It has a steel framework with sprayed concrete façade and aluminium disc cladding. Since its construction the building has become an iconic architectural landmark and seen as a major contribution to the regeneration of Birmingham
The architecture firm Future Systems were appointed by Selfridge's then chief executive, Vittorio Radice, to design only the third store outside London. Although Selfridges was physically integrated with the Bullring Shopping Centre the client wanted a distinct design approach which would set the store apart from the rest of the development and become an instantly recognisable signpost for the brand. The building's facade is curved, wrapping around the corner of Moor Street and Park Street. The facade comprises 15,000 anodised aluminium discs mounted on a blue background.
After construction the building won a number of awards including:-
RIBA Award for Architecture 2004
Concrete Society Awards, Overall Winner 2004
Structural Steel Awards 2004
Royal Fine Art Commission Trust, Retail Innovation 2004
Institution of Civil Engineers, Project Award Winner 2004
Civic Trust Award 2004
Retail Week Awards, Retail Destination of the Year 2004
The Selfridges Building, a landmark building in Birmingham, West Midlands.
The building is part of the Bullring Shopping Centre and houses Selfridges Department Store. The building was completed in 2003 at a cost of £60 million and designed by architecture firm Future Systems. It has a steel framework with sprayed concrete façade and aluminium disc cladding. Since its construction the building has become an iconic architectural landmark and seen as a major contribution to the regeneration of Birmingham
The architecture firm Future Systems were appointed by Selfridge's then chief executive, Vittorio Radice, to design only the third store outside London. Although Selfridges was physically integrated with the Bullring Shopping Centre the client wanted a distinct design approach which would set the store apart from the rest of the development and become an instantly recognisable signpost for the brand. The building's facade is curved, wrapping around the corner of Moor Street and Park Street. The facade comprises 15,000 anodised aluminium discs mounted on a blue background.
After construction the building won a number of awards including:-
RIBA Award for Architecture 2004
Concrete Society Awards, Overall Winner 2004
Structural Steel Awards 2004
Royal Fine Art Commission Trust, Retail Innovation 2004
Institution of Civil Engineers, Project Award Winner 2004
Civic Trust Award 2004
Retail Week Awards, Retail Destination of the Year 2004
The Selfridges Building, a landmark building in Birmingham, West Midlands.
The building is part of the Bullring Shopping Centre and houses Selfridges Department Store. The building was completed in 2003 at a cost of £60 million and designed by architecture firm Future Systems. It has a steel framework with sprayed concrete façade and aluminium disc cladding. Since its construction the building has become an iconic architectural landmark and seen as a major contribution to the regeneration of Birmingham
The architecture firm Future Systems were appointed by Selfridge's then chief executive, Vittorio Radice, to design only the third store outside London. Although Selfridges was physically integrated with the Bullring Shopping Centre the client wanted a distinct design approach which would set the store apart from the rest of the development and become an instantly recognisable signpost for the brand. The building's facade is curved, wrapping around the corner of Moor Street and Park Street. The facade comprises 15,000 anodised aluminium discs mounted on a blue background.
After construction the building won a number of awards including:-
RIBA Award for Architecture 2004
Concrete Society Awards, Overall Winner 2004
Structural Steel Awards 2004
Royal Fine Art Commission Trust, Retail Innovation 2004
Institution of Civil Engineers, Project Award Winner 2004
Civic Trust Award 2004
Retail Week Awards, Retail Destination of the Year 2004
An example of elementary construction methods, along the Tanami Track (either WA or NT)
Steel framework & corrugated iron, eminently transportable by camel, re-usable for so many purposes...
[Elementary construction_TanamiTrack_MS_IMG_3522]
Especially for Rob Brindley....
More Melbourne faff........looking skywards through the architecture, across the Yarra River from Federation Square, Melbourne, Victora - Australia
Explore # 362
The Selfridges Building, a landmark building in Birmingham, West Midlands.
