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Palmer, Alfred T.,, photographer.
Smoke stacks
1942
1 transparency : color.
Notes:
Title from FSA or OWI agency caption.
Transfer from U.S. Office of War Information, 1944.
Subjects:
World War, 1939-1945
Smokestacks
Industrial facilities
Format: Transparencies--Color
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Farm Security Administration - Office of War Information Collection 12002-28 (DLC) 93845501
General information about the FSA/OWI Color Photographs is available at hdl.loc.gov/loc.pnp/pp.fsac
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/fsac.1a35072
Call Number: LC-USW36-376
Some work is going to begin on the powerlines it appears, these logs must be for a temporary roadway...or just a good background for a portrait photographer
Among the natural rock formations, there is stonework that was carried out by convicts who cut and stacked the stone blocks to build the pathways.
Hamilton, Ontario has a large industrial sector and, as a result, shipping is an essential element in keeping that sector operating. To that end, standardized shipping containers are used and, when they are awaiting either loading onto ships for transport to their ultimate destination or awaiting further distribution following off-loading from ships, the containers area stacked neatly, as seen here. The resulting pattern of multi-coloured ‘boxes’ is captured here in an industrial area. - JW
Date Taken: 2024-04-22
Date PP: 2024-04-24
(c) Copyright 2024 JW Vraets
If you are interested in prints or licensing of any of my images, DM me with a brief description of what you may be looking for.
Tech Details:
Taken using a hand-held Nikon D800 fitted with an Tamron 100-400mm 1:4.5-6.3 DI VC USD lense set to 290mm, ISO220 (Auto ISO), Daylight WB, Matrix metering, Shutter Priority Mode, f/6.0 (wide open), 1/800 sec. PP in free Open Source GIMP from Nikon RAW/NEF file: scale image to 9000 px wide, apply distortion correction to remove pincushion distortion, level the image, apply Tone Mapping as well as Dynamic Range Compression at default levels to bring out textures and tame the extreme brightness range, darken overall by setting Exposure Compensation to EV-0.52, boost Contrast as well as Chromaticity in L-A-B mode, adjust colour temperature by setting it to 5500K (slightly warmer), sharpen (edges only), save. PP in free Open Source GIMP: use the Contrast/Brightness tool to both increase contrast and also brighten somewhat, use the Hue-Saturation-Brightness tool to boost overall saturation, sharpen, save, add fine black-and-white frame, add bar and text on bottom, save, scale image to 3000 px wide for posting online, sharpen, save.
The old Steamer Nicolet is being towed to Rail to Water in this view at 95th St. in October 1973. The stack gases were blowing right at us!
bring this back around for the Digging in the Archives Tuesday group :)........the URL is here, if you'd like to add a picture or 2 :)
www.flickr.com/groups/2730574@N22/
29/365.........
~~grinning~~
ANSH scavenger20 Stacked
1171/10/30
LVRM 130 enters River Yard in Bethlehem, PA with their intermodal set-out for NS in tow as the forlorn stacks of Bethlehem Steel stand in the background. September 15, 2018.
Ben Stack and the River Laxford, Sutherland at dawn.
Copyright www.neilbarr.co.uk. Please don't repost, blog or pin without asking first. Thanks
I liked the striking diagonals formed from this collection of stacked chairs in Manchester Cathedral.
This image was taken from about 2 dozen stacked images of a fire sky sunrise: www.flickr.com/photos/79387036@N07/38659797831/in/photost... and darkened in Photoshop.
I like producing these quasi-abstracts because it requires a balance between the right number of stacked images and the speed of the clouds between each frame. I never know what the end product will look like and am always surprised.
Lightening stacked clouds often result in a more look of a star field when warp drive is engaged: www.flickr.com/photos/79387036@N07/37893063574/in/datepos...
Darkenng stacked clouds show more variability and can be more interesting as colors explode across the spectrum.
In any event, fire sky clouds are the best for using this technique.
Try it out. It's a fun way to create with the colors nature provides us.
Palmer, Alfred T.,, photographer.
Smoke stacks
1942
1 transparency : color.
Notes:
Title from FSA or OWI agency caption.
Transfer from U.S. Office of War Information, 1944.
Subjects:
World War, 1939-1945
Smokestacks
Industrial facilities
Format: Transparencies--Color
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Farm Security Administration - Office of War Information Collection 12002-28 (DLC) 93845501
General information about the FSA/OWI Color Photographs is available at hdl.loc.gov/loc.pnp/pp.fsac
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/fsac.1a35069
Call Number: LC-USW36-373
40 images shot with a D600/105mm f/2.8 tethered to a laptop with Control My Nikon and stacked with Zerene Stacker.
f/8 1/40s ISO250
Fifty minutes of the Earth's rotation captured on a moonlit night at the spectacular Stacks of Duncansby
Elephant Seals spend a great deal of their time lounging on beaches, often lying on top of each other. These are young males that haven't quite developed their enormous proboscis, nor their fighting spirit. They are the largest pinniped in the world, even larger than Walrus, which is pretty big. They were on the beach at St Andrews Bay on South Georgia.
Multiple image captures, combined into one focus stack of this Dahlia flower.
DISCLOSURE: I am an artist, not a documentary photographer. When editing my images, I sometimes clone, manipulate, or otherwise change the photo content.
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MRS_20170416_194_LM_clean_stack_web_v1_700h_iwm - ©Matthew Schwartz, All Rights Reserved.
This image is protected by Copyright, and is not available for ANY use without the explicit written permission of the photographer. Thank you for being respectful of the time, money, and hard work I put into creating my fine art images.