The building is part of the Bullring Shopping Centre and houses Selfridges Department Store. The building was completed in 2003 at a cost of £60 million and designed by architecture firm Future Systems. It has a steel framework with sprayed concrete façade and aluminium disc cladding. Since its construction the building has become an iconic architectural landmark and seen as a major contribution to the regeneration of Birmingham
The architecture firm Future Systems were appointed by Selfridge's then chief executive, Vittorio Radice, to design only the third store outside London. Although Selfridges was physically integrated with the Bullring Shopping Centre the client wanted a distinct design approach which would set the store apart from the rest of the development and become an instantly recognisable signpost for the brand. The building's facade is curved, wrapping around the corner of Moor Street and Park Street. The facade comprises 15,000 anodised aluminium discs mounted on a blue background.
After construction the building won a number of awards including:-
RIBA Award for Architecture 2004
Concrete Society Awards, Overall Winner 2004
Structural Steel Awards 2004
Royal Fine Art Commission Trust, Retail Innovation 2004
Institution of Civil Engineers, Project Award Winner 2004
Civic Trust Award 2004
Retail Week Awards, Retail Destination of the Year 2004
This view is of the Grand Central Terminal platform tracks that were exposed during the early construction phase of the new Chemical Bank building located at 277 Park Avenue in New York City, ca 1962, Houser Collection. A New Haven Railroad train led by an EP-5 "Jet" electric locomotive is seen with its nose shown below. What is seen of the New Haven train is Osgood-Bradley "American Flyer" cars (coach). This is an interesting scene showing the on-going demolition with workers present while the trains keep on operating. In the center foreground is seen what appears to be a side dumping gondola.
Most of the following comments relate to my errant former description for this construction site as being the demolition of Pennsylvania Station, but of course it was not!
Detail of one of the legs (or towers) of the Newport Transporter Bridge.
The Newport Transporter Bridge is a crossing of the River Usk in Newport, Wales. It is a Grade I listed structure. Designed by French engineer Ferdinand Arnodin, it was built between 1902 and 1906 and opened by Godfrey Charles Morgan, 1st Viscount Tredegar on 12 September 1906. The span is an example of the very rare transporter bridge concept, of which only eight exist worldwide. Service has been suspended indefinitely since the end of 2007.
The design was chosen because the river banks are very low at the desired crossing point (a few miles south of the city centre) where an ordinary bridge would need a very long approach ramp to attain sufficient height to allow ships to pass under, and a ferry could not be used during low tide at the site.
The height of the towers is 242 feet (74 m) and the height of the horizontal beam above the road is 177 feet (54 m). The transporter platform or gondola travels the 645 feet (196.6 m) between the towers at ten feet (three metres) per second, powered from the engine room. This Transporter Bridge is the largest of the eight which remain worldwide, and the oldest of its type in Britain.
The bridge was shut down in 1985 because of wear. Following a £3 million refurbishment, it reopened in 1995 and operated until late 2007 before service was indefinitely suspended. Today, the bridge is widely regarded as the most recognisable symbol of the city of Newport.
[from Wikipedia]
Enjoy it large and on black.
The Selfridges Building, a landmark building in Birmingham, West Midlands.
The building is part of the Bullring Shopping Centre and houses Selfridges Department Store. The building was completed in 2003 at a cost of £60 million and designed by architecture firm Future Systems. It has a steel framework with sprayed concrete façade and aluminium disc cladding. Since its construction the building has become an iconic architectural landmark and seen as a major contribution to the regeneration of Birmingham
The architecture firm Future Systems were appointed by Selfridge's then chief executive, Vittorio Radice, to design only the third store outside London. Although Selfridges was physically integrated with the Bullring Shopping Centre the client wanted a distinct design approach which would set the store apart from the rest of the development and become an instantly recognisable signpost for the brand. The building's facade is curved, wrapping around the corner of Moor Street and Park Street. The facade comprises 15,000 anodised aluminium discs mounted on a blue background.
After construction the building won a number of awards including:-
RIBA Award for Architecture 2004
Concrete Society Awards, Overall Winner 2004
Structural Steel Awards 2004
Royal Fine Art Commission Trust, Retail Innovation 2004
Institution of Civil Engineers, Project Award Winner 2004
Civic Trust Award 2004
Retail Week Awards, Retail Destination of the Year 2004
Sanno Park Tower, an iconic high-rise in Tokyo’s Chiyoda district, seamlessly combines sleek, modern architecture with functional design. Completed in 2000, this 44-story building is notable for its sophisticated structural lines and innovative architectural features that highlight Japan's commitment to combining aesthetics with practicality. Designed by renowned architectural firm Mitsubishi Jisho Sekkei, the building is a masterpiece of Japanese urban design, showcasing minimalist yet impactful features that make it stand out in Tokyo's skyline.
One of the building’s unique architectural highlights is the circular glass structure at its entrance, which creates a visually striking focal point. This pavilion-like addition, with its radial design and metal framework, provides a sense of openness and flow that welcomes visitors while maintaining a distinctively modern feel. The glass and steel elements reflect light beautifully, especially on rainy days, adding an element of elegance to the entire structure. The area around Sanno Park Tower is immaculately landscaped, providing a balance between the building’s imposing presence and the surrounding greenery.
Sanno Park Tower serves as a business hub and is home to major companies and government offices, making it a vital part of Tokyo’s economic landscape. The tower's environmentally conscious design incorporates energy-saving technologies and sustainable materials, reflecting Japan's ongoing dedication to eco-friendly construction practices. With its blend of modern aesthetics and thoughtful design, Sanno Park Tower is not just a building; it’s a statement on the future of urban architecture in Tokyo. This landmark appeals to architecture enthusiasts and photographers alike, capturing the spirit of contemporary Japanese design.
A stylish hardback book illustrating the work of the United Steel Construction Co. Ltd., a branch of the United Steel Companies Ltd. that had been set up as an independent entity from the Constructional Department of the Appleby-Frodingham Iron & Steel Company of Scunthorpe. This had grown from its origins in 1903 and had evolved into a plant capable of fabricating, supplying and erecting steelwork for almost any branch of construction from domestic properties, through commercial buildings and up to and including complete factories, power stations and bridges. The Structural Company had a speciality in the form of the patent "Castella" beam, a form of lightweight structural unit.
The United Steel Companies, based in the Yorkshire and Lincolnshire area, were formed in 1918 by the amalgamation of Samuel Fox and Company of Stocksbridge; Steel, Peech and Tozer of Templeborough and Ickles in Rotherham and the Appleby-Frodingham Steel Company of Scunthorpe. The company were also integrated in that they owned various collieries and traded in coal and coke by-products. The company was Nationalised in 1951 but rapidly returned to private ownership in 1954.
The book looks at a range of building types and illustrates them with drawings and photographs showing specific projects the United Structural Steel Co. Ltd. had been involved in. It is not dated but there is what is possibly a print code dating this to 1955.
This page shows another post-war reconstruction of a store most likely lost in the Blitz. This is of the Marks and Spencer's branch in Swansea, South Wales and shows the framework being erected alongside the finished shop. Again this is in a very '50s architectural style but although the consulting engineer is shown, one Donovan H. Lee, and the contractors, Bovis Ltd. again, no architect is shown.
Bridge in night. Shoot in Chongqing China
You can buy it in :http://www.istockphoto.com/stock-photo-25203631-bridge.php
The Selfridges Building, a landmark building in Birmingham, West Midlands.
The building is part of the Bullring Shopping Centre and houses Selfridges Department Store. The building was completed in 2003 at a cost of £60 million and designed by architecture firm Future Systems. It has a steel framework with sprayed concrete façade and aluminium disc cladding. Since its construction the building has become an iconic architectural landmark and seen as a major contribution to the regeneration of Birmingham
The architecture firm Future Systems were appointed by Selfridge's then chief executive, Vittorio Radice, to design only the third store outside London. Although Selfridges was physically integrated with the Bullring Shopping Centre the client wanted a distinct design approach which would set the store apart from the rest of the development and become an instantly recognisable signpost for the brand. The building's facade is curved, wrapping around the corner of Moor Street and Park Street. The facade comprises 15,000 anodised aluminium discs mounted on a blue background.
After construction the building won a number of awards including:-
RIBA Award for Architecture 2004
Concrete Society Awards, Overall Winner 2004
Structural Steel Awards 2004
Royal Fine Art Commission Trust, Retail Innovation 2004
Institution of Civil Engineers, Project Award Winner 2004
Civic Trust Award 2004
Retail Week Awards, Retail Destination of the Year 2004
The Selfridges Building, a landmark building in Birmingham, West Midlands.
The building is part of the Bullring Shopping Centre and houses Selfridges Department Store. The building was completed in 2003 at a cost of £60 million and designed by architecture firm Future Systems. It has a steel framework with sprayed concrete façade and aluminium disc cladding. Since its construction the building has become an iconic architectural landmark and seen as a major contribution to the regeneration of Birmingham
The architecture firm Future Systems were appointed by Selfridge's then chief executive, Vittorio Radice, to design only the third store outside London. Although Selfridges was physically integrated with the Bullring Shopping Centre the client wanted a distinct design approach which would set the store apart from the rest of the development and become an instantly recognisable signpost for the brand. The building's facade is curved, wrapping around the corner of Moor Street and Park Street. The facade comprises 15,000 anodised aluminium discs mounted on a blue background.
After construction the building won a number of awards including:-
RIBA Award for Architecture 2004
Concrete Society Awards, Overall Winner 2004
Structural Steel Awards 2004
Royal Fine Art Commission Trust, Retail Innovation 2004
Institution of Civil Engineers, Project Award Winner 2004
Civic Trust Award 2004
Retail Week Awards, Retail Destination of the Year 2004
"The U.S. Steel Building appropriately has its steel framework outside the shell of the structure, which is a great hemisphere of gleaming stainless steel with an area of 28,000 square feet. Visitors who enter see a dramatic presentation of the world of tomorrow which steel will help to build. Walter Dorwin Teague has designed both the building and the exhibit and the architects are York & Sawyer." [Description on the back of the postcard.]
Boulton & Paul were a long established general construction and fabrication company whose roots dated back to mid-Victorian times in Norwich. During the First World War they became involved in aircraft construction, and this division was in time spun off as a separate company. This 1953 advert is for their work in steel framework and construction and highlights housing in Cromer Street, near Kings Cross in London, being constructed for the local authority, the Metropolitan Borough of St. Pancras.
The Westhafen Tower is a striking modern skyscraper located in Frankfurt, Germany.
Completed in 2004, it stands 109.8 meters tall with 30 floors. Its most iconic feature is the cylindrical design, covered with a green-tinted, diamond-shaped glass facade, often referred to as "the Geripptes" for its resemblance to a traditional Frankfurt apple wine glass.
Positioned near the Main River, the tower is primarily used for office spaces and is a prominent part of the city's skyline, blending contemporary architecture with its vibrant surroundings.
Black and white architectural landscape photograph taken from the ironwork bridge of the Manchester Metrolink tram system at Deansgate, looking up at modern tower blocks through the geometric steel framework. The image captures the dramatic perspective created by the tram bridge's metal structure, with strong diagonal lines and angular patterns framing the view of high-rise buildings above. The monochrome treatment emphasizes the contrast between the industrial ironwork in the foreground and the sleek modern architecture beyond, creating a dynamic composition that showcases Manchester's urban infrastructure and contemporary skyline from this unique elevated viewpoint.